Notenbüchlein für Anna Magdalena Bach: A Selection

~ Release by Johann Sebastian Bach; Tragicomedia, Stephen Stubbs (see all versions of this release, 2 available)

Tracklist

1▼SACD
#TitleArtistRatingLength
1Wachet auf, ruft uns die Stimme (from: Cantata, BWV 140 / Organ Prelude, BWV 645)
recording engineer, producer and editor:
John Hadden (in 1991-04)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist)
tenor vocals:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (in 1991-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach4:30
2O Ewigkeit, du Donnerwort (Chorale mo. 42, BWV 513)
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and orchestra:
Tragicomedia (instrumental ensemble) (in 1991-04)
organ:
Andrew Lawrence‐King (Early music harpist and conductor)
baritone vocals:
Harvey Brough (composer, arranger and performer) (in 1991-04)
bass vocals:
Richard Wistreich (British bass vocalist) (in 1991-04)
soprano vocals:
Emily Van Evera (soprano) (in 1991-04)
tenor vocals:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
O Ewigkeit, du Donnerwort, BWV 513 (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1642)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 42), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 513) and Bach Compendium (number: BC F 218)
Johann Sebastian Bach1:23
3Gedenke doch, mein Geist Zurücke (Aria mo. 41, BWV 509)
recording engineer, producer and editor:
John Hadden (in 1991-04)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist)
tenor vocals:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VI , Gedenke doch mein Geist, BWV 509 (attribution doubtful) (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 41) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 509)
Johann Sebastian Bach1:31
4Wer nur den lieben Gott Läßt walten (Chorale mo. 11, BWV 691)
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and orchestra:
Tragicomedia (instrumental ensemble) (in 1991-04)
organ:
Andrew Lawrence‐King (Early music harpist and conductor)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Wer nur den lieben Gott läßt walten, BWV 691 (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Chorale Preludes, Kirnberger Collection (number: 2), Notebook for Anna Magdalena Bach (1725) (number: 11), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 691) and Bach Compendium (number: BC K 99)
is based on:
Wer nur den lieben Gott läßt walten (1641 hymn)
Johann Sebastian Bach2:29
5Rondeau no. 6 "Les Bergeries"
recording engineer, producer and editor:
John Hadden (in 1991-04)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Rondeau, BWV Anh. 183 (in 1991-04)
composer:
François Couperin (French composer of the Baroque era)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 6), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. III 183), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 1, S. 638) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 183)
Johann Sebastian Bach4:27
6Musette no. 22 (BWV Anhang 126)
recording engineer, producer and editor:
John Hadden (in 1991-04)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Musette in D major, BWV Anh. 126 (in 1991-04)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 22) and Bach-Werke-Verzeichnis (number: BWV Anh. 126)
Johann Sebastian Bach0:59
7Menuet no. 4 / Menuet no. 5 (BWV Anhang 114 & 115)
recording engineer, producer and editor:
John Hadden (in 1991-04)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Menuet in G major, BWV Anh. 114 (catch-all for arrangements) (in 1991-04)
composer:
Christian Petzold
arranger:
Thomas Frost (classical music producer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Minuet in G major, BWV Anh. 114 (for keyboard)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
recording of:
Menuet in G minor, BWV Anh. 115 (in 1991-04)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 5), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 115 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 115)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard) (in 1991-04)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
Johann Sebastian Bach4:24
8Gib dich zufrieden und sei stille (Chorale no. 12, BWV 510)
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and orchestra:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist)
organ:
Andrew Lawrence‐King (Early music harpist and conductor)
baritone vocals:
Harvey Brough (composer, arranger and performer) (in 1991-04)
bass vocals:
Richard Wistreich (British bass vocalist) (in 1991-04)
soprano vocals:
Emily Van Evera (soprano) (in 1991-04)
tenor vocals:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Choralsatz F-Dur, BWV 510 “Gib dich zufrieden und sei stille” (attribution doubtful) (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 12), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 510) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 510)
Johann Sebastian Bach1:16
9Gib dich zufrieden und sei stille (Aria no. 13a, BWV 511)
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and orchestra:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist)
organ:
Andrew Lawrence‐King (Early music harpist and conductor)
baritone vocals:
Harvey Brough (composer, arranger and performer)
bass vocals:
Richard Wistreich (British bass vocalist)
soprano vocals:
Emily Van Evera (soprano)
tenor vocals:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Choralsatz, BWV 511 “Gib dich zufrieden und sei stille” (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1666)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 13a), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 511), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 511) and Bach Compendium (number: BC F 214a)
Johann Sebastian Bach1:14
10Marche · Polonaise · Marche · Polonaise (nos. 16-19, BWV Anhang 122-125)
recording engineer, producer and editor:
John Hadden (in 1991-04)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Marche in D major, BWV Anh. 122, H. 1/1 (in 1991-04)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/1), Notebook for Anna Magdalena Bach (1725) (number: 16) and Bach-Werke-Verzeichnis (number: BWV Anh. 122)
recording of:
Marche in G major, BWV Anh. 124, H. 1/3 (in 1991-04)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/3), Notebook for Anna Magdalena Bach (1725) (number: 18) and Bach-Werke-Verzeichnis (number: BWV Anh. 124)
recording of:
Polonaise in G minor, BWV Anh. 123, H. 1/2 (in 1991-04)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Repertorium Carl Philipp Emanuel Bach (BR‑CPEB) (number: BR‑CPEB A‑Juv 3), Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/2), Notebook for Anna Magdalena Bach (1725) (number: 17), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 123 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 123)
recording of:
Polonaise in G minor, BWV Anh. 125, H. 1/4 (in 1991-04)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/4), Notebook for Anna Magdalena Bach (1725) (number: 19) and Bach-Werke-Verzeichnis (number: BWV Anh. 125)
Johann Sebastian Bach6:15
11Erbauliche Gedanken eines Tobackrauchers (»So oft ich meine Tobackspfeife«) (Aria no. 20b (c), BWV 515a)
recording engineer, producer and editor:
John Hadden (in 1991-04)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
tenor vocals:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VII, Erbauliche Gedanken eines Tabakrauchers, BWV 515 (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 20)
Johann Sebastian Bach4:36
12Prelude dnd Fugue in C (no. 29, BWV 846)
recording engineer, producer and editor:
John Hadden (in 1991-04)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Fugue (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach4:43
13Wie wohl ist mir, o Freund der Seelen (Aria no. 40, BWV 517)
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
bass vocals:
Richard Wistreich (British bass vocalist) (in 1991-04)
soprano vocals:
Emily Van Evera (soprano) (in 1991-04)
tenor vocals:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: “Wie wohl ist mir, o Freund der Seelen”, BWV 517 (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Wolfgang Christoph Dessler (in 1692)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 40) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 517)
Johann Sebastian Bach1:22
14Menuet no. 14 (BWV Anhang 120)
recording engineer, producer and editor:
John Hadden (in 1991-04)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Clavier-büchlein für Anna Magdalena Bach 1725: Menuet a-Moll, BWV Anh. 120 (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 14) and Bach-Werke-Verzeichnis (number: BWV Anh. 120)
Johann Sebastian Bach1:55
15Schaff's mit mir, Gott (Chorale no. 35, BWV 514)
recording engineer, producer and editor:
John Hadden (in 1991-04)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
instruments and orchestra:
Tragicomedia (instrumental ensemble) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Choral “Schaffs mit mir, Gott”, BWV 514 (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Benjamin Schmolck
part of:
Notebook for Anna Magdalena Bach (1725) (number: 35), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 514), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 514) and Bach Compendium (number: BC F 216)
Johann Sebastian Bach1:04
16Willst du dein Herz mir schenken ("Aria Di Giovannini" no. 37, BWV 518)
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and orchestra:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
tenor vocals:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken (attribution doubtful) (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/An/13), Notebook for Anna Magdalena Bach (1725) (number: 37), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 518), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 518) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 518)
Johann Sebastian Bach5:29
17Warum betrübst du dich (Aria no. 33, BWV 516)
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and orchestra:
Tragicomedia (instrumental ensemble) (in 1991-04)
organ:
Andrew Lawrence‐King (Early music harpist and conductor)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Aria “Warum betrübst du dich”, BWV 516 (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 33) and Bach-Werke-Verzeichnis (number: BWV 516)
Johann Sebastian Bach1:10
18Menuet no. 36 / Menuet no. 15 (BWV Anhang 132 & 121)
recording engineer, producer and editor:
John Hadden (in 1991-04)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Menuett c-Moll, BWV Anh. 121 (in 1991-04)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 15), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 121) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 121)
recording of:
Menuett in d-Moll, BWV Anh. 132 (in 1991-04)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 36), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 132) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 132)
Johann Sebastian Bach2:45
19Dir, dir, Jehova (Chorale no. 39, BWV 299)
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and orchestra:
Tragicomedia (instrumental ensemble) (in 1991-04)
organ:
Andrew Lawrence‐King (Early music harpist and conductor)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach) (in 1991-04)
lyricist:
Bartholomäus Crasselius (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39a), Breitkopf 389 Choralgesänge (number: 67) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 299 [1])
adaptations:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo)
recording of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach) (in 1999)
lyricist:
Bartholomäus Crasselius (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39a), Breitkopf 389 Choralgesänge (number: 67) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 299 [1])
adaptations:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo)
Johann Sebastian Bach0:56
20Bist du bei mir (Aria no. 25, BWV 508)
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist) (in 1991-04)
viola da gamba:
Erin Headley (American lirone player, teacher, and director) (in 1991-04)
tenor vocals:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (in 1991-04)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Johann Sebastian Bach2:51
21Aria no. 26 (BWV 988 (Goldberg Variations))
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
organ:
Andrew Lawrence‐King (Early music harpist and conductor)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Variatio 26. a 2 Clav. (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:47
22So oft ich meine Tobackspfeife (Aria no. 20a, BWV 515)
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VII, Erbauliche Gedanken eines Tabakrauchers, BWV 515 (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 20)
recording of:
Klavierbüchlein für Anna Magdalene Bach: Nr. 20 B "Erbauliche Gedanken eines Tobackrauchers", BWV 515a (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach1:00
23Ich habe tenug! (Recitativo no. 34, BWV 82.ii)
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist)
organ:
Andrew Lawrence‐King (Early music harpist and conductor)
viola da gamba:
Erin Headley (American lirone player, teacher, and director)
tenor vocals:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
recording of:
Kantate, BWV 82a "Ich habe genug": II. Recitativo (Soprano) "Ich habe genug" (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach1:11
24Schlummert ein, ihr matten Augen (Aria no. 34/38, BWV 82.iii)
recording engineer, producer and editor:
John Hadden (in 1991-04)
instruments and performer:
Tragicomedia (instrumental ensemble) (in 1991-04)
lute:
Stephen Stubbs (US early music lutenist)
tenor vocals:
John Potter (tenor) (in 1991-04)
conductor:
Stephen Stubbs (US early music lutenist) (in 1991-04)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1991-04)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (in 1991-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach7:48

Credits

Release

liner notes:Andrew Lawrence‐King (Early music harpist and conductor)
liner notes translator:Melania Bucciarelli (liner notes)
Christian Hinzelin
executive producer:Wolfgang Mohr
Marita Prohmann
translator:Jacques Fournier (liner notes French translator)
Marco Marica (liner notes)
Stewart Spencer (linernotes, translation)
booklet editor:Christian Müller (liner notes translator)
Eva Zöllner (booklet editor)
artwork:Johann Ernst Rentsch (the elder) (task: booklet painting)
Discogs:https://www.discogs.com/release/10990761 [info]