The Summer Breeze Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Partial re-release of Time Life's "Classic Soft Rock" and "Best of Soft Rock"

Annotation last modified on 2022-10-18 03:46 UTC.

Tracklist

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1CD: Lost in Love (CD 1)
#TitleArtistRatingLength
1Lowdown
recording of:
Lowdown
lyricist:
Boz Scaggs
composer:
David Paich and Boz Scaggs
publisher:
BMG Songs, Inc., Hudmar Publishing Co. Inc. and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3:21
2Whenever I Call You “Friend”
producer:
Bob James (US jazz keyboardist, arranger and producer)
guest vocals:
Stevie Nicks
vocals:
Kenny Loggins
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
produced for:
Tappan Zee Productions
recorded at:
Sound Mixers in New York, New York, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 83)
recording of:
Whenever I Call You “Friend”
lyricist:
Ken Loggins and Melissa Manchester
composer:
Ken Loggins
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Milk Money Music (in 1978) and Rumanian Pickleworks Company (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Loggins53:59
3Piano Man
engineer:
Ron Malo
producer:
Michael Stewart (US producer/guitarist from California, 1945–2002)
accordion and keyboard [keyboards]:
Michael Omartian (in 1973)
drums (drum set):
Ron Tutt (drummer) (in 1973)
electric bass guitar:
Wilton Felder (in 1973)
guitar:
Larry Carlton (in 1973) and Dean Parks (American session guitarist) (in 1973)
guitar [guitar overdubs]:
William Bennett (guitarist) (in 1973)
harmonica and piano and lead vocals:
Billy Joel (American singer-songwriter and pianist) (in 1973)
percussion:
Bobbi Hall (in 1973)
arranger:
Michael Omartian
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973, in 1975), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States (in 1973)
music videos:
Piano Man by Billy Joel (American singer-songwriter and pianist)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 421)
recording of:
Piano Man (in 1973)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1973) and Joelsongs (in 1973)
Billy Joel4.355:40
4Longer
engineer:
Jeff Guercio and Marty Lewis (engineer)
producer:
Dan Fogelberg, Marty Lewis (engineer) and Norbert Putnam
mixer:
Marty Lewis (engineer)
acoustic guitar:
Dan Fogelberg
harp:
Gayle Levant (American studio musician, harpist)
solo flugelhorn:
Jerry Hey
vocals:
Dan Fogelberg
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) and Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1980)
mixed at:
Quadrafonic Sound Studios in Nashville, Tennessee, United States
recording of:
Longer
lyricist and composer:
Dan Fogelberg
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Hickory Grove Music
Dan Fogelberg3.153:15
5Miracles
recording of:
Miracles (Jefferson Starship song)
lyricist and composer:
Marty Balin
Jefferson Starship3:35
6Lost in Love
engineer and mixer:
William Wittman
producer:
Rick Chertoff, Charles Fisher (Australian producer) and Robie Porter
bass guitar:
Criston Barker
drums (drum set):
Ralph Cooper (drummer)
guitar [lead guitar]:
David Moyse
guitar [rhythm guitar]:
Graham Russell (Air Supply)
keyboard:
Frank Esler‐Smith and Sam McNally
background vocals:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, David Moyse, Nancy Nash and Graham Russell (Air Supply)
lead vocals:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply and Robie Porter
orchestrator:
Frank Esler‐Smith and Robie Porter
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980) and Wizard Records Pty. Ltd. (holding company - file no releases here!) (in 1980)
recorded at:
Trafalgar Studios in Annandale, Sydney, New South Wales, Australia
mixed at:
Soundmixers in Midtown Manhattan, New York, New York, United States
part of:
The Downloader’s Music Source Book (number: 295)
recording of:
Lost in Love
lyricist and composer:
Graham Russell (Air Supply)
publisher:
Nottsongs, Universal Music Careers and Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply53:53
7More Than I Can Say
producer:
Alan Tarney
phonographic copyright (℗) by:
Chrysalis (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Rhino Entertainment Company (not for release label use!) (in 1980), Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1980) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
cover recording of:
More Than I Can Say (in 1980)
writer:
Jerry Allison and Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
recording of:
More Than I Can Say
writer:
Jerry Allison and Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
Leo Sayer33:39
8Rosanna
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
Rosanna
lyricist and composer:
David Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Spirit Two Music
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:04
9More Than a Feeling
recording of:
More Than a Feeling
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston3:26
10Take It on the Run
recording of:
Take It on the Run
lyricist and composer:
Gary Richrath
publisher:
HoriPro Entertainment Group, Slam Dunk Music (work publisher) and 大洋音楽 (Taiyō Music)
REO Speedwagon3:38
11Make Me Lose ControlEric Carmen4:47
12Total Eclipse of the Heart
phonographic copyright (℗) by:
CBS United Kingdom Ltd. (do not use as a release label! for copyrights use only) (in 1983) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983)
recording of:
Total Eclipse of the Heart
lyricist and composer:
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.355:37
13Living Inside Myself
recording of:
Living Inside Myself
lyricist and composer:
Gino Vannelli
publisher:
Black Keys Music (ended), En Forme Music and Whirling Rainbow Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gino Vannelli4:25
14The Flame
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988)
recording of:
The Flame
writer:
Nick Graham (British singer, songwriter, bassist, keyboardist, Atomic Rooster member) and Bob Mitchell (UK production music composer & songwriter)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Hit & Run Music (Publishing) Ltd, Lorimar Music Corp., Sony Music Publishing (UK) Limited (2003–2008, 2021–present), Sony/ATV Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cheap Trick54:47
15Sara
recording of:
Sara
writer:
Ina Wolf and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Songs, Inc., Careers–BMG Music Publishing, Inc., Kikiko Music and Petwolf Music
Starship4:23
2CD: Lost in Love (CD 2)
#TitleArtistRatingLength
1Livin’ Thing
engineer:
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) and Duane Scott
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1976-07)
cello:
Melvyn Gale (in 1976-07) and Hugh McDowell (in 1976-07)
clavinet, Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1976-07)
guitar:
Jeff Lynne (in 1976-07) and Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
violin:
Mik Kaminski (in 1976-07)
background vocals:
Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) and Patti Quatro (in 1976-07)
lead vocals:
Jeff Lynne (in 1976-07)
conductor:
Louis Clark (in 1976-07)
choir vocals arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
orchestrator:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Jet Records (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1976) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1976-07) and Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1976-07)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
edited at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Livin’ Thing (in 1976-07)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.153:34
2This Is It
assistant engineer:
Michael Carnévale (engineer)
engineer:
Steve Gersky (The Miami Kid)
producer:
Tom Dowd
bass guitar:
George Hawkins (folk/soft rock bassist)
drums (drum set):
Tris Imboden
guitar:
Mike Hamilton (US guitarist based in Laguna Beach, CA) and Kenny Loggins
keyboard:
Brian Mann (keyboardist, accordionist, composer)
percussion:
Paulinho da Costa (Brazilian percussionist)
piano:
Michael McDonald (R&B & soul singer)
background vocals [harmony vocals]:
George Hawkins (folk/soft rock bassist), Mike Hamilton (US guitarist based in Laguna Beach, CA) and Michael McDonald (R&B & soul singer)
lead vocals:
Kenny Loggins and Michael McDonald (R&B & soul singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States
recording of:
This Is It
writer:
Kenny Loggins and Michael McDonald (R&B & soul singer)
publisher:
Snug Music (ended), Milk Money Music, Tauripin Tunes, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Kenny Loggins53:59
3Africa
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
music videos:
Africa by Toto (US rock group)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto54:19
4Eye in the Sky
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1981, in 1982)
recording of:
Eye in the Sky
writer and composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Universal Music Publishing International MGB Ltd. and Woolfsongs Ltd.
The Alan Parsons Project43:57
5Look What You’ve Done to Me
producer:
David Foster (Canadian music producer, arranger and composer) and Bill Schnee
bass:
Mike Porcaro
drums (drum set):
Jeff Porcaro
guitar:
Don Felder
keyboard:
David Foster (Canadian music producer, arranger and composer)
background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley and Timothy B. Schmit
recording of:
Look What You’ve Done to Me
lyricist:
Boz Scaggs
composer:
David Foster (Canadian music producer, arranger and composer) and Boz Scaggs
Boz Scaggs5:18
6You’ve Lost That Lovin’ Feeling
producer:
Daryl Hall and John Oates
vocals:
Daryl Hall and John Oates
arranger:
Daryl Hall and John Oates
phonographic copyright (℗) by:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1980) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
cover recording of:
You’ve Lost That Lovin’ Feelin’
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Daryl Hall & John Oates54:37
7All Out Of Love
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Robie Porter
assistant mixer:
Linda Corbin
mixer:
Jim Hilton
bass guitar:
Criston Barker
drums (drum set):
Ralph Cooper (drummer)
guitar [lead guitar]:
David Moyse
guitar [rhythm guitar]:
Graham Russell (Air Supply)
keyboard:
Frank Esler‐Smith and Sam McNally
background vocals:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse and Graham Russell (Air Supply)
lead vocals:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply and Robie Porter
orchestrator:
Frank Esler‐Smith and Robie Porter
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980), Arista Records, LLC (holding company - file NO releases here!) (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recorded at:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia and Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia
mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States
part of:
The Downloader’s Music Source Book (number: 290)
recording of:
All Out of Love
writer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Graham Russell (Air Supply)
publisher:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:04
8Can’t Fight This Feeling
producer:
Kevin Cronin, Alan Gratzer and Gary Richards
arranger:
Kevin Cronin and REO Speedwagon
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Can’t Fight This Feeling (in 1984-08)
lyricist and composer:
Kevin Cronin
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Fate Music, The International Music Network Ltd and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
大洋音楽 (Taiyō Music)
REO Speedwagon3.94:52
9The Search Is Over
engineer and producer:
Ron Nevison
bass:
Stephan Ellis (bass player with Survivor)
drums (drum set):
Marc Droubay (drummer for Survivor)
guitar:
Frankie Sullivan (US guitarist and songwriter, member of Survivor)
keyboard:
Jim Peterik
background vocals:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
lead vocals:
Jimi Jamison
phonographic copyright (℗) by:
Scotti Brothers Records (in 1984)
recorded at:
The Plant Studios (1981–2008) in Sausalito, California, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
The Search Is Over
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Easy Action Music, Rude Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Survivor44:14
10All by Myself
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
edit of:
All by Myself by Eric Carmen
recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:30
11Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
brass and strings arranger:
Paul Buckmaster
phonographic copyright (℗) by:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) and RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971-06)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Harry Nilsson4.33:20
12Year of the Cat
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4:37
13Dust in the Wind
additional engineer:
Terry Diane Becker (engineer)
engineer:
Jeff Glixman (from 1977-06 until 1977-07)
producer:
Jeff Glixman (in 1977-06)
acoustic guitar and electric guitar:
Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (guitarist of Kansas) (from 1977-06 until 1977-07)
bass guitar:
Dave Hope (from 1977-06 until 1977-07)
celesta, organ, synthesizer, vibraphone and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
cello, viola and violin [violins]:
Robby Steinhardt (from 1977-06 until 1977-07)
chimes, drums (drum set), gong and timpani:
Phil Ehart (from 1977-06 until 1977-07)
clavinet and synthesizer [synthesizers]:
Kerry Livgren (from 1977-06 until 1977-07)
percussion [additional percussion]:
Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
piano:
Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
background vocals:
Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
recorded at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1977-08)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 39)
recording of:
Dust in the Wind (from 1977-06 until 1977-07)
lyricist and composer:
Kerry Livgren
publisher:
Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adaptations:
As the Sun Rises
Kansas4.053:28
14Vincent
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
recording of:
Vincent (Starry Starry Night)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal/MCA Music Ltd. (not for release label use!)
translated version of:
Wim
Don McLean4.44:02
15Please Come to Boston
edit of:
Please Come to Boston by Dave Loggins
recording of:
Please Come to Boston
lyricist and composer:
Dave Loggins
Dave Loggins4:07
3CD: Steal Away (CD 1)
#TitleArtistRatingLength
1Summer Breeze
producer:
Louie Shelton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 10)
recording of:
Summer Breeze
lyricist:
James Seals
composer:
Dash Crofts and James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.353:28
2Key Largo
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981) and Sony Music Special Products (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 75)
recording of:
Key Largo
writer:
Bertie Higgins and Sonny Limbo
publisher:
Chappell & Co., Jen‐Lee Music Company, Lowery Music Co. Inc. and Sony/ATV Tunes LLC (ASCAP)
Bertie Higgins3:19
3Make It with You
bass guitar, guitar, strings, background vocals and lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Michael Botts
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) and Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 13)
recording of:
Make It With You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
4Does Anybody Really Know What Time It Is?
engineer:
Fred Catero
producer:
James William Guercio
recorded at:
Columbia Studios in New York, New York, United States (in 1969-01)
recording of:
Does Anybody Really Know What Time It Is? (in 1969-01)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lamminations Music and Spirit Music Publishing Ltd.
Chicago3:22
5Dream Weaver
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 25)
recording of:
Dream Weaver (Gary Wright)
lyricist and composer:
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and WB Music Corp.
Gary Wright44:19
6Hello It’s Me
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1972)
recording of:
Hello, It’s Me
lyricist and composer:
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren53:41
7Sara Smile
producer:
Chris Bond (producer, active circa 1970s) and Daryl Hall & John Oates
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1975)
recording of:
Sara Smile
lyricist:
Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Unichappell Music, Inc.
Daryl Hall & John Oates4.253:11
8Chuck E.’s In Love
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Chuck E.’s in Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:28
9Black Water
additional recording engineer:
Lee Herschberg
recording engineer:
Donn Landee
miscellaneous support:
Benita Brazier (task: production coordinator)
producer:
Ted Templeman
autoharp:
Arlo Guthrie (American folk singer-songwriter)
congas and timbales:
Eddie Guzman
frame drum [pandeiro], marimba and tabla:
Milt Holland
keyboard:
Bill Payne
pedal steel guitar:
Jeff “Skunk” Baxter
viola:
Novi
arranger:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love and The Memphis Horns
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1974)
recording of:
Black Water
lyricist, writer and composer:
Patrick Simmons
publisher:
Lansdowne Music Publishers, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.24:19
10Still the One
lead vocals:
Larry Hoppen
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 18)
recording of:
Still the One
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:56
11Hurt So Bad
recording engineer:
Val Garay
producer:
Peter Asher
bass:
Bob Glaub (in 1979-11)
drums (drum set) [drums]:
Russell Kunkel (session drummer) (in 1979-11)
electric guitar:
Dan Dugmore (in 1979-11) and Danny Kortchmar (Danny Kootch) (in 1979-11)
keyboard:
Bill Payne (in 1979-11)
solo electric guitar:
Danny Kortchmar (Danny Kootch) (in 1979-11)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1980), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1979-11)
cover recording of:
Hurt So Bad (in 1979-11)
writer:
Bobby Wilding (US songwriter), Bobby Hart and Teddy Randazzo
publisher:
Embassy Music Corporation, Songs of Universal, Inc. (BMI), Teddy Randazzo Music and Vogue Music
recording of:
Hurt So Bad
writer:
Bobby Wilding (US songwriter), Bobby Hart and Teddy Randazzo
publisher:
Embassy Music Corporation, Songs of Universal, Inc. (BMI), Teddy Randazzo Music and Vogue Music
Linda Ronstadt53:18
12Cool Change
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 1980)
recording of:
Cool Change
lyricist and composer:
Glenn Shorrock (from 1977 until 1978)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) and Wheatley Music Pty Ltd.
Little River Band4:08
13Biggest Part of Me
producer:
Ambrosia (L.A. prog rock band) and Freddie Piro
bass:
Joe Puerta
chamberlin, clavinet, electronic organ and Minimoog:
Christopher North
drums (drum set):
Burleigh Drummond
guitar:
David Pack
percussion:
Burleigh Drummond and Royce Jones
vocals:
Burleigh Drummond, Royce Jones, David Pack and Joe Puerta
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 16)
recording of:
Biggest Part of Me
lyricist and composer:
David Pack
publisher:
David Pack Music, EMI Longitude Music, Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Ambrosia5:26
14Never Be the Same
audio engineer:
Chet Himes
assistant producer:
Michael Ostin
acoustic guitar:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and synthesizer:
Rob Meurer
percussion:
Lenny Castro
piano [acoustic piano]:
Michael Omartian
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist), Jackie Kelso and Don Roberts (woodwind player)
solo guitar:
Jay Graydon
trombone:
Lew McCreary
trumpet:
Chuck Findley (trumpet, trombone, horn player)
vibraphone:
Victor Feldman (jazz musician)
background vocals:
Myrna Mathews, Marty McCall (CCM singer/songwriter/worship leader) and Stormie Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recording of:
Never Be the Same
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.54:41
15You Can Do Magic
engineer:
Chuck Kirkpatrick
producer:
Russ Ballard
bass guitar [bass]:
Mike Porcaro
drums (drum set):
Jeff Porcaro and Alvin Taylor (drummer)
guitar [guitars]:
Gerry Beckley, Michael Mirage and Rick Neigher
keyboard [keyboards]:
Chris Coté (songwriting partner with Rick Neigher) and Jai Winding (pianist, composer, vocal)
synthesizer:
Chris Coté (songwriting partner with Rick Neigher), Mark Isham (American musician and score composer) and Jai Winding (pianist, composer, vocal)
vocals:
Gerry Beckley and Dewey Bunnell
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982)
produced for:
Rujo Productions
engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Criteria Studios in Miami, Florida, United States
recording of:
You Can Do Magic
lyricist and composer:
Russ Ballard
publisher:
EMI April Music Inc., Russell Ballard Ltd and Union Square Music Songs Ltd.
America3.653:57
4CD: Steal Away (CD 2)
#TitleArtistRatingLength
1The Guitar Man
engineer:
Armin Steiner
associate producer:
James Griffin (soft rock singer/songwriter/guitarist)
producer:
David Gates (singer/songwriter, lead singer of Bread)
bass guitar:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set) and percussion:
Michael Botts
guitar:
David Gates (singer/songwriter, lead singer of Bread) and James Griffin (soft rock singer/songwriter/guitarist)
piano:
James Griffin (soft rock singer/songwriter/guitarist)
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) and Warner Music International (trademark of Warner Music International the company) (in 1973)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States
recording of:
The Guitar Man
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–Columbia Music, Inc.
Bread43:45
2Tin Man
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass, bass, guitar and keyboard, guitar and keyboard:
America (US folk/soft rock band)
drums (drum set) and percussion:
Willie Leacox
tape:
Pete Henderson (engineer)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Tin Man
lyricist and composer:
Dewey Bunnell
live recording of:
Tin Man
lyricist and composer:
Dewey Bunnell
America3.853:27
3Wildfire
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
recording of:
Wildfire
writer:
Larry Cansler and Michael Martin Murphey
Michael Martin Murphey54:50
425 to 6 or 4
recording of:
25 or 6 to 4
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (in 1986) and Lamminations Music (in 1986)
Chicago4:52
5Lotta Love
engineer:
Donn Landee
producer:
Ted Templeman
acoustic guitar:
Herb Pedersen
bass:
Bob Glaub
drums (drum set):
Rick Schlosser (drummer)
flute:
Plas Johnson
guitar:
Dave Kalish
keyboard:
Mark T. Jordan
saxophone:
Andrew Love
tambourine:
Nicolette Larson
background vocals:
Nicolette Larson and Ted Templeman
conductor:
Jimmie Haskell
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
cover recording of:
Lotta Love
lyricist:
Neil Young (Canadian singer, songwriter & musician)
composer:
Frank Sampedro and Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
recording of:
Lotta Love
lyricist:
Neil Young (Canadian singer, songwriter & musician)
composer:
Frank Sampedro and Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:10
6What a Fool Believes
additional engineer:
Loyd Clifft
engineer:
Donn Landee
producer:
Ted Templeman
additional congas and additional vocals:
Bobby LaKind (in 1978-08)
additional synthesizer:
Bill Payne (in 1978-08)
bass guitar:
Tiran Porter (in 1978-08)
drums (drum set):
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
guitar:
Jeff “Skunk” Baxter (in 1978-08) and Patrick Simmons (in 1978-08)
keyboard and lead vocals:
Michael McDonald (R&B & soul singer) (in 1978-08)
synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) and Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (in 1978-08)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 343)
recording of:
What a Fool Believes (in 1978-08)
writer:
Ken Loggins and Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) and Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:45
7Steal Away
engineer:
Gary Brandt
congas:
Miguel Rivera (percussionist)
guitar:
Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer (English singer‐songwriter) and Brian Ray
harmonica:
Robbie Dupree
keyboard:
Rick Chudacoff and Bill Elliott (keyboardist/composer)
marimba:
Alan Estes
percussion:
Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas and Miguel Rivera (percussionist)
saxophone:
Jerry Peterson
synthesizer:
Michael Boddicker and Bill Elliott (conductor, producer)
background vocals:
Kal David, Bill LaBounty, Arno Lucas and Michael McDonald (R&B & soul singer)
arranger:
Bill Elliott (keyboardist/composer)
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 64)
recording of:
Steal Away
lyricist:
Rick Chudacoff
composer:
Robbie Dupree
publisher:
Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Robbie Dupree3:31
8You’re the Only Woman (You & I)
producer:
Ambrosia (L.A. prog rock band) and Freddie Piro
bass:
Joe Puerta
chamberlin, clavinet, electronic organ and Minimoog:
Christopher North
drums (drum set):
Burleigh Drummond
guitar and lead vocals:
David Pack
percussion:
Burleigh Drummond and Royce Jones
vocals:
Burleigh Drummond, Royce Jones and Joe Puerta
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
recording of:
You’re the Only Woman (You & I)
lyricist and composer:
David Pack
publisher:
EMI Longitude Music
Ambrosia54:22
9Sexy Eyes
producer:
Ron Haffkine
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
recording of:
Sexy Eyes
writer:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) and Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. and EMI Songs Ltd.
cover recording of:
Sexy Eyes
writer:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) and Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. and EMI Songs Ltd.
Dr. Hook3.53:00
10Kiss You All Over
phonographic copyright (℗) by:
Curb Records (in 1978), RAK Records (copyrights holder) (in 1978), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
edit of:
Kiss You All Over by Exile (American country band)
recording of:
Kiss You All Over
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation), BMG Songs, Inc., Downtown DLJ Songs, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Exile53:29
11Even the Nights Are Better
recorded in:
Sydney, New South Wales, Australia
assistant engineer:
Karen Hewitt
engineer and producer:
Harry Maslin
assistant mixer:
John Van Nest
mixer:
Harry Maslin and John Van Nest
bass guitar:
David Green (Australian bassist, formerly of Air Supply)
drums (drum set):
Ralph Cooper (drummer)
guitar [lead guitar]:
Rex Goh and David Moyse
guitar [rhythm guitar]:
Graham Russell (Air Supply)
keyboard:
Frank Esler‐Smith
lead vocals:
Russell Hitchcock and Graham Russell (Air Supply)
conductor:
Frank Esler‐Smith
orchestrator:
Frank Esler‐Smith
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982), Big Time Phonograph Recording Co. (in 1982) and Interscope Records (part of UMG Recordings, Inc.) (in 2021)
produced for:
HRM Productions Inc. (Harry Maslin production company)
mixed at:
Allen Zentz Recording in Encino, California, United States
part of:
The Downloader’s Music Source Book (number: 291)
recording of:
Even the Nights Are Better
writer:
Ken Bell, Terry Nelson Skinner and J.L. Wallace (US songwriter and guitarist)
publisher:
Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply53:56
12Arthur’s Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:55
13Missing You
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite4:30
14Beautiful in My Eyes
engineer:
Simon Smart
producer:
Rod Argent and Peter Van Hooke
mixer:
David Kershenbaum and Kevin Smith (American DJ, producer and hip hop pioneer based in New York City)
acoustic guitar:
Mark Cresswell
cello:
Paul Kegg (cellist), Ben Kennard and Roger Smith (cello, Academy of St. Martin in the Fields)
double bass:
Chris Laurence (double bassist)
drums (drum set) and percussion:
Peter Van Hooke
instruments:
Helen Liebmann (cellist)
keyboard:
Rod Argent
piano:
Joshua Kadison (US singer-songwriter, pianist & writer)
viola:
Bob Smissen (violist), Andy Parker (violist), George Robertson (violist) and Steve Tees
violin:
Mark Berrow (violinist), Ben Cruft (violinist), Roger Garland (violinist), Roy Gillard (violinist), Tim Good, Rita Manning (violinist), Peter Oxer, Bill Penham, Barry Wilde, Wilf Gibson (UK violinist), Dave Woodcock (violinist) and Gavyn Wright (UK violinist, conductor)
choir vocals:
Rod Argent, Adele Bertei, Lance Ellington (Production music composer), Carol Kenyan, David Lasley, Ian Shaw (UK jazz vocalist / producer), Helen Terry (UK singer) and Ruby Turner
vocals:
Joshua Kadison (US singer-songwriter, pianist & writer)
strings arranger:
Rod Argent
recording of:
Beautiful in My Eyes
lyricist and composer:
Joshua Kadison (US singer-songwriter, pianist & writer)
publisher:
EMI Blackwood Music Inc., Joshuasongs (BMI affiliated) and Seymour Glass Songs (BMI affiliated)
Joshua Kadison34:10
15Black Velvet
producer:
David Tyson (Canadian producer/songwriter)
mixer:
Kevin Doyle (award-winning sound engineer, producer)
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 6)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4.54:48
5CD: Sailing (CD 1)
#TitleArtistRatingLength
1Baby I’m-a Want You
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Baby I’m‐a Want You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Screen Gems–EMI Music Ltd.
Bread42:23
2A Horse with No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.34:13
3Diamond Girl
producer:
Louie Shelton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Diamond Girl
lyricist:
James Seals
composer:
Dash Crofts and James Seals
Seals & Crofts44:13
4I Saw the Light
producer:
Todd Rundgren
instruments and vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographic copyright (℗) by:
Bearsville Records (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 452)
recording of:
I Saw the Light
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Todd Rundgren53:00
5Blinded by the Light
producer:
Manfred Mann (the person) and Manfred Mann’s Earth Band
phonographic copyright (℗) by:
Creature Music Ltd., Bronze Records Limited (in 1976) and Petbrook Ltd (in 1976)
recorded at:
The Workhouse in London (Greater London), England, United Kingdom (in 1976)
cover recording of:
Blinded by the Light (in 1976)
lyricist and composer:
Bruce Springsteen (from 1972-08 until 1972-09)
publisher:
Eldridge Publishing Co., Intersong Music Ltd., Sioux City Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing, Zomba Music and Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1972)
Manfred Mann’s Earth Band4.53:50
6It Might Be You
producer:
Dave Grusin (American pianist and score composer)
bass guitar:
Abraham Laboriel
drums (drum set):
Carlos Vega
guitar:
George Doering, Mitch Holder (guitarist) and Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Steve Forman (US percussionist)
synthesizer:
Dave Grusin (American pianist and score composer)
background vocals and lead vocals:
Stephen Bishop (American singer-songwriter)
vocals:
Stephen Bishop (American singer-songwriter)
arranger:
Dave Grusin (American pianist and score composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recording of:
It Might Be You (theme from Tootsie)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
writer and composer:
Dave Grusin (American pianist and score composer)
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Roaring Fork Music, Spirit Two Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Stephen Bishop4:15
7She’s Gone
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 413)
recording of:
She’s Gone
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates4.53:28
8Minute by Minute
recording of:
Minute by Minute
writer:
Lester Abrams and Michael McDonald (R&B & soul singer)
publisher:
BMG Firefly, Bughouse, Kobalt Music Publishing Ltd. (UK) and Snug Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers3:28
9Sentimental Lady
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977, in 1989) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1977)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 23)
recording of:
Sentimental Lady
lyricist, writer and composer:
Bob Welch (early member of Fleetwood Mac)
publisher:
CMI America, Crosstown UK (Palan), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spirit One Music, フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and Kingstreet Media Publishing Limited (in 1972)
Bob Welch52:56
10How Much I Feel
producer:
Freddie Piro
bass:
Joe Puerta
drums (drum set), percussion and background vocals:
Burleigh Drummond
guitar, keyboard and lead vocals:
David Pack
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and Warner Music H.K. Ltd. (in 1997)
recording of:
How Much I Feel
lyricist and composer:
David Pack
publisher:
EMI Longitude Music and Longitude Music Co.
Ambrosia54:44
11Everybody’s Got to Learn Sometime
recording of:
Everybody’s Got to Learn Sometime
lyricist and composer:
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) and Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4:12
12If You Leave Me Now
recording engineer:
Armin Steiner (from 1976-03 until 1976-04: strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
Chicago4.23:56
13Sailing
recording of:
Sailing
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4:18
14Waiting for a Girl Like You
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner4:36
15Against All Odds (Take a Look at Me Now)
engineer:
Jeremy Smith (producer/engineer) and Lewis Hahn
producer:
Arif Mardin
drums (drum set) and lead vocals:
Phil Collins (of Genesis)
keyboard:
Rob Mounsey
conductor:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Phil Collins3.83:25
6CD: Sailing (CD 2)
#TitleArtistRatingLength
1Ride Like the Wind
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Christopher Cross23:58
2Saturday in the ParkChicago3:57
3Sister Golden Hair
assistant engineer:
Tom Anderson (engineer)
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass guitar:
David Dickey (U.S. drummer and bassist)
drums (drum set) and percussion:
Willie Leacox
other instruments:
America (US folk/soft rock band)
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975), Warner Music H.K. Ltd. (in 1997) and Rhino Entertainment Company (not for release label use!) (in 2011)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 12) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 264)
recording of:
Sister Golden Hair
lyricist and composer:
Gerald Beckley
publisher:
Warner/Chappell Music Australia Pty. Ltd.
live recording of:
Sister Golden Hair
lyricist and composer:
Gerald Beckley
publisher:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:21
4You’re So Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Carly Simon4.554:17
5If
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1971)
recording of:
If
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Colgems-EMI Music Inc., Laetrec Music, S. Gems Col. Inc, Screen Gems–Columbia Music, Inc., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread3.52:35
6Ooh Baby Baby
recording engineer:
Val Garay
producer:
Peter Asher
alto saxophone [alto sax]:
David Sanborn
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set) [drums]:
Russell Kunkel (session drummer)
electric guitar:
Dan Dugmore
piano:
Don Grolnick
background vocals:
Jim Gilstrap and John Lehman
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1978-05)
cover recording of:
Ooo Baby Baby
writer:
Warren “Pete” Moore and Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Linda Ronstadt53:19
7Him
recording of:
Him
lyricist, composer and arranger:
Rupert Holmes
publisher:
The Holmes Line of Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Rupert Holmes3:41
8You Are the Woman
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
You Are the Woman
writer:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:45
9All I NeedJack Wagner3:30
10Walking in Memphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) and Warner Music H.K. Ltd. (in 1997)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 415)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn44:19
11Making Love Out of Nothing at All
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1983) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1983)
recording of:
Making Love out of Nothing at All
lyricist and composer:
Jim Steinman
publisher:
BMG Platinum Songs US, BMG VM Music Ltd., Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMI Virgin Songs, Inc. and Lost Boys Music (BMI affiliated)
Air Supply5:01
12I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott “Abada” Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.955:00
13The Living Years
recording of:
The Living Years
writer:
B.A. Robertson and Mike Rutherford
publisher:
Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Hidden Pun Music, Inc., Michael Rutherford Ltd., R & BA Music Ltd. and R and B. A. Music Ltd.
Mike + the Mechanics5:34
14Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:56
15One More NightPhil Collins4:47
16I’ll Be There
recording of:
I'll Be There
writer:
The Escape Club
The Escape Club4:58
7CD: Escape (CD 1)
8CD: Escape (CD 2)
9CD: Two Tickets to Paradise
10CD: Classic Rock Ballads