Looper

~ Release by Nathan Johnson (see all versions of this release, 2 available)

Annotation

Limited edition of 3000 copies.

Annotation last modified on 2012-10-30 10:09 UTC.

Tracklist

1▼CD
#TitleRatingLength
1A Body That Technically Does Not Exist
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
A Body That Technically Does Not Exist
composer:
Nathan Johnson (US score composer)
1:21
2A Day in the Life
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
A Day in the Life
composer:
Nathan Johnson (US score composer)
1:10
3Closing Your Loop
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Closing Your Loop
composer:
Nathan Johnson (US score composer)
2:56
4Seth's Tale
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Seth's Tale
composer:
Nathan Johnson (US score composer)
2:54
5Run
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Run
composer:
Nathan Johnson (US score composer)
2:49
6A Life in the Day
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
A Life in the Day
composer:
Nathan Johnson (US score composer)
2:22
7Time Machine
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Time Machine
composer:
Nathan Johnson (US score composer)
2:40
8Hunting the Past
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Hunting the Past
composer:
Nathan Johnson (US score composer)
2:55
9Following the Loop
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Following the Loop
composer:
Nathan Johnson (US score composer)
1:42
10Mining for Memories
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Mining for Memories
composer:
Nathan Johnson (US score composer)
1:54
11A New Scar
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
A New Scar
composer:
Nathan Johnson (US score composer)
2:34
12Her Face
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Her Face
composer:
Nathan Johnson (US score composer)
2:37
13City Sweep
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
City Sweep
composer:
Nathan Johnson (US score composer)
0:46
14Revelations
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Revelations
composer:
Nathan Johnson (US score composer)
5:12
15The Rainmaker
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
The Rainmaker
composer:
Nathan Johnson (US score composer)
4:26
16La Belle Aurora
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
La Belle Aurora
composer:
Nathan Johnson (US score composer)
1:01
17Showdown
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Showdown
composer:
Nathan Johnson (US score composer)
1:36
18The Path Was a Circle
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
The Path Was a Circle
composer:
Nathan Johnson (US score composer)
4:51
19Everything Comes Around
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Everything Comes Around
composer:
Nathan Johnson (US score composer)
2:41
20Withdrawals
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Withdrawals
composer:
Nathan Johnson (US score composer)
0:32
21Closing Your Loop (film mix version)
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
remix of:
Closing Your Loop by Nathan Johnson (US score composer)
2:32
22Hobo Attack
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Hobo Attack
composer:
Nathan Johnson (US score composer)
1:36
23Thirty-Two
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
recording of:
Thirty-Two
composer:
Nathan Johnson (US score composer)
1:24
24Run (Film mix version)
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
remix of:
Run by Nathan Johnson (US score composer)
3:04
25Comundications / City Sweep (film mix version)
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
1:23
26Theme From Looper (solo piano version)
recording engineer:
Alberto Hernandez (engineer), Adam Muñoz, Eric Dawson Tate (engineer) and Yossi Shakked (Israeli recording, mixing and mastering engineer) (percussion, drums (drum set))
producer:
Nathan Johnson (US score composer)
mixer:
Nathan Johnson (US score composer), Son Lux (American experimental band) and Frank Wolf (engineer at Skyline Recording)
editor:
Drew DeAscentis
orchestra:
Magik*Magik Orchestra
conductor:
Minna Choi
mixed at:
Glenwood Place Studios in Burbank, California, United States
5:28