Autumn Leaves

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Toy (take 8)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-02-21)
double bass [bass]:
Percy Heath (on 1961-02-21)
drums (drum set):
Connie Kay (on 1961-02-21)
piano:
Bill Evans (pianist) (on 1961-02-21)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-21)
cover recording of:
Toy (on 1961-01-27)
composer:
Clifford Jordan
publisher:
Upam Music Co.
recording of:
Toy (on 1961-02-21)
composer:
Clifford Jordan
publisher:
Upam Music Co.
5:07
2I’ve Told Every Little Star
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
I’ve Told Ev’ry Little Star (on 1959-04-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
Music in the Air
3:39
3Nancy (with the Laughing Face)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-01-27)
bass and double bass:
Percy Heath (on 1961-01-27)
drums (drum set):
Connie Kay (on 1961-01-27)
piano:
Bill Evans (pianist) (on 1961-01-27)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-01-27)
instrumental recording of:
Nancy (With the Laughing Face) (on 1961-01-27)
lyricist:
Phil Silvers (actor)
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
4:08
4If This Isn’t Love
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
If This Isn’t Love (from “Finian’s Rainbow”) (on 1959-04-12)
lyricist:
Yip Harburg
composer:
Burton Lane
part of:
Finian’s Rainbow (1947 Broadway musical)
5:32
5Grand Central
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) and Count Records (in 2013)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
recording of:
Grand Central (on 1959-02-03)
composer:
John Coltrane
publisher:
Jowcol Music
4:33
6One for Daddy‐O
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1997, in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) and Count Records (in 2013)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
recording of:
One for Daddy‐O (on 1958-03-09)
composer:
Nat Adderley
8:25
7Venice
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-03-13)
double bass:
Percy Heath (on 1961-03-13)
drums (drum set):
Connie Kay (on 1961-03-13)
piano:
Bill Evans (pianist) (on 1961-03-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-03-13)
recording of:
Venice (on 1961-03-13)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
publisher:
MJQ Music, Inc. and Rayven Music
2:56
8Limehouse Blues
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999, in 2001) and Count Records (in 2013)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
instrumental cover recording of:
Limehouse Blues (on 1959-02-03)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
44:40
9Autumn Leaves
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999), Mastercorp Pty Ltd (in 2011) and Count Records (in 2013)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1958-03-09)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
511:00
10Waltz for Debby
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-03-13)
double bass:
Percy Heath (on 1961-03-13)
drums (drum set):
Connie Kay (on 1961-03-13)
piano:
Bill Evans (pianist) (on 1961-03-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2011), Dobre Records (in 2009), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-03-13)
recording of:
Waltz for Debby (instrumental) (on 1961-03-13)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
45:18
11I Remember You
recorded in:
New York, New York, United States (on 1959-05-12)
alto saxophone:
Cannonball Adderley (on 1959-05-12)
double bass:
Percy Heath (on 1959-05-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-05-12)
piano:
Wynton Kelly (on 1959-05-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
I Remember You (on 1959-05-12)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
6:53
12Barefoot Sunday Blues
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
recording of:
Barefoot Sunday Blues
composer:
Cannonball Adderley
7:03
13I Guess I’ll Hang My Tears Out to Dry
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
Guess I’ll Hang My Tears Out to Dry (on 1959-04-12)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and Chappell Music (UK)
5:35
14Know What I Mean?
recorded in:
New York, New York, United States (on 1961-03-13)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-03-13)
bass and double bass:
Percy Heath (on 1961-03-13)
drums (drum set):
Connie Kay (on 1961-03-13)
piano:
Bill Evans (pianist) (on 1961-03-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011, in 2012), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-03-13)
recording of:
Know What I Mean? (on 1961-03-13)
composer:
Bill Evans (pianist)
publisher:
Orpheum Music
4:57
15Toy
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (on 1961-02-21)
producer:
Orrin Keepnews (in 1961-02)
alto saxophone:
Cannonball Adderley (on 1961-02-21)
double bass and double bass [bass]:
Percy Heath (on 1961-02-21)
drums (drum set):
Connie Kay (on 1961-02-21)
piano:
Bill Evans (pianist) (on 1961-02-21)
phonographic copyright (℗) by:
HHO Licensing (in 2005, in 2008), Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Xelon Productions (in 2010), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-21)
recording of:
Toy (on 1961-02-21)
composer:
Clifford Jordan
publisher:
Upam Music Co.
5:10

Credits