We All Love Ella: Celebrating the First Lady of Song

~ Release by Various Artists (see all versions of this release, 5 available)

Tracklist

1CD
#TitleArtistRatingLength
1A Tisket a Tasket
producer:
Phil Ramone
alto saxophone [alto sax]:
Ken Hitchcock (multi-instrumentalist) and Marc Phaneuf (saxaphonist)
baritone saxophone [baritone sax]:
Roger Rosenberg
bass:
Kevin Axt
bass trombone:
Dave Taylor (US jazz bass trombonist)
drums (drum set) [drums]:
Gregg Field (drums, producer)
guitar:
Dean Parks (American session guitarist)
piano:
Terry Trotter
tenor saxophone [tenor sax]:
Charlie Pillow and Walt Weiskopf
tenor trombone:
Bruce Eidem, John Fedchock and Birch Johnson
trumpet:
Alex Sipiaguine (Russian jazz trumpeter and flugelhorn player), Frank Greene (trumpet), Tony Kadleck and Jeff Kievit
conductor:
Rob Mounsey
arranger:
Rob Mounsey
cover recording of:
A‐Tisket, A‐Tasket
lyricist:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) and Van Alexander (aka Al Feldman)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13188)
Natalie Cole2:37
2Lullaby of Birdland
producer:
Phil Ramone
alto flute:
Elizabeth Mann (flutist) and Pamela Sklar
bass:
Kevin Axt
bass clarinet [contra alto clarinet]:
Virgil Blackwell
drums (drum set) [drums]:
Gregg Field (drums, producer)
euphonium:
Dave Bargeron (US trombonist & tubist)
guitar:
Dean Parks (American session guitarist)
piano:
Rob Mounsey
solo trumpet:
Tony Kadleck
trumpet:
Tony Kadleck and Jeff Kievit
conductor:
Rob Mounsey
arranger:
Rob Mounsey
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Chaka Khan2:56
3The Lady Is a Tramp
producer:
Phil Ramone
alto saxophone [alto sax]:
Ken Hitchcock (multi-instrumentalist) and Marc Phaneuf (saxaphonist)
baritone saxophone [baritone sax]:
Roger Rosenberg
bass:
Kevin Axt
bass trombone:
Dave Taylor (US jazz bass trombonist)
drums (drum set) [drums]:
Curt Bisquera
flugelhorn:
Tony Kadleck and Jeff Kievit
guitar:
Dean Parks (American session guitarist)
piano:
Billy Childs (US composer/jazz pianist)
tenor saxophone [tenor sax]:
Charlie Pillow and Walt Weiskopf
tenor trombone:
Bruce Eidem, John Fedchock and Birch Johnson
trumpet:
Alex Sipiaguine (Russian jazz trumpeter and flugelhorn player) and Frank Greene (trumpet)
conductor:
Rob Mounsey
arranger:
Rob Mounsey
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Queen Latifah3:53
4Dream a Little Dream of Me
producer:
Phil Ramone
piano:
Hank Jones (piano)
conductor:
Rob Mounsey
arranger:
Rob Mounsey
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Diana Krall4:39
5(You’ll Have to Swing It) Mr. Paganini
producer:
Phil Ramone
alto saxophone [alto sax]:
Ken Hitchcock (multi-instrumentalist) and Marc Phaneuf (saxaphonist)
baritone saxophone [baritone sax]:
Roger Rosenberg
bass:
Kevin Axt
bass trombone:
Dave Taylor (US jazz bass trombonist)
cello:
Diane Barere, Jeanne LeBlanc and Richard Locker (cellist)
drums (drum set) [drums]:
Gregg Field (drums, producer)
flugelhorn:
Tony Kadleck and Jeff Kievit
guitar:
Dean Parks (American session guitarist)
piano:
Rob Mounsey
tenor saxophone [tenor sax]:
Charlie Pillow and Walt Weiskopf
tenor trombone:
Bruce Eidem, John Fedchock and Birch Johnson
trumpet:
Alex Sipiaguine (Russian jazz trumpeter and flugelhorn player) and Frank Greene (trumpet)
viola:
Karen Dreyfus (violist), Desiree Elsevier and Vincent Lionti
violin:
Eva Burmeister, David Chan (US violinist/conductor), Katherine Fong, Vesselin Gellev (violinist), Katherine Livolsi-Stern, Ann Lehmann, Laura McGinniss, Catherine Ro (Violinist), Richard Sortomme (violinist/composer) and Yuri Vodovos
conductor:
Rob Mounsey
arranger:
Rob Mounsey
concertmaster:
Elena Barere (violinist)
cover recording of:
You'll Have to Swing It (Mr Paganini)
writer:
Sam Coslow
Natalie Cole & Chaka Khan6:01
6Oh Lady Be Good
producer:
Phil Ramone
alto saxophone [alto sax]:
Ken Hitchcock (multi-instrumentalist) and Marc Phaneuf (saxaphonist)
baritone saxophone [baritone sax]:
Roger Rosenberg
bass:
David Finck
bass trombone:
Dave Taylor (US jazz bass trombonist)
cello:
Diane Barere, Jeanne LeBlanc and Richard Locker (cellist)
drums (drum set) [drums]:
Lewis Nash (American jazz drummer)
flugelhorn:
Tony Kadleck and Jeff Kievit
guitar:
Rodney Jones
piano:
Rob Mounsey
tenor saxophone [tenor sax]:
Charlie Pillow and Walt Weiskopf
tenor trombone:
John Fedchock and Birch Johnson
trumpet:
Alex Sipiaguine (Russian jazz trumpeter and flugelhorn player) and Frank Greene (trumpet)
viola:
Karen Dreyfus (violist), Desiree Elsevier and Vincent Lionti
violin:
Eva Burmeister, David Chan (US violinist/conductor), Katherine Fong, Vesselin Gellev (violinist), Katherine Livolsi-Stern, Ann Lehmann, Laura McGinniss, Catherine Ro (Violinist), Richard Sortomme (violinist/composer) and Yuri Vodovos
conductor:
Rob Mounsey
arranger:
Rob Mounsey
concertmaster:
Elena Barere (violinist)
cover recording of:
Oh, Lady Be Good!
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Dianne Reeves3:16
7Reaching for the Moon
producer:
Phil Ramone
bass:
David Finck
drums (drum set) [drums]:
Lewis Nash (American jazz drummer)
guitar:
Russell Malone
piano:
Rob Mounsey
violin:
Regina Carter (jazz violinist)
conductor:
Rob Mounsey
arranger:
Rob Mounsey
Lizz Wright2:53
8Blues in the Night
producer:
Phil Ramone
alto saxophone [alto sax]:
Ken Hitchcock (multi-instrumentalist)
baritone saxophone [baritone sax]:
Roger Rosenberg
bass:
David Finck
bass trombone:
Dave Taylor (US jazz bass trombonist)
drums (drum set) [drums]:
Lewis Nash (American jazz drummer)
flugelhorn:
Tony Kadleck and Jeff Kievit
guitar:
Rodney Jones
piano:
Rob Mounsey
tenor saxophone [tenor sax]:
Charlie Pillow and Walt Weiskopf
tenor trombone:
Birch Johnson
conductor:
Rob Mounsey
arranger:
Rob Mounsey
cover recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
Ledisi35:01
9Miss Otis Regrets
recording engineer and mixer:
George Massenburg
producer:
John Boylan and George Massenburg
bass:
Christian McBride (American jazz bassist)
cello:
Roberta Cooper
piano:
Alan Broadbent
violin:
Eugene Drucker
arranger:
Alan Broadbent
cover recording of:
Miss Otis Regrets
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1934)
Linda Ronstadt3:13
10Someone to Watch Over Me
producer:
Phil Ramone
alto flute:
Charlie Pillow
bass:
David Finck
bass trombone:
George Flynn (trombone)
drums (drum set) [drums]:
Mark McLean (Canadian jazz drummer/composer/producer)
flugelhorn:
Tony Kadleck and Jeff Kievit
flute:
David Mann (saxophonist)
guitar:
Jeffrey Mironov
piano:
Billy Childs (US composer/jazz pianist)
solo alto saxophone [alto sax]:
Steve Wilson (saxophonist)
tenor trombone:
Bruce Eidem and Jim Pugh (US trombonist)
conductor:
Billy Childs (US composer/jazz pianist)
arranger:
Billy Childs (US composer/jazz pianist)
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Gladys Knight4:57
11Do Nothin’ Till You Hear From Me
producer:
Phil Ramone
alto saxophone [alto sax]:
Ken Hitchcock (multi-instrumentalist)
baritone saxophone [baritone sax]:
Roger Rosenberg
bass:
Kevin Axt
drums (drum set) [drums]:
Curt Bisquera
flugelhorn:
Tony Kadleck
guitar:
Dean Parks (American session guitarist) and Josh Sklair
piano:
Billy Childs (US composer/jazz pianist)
tenor saxophone [tenor sax]:
Charlie Pillow and Walt Weiskopf
tenor trombone:
Birch Johnson
conductor:
Rob Mounsey
arranger:
Rob Mounsey
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
Etta James4:20
12Angel Eyes
producer:
Phil Ramone
bass:
David Finck
cello:
Diane Barere, Jeanne LeBlanc and Richard Locker (cellist)
double bass [bass]:
Tim Cobb (double bassist) and Lawrence Glazener
drums (drum set) [drums]:
Lewis Nash (American jazz drummer)
guitar:
Rodney Jones
harp:
Stacy Shames
piano:
Rob Mounsey
solo tenor saxophone [tenor sax]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
viola:
Karen Dreyfus (violist), Desiree Elsevier and Vincent Lionti
violin:
Eva Burmeister, David Chan (US violinist/conductor), Katherine Fong, Vesselin Gellev (violinist), Katherine Livolsi-Stern, Ann Lehmann, Laura McGinniss, Catherine Ro (Violinist), Richard Sortomme (violinist/composer) and Yuri Vodovos
conductor:
Rob Mounsey
arranger:
Rob Mounsey
concertmaster:
Elena Barere (violinist)
cover recording of:
Angel Eyes (1946 jazz standard)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
k.d. lang5:16
13Too Close for Comfort
producer:
Phil Ramone
alto flute and tenor saxophone [tenor sax]:
Charlie Pillow
alto saxophone [alto sax] and flute:
Ken Hitchcock (multi-instrumentalist)
bass:
Robert Hurst (jazz bassist composer)
bass trombone:
George Flynn (trombone)
cello:
Jeanne LeBlanc and Richard Locker (cellist)
drums (drum set) [drums]:
Gregg Field (drums, producer)
flugelhorn:
Tony Kadleck
guitar:
Dean Parks (American session guitarist)
piano:
Billy Childs (US composer/jazz pianist)
tenor trombone:
Birch Johnson
trumpet:
Barry Danielian (American trumpeter, producer and arranger) and Nick Marchione
viola:
Karen Dreyfus (violist), Desiree Elsevier, Vincent Lionti and Craig Mumm
violin:
Eva Burmeister, David Chan (US violinist/conductor), Jonathan Dinklage, Vesselin Gellev (violinist), Karen Karlsrud, Katherine Livolsi-Stern, Ann Leathers (US violinist), Ann Lehmann, Matthew Lehmann, Laura McGinniss, Catherine Ro (Violinist) and Yuri Vodovos
conductor:
Rob Mounsey
arranger:
Billy Childs (US composer/jazz pianist)
concertmaster:
Elena Barere (violinist)
cover recording of:
Too Close for Comfort (Mr. Wonderful)
writer:
Jerry Bock, Lawrence Holofcener and George David Weiss
publisher:
Carlin Music Corporation and Memory Lane Music Ltd.
Michael Bublé3:08
14You Are the Sunshine of My Life Live (1977/New Orleans)
recorded in:
New Orleans, Louisiana, United States (in 1977)
live cover recording of:
You Are the Sunshine of My Life (in 1977)
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald4:08
15Cotton Tail
cover recording of:
Cotton Tail
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Dee Dee Bridgewater2:58
16Airmail Special
producer:
Tommy LiPuma
bass:
John Clayton (US jazz and classical double bassist)
drums (drum set) [drums]:
Jeff Hamilton (jazz drummer)
guitar:
Anthony Wilson (guitarist and composer)
piano:
Gerald Clayton (Netherlands-born jazz pianist)
vibraphone [vibes]:
Bob Zimmitti
conductor:
John Clayton (conductor)
arranger:
John Clayton (conductor)
Nikki Yanofsky4:20

Credits

Release group

tribute to:Ella Fitzgerald (American jazz singer)
Discogs:https://www.discogs.com/master/282062 [info]
Wikidata:Q7977242 [info]