Duets and Duets II (limited edition)

~ Release by Frank Sinatra (see all versions of this release, 8 available)

Tracklist

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1▼CD: Duets
#TitleArtistRatingLength
1The Lady Is a Tramp
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums, producer) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01) and Luther Vandross (on 1993-08-10)
arranger:
Billy Byers
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (in 1993)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Frank Sinatra with Luther Vandross43:24
2What Now, My Love?
recording engineer and mixer:
Al Schmitt
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums, producer) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-06) and Aretha Franklin (on 1993-07-30)
performer:
Aretha Franklin
arranger:
Don Costa (US pop music arranger & producer) and Patrick Williams (composer, arranger)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
What Now My Love (in 1993)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. and Warner Chappell Music, Inc.
translated version of:
Et maintenant
Frank Sinatra with Aretha Franklin33:15
3I’ve Got a Crush on You
recording engineer and mixer:
Al Schmitt
executive producer:
Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
producer:
David Foster (Canadian music producer, arranger and composer) and Phil Ramone
assistant mixer:
Carl Glanville
additional keyboard:
Mike Melvoin
double bass [bass]:
Dave Stone (bassist) (in 1993)
drums (drum set):
Jeff Hamilton (jazz drummer) (in 1993)
guitar:
Paul Viapiano (in 1993)
piano:
Mike Melvoin (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-06) and Barbra Streisand (on 1993-08-17)
arranger:
Patrick Williams (composer, arranger)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
I’ve Got a Crush on You (in 1993)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
Frank Sinatra with Barbra Streisand33:23
4Summer Wind
recording engineer and mixer:
Al Schmitt
producer:
Albert Hammond and Phil Ramone
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums, producer) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-06) and Julio Iglesias (on 1993-07-19)
arranger:
Nelson Riddle
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Summer Wind (in 1993)
lyricist:
Johnny Mercer
composer:
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and フジパシフィックミュージック (Fujipacific Music, Inc.)
translated version of:
Sommerwind
recording of:
Summer Wind (in 1993)
lyricist:
Johnny Mercer
composer:
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and フジパシフィックミュージック (Fujipacific Music, Inc.)
translated version of:
Sommerwind
Frank Sinatra with Julio Iglesias42:32
5Come Rain or Come Shine
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums, producer) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01) and Gloria Estefan (on 1993-08-11)
arranger:
Don Costa (US pop music arranger & producer)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Come Rain or Come Shine (in 1993)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Frank Sinatra with Gloria Estefan44:04
6New York, New York
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums, producer) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1979-09-19, on 1993-08-11) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-06)
arranger:
Don Costa (US pop music arranger & producer)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (on 1979-09-19)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (ended), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
New York, New York (1977 musical film soundtrack)
cover recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (in 1993)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (ended), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
New York, New York (1977 musical film soundtrack)
Frank Sinatra with Tony Bennett43:30
7They Can’t Take That Away From Me
recording engineer and mixer:
Al Schmitt
producer:
Andre Fischer (US drummer and funk/soul/pop producer) and Phil Ramone
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums, producer) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01) and Natalie Cole (on 1993-07-26)
arranger:
Patrick Williams (composer, arranger)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (in 1993)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Frank Sinatra with Natalie Cole43:11
8You Make Me Feel So Young
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums, producer) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-06) and Charles Aznavour (on 1993-08-21)
arranger:
Quincy Jones
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
You Make Me Feel So Young (in 1993)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
E bi eit barn med deg
recording of:
You Make Me Feel So Young
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
E bi eit barn med deg
Frank Sinatra with Charles Aznavour43:05
9Guess I’ll Hang My Tears Out to Dry / In the Wee Small Hours of the Morning
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums, producer) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-09) and Carly Simon (on 1993-08-10)
arranger:
Nelson Riddle
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
medley including a recording of:
Guess I’ll Hang My Tears Out to Dry (in 1993)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and Chappell Music (UK)
medley including a recording of:
In the Wee Small Hours of the Morning (in 1993)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Frank Sinatra with Carly Simon43:57
10I’ve Got the World on a String
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums, producer) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01) and Liza Minnelli (on 1993-08-29)
arranger:
Nelson Riddle
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
I’ve Got the World on a String (in 1993)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Frank Sinatra with Liza Minnelli32:18
11Witchcraft
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums, producer) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-09) and Anita Baker (on 1993-08-24)
arranger:
Nelson Riddle and Patrick Williams (composer, arranger)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Witchcraft (in 1993)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
Frank Sinatra with Anita Baker33:22
12I’ve Got You Under My Skin
recording engineer and mixer:
Al Schmitt
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums, producer) (in 1993)
guitar:
Ron Anthony (in 1993)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01) and Bono (singer of U2) (on 1993-08-26)
arranger:
Nelson Riddle
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
I’ve Got You Under My Skin (in 1993)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Frank Sinatra with Bono33:32
13All the Way / One for My Baby (And One More for the Road)
recording engineer and mixer:
Al Schmitt
assistant mixer:
Carl Glanville
bass:
Chuck Berghofer (Jazz bassist) (in 1993)
drums (drum set):
Gregg Field (drums, producer) (in 1993)
guitar:
Ron Anthony (in 1993)
saxophone:
Kenny G (saxophonist) (from 1993-07-27 until 1993-08-24)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01)
arranger:
Nelson Riddle and Patrick Williams (composer, arranger)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
medley including a recording of:
All the Way (from “The Joker Is Wild”) (in 1993)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
medley including a recording of:
One for My Baby (and One More for the Road) (in 1993)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Frank Sinatra with Kenny G46:03
2▼CD: Duets Ii
#TitleArtistRatingLength
1For Once in My Life
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
harmonica and piano:
Stevie Wonder (on 1994-10-04)
other vocals [introductory vocal]:
Stevie Wonder
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-06) and Gladys Knight (on 1994-05-24)
arranger:
Don Costa (US pop music arranger & producer)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
For Once in My Life
lyricist:
Ronald Miller (Motown songwriter Ronald Norman Miller)
composer:
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Frank Sinatra with Gladys Knight and Stevie Wonder3:18
2Come Fly With Me
co-producer:
Hank Cattaneo
producer:
Kiko Cibrián, José Quintana and Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-01) and Luis Miguel (on 1994-08-10)
arranger:
Billy May
mixed at:
Crescent Moon Studios in Miami, Florida, United States
recording of:
Come Fly With Me
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック (Fujipacific Music, Inc.)
Frank Sinatra with Luis Miguel3:08
3Bewitched
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1994) and Patti LaBelle (on 1994-08-26)
arranger:
Patrick Williams (composer, arranger)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
Frank Sinatra with Patti LaBelle3:31
4The Best Is Yet to Come
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-10-12) and Jon Secada (on 1993-12-01)
arranger:
Quincy Jones
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
The Best Is Yet to Come
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
Frank Sinatra with Jon Secada3:13
5Moonlight in Vermont
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1994) and Linda Ronstadt (from 1994-05-09 until 1994-05-10)
arranger:
Patrick Williams (composer, arranger)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Moonlight in Vermont
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Frank Sinatra with Linda Ronstadt4:07
6Fly Me to the Moon
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
background vocals:
George Noriega (American songwriter and record producer) and Rita Quintero
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-10-12) and Antônio Carlos Jobim (from 1994-08-12 until 1994-09-20)
performer:
Edwin Bonilla, Ed Calle, Jorge Casas, Paulo Jobim and Juanito Márquez
arranger:
Quincy Jones and Patrick Williams (composer, arranger)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Frank Sinatra with Antônio Carlos Jobim3:06
7Luck Be a Lady
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
solo trumpet:
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-09) and Chrissie Hynde (rock singer-songwriter and founder of Pretenders) (from 1994-09-09 until 1994-09-22)
arranger:
Billy May
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Luck Be a Lady (from “Guys and Dolls”)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp. and MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
Frank Sinatra with Chrissie Hynde5:17
8A Foggy Day
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-10-12) and Willie Nelson (on 1994-09-29)
arranger:
Johnny Mandel (American composer and arranger)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Frank Sinatra with Willie Nelson2:24
9Where or When
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
additional keyboard:
Clay Ostwald
piano:
Terry Trotter
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-10-14), Eydie Gormé (on 1994-08-19) and Steve Lawrence (American singer and actor) (on 1994-08-19)
arranger:
Billy Byers
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
Frank Sinatra with Steve Lawrence and Eydie Gorme3:53
10Embraceable You
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (from 1993-12 until 1994) and Lena Horne (on 1994-08-25)
arranger:
Nelson Riddle
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Frank Sinatra with Lena Horne3:45
11Mack the Knife
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Jimmy Buffett (from 1993 until 1994) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (from 1993 until 1994)
arranger:
Frank Foster (saxophonist) and Patrick Williams (composer, arranger)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Frank Sinatra with Jimmy Buffett34:26
12How Do You Keep the Music Playing? / My Funny Valentine
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-10-14) and Lorrie Morgan (on 1994-05-12)
performer:
Lorrie Morgan
arranger:
Patrick Williams (composer, arranger)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
recording of:
How Do You Keep the Music Playing?
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Frank Sinatra with Lorrie Morgan3:58
13My Kind of Town
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1993-07-09) and Frank Sinatra, Jr. (on 1993-07-27)
arranger:
Nelson Riddle
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
My Kind of Town
dedicated to:
Chicago, Illinois, United States
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) and Van Heusen Music Corp. (in 1964)
part of:
The 37th Academy Award for Best Original Song (number: 2)
Frank Sinatra with Frank Sinatra Jr.2:36
14The House I Live In (That’s America to Me)
co-producer:
Hank Cattaneo
producer:
Phil Ramone
assistant mixer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Dennis Cordero
mixer:
Eric Schilling
vocals:
Neil Diamond (from 1993 until 1994) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (from 1993 until 1994)
arranger:
Don Costa (US pop music arranger & producer)
vocals arranger:
Tom Hensley (American songwriter, pianist, arranger) and Alan Lindgren (American keyboardist, arranger, producer, studio & session musician)
mixed at:
Crescent Moon Studios in Miami, Florida, United States
cover recording of:
The House I Live In
lyricist:
Lewis Allan
composer:
Earl Robinson (40s US folk artist)
publisher:
Chappell & Co., Inc. (USA) and Music Sales Corporation (American copyright holder in both popular and classical music)
Frank Sinatra with Neil Diamond4:15
3▼CD: Frank Sinatra Duets and Duets Ii – Radio Special
#TitleArtistRatingLength
1Introduction
Frank Sinatra, Barbara Sinatra, Sid Mark & Tony Renaud6:33
2Come Rain or Come Shine (with commentary)
cover recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Frank Sinatra with Gloria Estefan5:52
3New York, New York (with Commentary)
cover recording of:
Theme From “New York, New York” (usually just titled “New York, New York”)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (ended), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
New York, New York (1977 musical film soundtrack)
Frank Sinatra with Tony Bennett7:25
4I’ve Got You Under My Skin (with commentary)
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Frank Sinatra with Bono9:41
5What Now, My Love? (with Commentary)
cover recording of:
What Now My Love (in 1993)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. and Warner Chappell Music, Inc.
translated version of:
Et maintenant
Frank Sinatra with Aretha Franklin6:28
6Guess I’ll Hang My Tears Out to Dry / In the Wee Small Hours of the Morning (with commentary)
medley including a cover recording of:
Guess I’ll Hang My Tears Out to Dry
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and Chappell Music (UK)
medley including a recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Frank Sinatra with Carly Simon4:51
7They Can’t Take That Away From Me (with commentary)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Frank Sinatra with Natalie Cole3:15
8The Best Is Yet to Come (with commentary)
cover recording of:
The Best Is Yet to Come
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
Frank Sinatra with Jon Secada3:17
9A Foggy Day (with commentary)
cover recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Frank Sinatra with Willie Nelson2:51
10Where or When (with commentary)
cover recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
Frank Sinatra with Steve Lawrence and Eydie Gorme7:02
11Embraceable You (with commentary)
cover recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Frank Sinatra with Lena Horne4:01
12My Kind of Town (with commentary)
recording of:
My Kind of Town
dedicated to:
Chicago, Illinois, United States
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) and Van Heusen Music Corp. (in 1964)
part of:
The 37th Academy Award for Best Original Song (number: 2)
Frank Sinatra with Frank Sinatra, Jr.5:14