100 Hits: Pop

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1(You’re the) Devil in Disguise
basso :
Bob Moore (U.S. bassist and bandleader) (dal 1963-05-26 al 1963-05-27)
batteria :
D.J. Fontana (dal 1963-05-26 al 1963-05-27) e Buddy Harman (Session drummer and songwriter) (dal 1963-05-26 al 1963-05-27)
chitarra :
Harold Bradley (dal 1963-05-26 al 1963-05-27), Jerry Kennedy (dal 1963-05-26 al 1963-05-27), Grady Martin (country/rockabilly guitarist) (dal 1963-05-26 al 1963-05-27) e Scotty Moore (American guitarist and recording engineer) (dal 1963-05-26 al 1963-05-27)
pianoforte :
Floyd Cramer (dal 1963-05-26 al 1963-05-27)
sassofono , shaker e vibrafono [vibes] :
Boots Randolph (dal 1963-05-26 al 1963-05-27)
voce:
The Jordanaires (southern gospel group) (dal 1963-05-26 al 1963-05-27) e Millie Kirkham (dal 1963-05-26 al 1963-05-27)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1963-05-26)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1963), BMG Music (nel 1963) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (dal 1963-05-26 al 1963-05-27)
registrazione cover di:
(You’re the) Devil in Disguise (dal 1963-05-26 al 1963-05-27)
autore:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) e Florence Kaye
editore:
Carlin Music Corporation e R&H Music
Elvis Presley2.652:23
2Ring of Fire
registrazione di:
Ring of Fire
autore:
June Carter Cash (American Country singer and songwriter) e Merle Kilgore
editore:
Painted Desert Music Corporation
Johnny Cash2:36
3Oh, Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.23:01
4When Will I Be Loved
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione di:
When Will I Be Loved? (il 1960-02-18)
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:04
5Let’s Dance
voce principale:
Chris Montez
registrazione di:
Let’s Dance
paroliere e compositore:
Jim Lee (“Let’s Dance” writer/producer)
editore:
Chappell Morris Ltd., DeVorzon Music, Rondell Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez32:27
6Happy Birthday Sweet Sixteen
registrazione di:
Happy Birthday Sweet Sixteen
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal Music Careers
Neil Sedaka2:35
724 Hours From Tulsa
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 36)
registrazione di:
Twenty Four Hours From Tulsa
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Gene Pitney2.53:00
8Can’t Take My Eyes Off You
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Andy Williams43:12
9To Love Somebody
tecnico di registrazione:
Ray Hall (engineer) e Mike Moran (American engineer, associated with RCA)
produttore:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
batteria :
Don Alias (nel 1967)
pianoforte e voce principale:
Nina Simone (nel 1967)
direttore d'orchestra:
Jimmy Wisner
arrangiatore:
Jimmy Wisner
diritti fonografici (℗) detenuti da:
BMG Music (nel 1969)
è stato produttore per:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
registrata presso:
RCA Studio B (New York) in New York, New York, Stati Uniti (il 1967-12-20)
registrazione cover di:
To Love Somebody (il 1967-12-20)
scritta a:
New York, New York, Stati Uniti (nel 1967)
autore:
Barry Gibb (nel 1967) e Robin Gibb (nel 1967)
editore:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) e Universal Music Careers
parte di:
50/50
Nina Simone42:40
10Will You Love Me Tomorrow
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:43
11Soul Deep
registrazione di:
Soul Deep
autore:
Wayne Carson Thompson
editore:
Lovolar Music
The Box Tops3.52:27
12Out on the Floor
Dobie Gray2:54
13Light My Fire
produttore:
Rick Jarrard
arrangiatore archi :
George Tipton (American composer, musical arranger and conductor, born 1932)
registrazione cover di:
Light My Fire (il 1968-01-06)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:34
14Somebody to Love
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce:
Marty Balin (dal 1966-10-31 al 1966-11-22) e Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967) e RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 274)
registrazione di:
Somebody to Love (Jefferson Airplane song) (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:58
15Turn! Turn! Turn! (To Everything There Is a Season)
registrazione cover di:
Turn! Turn! Turn! (To Everything There Is a Season)
paroliere:
[traditional] (special purpose artist)
compositore:
Pete Seeger (nel 1959)
editore:
Melody Trails e TRO Essex Music Ltd.
The Byrds3:52
16Do You Believe in Magic
diritti fonografici (℗) detenuti da:
Kama Sutra (nel 1965)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 216) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 224)
registrazione di:
Do You Believe in Magic?
paroliere e compositore:
John Sebastian
editore:
Alley Music Corp., Koppelman–Rubin Enterprises, Inc. e Trio Music Co., Inc.
The Lovin’ Spoonful4.52:02
17Let’s Go to San Francisco
registrazione di:
Let’s Go to San Francisco
autore:
John Carter (songwriter & producer, b. 1942) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
editore:
Peermusic Ltd. (BMI)
The Flower Pot Men33:35
18Up Up and Away
tecnico:
“Bones” Howe
produttore:
Johnny Rivers e Marc Gordon (soul songwriter, producer, and manager)
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria :
Hal Blaine (U.S. studio drummer and percussionist)
direttore d'orchestra:
Jim Webb (US songwriter, composer, producer, pianist & singer)
arrangiatore archi e arrangiatore ottoni [horns] :
Marty Paich
arrangiatore:
Jim Webb (US songwriter, composer, producer, pianist & singer)
registrata presso:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Up, Up and Away
paroliere e compositore:
Jim Webb (US songwriter, composer, producer, pianist & singer)
editore:
Johnny Rivers Music
The 5th Dimension2.52:38
19Over Under Sideways Down
registrazione di:
Over Under Sideways Down
autore:
Jeff Beck (English rock guitarist), Chris Dreja, Jim McCarty (UK drummer, Yardbirds member), Keith Relf e Paul Samwell-Smith
editore:
Glenwood Music Corp. e Henrees Music co.
The Yardbirds2:25
20Raindrops Keep Falling on My Head
voce:
B.J. Thomas
direttore d'orchestra:
Burt Bacharach
diritti fonografici (℗) detenuti da:
Scepter (a/k/a Scepter Records) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 4) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 345)
registrazione di:
Raindrops Keep Fallin’ on My Head
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
The 42nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1969 winner)
B.J. Thomas43:02
2▼CD
#TitoloArtistaValutazioneDurata
1Shake Your Body Down
registrata a:
Los Angeles, California, Stati Uniti (nel 1978-08)
batteria :
Ed Green (US violinist/percussionist) (nel 1978-08)
chitarra :
Tito Jackson (nel 1978-08)
percussione :
Paulinho da Costa (Brazilian percussionist) (nel 1978-08)
sintetizzatore e tastiera :
Mike Boddicker (nel 1978-08) e Greg Phillinganes (nel 1978-08)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5) (nel 1978-08), Marlon Jackson (nel 1978-08), Randy Jackson (brother of Michael and Janet) (nel 1978-08) e Tito Jackson (nel 1978-08)
voce principale:
Michael Jackson (“King of Pop”) (nel 1978-08)
registrazione di:
Shake Your Body (Down to the Ground) (nel 1978-08)
paroliere e compositore:
Michael Jackson (“King of Pop”) e Randy Jackson (brother of Michael and Janet)
editore:
Mijac Music, Peacock Music Publishing Company, Ranjack Music e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons4.253:48
2Harvest for the World
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrazione di:
Harvest for the World
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
editore:
Bovina Music Inc., EMI April Music Inc. e EMI Songs Ltd.
The Isley Brothers3:54
3Let’s Stay Together
produttore:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
basso elettrico :
Leroy Hodges
batteria :
Howard Grimes e Al Jackson, Jr. (Booker T & The MGs drummer)
famiglia delle chitarre :
Mabon Hodges (“Teenie”, soul guitarist)
organo e pianoforte :
Charles Hodges (soul organist)
sassofono :
James Mitchell (US saxophonist/arranger)
sassofono tenore :
Ed Logan
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
trombone :
Jack Hale (trombone)
voce:
Al Green (US soul singer, songwriter, pastor and record producer)
voce di accompagnamento:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes e Sandra Rhodes
diritti fonografici (℗) detenuti da:
Cream Records (70s Los Angeles) (nel 1971) e HI Records Inc. (nel 1971)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 84)
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Al Green4.553:17
4Ain’t No Stopping Us Now
edit di:
Ain’t No Stoppin’ Us Now (LP version) di McFadden & Whitehead
registrazione di:
Ain’t No Stoppin’ Us Now
autore:
Jerry Cohen, Gene McFadden e John Whitehead
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead43:36
5Gonna Make You a Star
registrazione di:
Gonna Make You a Star
paroliere e compositore:
David Essex
editore:
April (publisher) e Rock On Music
David Essex3:36
6Children of the Revolution
registrazione di:
Children of the Revolution
paroliere e compositore:
Marc Bolan
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Wizard (Bahamas) Ltd. e Wizard Publishing Ltd. (publisher, Marc Bolan)
T. Rex4.52:29
7Summerlove Sensation
registrazione di:
Summerlove Sensation
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
Martin-Coulter Music Ltd
Bay City Rollers3:16
8Silver Lady
diritti fonografici (℗) detenuti da:
David Soul (nel 1977)
registrazione di:
Silver Lady (nel 1977)
autore:
Tony Macaulay e Geoff Stephens
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Macaulay Music Ltd., Polygram International Music Publishing Ltd. e PolyGram Music Publishing
David Soul53:41
93 Steps to Heaven
tecnico:
Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music)
produttore:
Mike Hurst (musician and record producer from London, England)
registrazione cover di:
Three Steps to Heaven
autore:
Bob Cochran e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
Belsize Music Ltd.
Showaddywaddy2:58
10American Woman
produttore:
Nimbus 9 e Jack Richardson
diritti fonografici (℗) detenuti da:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1970) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 3) e Huffington Post: 100 Best Canadian Songs Ever (numero: 4)
registrazione di:
American Woman (dal 1969-08 al 1969-11)
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
The Guess Who4.15:08
11Sex & Drugs & Rock & Roll
basso elettrico :
Norman Watt-Roy (nel 1976)
batteria :
Charley Charles (UK drummer) (nel 1976)
chitarra elettrica :
Chaz Jankel (English musician and songwriter) (nel 1976)
voce principale:
Ian Dury (nel 1976)
diritti fonografici (℗) detenuti da:
Stiff Records (nel 1977) e Templemill Music Ltd (nel 1977)
registrata presso:
Alvic Studios (Wimbledon) in Wimbledon, Merton, London (Greater London), England, Regno Unito (nel 1976)
registrazione di:
Sex & Drugs & Rock & Roll (nel 1976)
paroliere:
Ian Dury
compositore:
Chaz Jankel (English musician and songwriter)
editore:
Blackhill Music Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Ian Dury3.83:07
12Because the Night
produttore:
Jimmy Iovine
tecnico di missaggio:
Jimmy Iovine e Shelly Yakus
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1978, nel 1988) e Arista Records, LLC (holding company - file NO releases here!) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 72)
registrazione di:
Because the Night
editore:
Bruce Springsteen e Bruce Springsteen (nel 1975)
paroliere:
Patti Smith (nel 1977) e Bruce Springsteen (nel 1977)
compositore:
Bruce Springsteen (nel 1977)
editore:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.553:24
13Play That Funk Music
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
edit di:
Play That Funky Music di Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
registrazione di:
Play That Funky Music (nel 1976)
paroliere e compositore:
Robert W. Parissi (Rob Parissi)
editore:
Bema Music (publisher), RWP Music, Sweet City Records Inc. e Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:12
14Family Affair
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 138)
registrazione di:
Family Affair
paroliere e compositore:
Sylvester Stewart
editore:
Mijac Music
Sly & the Family Stone4.352:59
15Lady Marmalade
produttore:
Allen R. Toussaint
arrangiatore:
Allen R. Toussaint
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 411) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 479)
registrazione cover di:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (nel 1974)
autore:
Bob Crewe e Kenny Nolan
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation e TannyBoy Music
LaBelle3.33:57
16Emotion
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
sintetizzatore [synthesizers] :
James Newton Howard (American score composer)
voce:
Samantha Sang
voce di accompagnamento:
Barry Gibb e Robin Gibb
diritti fonografici (℗) detenuti da:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (nel 1977) e Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1978)
è stato produttore per:
CAM Productions (US)
registrata presso e remixata presso:
Criteria Sound in Miami, Florida, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 14)
registrazione cover di:
Emotion
autore:
Barry Gibb e Robin Gibb
editore:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia e Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang3.53:54
17Boogie Wonderland
produttore:
Al McKay e Maurice White (Earth, Wind & Fire)
voce:
The Emotions (Chicago soul, disco and R&B female vocal group) (nel 1979)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1979) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
campionamenti da:
I Am di Earth, Wind & Fire (nel 1979)
registrazione di:
Boogie Wonderland (nel 1979)
paroliere:
Allee Willis
compositore:
Jon Lind
editore:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) e Rondor Music (London) Ltd.
Earth, Wind & Fire4.24:49
18More More More
produttore:
Gregg Diamond
tecnico di missaggio:
Tom Moulton
arrangiatore:
Gregg Diamond
diritti fonografici (℗) detenuti da:
Buddah Records, Inc. (nel 1975)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
registrazione di:
More, More, More
paroliere e compositore:
Gregg Diamond
editore:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (nel 1976) e Gee Diamond Music (nel 1976)
Andrea True Connection46:16
19Knock on Wood
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
registrazione cover di:
Knock on Wood
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamento di:
Potkraj na les
registrazione di:
Knock on Wood
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamento di:
Potkraj na les
Amii Stewart4:08
20Rasputin
produttore:
Frank Farian
voce di accompagnamento e voce principale:
Marcia Barrett, Frank Farian e Liz Mitchell
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1978)
registrazione di:
Rasputin
paroliere e compositore:
Frank Farian, Fred Jay e George Reyam
editore:
BMG Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Boney M.44:28
3▼CD
#TitoloArtistaValutazioneDurata
1Ghostbusters
produttore:
Ray Parker Jr.
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (dal 2016 a oggi)
parte di:
Billboard Hot 100: 2025-11-15 (numero: 22)
registrazione di:
Ghostbusters
paroliere e compositore:
Ray Parker Jr.
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (nel 1984) e Raydiola Music (nel 1984)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
si basa su:
I Want a New Drug
Ray Parker Jr.3.94:07
2Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:22
3We Built This City
assistente tecnico:
Paul Ericksen (recording engineer)
tecnico:
Jeremy Smith (producer/engineer)
produttore:
Jeremy Smith (producer/engineer) e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
tecnico di missaggio:
Bill Bottrell
altra voce [DJ voice]:
Les Garland (American entertainment executive) (nel 1985)
arrangiatore:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
remixata presso:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, Stati Uniti
registrazione di:
We Built This City (nel 1985)
autore:
Dennis Lambert, Martin Page, Bernie Taupin e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) e Zomba Enterprises, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:52
4Maneater
assistente tecnico:
Bruce Buckhalter (Engineer), Barry Harris (engineer) e Michael Somer-Abbott
tecnico:
Neil Kernon
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
tecnico di missaggio:
Hugh Padgham
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1982), BMG Music (nel 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
registrazione di:
Maneater (nel 1981-12)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:32
5Together Forever
programmazione degli strumenti:
Ian Curnow (nel 1987)
assistente tecnico:
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman) e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
batteria [drums] :
A Linn (Linn 9000) (nel 1987)
chitarra [guitars] :
Matt Aitken (nel 1987)
tastiera [keyboards] :
Mike Stock (of Stock Aitken Waterman) e Matt Aitken (nel 1987)
voce:
Rick (English singer, songwriter and radio personality) (nel 1987)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1987), Shirley Lewis (nel 1987), Mae McKenna (vocalist) (nel 1987) e Suzanne Rhatigan (nel 1987)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
Pete Waterman Ltd. (copyrights holder) (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1987) e PWL Studio 2 (nel 1987)
mixata presso:
PWL Studio 1 e PWL Studio 2
registrazione di:
Together Forever (nel 1987)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Terrace Music (dal 1987 a oggi)
Rick Astley4.653:27
6Antmusic
produttore:
Chris Hughes (producer, aka “Merrick”)
armonica (a bocca) , chitarra acustica , pianoforte e voce principale:
Adam Ant (English new wave singer and actor)
batteria :
Merrick (producer, aka “Merrick”) e Terry Lee Miall
chitarra basso :
Kevin Mooney
chitarra elettrica :
Marco Pirroni (British musician and producer)
voce:
Kevin Mooney
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1980, nel 2004), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1980)
video musicali:
Antmusic di Adam and the Ants (English new wave band)
parte di:
The Downloader’s Music Source Book (numero: 139)
registrazione di:
Antmusic
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing MGB Ltd.
Adam and the Ants43:38
7Love Plus One
produttore:
Bob Sargeant
batteria :
Blair Cunningham
chitarra :
Graham Jones (Haircut 100)
percussione :
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
sassofono :
Phil Smith (Saxophonist)
strumenti:
Leslie Nemes
voce:
Nick Heyward
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd. (nel 1982) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 90)
registrazione di:
Love Plus One
paroliere e compositore:
Nick Heyward
editore:
Bryan Morrison Music Ltd.
Haircut One Hundred43:33
8I Could Be Happy
registrazione di:
I Could Be Happy
paroliere e compositore:
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone e Jim McKinven
Altered Images53:32
9Love Resurrection
produttore:
Steve Jolley e Tony Swain (songwriter, producer)
batteria :
Tim Goldsmith
tastiera :
Tony Swain (songwriter, producer)
voce di accompagnamento e voce principale:
Alison Moyet
video musicali:
Love Resurection di Alison Moyet
registrazione di:
Love Resurrection
autore:
Steve Jolley, Alison Moyet e Tony Swain (songwriter, producer)
Alison Moyet33:53
10I Feel the Earth Move
programmazione degli strumenti:
Michael Jay (producer/engineer) (dal 1988-04 al 1988-05)
assistente tecnico:
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) e Karen Siegel (engineer)
tecnico e tecnico di missaggio:
Michael McDonald (engineer)
produttore:
Michael Jay (producer/engineer)
chitarra :
Don Kirkpatrick (guitarist/songwriter) (dal 1988-04 al 1988-05)
tastiera [keyboards] :
Greg Smith (Producer/Keyboards) (dal 1988-04 al 1988-05)
tastiera [keyboards] aggiunto:
Claude Gaudette (session musician, songwriter, composer) (dal 1988-04 al 1988-05)
voce di accompagnamento:
Donna DeLory (dal 1988-04 al 1988-05), Rick Jude Palombi (dal 1988-04 al 1988-05) e Mona Lisa Young (US funk / soul singer) (dal 1988-04 al 1988-05)
arrangiatore:
Michael Jay (producer/engineer)
arrangiatore voci:
Michael Jay (producer/engineer) e Martika (American singer‐songwriter and actress)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1988)
registrata presso:
Trax Recording Studio in Hollywood, Los Angeles, California, Stati Uniti (dal 1988-04 al 1988-05)
mixata presso:
Garden Rake Studio in Studio City, Los Angeles, California, Stati Uniti
registrazione cover di:
I Feel the Earth Move (dal 1988-04 al 1988-05)
paroliere e compositore:
Carole King
editore:
Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) e Screen Gems–EMI Music Ltd. (nel 1988)
Martika24:15
11Break My Stride
programmazione degli strumenti:
John Gilston (nel 1983)
produttore:
Peter Bunetta, Rick Chudacoff e Bill Elliott (keyboardist/composer)
batteria , drum machine [Oberheim DMX] e percussione :
Peter Bunetta (nel 1983)
chitarra :
Dennis Herring (nel 1983)
sintetizzatore analogico [Prophet-5] :
Bill Elliott (keyboardist/composer) (nel 1983) e Matthew Wilder (nel 1983)
voce di accompagnamento:
Greg Prestopino (nel 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (nel 1983) e Matthew Wilder (nel 1983)
voce principale:
Matthew Wilder (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrata presso:
Pasha Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 39)
registrazione di:
Break My Stride (nel 1983)
autore:
Greg Prestopino e Matthew Wilder
editore:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (nel 1983), No Ears Music (nel 1983) e Streetwise Music (US publisher) (nel 1983)
Matthew Wilder3.43:03
12Dr. Beat
voce principale:
Gloria Estefan
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Dr. Beat
paroliere e compositore:
Enrique Garcia (Miami Sound Machine)
editore:
EMI Songs Ltd. e Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:23
13Automatic
registrata a:
Los Angeles, California, Stati Uniti (nel 1983)
tecnico di registrazione:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (nel 1983)
programmazione degli strumenti:
Brock Walsh (singer, producer, songwriter) (nel 1983)
produttore:
Richard Perry (producer)
produttore associato:
Glen Ballard e Brock Walsh (singer, producer, songwriter)
basso :
Eddie N. Watkins Jr. (nel 1983)
chitarra :
Mark Goldenberg (nel 1983) e Dennis Herring (nel 1983)
minimoog e sintetizzatore :
John Van Tongeren (nel 1983)
sintetizzatore :
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983), Howie Rice (nel 1983) e Brock Walsh (singer, producer, songwriter) (nel 1983)
voce principale:
Ruth Pointer (nel 1983)
remixer:
Bill Schnee
registrazione di:
Automatic (nel 1983)
compositore:
Brock Patrick Walsh (singer, producer, songwriter) e Mark Goldenberg
The Pointer Sisters44:48
14System Addict
registrazione di:
System Addict
autore:
Gary Bell e Billy Livsey
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Five Star4:04
15Building a Bridge to Your Heart
registrazione di:
Bridge to Your Heart
autore:
Andrew Gold e Graham Gouldman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music (Island Music Ltd.), Island Music Ltd., Sluggogsongs e St. Anne’s Music Ltd.
Wax4:13
16Safety Dance
produttore:
Marc Durand (Canadian producer)
diritti fonografici (℗) detenuti da:
Statik Records (nel 1982) e Marc Durand Production (nel 1983)
edit di:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
video musicali:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 39) e Huffington Post: 100 Best Canadian Songs Ever (numero: 48)
registrazione di:
The Safety Dance (dal 1982-01 al 1982-03)
paroliere e compositore:
Ivan Doroschuk (Men Without Hats)
editore:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (nel 1982) e Wintrup Musik (nel 1982)
Men Without Hats3.82:47
17My Camera Never Lies
registrazione di:
My Camera Never Lies
autore:
Andy Hill (English producer & songwriter) e Nichola Martin (songwriter)
editore:
Big Note Music Ltd., Paper Music Ltd. e Universal Music Publishing MGB Limited
Bucks Fizz4:03
18Boys (Summertime Love)
produttore:
Claudio Cecchetto (Italian record producer & talent scout)
è stato produttore per:
Five Record (Italian label owned by Fininvest)
registrazione di:
Boys (Summertime Love)
paroliere:
Claudio Cecchetto (Italian record producer & talent scout) e Malcolm Charlton
compositore:
Matteo Bonsanto e Roberto Rossi (composer)
editore:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina Salerno3.753:57
19Sign of the Times
tecnico:
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) e Julian Mendelsohn (Australian record producer and engineer)
produttore:
Peter Collins (producer)
batteria :
Judy Parsons
chitarra :
Sarah‐Jane Owen
chitarra basso :
Lesley Shone
sassofono contralto :
Miranda Joyce
voce principale:
Jennie Matthias
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1983)
registrazione di:
Sign of the Times
autore:
Stella Barker, Clare Hirst, Miranda Joyce, Jennie Matthias, Sarah‐Jane Owen, Judy Parsons e Lesley Shone
The Belle Stars4.52:55
20Good Thing Going
registrazione di:
We’ve Got a Good Thing Going
autore:
The Corporation (Motown songwriters), Berry Gordy, Fonce Mizell, Freddie Perren e Deke Richards (American songwriter and record producer)
editore:
Jobete Music (UK) Ltd.
Sugar Minott33:34
4▼CD
#TitoloArtistaValutazioneDurata
1Boom! Shake the Room
registrazione di:
Boom! Shake the Room
autore:
Lee Haggard, Keith Mayberry, Will Smith (US actor aka The Fresh Prince) e Wayne Williams (DJ, producer, promoter and record label executive from Chicago.)
DJ Jazzy Jeff3:49
2Waterfalls
registrazione di:
Waterfalls
autore:
Marqueze Ethridge, Lisa “Left Eye” Lopes e Organized Noize (Atlanta hip-hop production group)
editore:
BELT STAR MUSIC, Hitco Music, Organized Noize Music, Pebbitone Music, Red Light & Incense Music, Stiff Shirt Music, Inc., TIZBIZ Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
TLC4:40
3Don’t Walk Away
registrazione di:
Don't Walk Away
autore:
Vassal Benford e Ronald Spearman
editore:
EMI Virgin Music Ltd. (do not use this as a release label!) e MCA Music Ltd.
Jade4:08
4Gonna Make You Sweat
assistente produttore:
Ricky Crespo e Alan Friedman
produttore:
Robert Clivillés (record producer, songwriter, arranger, music video director) e David Cole (US musician/producer, member of C+C Music Factory)
batteria e percussione :
Robert Clivillés (record producer, songwriter, arranger, music video director)
batteria aggiunto:
Alan Friedman
tastiera :
Ricky Crespo e Dave Cole (US musician/producer, member of C+C Music Factory)
voce:
Martha Wash e Freedom Williams
arrangiatore tastiera :
Robert Clivillés (record producer, songwriter, arranger, music video director)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1990)
parte di:
Cachitos Nochevieja 2022 (numero: 116) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 402)
registrazione di:
Gonna Make You Sweat (Everybody Dance Now)
autore:
Robert Clivillés (record producer, songwriter, arranger, music video director) e Frederick B. Williams (UK dance vocalist aka Freedom Williams)
editore:
Cole/Clivillés Music, EMI Virgin Music Ltd. (do not use this as a release label!), R.B.G. Dome Music, WB Music Corp. (1929–2019), Cole/Clivillés Music Enterprises (dal 1990 al ????) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (dal 1990 al ????)
C+C Music Factory4.154:05
5Let’s Get Ready to Rhumble
registrazione di:
Let’s Get Ready to Rhumble
autore:
Nicky Graham, Deni Lew e Michael Olton
PJ & Duncan3:56
6Doin’ the Do
produttore:
The Beatmasters (British producer trio), Boo (British dance music singer-songwriter) (incarico: pre-production) e King John (incarico: pre-production)
diritti fonografici (℗) detenuti da:
Rhythm King (nel 1990)
registrata presso:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, Regno Unito
registrazione di:
Doin’ the Do
editore:
Rhythm King Music (Publishing arm of Rhythm King Records)
Betty Boo3:42
7Mr. Loverman
voce ospite e esecutore ospite:
Chevelle Franklyn
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1992)
registrazione di:
Mr. Loverman
autore:
Mikey Bennett, Hopeton Lindo e Shabba Ranks
editore:
Greensleeves Publishing Ltd.
Shabba Ranks2.53:35
8Sunday Shining
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1997)
registrazione di:
Sunday Shining
autore:
Bob Marley (Jamaican reggae artist) e Finley Quaye
editore:
Blue Mountain Music Ltd, EMI Music Publishing Ltd. (PRS‐affiliated) e Spirit Songs
Finley Quaye43:38
9Beautiful Ones
produttore:
Ed Buller
registrazione di:
Beautiful Ones
autore:
Brett Anderson (Suede) e Richard Oakes
editore:
BMG Rights Management (UK) LTD (C) (not for release label use! see annotation), PolyGram Music Publishing Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (conclusa), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) (conclusa), Universal Music Publishing France (not for release label use!), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Suede33:30
10Rocks
tecnico:
David Bianco (American engineer and record producer) e Jeff Powell (engineer)
tecnico aggiunto:
David Bianco (American engineer and record producer) e Jeffrey Reed
co-produttore:
David Bianco (American engineer and record producer)
produttore:
Tom Dowd
produttore aggiunto:
George Drakoulias
remixer:
George Drakoulias
diritti fonografici (℗) detenuti da:
Creation Records Ltd. (nel 1994) e Sire Records Company (not for release label use!) (nel 1994)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti e Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Rocks
autore:
Bobby Gillespie, Andrew Innes e Robert Young (British guitarist, of Primal Scream)
editore:
Complete Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.63:36
11Some Kind of Bliss
registrazione di:
Some Kind of Bliss
paroliere:
Kylie Minogue
autore:
James Dean Bradfield, Kylie Minogue e Sean Moore (Manic Street Preachers)
editore:
Mushroom Music Publishing e Sony Music Publishing (worldwide except Japan, ended 1995)
Kylie Minogue4:02
12You Gotta Be
programmazione degli strumenti:
Kevin Clarke (nel 1999)
co-produttore:
Des’ree e Ashley Ingram
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
basso e tastiera :
Ashley Ingram (nel 1999)
arrangiatore archi :
Ashley Ingram
registrazione di:
You Gotta Be (nel 1999)
autore:
Des’ree e Ashley Ingram
Des’ree3.354:05
13Love II Love
Damage4:06
14Each Time
produttore:
Beckford, Reid e Reid
produttore aggiunto:
Mark Jolley
chitarra :
Andrew Smith (UK bassist/guitarist)
remixer:
Marcellus Fernandes (aka Mark Frank) e Mark Jolley
diritti fonografici (℗) detenuti da:
Telstar Records Ltd. (nel 1998)
mixata per:
Jerv Management Ltd
è stato produttore per:
Jerv Management Ltd e Prima Productions
registrata presso:
E17 Studios e Sarm West Recording Studio in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Each Time
autore:
Jon Beckford, Terry Coldwell, Brian Harvey (E-17), John Hendy, Ivor Reid e Mark Reid
editore:
PolyGram Music Publishing Ltd. e Strongsongs Ltd
East 1723:56
15One for Sorrow
registrazione di:
One For Sorrow
autore:
Lance Ellington (Strictly Come Dancing), Mark Topham e Karl Twigg
editore:
All Boys Music Ltd.
Steps4:13
16Everybody
tecnico:
Tommie Hicks Jr. e Joe Smith (US recording/mixing engineer)
produttore:
Max Martin (Swedish record producer) e Denniz PoP
altra voce:
Bonnie Brewster, Andrea M. Majied e Susan McCall
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1997)
registrazione di:
Everybody (Backstreet’s Back)
autore:
Max Martin (Swedish record producer) e Denniz PoP
editore:
Maratone AB (conclusa), MXM Music AB (conclusa), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys4.14:48
17Two Princes
tecnico:
Frank Aversa e Spin Doctors
produttore:
Frank Aversa, Peter Denenberg, Frankie LaRocka e Spin Doctors
tecnico di missaggio:
Peter Denenberg, Frankie LaRocka e Spin Doctors
chitarra :
Eric Schenkman
chitarra basso :
Mark White (Spin Doctors)
organo Hammond, batteria e percussione :
Aaron Comess
voce:
Chris Barron
voce di accompagnamento ospite:
John Popper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1991) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
registrazione di:
Two Princes
autore:
Chris Barron, Aaron Comess, Eric Schenkman e Mark White (Spin Doctors)
editore:
Mow B'jow Music, Sony Songs Inc. e Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:19
18Drop Dead Gorgeous
batteria :
Dave Barbarossa
strumenti ospite:
Johnny Male
tastiera :
Tim Dorney e Andy Todd (UK electronic producer/keyboardist, member of Republica)
tastiera ospite :
Pete Davis (solo project of math rock band Invalids)
voce principale:
Saffron (singer of Republica)
registrazione di:
Drop Dead Gorgeous
autore:
Tim Dorney, Johnny Male, Saffron (singer of Republica) e Andy Todd (UK electronic producer/keyboardist, member of Republica)
editore:
BMG Music Publishing Ltd. e Momentum Music (publisher)
Republica33:33
19Groovy Train
tecnico:
Gary Wilkinson
produttore:
Graham McPherson e Mark Saunders (UK record producer)
tecnico di missaggio:
Mark Saunders (UK record producer)
diritti fonografici (℗) detenuti da:
Produce Records (UK label owned by the band The Farm)
video musicali:
Groovy Train (music video) di The Farm (90s UK indie/synth-pop band)
registrazione di:
Groovy Train
paroliere:
Peter Hooton
compositore:
Steve Grimes (The Farm)
editore:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Farm44:10
20Marvellous
tecnico:
Cenzo Townshend (engineer)
produttore:
Ian Broudie e Simon Rogers
registrazione di:
Marvellous
paroliere e compositore:
Ian Broudie
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
The Lightning Seeds3:43
5▼CD
#TitoloArtistaValutazioneDurata
1Just the Way I’m Feeling
produttore:
Grant Nicholas e Gil Norton (British record producer)
tecnico di missaggio:
Adrian Bushby
viola :
Jane Atkins, Peter Collyer e Susan Dench (violist)
violino :
Richard George (violinist), Jayne Harris, Kathy Shore, Helen Paterson, Chris Tombling (violinist) e Gregory Warren Wilson (British violinist and poet)
violoncello :
Sophie Harris (cellist), Joy Hawley e Ann Lines
arrangiatore archi :
Audrey Riley
arrangiatore aggiunto:
Grant Nicholas e Gil Norton (British record producer)
diritti fonografici (℗) detenuti da:
The Echo Label Limited (nel 2002)
registrazione di:
Just the Way I’m Feeling
paroliere e compositore:
Grant Nicholas
editore:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Feeder44:22
2Juxtaposed With U
tecnico:
Chris Shaw (US producer & engineer) e Eric Tew
produttore:
Chris Shaw (US producer & engineer) e Super Furry Animals
arpa :
Beti Rhys
flauto :
John Telfer (sax/flute)
percussione :
Kris Jenkins (Catatonia, Super Furry Animals)
viola :
Nick Barr (viola player) e Clare Smith (violinist/violist)
violino :
Harriet Harris (violinist), Jackie Norrie, S. Herbert (violinist, composer, and conductor) e Sonia Slany (violinist)
violoncello :
Nick Cooper (UK cellist) e Sophie Harris (cellist)
arrangiatore archi :
SFA e Sonia Slany (violinist)
diritti fonografici (℗) detenuti da:
Rights Management (UK) Limited (not for release label use! see annotation) (nel 2021)
mixata presso:
Metropolis Studios (London) in London (Greater London), England, Regno Unito
registrazione di:
Juxtapozed With U
autore:
Huw Bunford, Cian Ciaran, Dafydd Ieuan, Guto Pryce e Gruff Rhys
Super Furry Animals2.053:11
3The Time Is Now
tecnico e tecnico di missaggio:
Mark Brydon
produttore:
Moloko (English‐Irish electronic music duo)
diritti fonografici (℗) detenuti da:
The Echo Label Ltd. (nel 2000)
edit di:
The Time Is Now (album version) di Moloko (English‐Irish electronic music duo)
registrazione di:
The Time Is Now
autore:
Mark Brydon e Róisín Murphy
editore:
Chrysalis Music Publishing
Moloko3.154:30
4Touch
Amerie3:39
5Shorty Got Her Eyes on Me
registrazione di:
Shorty (Got Her Eyes on Me)
autore:
Wesley Hogges, Donell Jones, Melvin Lewis (R&B writer Melvin O’Conner Lewis), Thomas Martin (Thomas Herbert Martin, writer) e Eric Williams (of Blackstreet)
Donell Jones43:14
6Dumb
registrazione di:
Dumb
The 4112:49
7Call My Name
registrazione di:
Call My Name
autore:
Charlotte Church, Wayne Hector e Eg White
Charlotte Church42:59
8Cheeky Song (Touch My Bum)
registrazione di:
Cheeky Song (Touch My Bum)
compositore:
Margaret Irimia e The Cheeky Boyz
The Cheeky Girls3:22
9Spirit in the Sky
voce principale:
Gareth Gates
diritti fonografici (℗) detenuti da:
19 Recordings Limited (not for release label use! record company founded by Simon Fuller) (nel 2003)
video musicali:
Spirit in the Sky di Gareth Gates with special guests The Kumars
registrazione cover di:
Spirit in the Sky (nel 2003)
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Gareth Gates33:30
10Don’t Wanna Let You Go
registrazione di:
Don’t Wanna Let You Go
autore:
Richard Breen, Jason Paul Brown (Five), Sean Conlon, Julian Gallagher (songwriter, producer) e Richard Stannard
editore:
EMI Music Publishing Limited (PRS‐affiliated), Sony/ATV Music Publishing Ltd. e Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group)
Five3:39
11Pop
registrazione di:
Pop
autore:
Wade Robson e Justin Timberlake
editore:
Tennman Tunes, Universal Music–Z Tunes LLC e WaJeRo Sound
*NSYNC3.22:57
12Teenage Dirtbag
tecnico di registrazione e produttore:
Philip A. Jimenez e Wheatus
tecnico di missaggio:
David Thoener
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2000)
registrazione di:
Teenage Dirtbag
paroliere e compositore:
Brendan B. Brown (Wheatus singer/guitarist)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (nel 2000) e Montauk Mantis Productions (nel 2000)
Wheatus2.54:03
13Dancing in the Moonlight
tecnico:
Alan Douglas (Scottish born engineer)
produttore:
George Drakoulias
tecnico di missaggio:
Dave Shiftman (American producer/audio engineer) e Greg Fidelman (Greg Fields)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 2000)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito
mixata presso:
Ocean Wave Studios
registrazione cover di:
Dancing in the Moonlight
paroliere e compositore:
Sherman Kelly
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Toploader4.53:49
14It Just Won’t Do
voce ospite:
Sam Obernik
registrazione di:
It Just Won't Do
autore:
Tim Liken (Timothy Andrew Liken) e Ben Onono
Tim Deluxe3:20
15Don’t Falter
Mint Royale4:13
16Hungry
registrazione di:
Hungry
autore:
Darren Beale, Sian Evans e Mark Morrison (drum n bass producer aka Substance)
editore:
Tairona Songs
Kosheen3:27
17Favourite Things
Big Brovaz3:43
18Out of Touch
Uniting Nations2:48
19Falling Stars
contiene campionamenti da parte di:
Boy Meets Girl
registrazione cover di:
Waiting for a Star to Fall
autore:
George Merrill e Shannon Rubicam
editore:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (dal 1987 a oggi) e Irving Music (BMI) (dal 1987 a oggi)
Sunset Strippers3.53:19
20Buggin’ Me
True Steppers & Dane Bowers3:32

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Gruppo di pubblicazioni

parte di:100 Hits (UK Demon Music Group) (numero: 13) (ordine: 45)