| # | Title | Rating | Length |
|---|
| 1 | American Dreams- assistant recording engineer:
- Tom Hardisty (from 2002-05-14 until 2002-05-17)
- engineer:
- Jay Newland
- executive producer:
- Daniel Richard
- producer:
- Ruth Cameron and Charlie Haden
- assistant mixer:
- Tom Hardisty (from 2002-05-27 until 2002-05-29)
- mixer:
- Jay Newland (from 2002-05-27 until 2002-05-29)
- bass:
- Charlie Haden (from 2002-05-14 until 2002-05-17)
- cello:
- Anne Karam (from 2002-05-14 until 2002-05-17), Jodi Burnett (from 2002-05-14 until 2002-05-17), Larry Corbett (from 2002-05-14 until 2002-05-17), Ernie Ehrhardt (from 2002-05-14 until 2002-05-17), Jerome Kessler (from 2002-05-14 until 2002-05-17), Suzie Katayama (from 2002-05-14 until 2002-05-17) and Daniel Smith (from 2002-05-14 until 2002-05-17)
- double bass:
- Charles Berghofer (from 2002-05-14 until 2002-05-17), Edward Meares (from 2002-05-14 until 2002-05-17), Norman Ludwin (from 2002-05-14 until 2002-05-17) and Putter Smith (from 2002-05-14 until 2002-05-17)
- drums (drum set):
- Brian Blade (from 2002-05-14 until 2002-05-17)
- harp:
- Gayle Levant (from 2002-05-14 until 2002-05-17)
- piano:
- Brad Mehldau (from 2002-05-14 until 2002-05-17)
- tenor saxophone:
- Michael Brecker (from 2002-05-14 until 2002-05-17)
- viola:
- Marilyn Baker (from 2002-05-14 until 2002-05-17), Denyse Buffum (from 2002-05-14 until 2002-05-17), James Ross (from 2002-05-14 until 2002-05-17), Carole Mukogawa (from 2002-05-14 until 2002-05-17), Ray Tischer (from 2002-05-14 until 2002-05-17) and Harry Shirinian (from 2002-05-14 until 2002-05-17)
- violin:
- Murray Adler (from 2002-05-14 until 2002-05-17), Darius Campo (from 2002-05-14 until 2002-05-17), Susan Chatman (from 2002-05-14 until 2002-05-17), Joel Dearouin (from 2002-05-14 until 2002-05-17), Maurice Dicterow (from 2002-05-14 until 2002-05-17), Bruce Dukov (from 2002-05-14 until 2002-05-17), Charles Everett (from 2002-05-14 until 2002-05-17), Kirsten Fife (from 2002-05-14 until 2002-05-17), Armen Garabedian (from 2002-05-14 until 2002-05-17), Berj Garabedian (from 2002-05-14 until 2002-05-17), Joe Ketendjian (from 2002-05-14 until 2002-05-17), Peter Kent (from 2002-05-14 until 2002-05-17), Patricia Johnson (from 2002-05-14 until 2002-05-17), Pip Clarke-Ling (from 2002-05-14 until 2002-05-17), Mari Tsumura (from 2002-05-14 until 2002-05-17), John Wittenberg (from 2002-05-14 until 2002-05-17) and Shari Zippert (from 2002-05-14 until 2002-05-17)
- conductor:
- Alan Broadbent (from 2002-05-14 until 2002-05-17)
- arranger:
- Alan Broadbent and Charlie Haden
- concertmaster:
- Murray Adler (from 2002-05-14 until 2002-05-17) and Joel Dearouin (from 2002-05-14 until 2002-05-17)
- phonographic copyright (℗) by:
- Universal Music S.A., France
- recorded at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-14 until 2002-05-17)
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-27 until 2002-05-29)
- recording of:
- American Dreams
- composer:
- Charlie Haden
- publisher:
- Liberation Music Co.
| | 4:50 |
| 2 | Travels | | 6:44 |
| 3 | No Lovely Nights- assistant recording engineer:
- Tom Hardisty (from 2002-05-14 until 2002-05-17)
- engineer:
- Jay Newland
- executive producer:
- Daniel Richard
- producer:
- Ruth Cameron and Charlie Haden
- assistant mixer:
- Tom Hardisty (from 2002-05-27 until 2002-05-29)
- mixer:
- Jay Newland (from 2002-05-27 until 2002-05-29)
- bass:
- Charlie Haden (from 2002-05-14 until 2002-05-17)
- cello:
- Anne Karam (from 2002-05-14 until 2002-05-17), Jodi Burnett (from 2002-05-14 until 2002-05-17), Larry Corbett (from 2002-05-14 until 2002-05-17), Ernie Ehrhardt (from 2002-05-14 until 2002-05-17), Jerome Kessler (from 2002-05-14 until 2002-05-17), Suzie Katayama (from 2002-05-14 until 2002-05-17) and Daniel Smith (from 2002-05-14 until 2002-05-17)
- double bass:
- Charles Berghofer (from 2002-05-14 until 2002-05-17), Edward Meares (from 2002-05-14 until 2002-05-17), Norman Ludwin (from 2002-05-14 until 2002-05-17) and Putter Smith (from 2002-05-14 until 2002-05-17)
- drums (drum set):
- Brian Blade (from 2002-05-14 until 2002-05-17)
- harp:
- Gayle Levant (from 2002-05-14 until 2002-05-17)
- piano:
- Brad Mehldau (from 2002-05-14 until 2002-05-17)
- tenor saxophone:
- Michael Brecker (from 2002-05-14 until 2002-05-17)
- viola:
- Marilyn Baker (from 2002-05-14 until 2002-05-17), Denyse Buffum (from 2002-05-14 until 2002-05-17), James Ross (from 2002-05-14 until 2002-05-17), Carole Mukogawa (from 2002-05-14 until 2002-05-17), Ray Tischer (from 2002-05-14 until 2002-05-17) and Harry Shirinian (from 2002-05-14 until 2002-05-17)
- violin:
- Murray Adler (from 2002-05-14 until 2002-05-17), Darius Campo (from 2002-05-14 until 2002-05-17), Susan Chatman (from 2002-05-14 until 2002-05-17), Joel Dearouin (from 2002-05-14 until 2002-05-17), Maurice Dicterow (from 2002-05-14 until 2002-05-17), Bruce Dukov (from 2002-05-14 until 2002-05-17), Charles Everett (from 2002-05-14 until 2002-05-17), Kirsten Fife (from 2002-05-14 until 2002-05-17), Armen Garabedian (from 2002-05-14 until 2002-05-17), Berj Garabedian (from 2002-05-14 until 2002-05-17), Joe Ketendjian (from 2002-05-14 until 2002-05-17), Peter Kent (from 2002-05-14 until 2002-05-17), Patricia Johnson (from 2002-05-14 until 2002-05-17), Pip Clarke-Ling (from 2002-05-14 until 2002-05-17), Mari Tsumura (from 2002-05-14 until 2002-05-17), John Wittenberg (from 2002-05-14 until 2002-05-17) and Shari Zippert (from 2002-05-14 until 2002-05-17)
- conductor:
- Alan Broadbent (from 2002-05-14 until 2002-05-17)
- arranger:
- Alan Broadbent
- concertmaster:
- Murray Adler (from 2002-05-14 until 2002-05-17) and Joel Dearouin (from 2002-05-14 until 2002-05-17)
- phonographic copyright (℗) by:
- Universal Music S.A., France
- recorded at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-14 until 2002-05-17)
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-27 until 2002-05-29)
- recording of:
- No Lonely Nights
- composer:
- Keith Jarrett
| | 5:16 |
| 4 | It Might Be You- assistant recording engineer:
- Tom Hardisty (from 2002-05-14 until 2002-05-17)
- engineer:
- Jay Newland
- executive producer:
- Daniel Richard
- producer:
- Ruth Cameron and Charlie Haden
- assistant mixer:
- Tom Hardisty (from 2002-05-27 until 2002-05-29)
- mixer:
- Jay Newland (from 2002-05-27 until 2002-05-29)
- bass:
- Charlie Haden (from 2002-05-14 until 2002-05-17)
- cello:
- Anne Karam (from 2002-05-14 until 2002-05-17), Jodi Burnett (from 2002-05-14 until 2002-05-17), Larry Corbett (from 2002-05-14 until 2002-05-17), Ernie Ehrhardt (from 2002-05-14 until 2002-05-17), Jerome Kessler (from 2002-05-14 until 2002-05-17), Suzie Katayama (from 2002-05-14 until 2002-05-17) and Daniel Smith (from 2002-05-14 until 2002-05-17)
- double bass:
- Charles Berghofer (from 2002-05-14 until 2002-05-17), Edward Meares (from 2002-05-14 until 2002-05-17), Norman Ludwin (from 2002-05-14 until 2002-05-17) and Putter Smith (from 2002-05-14 until 2002-05-17)
- drums (drum set):
- Brian Blade (from 2002-05-14 until 2002-05-17)
- harp:
- Gayle Levant (from 2002-05-14 until 2002-05-17)
- piano:
- Brad Mehldau (from 2002-05-14 until 2002-05-17)
- tenor saxophone:
- Michael Brecker (from 2002-05-14 until 2002-05-17)
- viola:
- Marilyn Baker (from 2002-05-14 until 2002-05-17), Denyse Buffum (from 2002-05-14 until 2002-05-17), James Ross (from 2002-05-14 until 2002-05-17), Carole Mukogawa (from 2002-05-14 until 2002-05-17), Ray Tischer (from 2002-05-14 until 2002-05-17) and Harry Shirinian (from 2002-05-14 until 2002-05-17)
- violin:
- Murray Adler (from 2002-05-14 until 2002-05-17), Darius Campo (from 2002-05-14 until 2002-05-17), Susan Chatman (from 2002-05-14 until 2002-05-17), Joel Dearouin (from 2002-05-14 until 2002-05-17), Maurice Dicterow (from 2002-05-14 until 2002-05-17), Bruce Dukov (from 2002-05-14 until 2002-05-17), Charles Everett (from 2002-05-14 until 2002-05-17), Kirsten Fife (from 2002-05-14 until 2002-05-17), Armen Garabedian (from 2002-05-14 until 2002-05-17), Berj Garabedian (from 2002-05-14 until 2002-05-17), Joe Ketendjian (from 2002-05-14 until 2002-05-17), Peter Kent (from 2002-05-14 until 2002-05-17), Patricia Johnson (from 2002-05-14 until 2002-05-17), Pip Clarke-Ling (from 2002-05-14 until 2002-05-17), Mari Tsumura (from 2002-05-14 until 2002-05-17), John Wittenberg (from 2002-05-14 until 2002-05-17) and Shari Zippert (from 2002-05-14 until 2002-05-17)
- conductor:
- Jeremy Lubbock (from 2002-05-14 until 2002-05-17)
- arranger:
- Jeremy Lubbock
- concertmaster:
- Murray Adler (from 2002-05-14 until 2002-05-17) and Joel Dearouin (from 2002-05-14 until 2002-05-17)
- phonographic copyright (℗) by:
- Universal Music S.A., France
- recorded at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-14 until 2002-05-17)
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-27 until 2002-05-29)
- instrumental recording of:
- It Might Be You
- lyricist:
- Alan Bergman and Marilyn Bergman
- writer and composer:
- Dave Grusin
- publisher:
- EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Roaring Fork Music, Spirit Two Music Inc., ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
| | 4:52 |
| 5 | Prism | | 5:19 |
| 6 | America the Beautiful- assistant recording engineer:
- Tom Hardisty (from 2002-05-14 until 2002-05-17)
- engineer:
- Jay Newland
- executive producer:
- Daniel Richard
- producer:
- Ruth Cameron and Charlie Haden
- assistant mixer:
- Tom Hardisty (from 2002-05-27 until 2002-05-29)
- mixer:
- Jay Newland (from 2002-05-27 until 2002-05-29)
- bass:
- Charlie Haden (from 2002-05-14 until 2002-05-17)
- cello:
- Anne Karam (from 2002-05-14 until 2002-05-17), Jodi Burnett (from 2002-05-14 until 2002-05-17), Larry Corbett (from 2002-05-14 until 2002-05-17), Ernie Ehrhardt (from 2002-05-14 until 2002-05-17), Jerome Kessler (from 2002-05-14 until 2002-05-17), Suzie Katayama (from 2002-05-14 until 2002-05-17) and Daniel Smith (from 2002-05-14 until 2002-05-17)
- double bass:
- Charles Berghofer (from 2002-05-14 until 2002-05-17), Edward Meares (from 2002-05-14 until 2002-05-17), Norman Ludwin (from 2002-05-14 until 2002-05-17) and Putter Smith (from 2002-05-14 until 2002-05-17)
- drums (drum set):
- Brian Blade (from 2002-05-14 until 2002-05-17)
- harp:
- Gayle Levant (from 2002-05-14 until 2002-05-17)
- piano:
- Brad Mehldau (from 2002-05-14 until 2002-05-17)
- tenor saxophone:
- Michael Brecker (from 2002-05-14 until 2002-05-17)
- viola:
- Marilyn Baker (from 2002-05-14 until 2002-05-17), Denyse Buffum (from 2002-05-14 until 2002-05-17), James Ross (from 2002-05-14 until 2002-05-17), Carole Mukogawa (from 2002-05-14 until 2002-05-17), Ray Tischer (from 2002-05-14 until 2002-05-17) and Harry Shirinian (from 2002-05-14 until 2002-05-17)
- violin:
- Murray Adler (from 2002-05-14 until 2002-05-17), Darius Campo (from 2002-05-14 until 2002-05-17), Susan Chatman (from 2002-05-14 until 2002-05-17), Joel Dearouin (from 2002-05-14 until 2002-05-17), Maurice Dicterow (from 2002-05-14 until 2002-05-17), Bruce Dukov (from 2002-05-14 until 2002-05-17), Charles Everett (from 2002-05-14 until 2002-05-17), Kirsten Fife (from 2002-05-14 until 2002-05-17), Armen Garabedian (from 2002-05-14 until 2002-05-17), Berj Garabedian (from 2002-05-14 until 2002-05-17), Joe Ketendjian (from 2002-05-14 until 2002-05-17), Peter Kent (from 2002-05-14 until 2002-05-17), Patricia Johnson (from 2002-05-14 until 2002-05-17), Pip Clarke-Ling (from 2002-05-14 until 2002-05-17), Mari Tsumura (from 2002-05-14 until 2002-05-17), John Wittenberg (from 2002-05-14 until 2002-05-17) and Shari Zippert (from 2002-05-14 until 2002-05-17)
- conductor:
- Alan Broadbent (from 2002-05-14 until 2002-05-17)
- arranger:
- Alan Broadbent
- concertmaster:
- Murray Adler (from 2002-05-14 until 2002-05-17) and Joel Dearouin (from 2002-05-14 until 2002-05-17)
- phonographic copyright (℗) by:
- Universal Music S.A., France
- recorded at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-14 until 2002-05-17)
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-27 until 2002-05-29)
- instrumental recording of:
- America the Beautiful
- lyricist:
- Katharine Lee Bates
- composer:
- Samuel Augustus Ward
| | 5:21 |
| 7 | Nightfall- assistant recording engineer:
- Tom Hardisty (from 2002-05-14 until 2002-05-17)
- engineer:
- Jay Newland
- executive producer:
- Daniel Richard
- producer:
- Ruth Cameron and Charlie Haden
- assistant mixer:
- Tom Hardisty (from 2002-05-27 until 2002-05-29)
- mixer:
- Jay Newland (from 2002-05-27 until 2002-05-29)
- bass:
- Charlie Haden (from 2002-05-14 until 2002-05-17)
- cello:
- Anne Karam (from 2002-05-14 until 2002-05-17), Jodi Burnett (from 2002-05-14 until 2002-05-17), Larry Corbett (from 2002-05-14 until 2002-05-17), Ernie Ehrhardt (from 2002-05-14 until 2002-05-17), Jerome Kessler (from 2002-05-14 until 2002-05-17), Suzie Katayama (from 2002-05-14 until 2002-05-17) and Daniel Smith (from 2002-05-14 until 2002-05-17)
- double bass:
- Charles Berghofer (from 2002-05-14 until 2002-05-17), Edward Meares (from 2002-05-14 until 2002-05-17), Norman Ludwin (from 2002-05-14 until 2002-05-17) and Putter Smith (from 2002-05-14 until 2002-05-17)
- drums (drum set):
- Brian Blade (from 2002-05-14 until 2002-05-17)
- harp:
- Gayle Levant (from 2002-05-14 until 2002-05-17)
- piano:
- Brad Mehldau (from 2002-05-14 until 2002-05-17)
- tenor saxophone:
- Michael Brecker (from 2002-05-14 until 2002-05-17)
- viola:
- Marilyn Baker (from 2002-05-14 until 2002-05-17), Denyse Buffum (from 2002-05-14 until 2002-05-17), James Ross (from 2002-05-14 until 2002-05-17), Carole Mukogawa (from 2002-05-14 until 2002-05-17), Ray Tischer (from 2002-05-14 until 2002-05-17) and Harry Shirinian (from 2002-05-14 until 2002-05-17)
- violin:
- Murray Adler (from 2002-05-14 until 2002-05-17), Darius Campo (from 2002-05-14 until 2002-05-17), Susan Chatman (from 2002-05-14 until 2002-05-17), Joel Dearouin (from 2002-05-14 until 2002-05-17), Maurice Dicterow (from 2002-05-14 until 2002-05-17), Bruce Dukov (from 2002-05-14 until 2002-05-17), Charles Everett (from 2002-05-14 until 2002-05-17), Kirsten Fife (from 2002-05-14 until 2002-05-17), Armen Garabedian (from 2002-05-14 until 2002-05-17), Berj Garabedian (from 2002-05-14 until 2002-05-17), Joe Ketendjian (from 2002-05-14 until 2002-05-17), Peter Kent (from 2002-05-14 until 2002-05-17), Patricia Johnson (from 2002-05-14 until 2002-05-17), Pip Clarke-Ling (from 2002-05-14 until 2002-05-17), Mari Tsumura (from 2002-05-14 until 2002-05-17), John Wittenberg (from 2002-05-14 until 2002-05-17) and Shari Zippert (from 2002-05-14 until 2002-05-17)
- conductor:
- Jeremy Lubbock (from 2002-05-14 until 2002-05-17)
- arranger:
- Jeremy Lubbock
- concertmaster:
- Murray Adler (from 2002-05-14 until 2002-05-17) and Joel Dearouin (from 2002-05-14 until 2002-05-17)
- phonographic copyright (℗) by:
- Universal Music S.A., France
- recorded at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-14 until 2002-05-17)
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-27 until 2002-05-29)
- recording of:
- Nightfall
- composer:
- Charlie Haden
| | 5:06 |
| 8 | Ron’s Place | | 7:27 |
| 9 | Bittersweet- assistant recording engineer:
- Tom Hardisty (from 2002-05-14 until 2002-05-17)
- engineer:
- Jay Newland
- executive producer:
- Daniel Richard
- producer:
- Ruth Cameron and Charlie Haden
- assistant mixer:
- Tom Hardisty (from 2002-05-27 until 2002-05-29)
- mixer:
- Jay Newland (from 2002-05-27 until 2002-05-29)
- bass:
- Charlie Haden (from 2002-05-14 until 2002-05-17)
- cello:
- Anne Karam (from 2002-05-14 until 2002-05-17), Jodi Burnett (from 2002-05-14 until 2002-05-17), Larry Corbett (from 2002-05-14 until 2002-05-17), Ernie Ehrhardt (from 2002-05-14 until 2002-05-17), Jerome Kessler (from 2002-05-14 until 2002-05-17), Suzie Katayama (from 2002-05-14 until 2002-05-17) and Daniel Smith (from 2002-05-14 until 2002-05-17)
- double bass:
- Charles Berghofer (from 2002-05-14 until 2002-05-17), Edward Meares (from 2002-05-14 until 2002-05-17), Norman Ludwin (from 2002-05-14 until 2002-05-17) and Putter Smith (from 2002-05-14 until 2002-05-17)
- drums (drum set):
- Brian Blade (from 2002-05-14 until 2002-05-17)
- harp:
- Gayle Levant (from 2002-05-14 until 2002-05-17)
- piano:
- Brad Mehldau (from 2002-05-14 until 2002-05-17)
- tenor saxophone:
- Michael Brecker (from 2002-05-14 until 2002-05-17)
- viola:
- Marilyn Baker (from 2002-05-14 until 2002-05-17), Denyse Buffum (from 2002-05-14 until 2002-05-17), James Ross (from 2002-05-14 until 2002-05-17), Carole Mukogawa (from 2002-05-14 until 2002-05-17), Ray Tischer (from 2002-05-14 until 2002-05-17) and Harry Shirinian (from 2002-05-14 until 2002-05-17)
- violin:
- Murray Adler (from 2002-05-14 until 2002-05-17), Darius Campo (from 2002-05-14 until 2002-05-17), Susan Chatman (from 2002-05-14 until 2002-05-17), Joel Dearouin (from 2002-05-14 until 2002-05-17), Maurice Dicterow (from 2002-05-14 until 2002-05-17), Bruce Dukov (from 2002-05-14 until 2002-05-17), Charles Everett (from 2002-05-14 until 2002-05-17), Kirsten Fife (from 2002-05-14 until 2002-05-17), Armen Garabedian (from 2002-05-14 until 2002-05-17), Berj Garabedian (from 2002-05-14 until 2002-05-17), Joe Ketendjian (from 2002-05-14 until 2002-05-17), Peter Kent (from 2002-05-14 until 2002-05-17), Patricia Johnson (from 2002-05-14 until 2002-05-17), Pip Clarke-Ling (from 2002-05-14 until 2002-05-17), Mari Tsumura (from 2002-05-14 until 2002-05-17), John Wittenberg (from 2002-05-14 until 2002-05-17) and Shari Zippert (from 2002-05-14 until 2002-05-17)
- conductor:
- Alan Broadbent (from 2002-05-14 until 2002-05-17)
- arranger:
- Alan Broadbent
- concertmaster:
- Murray Adler (from 2002-05-14 until 2002-05-17) and Joel Dearouin (from 2002-05-14 until 2002-05-17)
- phonographic copyright (℗) by:
- Universal Music S.A., France
- recorded at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-14 until 2002-05-17)
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-27 until 2002-05-29)
- recording of:
- Bittersweet
- composer:
- Don Sebesky
- publisher:
- Cymbeline Music
| | 6:43 |
| 10 | Young and Foolish- assistant recording engineer:
- Tom Hardisty (from 2002-05-14 until 2002-05-17)
- engineer:
- Jay Newland
- executive producer:
- Daniel Richard
- producer:
- Ruth Cameron and Charlie Haden
- assistant mixer:
- Tom Hardisty (from 2002-05-27 until 2002-05-29)
- mixer:
- Jay Newland (from 2002-05-27 until 2002-05-29)
- bass:
- Charlie Haden (from 2002-05-14 until 2002-05-17)
- cello:
- Anne Karam (from 2002-05-14 until 2002-05-17), Jodi Burnett (from 2002-05-14 until 2002-05-17), Larry Corbett (from 2002-05-14 until 2002-05-17), Ernie Ehrhardt (from 2002-05-14 until 2002-05-17), Jerome Kessler (from 2002-05-14 until 2002-05-17), Suzie Katayama (from 2002-05-14 until 2002-05-17) and Daniel Smith (from 2002-05-14 until 2002-05-17)
- double bass:
- Charles Berghofer (from 2002-05-14 until 2002-05-17), Edward Meares (from 2002-05-14 until 2002-05-17), Norman Ludwin (from 2002-05-14 until 2002-05-17) and Putter Smith (from 2002-05-14 until 2002-05-17)
- drums (drum set):
- Brian Blade (from 2002-05-14 until 2002-05-17)
- harp:
- Gayle Levant (from 2002-05-14 until 2002-05-17)
- piano:
- Brad Mehldau (from 2002-05-14 until 2002-05-17)
- tenor saxophone:
- Michael Brecker (from 2002-05-14 until 2002-05-17)
- viola:
- Marilyn Baker (from 2002-05-14 until 2002-05-17), Denyse Buffum (from 2002-05-14 until 2002-05-17), James Ross (from 2002-05-14 until 2002-05-17), Carole Mukogawa (from 2002-05-14 until 2002-05-17), Ray Tischer (from 2002-05-14 until 2002-05-17) and Harry Shirinian (from 2002-05-14 until 2002-05-17)
- violin:
- Murray Adler (from 2002-05-14 until 2002-05-17), Darius Campo (from 2002-05-14 until 2002-05-17), Susan Chatman (from 2002-05-14 until 2002-05-17), Joel Dearouin (from 2002-05-14 until 2002-05-17), Maurice Dicterow (from 2002-05-14 until 2002-05-17), Bruce Dukov (from 2002-05-14 until 2002-05-17), Charles Everett (from 2002-05-14 until 2002-05-17), Kirsten Fife (from 2002-05-14 until 2002-05-17), Armen Garabedian (from 2002-05-14 until 2002-05-17), Berj Garabedian (from 2002-05-14 until 2002-05-17), Joe Ketendjian (from 2002-05-14 until 2002-05-17), Peter Kent (from 2002-05-14 until 2002-05-17), Patricia Johnson (from 2002-05-14 until 2002-05-17), Pip Clarke-Ling (from 2002-05-14 until 2002-05-17), Mari Tsumura (from 2002-05-14 until 2002-05-17), John Wittenberg (from 2002-05-14 until 2002-05-17) and Shari Zippert (from 2002-05-14 until 2002-05-17)
- conductor:
- Alan Broadbent (from 2002-05-14 until 2002-05-17)
- arranger:
- Alan Broadbent
- concertmaster:
- Murray Adler (from 2002-05-14 until 2002-05-17) and Joel Dearouin (from 2002-05-14 until 2002-05-17)
- phonographic copyright (℗) by:
- Universal Music S.A., France
- recorded at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-14 until 2002-05-17)
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-27 until 2002-05-29)
- instrumental recording of:
- Young and Foolish
- lyricist:
- Arnold Horwitt
- composer:
- Albert Hague
- publisher:
- Chappell & Co. and Chappell Music
| | 5:36 |
| 11 | Bird Food | | 7:29 |
| 12 | Sotto Voce | | 5:10 |
| 13 | Love Like Ours- assistant recording engineer:
- Tom Hardisty (from 2002-05-14 until 2002-05-17)
- engineer:
- Jay Newland
- executive producer:
- Daniel Richard
- producer:
- Ruth Cameron and Charlie Haden
- assistant mixer:
- Tom Hardisty (from 2002-05-27 until 2002-05-29)
- mixer:
- Jay Newland (from 2002-05-27 until 2002-05-29)
- bass:
- Charlie Haden (from 2002-05-14 until 2002-05-17)
- cello:
- Anne Karam (from 2002-05-14 until 2002-05-17), Jodi Burnett (from 2002-05-14 until 2002-05-17), Larry Corbett (from 2002-05-14 until 2002-05-17), Ernie Ehrhardt (from 2002-05-14 until 2002-05-17), Jerome Kessler (from 2002-05-14 until 2002-05-17), Suzie Katayama (from 2002-05-14 until 2002-05-17) and Daniel Smith (from 2002-05-14 until 2002-05-17)
- double bass:
- Charles Berghofer (from 2002-05-14 until 2002-05-17), Edward Meares (from 2002-05-14 until 2002-05-17), Norman Ludwin (from 2002-05-14 until 2002-05-17) and Putter Smith (from 2002-05-14 until 2002-05-17)
- drums (drum set):
- Brian Blade (from 2002-05-14 until 2002-05-17)
- harp:
- Gayle Levant (from 2002-05-14 until 2002-05-17)
- piano:
- Brad Mehldau (from 2002-05-14 until 2002-05-17)
- tenor saxophone:
- Michael Brecker (from 2002-05-14 until 2002-05-17)
- viola:
- Marilyn Baker (from 2002-05-14 until 2002-05-17), Denyse Buffum (from 2002-05-14 until 2002-05-17), James Ross (from 2002-05-14 until 2002-05-17), Carole Mukogawa (from 2002-05-14 until 2002-05-17), Ray Tischer (from 2002-05-14 until 2002-05-17) and Harry Shirinian (from 2002-05-14 until 2002-05-17)
- violin:
- Murray Adler (from 2002-05-14 until 2002-05-17), Darius Campo (from 2002-05-14 until 2002-05-17), Susan Chatman (from 2002-05-14 until 2002-05-17), Joel Dearouin (from 2002-05-14 until 2002-05-17), Maurice Dicterow (from 2002-05-14 until 2002-05-17), Bruce Dukov (from 2002-05-14 until 2002-05-17), Charles Everett (from 2002-05-14 until 2002-05-17), Kirsten Fife (from 2002-05-14 until 2002-05-17), Armen Garabedian (from 2002-05-14 until 2002-05-17), Berj Garabedian (from 2002-05-14 until 2002-05-17), Joe Ketendjian (from 2002-05-14 until 2002-05-17), Peter Kent (from 2002-05-14 until 2002-05-17), Patricia Johnson (from 2002-05-14 until 2002-05-17), Pip Clarke-Ling (from 2002-05-14 until 2002-05-17), Mari Tsumura (from 2002-05-14 until 2002-05-17), John Wittenberg (from 2002-05-14 until 2002-05-17) and Shari Zippert (from 2002-05-14 until 2002-05-17)
- conductor:
- Jeremy Lubbock (from 2002-05-14 until 2002-05-17)
- arranger:
- Jeremy Lubbock
- concertmaster:
- Murray Adler (from 2002-05-14 until 2002-05-17) and Joel Dearouin (from 2002-05-14 until 2002-05-17)
- phonographic copyright (℗) by:
- Universal Music S.A., France
- recorded at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-14 until 2002-05-17)
- mixed at:
- Signet Sound Studios in Los Angeles, California, United States (from 2002-05-27 until 2002-05-29)
- instrumental recording of:
- Love Like Ours
- lyricist:
- Alan Bergman and Marilyn Bergman
- composer:
- Dave Grusin
- publisher:
- Threesome Music (ended), Raw Deal Music, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
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| 14 | Some Other Time | | 4:46 |