Mass in B Minor, St. Matthew Passion

~ Release by Johann Sebastian Bach; Seiji Ozawa & Saito Kinen Orchestra (see all versions of this release, 1 available)

Annotation

© «2024 UMG Recordings, Inc.»
℗ «2024 UMG Recordings, Inc. FP»

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Annotation last modified on 2024-05-10 01:10 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Mass in B Minor, BWV 232 / Kyrie: I. Kyrie eleison
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach9:31
2Mass in B Minor, BWV 232 / Kyrie: II. Christe eleison
alto vocals:
Angelika Kirchschlager (mezzo soprano) (from 2000-08-29 until 2000-09-04)
soprano vocals:
Barbara Bonney (soprano) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:07
3Mass in B Minor, BWV 232 / Kyrie: III. Kyrie eleison
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:12
4Mass in B Minor, BWV 232 / Gloria: IV. Gloria in excelsis Deo
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:43
5Mass in B Minor, BWV 232 / Gloria: V. Et in terra pax
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:15
6Mass in B Minor, BWV 232 / Gloria: VI. Laudamus te
soprano vocals:
Barbara Bonney (soprano) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:11
7Mass in B Minor, BWV 232 / Gloria: VII. Gratias agimus tibi
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:46
8Mass in B Minor, BWV 232 / Gloria: VIII. Domine Deus
soprano vocals:
Barbara Bonney (soprano) (from 2000-08-29 until 2000-09-04)
tenor vocals:
John Mark Ainsley (tenor) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:19
9Mass in B Minor, BWV 232 / Gloria: IX. Qui tollis peccata mundi
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:26
10Mass in B Minor, BWV 232 / Gloria: X. Qui sedes ad dexteram Patris
alto vocals:
Angelika Kirchschlager (mezzo soprano) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:31
11Mass in B Minor, BWV 232 / Gloria: XI. Quoniam tu solus sanctus
bass vocals:
Alastair Miles (operatic bass) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:05
12Mass in B Minor, BWV 232 / Gloria: XII. Cum Sancto Spiritu
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:51
13Mass in B Minor, BWV 232 / Credo: XIII. Credo in unum Deum
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:00
14Mass in B Minor, BWV 232 / Credo: XIV. Patrem omnipotentem
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:51
15Mass in B Minor, BWV 232 / Credo: XV. Et in unum Dominum
alto vocals:
Angelika Kirchschlager (mezzo soprano) (from 2000-08-29 until 2000-09-04)
soprano vocals:
Barbara Bonney (soprano) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:06
16Mass in B Minor, BWV 232 / Credo: XVI. Et incarnatus est
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:17
17Mass in B Minor, BWV 232 / Credo: XVII. Crucifixus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:53
18Mass in B Minor, BWV 232 / Credo: XVIII. Et resurrexit
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:49
19Mass in B Minor, BWV 232 / Credo: XIX. Et in Spiritum Sanctum
bass vocals:
Alastair Miles (operatic bass) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:41
20Mass in B Minor, BWV 232 / Credo: XX. Confiteor unum baptisma
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:56
21Mass in B Minor, BWV 232 / Credo: XXI. Et expecto resurrectionem
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:03
22Mass in B Minor, BWV 232 / Sanctus: XXII. Sanctus
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:05
23Mass in B Minor, BWV 232 / Sanctus: XXIII. Osanna in excelsis
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:35
24Mass in B Minor, BWV 232 / Sanctus: XXIV. Benedictus
tenor vocals:
John Mark Ainsley (tenor) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:55
25Mass in B Minor, BWV 232 / Sanctus: XXV. Osanna in excelsis
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:29
26Mass in B Minor, BWV 232 / Agnus Dei: XXVI. Agnus Dei
alto vocals:
Angelika Kirchschlager (mezzo soprano) (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:48
27Mass in B Minor, BWV 232 / Agnus Dei: XXVII. Dona nobis pacem
choir vocals:
Tokyo Opera Singers (from 2000-08-29 until 2000-09-04)
orchestra:
Saito Kinen Orchestra (from 2000-08-29 until 2000-09-04)
conductor:
Seiji Ozawa (conductor and composer) (from 2000-08-29 until 2000-09-04)
recorded at:
Naganoken Matsumoto Bunka Kaikan (Matsumoto) in Matsumoto, Nagano (Nagano Prefecture), Japan (from 2000-08-29 until 2000-09-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 2000-08-29 until 2000-09-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:05
28St. Matthew Passion, BWV 244 - Part One: No. 1 Chorus I/II: “Kommt, ihr Töchter, helft mir klagen”
choir vocals:
Tokyo Opera Singers (in 1997-09)
choir vocals [Soprano in ripieno]:
SKF Matsumoto Children’s Choir (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:02
29St. Matthew Passion, BWV 244 - Part One: No. 2 Evangelist, Jesus: “Da Jesus diese Rede vollendet hatte”
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:45
30St. Matthew Passion, BWV 244 - Part One: No. 3 Choral: “Herzliebster Jesu, was hast du verbrochen”
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen"
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:46
31St. Matthew Passion, BWV 244 - Part One: No. 4 Evangelist, Chorus I/II, Jesus: “Da versammelten sich die Hohenpriester”
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:08
32St. Matthew Passion, BWV 244 - Part One: No. 5 Recitative (Alto): “Du lieber Heiland du”
alto vocals:
Nathalie Stutzmann (contralto and conductor) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:01
33St. Matthew Passion, BWV 244 - Part One: No. 6 Aria (Alto): “Buss und Reu”
alto vocals:
Nathalie Stutzmann (contralto and conductor) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:30
34St. Matthew Passion, BWV 244 - Part One: No. 7 Evangelist, Judas: “Da ging hin der Zwölfen einer”
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:37
35St. Matthew Passion, BWV 244 - Part One: No. 8 Aria (Soprano): “Blute nur, du liebes Herz”
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:31
36St. Matthew Passion, BWV 244 - Part One: No. 9 Evangelist, Chorus I, Jesus: “Aber am ersten Tage der süssen Brot”
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach2:02
37St. Matthew Passion, BWV 244 - Part One: No. 10 Choral: “Ich bin’s, ich sollte büssen”
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:45
38St. Matthew Passion, BWV 244 - Part One: No. 11 Evangelist, Jesus, Judas: “Er antwortete und sprach”
bass vocals [Jesus]:
Thomas Quasthoff (bass-baritone) (in 1997-09)
tenor vocals [Evangelist]:
John Mark Ainsley (tenor) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:15
39St. Matthew Passion, BWV 244 - Part One: No. 12 Recitative (Soprano): “Wiewohl mein Herz in Tränen schwimmt”
soprano vocals:
Christiane Oelze (German soprano) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:24
40St. Matthew Passion, BWV 244 - Part One: No. 13 Aria (Soprano): “Ich will dir mein Herz schenken”
soprano vocals:
Christiane Oelze (German soprano) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:08
41St. Matthew Passion, BWV 244 - Part One: No. 14 Evangelist, Jesus: “Und da sie den Lobgesang gesprochen hatten”
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:09
42St. Matthew Passion, BWV 244 - Part One: No. 15 Choral: “Erkenne mich, mein Hüter”
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:59
43St. Matthew Passion, BWV 244 - Part One: No. 16 Evangelist, Jesus, Petrus: “Petrus aber antwortete”
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:03
44St. Matthew Passion, BWV 244 - Part One: No. 17 Choral: “Ich will hier bei dir stehen”
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:58
45St. Matthew Passion, BWV 244 - Part One: No. 18 Evangelist, Jesus: “Da kam Jesus mit ihnen zu einem Hofe”
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:02
46St. Matthew Passion, BWV 244 - Part One: No. 19 Recitative (Tenor, Chorus II): “O Schmerz! hier zittert das gequälte Herz”
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:42
47St. Matthew Passion, BWV 244 - Part One: No. 20 Aria (Tenor, Chorus II): “Ich will bei meinem Jesu wachen”
choir vocals:
Tokyo Opera Singers (in 1997-09)
tenor vocals:
Stanford Olsen (tenor) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:50
48St. Matthew Passion, BWV 244 - Part One: No. 21 Evangelist, Jesus: “Und ging hin ein wenig”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:49
49St. Matthew Passion, BWV 244 - Part One: No. 22 Recitative (Bass): “Der Heiland fällt vor seinem Vater nieder”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:00
50St. Matthew Passion, BWV 244 - Part One: No. 23 Aria (Bass): “Gerne will ich mich bequemen”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:05
51St. Matthew Passion, BWV 244 - Part One: No. 24 Evangelist, Jesus: “Und er kam zu seinen Jüngern”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:22
52St. Matthew Passion, BWV 244 / Part One: No. 25 Choral: “Was mein Gott will, das g’scheh allzeit”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:55
53St. Matthew Passion, BWV 244 - Part One: No. 26 Evangelist, Jesus, Judas: “Und er kam und fand sie aber schlafend”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:36
54St. Matthew Passion, BWV 244 - Part One: No. 27 Aria (Soprano, Alto, Chorus II): “So ist mein Jesus nun gefangen” - Chorus I/II: “Sind Blitze, sind Donner”
alto vocals:
Nathalie Stutzmann (contralto and conductor) (in 1997-09)
choir vocals:
Tokyo Opera Singers (in 1997-09)
soprano vocals:
Christiane Oelze (German soprano) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:35
55St. Matthew Passion, BWV 244 - Part One: No. 28 Evangelist, Jesus: “Und siehe, einer aus denen”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:23
56St. Matthew Passion, BWV 244 - Part One: No. 29 Choral: “O Mensch, bewein dein Sünde groß”
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:35
57St. Matthew Passion, BWV 244 - Part Two: No. 30 Aria (Alto, Chorus II): “Ach nun ist mein Jesu hin”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:27
58St. Matthew Passion, BWV 244 - Part Two: No. 31 Evangelist: “Die aber Jesum gegriffen hatten”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:06
59St. Matthew Passion, BWV 244 - Part Two: No. 32 Choral: “Mir hat die Welt trüglich gericht”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'"
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:42
60St. Matthew Passion, BWV 244 - Part Two: No. 33 Evangelist, Pontifex, Testis I/II: “Und wiewohl viel falsche Zeugen herzutraten”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:13
61St. Matthew Passion, BWV 244 - Part Two: No. 34 Recitative (Tenor): “Mein Jesus schweigt zu falschen Lügen stille”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:48
62St. Matthew Passion, BWV 244 - Part Two: No. 35 Aria (Tenor): “Geduld”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:25
63St. Matthew Passion, BWV 244 - Part Two: No. 36 Evangelist, Pontifex, Jesus, Chorus I/II: “Und der Hohepriester antwortete”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:00
64St. Matthew Passion, BWV 244 - Part Two: No. 37 Choral: “Wer hat dich so geschlagen”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:51
65St. Matthew Passion, BWV 244 - Part Two: No. 38 Evangelist, Ancilla I/II, Petrus, Chorus II: “Petrus aber sass draussen im Palast”
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:37
66St. Matthew Passion, BWV 244 - Part Two: No. 39 Aria (Alto): “Erbarme dich”
alto vocals:
Nathalie Stutzmann (contralto and conductor) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1997-09)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:25
67St. Matthew Passion, BWV 244 - Part Two: No. 40 Choral: “Bin ich gleich von dir gewichen”
choir vocals:
Tokyo Opera Singers (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1997-09)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:54
68St. Matthew Passion, BWV 244 - Part Two: No. 41 Evangelist, Judas, Chorus I/II, Pontifex I/II: “Des Morgens aber hielten alle Hohepriester”
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:42
69St. Matthew Passion, BWV 244 - Part Two: No. 42 Aria (Bass): “Gebt mir meinen Jesum wieder”
bass vocals:
Michael Volle (baritone) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:02
70St. Matthew Passion, BWV 244 - Part Two: No. 43 Evangelist, Pilatus, Jesus: “Sie hielten aber einen Rat”
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:37
71St. Matthew Passion, BWV 244 - Part Two: No. 44 Choral: “Befiel du deine Wege”
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:13