Hit Generation: Die internationalen Superhits aus 10 Jahren RTL

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Against All Odds (Take a Look at Me Now)
engineer:
Jeremy Smith (producer/engineer) and Lewis Hahn
producer:
Arif Mardin
drums (drum set) and lead vocals:
Phil Collins (of Genesis)
keyboard:
Rob Mounsey
conductor:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Phil Collins3.83:24
2Tell It Like It Is
bass guitar, Hammond organ and piano:
Keith Diamond
drums (drum set):
Terry Silverlight (classic fusion artist)
guitar:
Paul Pesco and Ira Siegel
saxophone and solo horn:
Danny Wilensky
trombone:
Michael Davis (US jazz trombonist)
trumpet:
Chris Botti
background vocals:
Janice Dempsey, Cindy Mizelle, B.J. Nelson (backing singer) and Audrey Wheeler
lead vocals:
Don Johnson (US actor, Miami Vice)
brass [horns] arranger:
Danny Wilensky
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
cover recording of:
Tell It Like It Is
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Don Johnson24:30
3Missing You
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite4:19
4Cherish
recording of:
Cherish
writer:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) and Claydes Smith
publisher:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Windswept Pacific Music Ltd.
Kool & the Gang4:17
5I Want to Now What Love Is
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner4:26
6Jeanny, Part 1
producer:
Ferdi Bolland and Rob Bolland
music videos:
Jeanny by Falco (Austrian pop & rock musician)
recording of:
Jeanny (in 1985)
lyricist:
Ferdi Bolland, Rob Bolland and Johann Hölzel (Austrian pop & rock musician)
composer:
Ferdi Bolland and Rob Bolland
publisher:
Amfinold BV, Bolland Music, Edition Falkenhorst, Ferdi Bolland Songs, Nada Bolland Music and Nada Music (Dutch publisher)
Falco4.655:54
7Just Around the Corner
producer:
Don Gehman
recording of:
Just Around the Corner
lyricist and composer:
Peter Kingsbery
publisher:
Edwin Ellis Music (publisher) and Nurk Twins Music (publisher)
Cock Robin3.654:12
8Hands to Heaven
recording of:
Hands to Heaven
writer:
David Glasper (Singer - Performer, author & lyricist) and Marcus Lillington
publisher:
Virgin Music (Publishers) Ltd. (in 1988)
Breathe4:14
9Miss You Like Crazy
producer:
Michael Masser
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1991)
recording of:
Miss You Like Crazy
writer:
Preston Glass, Gerry Goffin and Michael Masser
publisher:
Gemia Music, Irving Music, Inc., Lauren Wesley Music (BMI-affiliated) and Prince Street Music (Also known as "Prince St. Music")
Natalie Cole33:53
10Don’t Wanna Lose You
programming:
Jorge Casas and Clay Ostwald
additional assistant engineer:
Mauricio Guerrero (Chilean drummer) and Greg Laney
engineer:
Eric Schilling
producer:
Jorge Casas, Emilio Estefan, Jr. and Clay Ostwald
mixer:
Humberto Gatica
acoustic guitar:
Jorge Casas
electric guitar:
Michael Thompson (session guitarist)
background vocals:
Jon Secada
lead vocals:
Gloria Estefan
vocals:
Gloria Estefan
arranger:
Jorge Casas, Gloria Estefan and Clay Ostwald
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989)
recording of:
Don’t Wanna Lose You
lyricist and composer:
Gloria Estefan
publisher:
EMI Music Publishing Taiwan, EMI Songs Ltd., Foreign Imported Productions & Publishing, Inc. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Gloria Estefan3.654:04
11Licence to Kill
producer:
Walter Afanasieff and Narada Michael Walden
vocals:
Gladys Knight
arranger:
Walter Afanasieff and Narada Michael Walden
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
recording of:
Licence to Kill
writer:
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and SBK Songs Ltd. (in 1989)
part of:
James Bond themes
quotes music from:
Goldfinger
Gladys Knight3.355:14
12Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
13When I See Your Smile
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989)
recording of:
When I See You Smile
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Universal/MCA Music Ltd. (not for release label use!)
Bad English4:18
14Listen to Your Heart
recording of:
Listen to Your Heart (Roxette song)
lyricist:
Per Gessle (Swedish singer and guitarist)
composer:
Per Gessle (Swedish singer and guitarist) and Mats Arne Persson (“M.P.”)
publisher:
Jimmy Fun Music
Roxette4:52
15You
programming:
Niels Hermes
engineer:
Michiel Hoogeboezem
producer:
Niels Hermes and Michiel Hoogeboezem
instruments:
Niels Hermes
vocals:
Marcel Kapteijn
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1991)
recorded at:
Spitsbergen in Zuidbroek, Groningen, Netherlands, Kingdom of the Netherlands and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
You (Ten Sharp song)
lyricist:
Ton Groen
composer:
Niels Hermes
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Ten Sharp44:25
16Sometimes Love Just Ain’t Enough
performer:
Don Henley
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1992)
recording of:
Sometimes Love Just Ain’t Enough
writer:
Glen Burtnik and Patty Smyth
publisher:
BMG Music Publishing Ltd., EMI Blackwood Music Inc., EMI Songs Ltd., Hampstead Heath Music Publishing Ltd., Pink Smoke Music, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Patty Smyth and Don Henley44:26
2▼CD
#TitleArtistRatingLength
1Big in Japan
recording of:
Big in Japan
lyricist:
Marian Gold
composer:
Marian Gold, Lloyd Bernhard and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville3:54
2To Be or Not to Be
recording of:
To Be or Not to Be (The Hitler Rap)
writer:
Mel Brooks and Pete Wingfield (keyboardist, singer, producer, songwriter)
Mel Brooks5:00
3Self Control
executive producer:
Jack White (German producer Horst Nußbaum)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) and Harold Faltermeier
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
music videos:
Self Control by Laura Branigan
cover recording of:
Self Control (in 1984)
lyricist:
Steve Piccolo
additional writer:
Harro Steffen
composer:
Giancarlo Bigazzi and Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) and Sugarmusic Spa (publisher, do NOT use as label)
version of:
Self Control
Laura Branigan4.554:04
4Caribbean Queen (No More Love on the Run)
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1984)
recording of:
Caribbean Queen
writer:
Keith Diamond and Billy Ocean
Billy Ocean44:03
5Living in a Box
recording of:
Living in a Box
lyricist and composer:
Steve Piggott and Marcus Vere
publisher:
Brampton Music International, Brampton Music Ltd. (publisher) and Empire Music Ltd.
Living in a Box3:03
6Somebody’s Watching Me
producer:
Curtis Anthony Nolen and Rockwell (R & B – “Somebody’s Watching Me”)
background vocals:
Jermaine Jackson (soul/pop singer, of Jackson 5)
guest vocals:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 20)
recording of:
Somebody’s Watching Me
lyricist and composer:
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:46
7We Don’t Have to Take Our Clothes Off
recording of:
We Don’t Have to Take Our Clothes Off
writer:
Preston Glass and Narada Michael Walden
Jermaine Stewart44:01
8Buffalo Stance
recording of:
Buffalo Stance
writer:
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) and Phil Ramacon (soul/R&B/reggae songwriter)
is based on:
Looking Good Diving With The Wild Bunch
Neneh Cherry4:40
9Teardrops
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack4:57
10This Time I Know It’s for Real
recording of:
This Time I Know It's for Real
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman), Donna Summer (soul/disco diva) and Pete Waterman
Donna Summer3.353:35
11Oops Upside Your Head
producer:
Lonnie Simmons (producer, songwriter)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
produced for:
Total Experience Productions
recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
writer:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) and Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) and Total Experience Music (publisher) (in 1979)
cover recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
writer:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) and Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) and Total Experience Music (publisher) (in 1979)
The Gap Band3:27
12Dub Be Good to Me
producer:
Norman Cook
vocals:
Lindy Layton
recording of:
Dub Be Good to Me
composer:
Norman Cook, James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
version of:
Just Be Good to Me
Beats International2.754:02
13Gypsy Woman (She’s Homeless)
engineer:
Jay Steinhour
executive producer:
Bruce Carbone
producer and mixer:
The Basement Boys (house music production team)
drums (drum set) and percussion:
The Basement Boys (house music production team)
keyboard and organ:
Neal Conway
strings arranger:
Neal Conway
arranger:
The Basement Boys (house music production team)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1991)
recorded at and mixed at:
The Basement Boys Studio in Baltimore, Maryland, United States
recording of:
Gypsy Woman (She’s Homeless) (a.k.a. “Gypsy Woman (la da dee la da da)”)
writer:
Neal Conway and Crystal Waters
publisher:
Basement Boys Music and BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Crystal Waters3.63:46
14Everybody’s Free (to Feel Good)
recording of:
Everybody’s Free (to Feel Good)
composer:
Tim Cox and Nigel Andrew Swanston
publisher:
Peermusic (UK) Limited
Rozalla3:32
15Rhythm Is a Dancer
producer:
Benito Benites, John “Virgo” Garrett III and Snap! (Eurodance)
phonographic copyright (℗) by:
Ariola (German label, used worldwide in the past) (in 1992) and Logic Records (Germany) (in 1992)
recording of:
Rhythm Is a Dancer
writer:
Thea Austin, Benito Benites, Butler and John “Virgo” Garrett III
is based on:
Automan
Snap!3.853:43
16We All Need Love (US radio edit mix)
recording of:
We All Need Love
composer:
Domenic Troiano
Double You3:46
17More & More (single version)
producer:
Cyborg (German trance producer Michael Baur)
phonographic copyright (℗) by:
Dance Music Production (in 1992)
recorded at:
DMP Studios in Stamford, Connecticut, United States
produced at:
DMP in Stamford, Connecticut, United States
recording of:
More and More
lyricist:
Nosie Katzmann and Tony Dawson-Harrison
composer:
Nosie Katzmann, Oliver Reinecke and Giora Schein
publisher:
Edition "Get Into Magic", ICM (German publisher) and Warner Chappell
Captain Hollywood Project4:11
18Got to Get It (radio mix)
recording of:
Got to Get It
lyricist:
Nosie Katzmann and Jay Supreme
composer:
Torsten Fenslau (German dance producer), Nosie Katzmann and Peter Zweier
Culture Beat3:40
19The Key: The Secret
recording of:
The Key: The Secret
additional lyricist:
A. Cousins and P. Hayes
lyricist:
Rohan Heath
composer:
Davide Rizzatti
publisher:
Expanded Music, Notting Hill Music (UK) Ltd. and Peermusic (UK) Ltd.
Urban Cookie Collective3:42