Bach 333: Sacred Cantatas II

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

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1▼CD: Cantatas 105, 46, 179, 50, 69a (1723)
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1Herr, gehe nicht ins Gericht, BWV 105: 1. [Chorus:] Herr, gehe nicht ins Gericht
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
6:21
2Herr, gehe nicht ins Gericht, BWV 105: 2. Recitative: Mein Gott, verwirf mich nicht
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": II. Recitativo (Alt) "Mein Gott, verwirf mich nicht" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
0:56
3Herr, gehe nicht ins Gericht, BWV 105: 3. Aria: Wie zittern und wanken
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
6:41
4Herr, gehe nicht ins Gericht, BWV 105: 4. Recitative: Wohl aber dem, der seinen Bürgen weiß
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": IV. Recitativo (Bass) "Wohl aber dem, der seinen Bürgen weiß" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
1:44
5Herr, gehe nicht ins Gericht, BWV 105: 5. Aria: Kann ich nur Jesum mir zum Freunde machen
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (British tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
5:18
6Herr, gehe nicht ins Gericht, BWV 105: 6. Chorale: Nun, ich weiß, du wirst mir stillen
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-19)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
2:06
7Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46: 1. [Chorus:] Schauet doch und sehet, ob irgend ein Schmerz sei
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-27)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-27)
recorded at:
Braunschweig Dom in Braunschweig (Brunswick), Niedersachsen (Lower Saxony), Germany (on 2000-08-27)
live recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei" (on 2000-08-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
6:41
8Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46: 2. Recitative: So klage du, zerstörte Gottesstadt
tenor vocals:
Christoph Genz (tenor) (on 2000-08-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-27)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-27)
recorded at:
Braunschweig Dom in Braunschweig (Brunswick), Niedersachsen (Lower Saxony), Germany (on 2000-08-27)
live recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": II. Recitativo (Tenore) "So klage, du zerstörte Gottesstadt" (on 2000-08-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
2:05
9Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46: 3. Aria: Dein Wetter zog sich auf von weiten
bass vocals:
Gotthold Schwartz (bass-baritone/conductor) (on 2000-08-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-27)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-27)
recorded at:
Braunschweig Dom in Braunschweig (Brunswick), Niedersachsen (Lower Saxony), Germany (on 2000-08-27)
live recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": III. Aria (Basso) "Dein Wetter zog sich auf von weiten" (on 2000-08-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
3:09
10Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46: 4. Recitative: Doch bildet euch, o Sünder, ja nicht ein
contralto vocals:
Daniel Taylor (Canadian countertenor) (on 2000-08-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-27)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-27)
recorded at:
Braunschweig Dom in Braunschweig (Brunswick), Niedersachsen (Lower Saxony), Germany (on 2000-08-27)
live recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": IV. Recitativo (Alto) "Doch bildet euch, o Sünder, ja nicht ein" (on 2000-08-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
0:51
11Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46: 5. Aria: Doch Jesus will auch bei der Strafe
contralto vocals:
Daniel Taylor (Canadian countertenor) (on 2000-08-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-27)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-27)
recorded at:
Braunschweig Dom in Braunschweig (Brunswick), Niedersachsen (Lower Saxony), Germany (on 2000-08-27)
live recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": V. Aria (Alto) "Doch Jesus will auch bei der Strafe" (on 2000-08-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
4:19
12Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46: 6. Chorale: O großer Gott von Treu
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-08-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-08-27)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-08-27)
recorded at:
Braunschweig Dom in Braunschweig (Brunswick), Niedersachsen (Lower Saxony), Germany (on 2000-08-27)
live recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": VI. Choral "O großer Gott von Treu" (on 2000-08-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
1:49
13Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179: 1. Chorus: Siehe zu, dass deine Gottesfurcht
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Martha de Francisco (classical producer and engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": I. Coro "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei" (on 2000-09-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
2:32
14Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179: 2. Recitative: Das heutge Christentum
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Martha de Francisco (classical producer and engineer)
tenor vocals:
Mark Padmore (British tenor) (on 2000-09-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": II. Recitativo (Tenor) "Das heutge Christentum ist leider schlecht bestellt" (on 2000-09-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
0:58
15Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179: 3. Aria: Falscher Heuchler Ebenbild
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Martha de Francisco (classical producer and engineer)
tenor vocals:
Mark Padmore (British tenor) (on 2000-09-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": III. Aria (Tenor) "Falscher Heuchler Ebenbild" (on 2000-09-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
2:45
16Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179: 4. Recitative: Wer so von innen wie von außen ist
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Martha de Francisco (classical producer and engineer)
bass vocals:
Stephan Loges (bass-baritone) (on 2000-09-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": IV. Recitativo (Bass) "Wer so von innen wie von außen ist" (on 2000-09-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
1:41
17Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179: 5. Aria: Liebster Gott, erbarme dich
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": V. Aria (Sopran) "Liebster Gott, erbarme dich" (on 2000-09-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
5:38
18Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179: 6. Chorale: Ich armer Mensch
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Martha de Francisco (classical producer and engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": VI. Choral "Ich armer Mensch, ich armer Sünder" (on 2000-09-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Christoph Tietze (in 1663)
part of:
Breitkopf 389 Choralgesänge (number: 371)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
1:16
19Nun ist das Heil und die Kraft, BWV 50: [Chorus:] Nun ist das Heil und die Kraft
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-29)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-29)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-29)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-29)
live recording of:
Kantate, BWV 50 "Nun ist das Heil und die Kraft": Coro "Nun ist das Heil und die Kraft" (on 2000-09-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 50), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 50), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 50) and Bach Compendium (number: BC A 194)
3:17
20Lobe den Herrn, meine Seele, BWV 69a: 1. [Chorus:] Lobe den Herrn, meine Seele
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-10)
recorded at:
Jakobskirche in Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-09-10)
live recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn meine Seele" (on 2000-09-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
4:54
21Lobe den Herrn, meine Seele, BWV 69a: 2. Recitative: Ach, dass ich tausend Zungen hätte!
soprano vocals:
Katherine Fuge (on 2000-09-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-10)
recorded at:
Jakobskirche in Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-09-10)
live recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": II. Recitativo (Sopran) "Ach, daß ich tausend Zungen hätte" (on 2000-09-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
0:49
22Lobe den Herrn, meine Seele, BWV 69a: 3. Aria: Meine Seele, auf, erzähle
tenor vocals:
Christoph Genz (tenor) (on 2000-09-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-10)
recorded at:
Jakobskirche in Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-09-10)
live recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": III. Aria (Tenor) "Meine Seele, auf, erzähle" (on 2000-09-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
5:53
23Lobe den Herrn, meine Seele, BWV 69a: 4. Recitative: Gedenk ich nur zurück
alto vocals:
Robin Tyson (on 2000-09-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-10)
recorded at:
Jakobskirche in Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-09-10)
live recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": IV. Recitativo (Alt) "Gedenk ich nur zurück" (on 2000-09-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
1:23
24Lobe den Herrn, meine Seele, BWV 69a: 5. Aria: Mein Erlöser und Erhalter
bass vocals:
Peter Harvey (bass-baritone) (on 2000-09-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-10)
recorded at:
Jakobskirche in Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-09-10)
live recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Mein Erlöser und Erhalter" (on 2000-09-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
3:19
25Lobe den Herrn, meine Seele, BWV 69a: 6. Chorale: Was Gott tut, das ist wohlgetan
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-10)
recorded at:
Jakobskirche in Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 2000-09-10)
live recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": VI Chorale "Was Gott tut, das ist wohlgetan" (on 2000-09-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
1:08
2▼CD: Cantatas 77, 25, 119, 138 (1723)
#TitleRatingLength
1Du sollt Gott, deinen Herren, lieben, BWV 77: 1. [Chorus:] Du sollt Gott, deinen Herren, lieben
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-17)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-17)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-17)
recorded at:
Dreikönigskirche in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 2000-09-17)
live recording of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben": I. Coro con Choral "Du sollt Gott, deinen Herren, lieben" (on 2000-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben"
5:48
2Du sollt Gott, deinen Herren, lieben, BWV 77: 2. Recitative: So muss es sein
bass vocals:
Jonathan Brown (Classical bass vocalist & conductor) (on 2000-09-17)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-17)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-17)
recorded at:
Dreikönigskirche in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 2000-09-17)
live recording of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben": II. Recitativo (Bass) "So muß es sein!" (on 2000-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben"
0:37
3Du sollt Gott, deinen Herren, lieben, BWV 77: 3. Aria: Mein Gott, ich liebe dich von Herzen
soprano vocals:
Gillian Keith (soprano) (on 2000-09-17)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-17)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-17)
recorded at:
Dreikönigskirche in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 2000-09-17)
live recording of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben": III. Aria (Sopran) "Mein Gott, ich liebe dich von Herzen" (on 2000-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben"
4:01
4Du sollt Gott, deinen Herren, lieben, BWV 77: 4. Recitative: Gib mir dabei, mein Gott
tenor vocals:
Christoph Genz (tenor) (on 2000-09-17)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-17)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-17)
recorded at:
Dreikönigskirche in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 2000-09-17)
live recording of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben": IV. Recitativo (Tenor) "Gib mir dabei, mein Gott! ein Samariterherz" (on 2000-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben"
0:56
5Du sollt Gott, deinen Herren, lieben, BWV 77: 5. Aria: Ach, es bleibt in meiner Liebe
alto vocals:
Nathalie Stutzmann (contralto and conductor) (on 2000-09-17)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-17)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-17)
recorded at:
Dreikönigskirche in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 2000-09-17)
live recording of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben": V. Aria (Alt) "Ach, es bleibt in meiner Liebe" (on 2000-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben"
4:10
6Du sollt Gott, deinen Herren, lieben, BWV 77: 6. Chorale: Ach Herr, ich wollte ja dein Recht
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-17)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-17)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-17)
recorded at:
Dreikönigskirche in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 2000-09-17)
live recording of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben": VI. Choral "Herr, durch den Glauben wohn in mir" (on 2000-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 6)
part of:
Kantate, BWV 77 "Du sollt Gott, deinen Herren, lieben"
2:20
7Es ist nichts Gesundes an meinem Leibe, BWV 25: 1. [Chorus:] Es ist nichts Gesundes an meinem Leibe
sound engineer:
Dirk Lüdemann (in 1999-10)
brass:
Concerto Palatino (early music wind instruments ensemble) (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
performer:
Bach Collegium Japan (in 1999-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": I. Coro "Es ist nichts Gesundes an meinem Leibe" (in 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
5:39
8Es ist nichts Gesundes an meinem Leibe, BWV 25: 2. Recitative: Die ganze Welt ist nur ein Hospital
sound engineer:
Dirk Lüdemann (in 1999-10)
brass:
Concerto Palatino (early music wind instruments ensemble) (in 1999-06)
tenor vocals:
Gerd Türk (German tenor) (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
performer:
Bach Collegium Japan (in 1999-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": II. Recitativo (Tenore) "Die ganze Welt ist nur ein Hospital" (in 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
1:43
9Es ist nichts Gesundes an meinem Leibe, BWV 25: 3. Aria: Ach, wo hol ich Armer Rat?
sound engineer:
Dirk Lüdemann (in 1999-10)
brass:
Concerto Palatino (early music wind instruments ensemble) (in 1999-06)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
performer:
Bach Collegium Japan (in 1999-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": III. Aria (Basso) "Ach, wo hol ich Armer Rat?" (in 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
2:52
10Es ist nichts Gesundes an meinem Leibe, BWV 25: 4. Recitative: O Jesu, lieber Meister
sound engineer:
Dirk Lüdemann (in 1999-10)
brass:
Concerto Palatino (early music wind instruments ensemble) (in 1999-06)
soprano vocals:
Yukari Nonoshita (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
performer:
Bach Collegium Japan (in 1999-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": IV. Recitativo (Soprano) "O Jesu, lieber Meister" (in 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
1:11
11Es ist nichts Gesundes an meinem Leibe, BWV 25: 5. Aria: Öffne meinen schlechten Liedern
sound engineer:
Dirk Lüdemann (in 1999-10)
brass:
Concerto Palatino (early music wind instruments ensemble) (in 1999-06)
soprano vocals:
Yukari Nonoshita (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
performer:
Bach Collegium Japan (in 1999-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": V. Aria (Soprano) "Öffne meinen schlechten Liedern" (in 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
2:51
12Es ist nichts Gesundes an meinem Leibe, BWV 25: 6. Chorale: Ich will alle meine Tage
sound engineer:
Dirk Lüdemann (in 1999-10)
brass:
Concerto Palatino (early music wind instruments ensemble) (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
performer:
Bach Collegium Japan (in 1999-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": VI. Choral "Ich will alle meine Tage" (in 1999-06)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 101)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
1:15
13Preise, Jerusalem, den Herrn, BWV 119: 1. [Chorus:] Preise, Jerusalem, den Herrn
choir vocals:
Collegium Vocale Gent (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": I. Coro "Preise, Jerusalem, den Herrn" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
4:59
14Preise, Jerusalem, den Herrn, BWV 119: 2. Recitative: Gesegnet Land, glückselge Stadt
alto vocals:
Mark Padmore (British tenor) (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": II. Recitativo (Tenor) "Gesegnet Land! glückselge Stadt" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
1:16
15Preise, Jerusalem, den Herrn, BWV 119: 3. Aria: Wohl dir, du Volk der Linden
alto vocals:
Mark Padmore (British tenor) (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": III. Aria (Tenor) "Wohl dir, du Volk der Linden" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
3:41
16Preise, Jerusalem, den Herrn, BWV 119: 4. Recitative: So herrlich stehst du, liebe Stadt
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IV. Recitativo (Bass) "So herrlich stehst du, liebe Stadt" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
1:48
17Preise, Jerusalem, den Herrn, BWV 119: 5. Aria: Die Obrigkeit ist Gottes Gabe
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": V. Aria (Alt) "Die Obrigkeit ist Gottes Gabe" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
2:48
18Preise, Jerusalem, den Herrn, BWV 119: 6. Recitative: Nun! wir erkennen es und bringen dir
soprano vocals:
Deborah York (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VI. Recitativo (Sopran) "Nun! Wir erkennen es und bringen dir" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
0:53
19Preise, Jerusalem, den Herrn, BWV 119: 7. [Chorus:] Der Herr hat Guts an uns getan
choir vocals:
Collegium Vocale Gent (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VII. Coro "Der Herr hat Guts an uns getan" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
5:40
20Preise, Jerusalem, den Herrn, BWV 119: 8. Recitative: Zuletzt! Da du uns, Herr, zu deinem Volk gesetzt
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VIII. Recitativo (Alt) "Zuletzt! Da du uns Herr, zu deinem Volk gesetzt" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
0:38
21Preise, Jerusalem, den Herrn, BWV 119: 9. Chorale: Hilf deinem Volk, Herr Jesu Christ
choir vocals:
Collegium Vocale Gent (in 1999-01)
orchestra:
Collegium Vocale Gent (in 1999-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1999-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-01)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IX. Choral "Hilf deinem Volk, Herr Jesu Christ" (in 1999-01)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Breitkopf 389 Choralgesänge (number: 134)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
1:01
22Warum betrübst du dich, mein Herz, BWV 138: 1. [Chorale & Recitative:] Warum betrübst du dich, mein Herz?
alto vocals:
William Towers (Countertenor) (on 2000-09-28)
soprano vocals:
Malin Hartelius (Swedish soprano) (on 2000-09-28)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-28)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-28)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-28)
live recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": I. Coro e Recitativo (Tenor, Alt) "Warum betrübst du dich, mein Herz?" (on 2000-09-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
5:00
23Warum betrübst du dich, mein Herz, BWV 138: 2. Recitative: Ich bin veracht’
bass vocals:
Peter Harvey (bass-baritone) (on 2000-09-28)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-28)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-28)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-28)
live recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": II. Recitativo (Bass) "Ich bin veracht'" (on 2000-09-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
0:53
24Warum betrübst du dich, mein Herz, BWV 138: [Chorale & Recitative:] Er kann und will dich lassen nicht
alto vocals:
William Towers (Countertenor) (on 2000-09-28)
soprano vocals:
Malin Hartelius (Swedish soprano) (on 2000-09-28)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-28)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-28)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-28)
live recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": II.b Coro e Recitativo (Sopran, Alt) "Er kann und will dich lassen nicht" (on 2000-09-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
3:15
25Warum betrübst du dich, mein Herz, BWV 138: 3. Recitative: Ach süßer Trost!
tenor vocals:
James Gilchrist (British tenor) (on 2000-09-28)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-28)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-28)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-28)
live recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": III. Recitativo (Tenor) "Ach süßer Trost!" (on 2000-09-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
0:59
26Warum betrübst du dich, mein Herz, BWV 138: 4. Aria: Auf Gott steht meine Zuversicht
bass vocals:
Peter Harvey (bass-baritone) (on 2000-09-28)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-28)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-28)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-28)
live recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": IV. Aria (Bass) "Auf Gott steht meine Zuversicht" (on 2000-09-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
4:28
27Warum betrübst du dich, mein Herz, BWV 138: 5. Recitative: Ei nun! So will ich auch recht sanfte ruhn
alto vocals:
William Towers (Countertenor) (on 2000-09-28)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-28)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-28)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-28)
live recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": V. Recitativo (Alt) "Ei nun! So will ich auch recht sanfte ruhn" (on 2000-09-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
0:20
28Warum betrübst du dich, mein Herz, BWV 138: 6. Chorale: Weil du mein Gott und Vater bist
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-28)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-28)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-28)
recorded at:
Unser Lieben Frauen in Bremen, Bremen, Germany (on 2000-09-28)
live recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": VI. Choral "Weil du mein Gott und Vater bist" (on 2000-09-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
2:14
3▼CD: Cantatas 95, 148, 48, 109 (1723)
#TitleRatingLength
1Christus, der ist mein Leben, BWV 95: 1. [Chorale & Recitative:] Christus, der ist mein Leben
tenor vocals:
Mark Padmore (British tenor) (on 2000-10-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-07)
recorded at:
Church of San Domingos de Bonaval in Santiago de Compostela, A Coruña (Province of A Coruña), Galicia, Spain (on 2000-10-07)
live recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": I. Coro e Recitativo (Tenor) "Christus, der ist mein Leben" (on 2000-10-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
4:55
2Christus, der ist mein Leben, BWV 95: 2. Recitative: Nun, falsche Welt!
soprano vocals:
Katherine Fuge (on 2000-10-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-07)
recorded at:
Church of San Domingos de Bonaval in Santiago de Compostela, A Coruña (Province of A Coruña), Galicia, Spain (on 2000-10-07)
live recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": II. Recitativo (Sopran) "Nun, falsche Welt!" (on 2000-10-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
0:51
3Christus, der ist mein Leben, BWV 95: 3. Chorale: Valet will ich dir geben
soprano vocals:
Katherine Fuge (on 2000-10-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-07)
recorded at:
Church of San Domingos de Bonaval in Santiago de Compostela, A Coruña (Province of A Coruña), Galicia, Spain (on 2000-10-07)
live recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": III. Choral (Sopran) "Valet will ich dir geben" (on 2000-10-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
1:53
4Christus, der ist mein Leben, BWV 95: 4. Recitative: Ach könnte mir doch bald so wohl geschehn
tenor vocals:
Mark Padmore (British tenor) (on 2000-10-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-07)
recorded at:
Church of San Domingos de Bonaval in Santiago de Compostela, A Coruña (Province of A Coruña), Galicia, Spain (on 2000-10-07)
live recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": IV. Recitativo (Tenor) "Ach könnte mir doch bald so wohl geschehn" (on 2000-10-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
0:37
5Christus, der ist mein Leben, BWV 95: 5. Aria: Ach, schlage doch bald, selge Stunde
tenor vocals:
Mark Padmore (British tenor) (on 2000-10-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-07)
recorded at:
Church of San Domingos de Bonaval in Santiago de Compostela, A Coruña (Province of A Coruña), Galicia, Spain (on 2000-10-07)
live recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": V. Aria (Tenor) "Ach, schlage doch bald, selge Stunde" (on 2000-10-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
7:22
6Christus, der ist mein Leben, BWV 95: 6. Recitative: Denn ich weiß dies
bass vocals:
Thomas Guthrie (on 2000-10-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-07)
recorded at:
Church of San Domingos de Bonaval in Santiago de Compostela, A Coruña (Province of A Coruña), Galicia, Spain (on 2000-10-07)
live recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": VI. Recitativo (Bass) "Denn ich weiß dies" (on 2000-10-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
1:23
7Christus, der ist mein Leben, BWV 95: 7. Chorale: Weil du vom Tod erstanden bist
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-10-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-07)
recorded at:
Church of San Domingos de Bonaval in Santiago de Compostela, A Coruña (Province of A Coruña), Galicia, Spain (on 2000-10-07)
live recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": VII. Choral "Weil du vom Tod erstanden bist" (on 2000-10-07)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 356)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
1:10
8Bringet dem Herrn Ehre seines Namens, BWV 148: 1. [Chorus:] Bringet dem Herrn Ehre seines Namens
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": I. Coro "Bringet dem Herrn Ehre seines Namens" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
3:21
9Bringet dem Herrn Ehre seines Namens, BWV 148: 2. [Aria:] Ich eile, die Lehren des Lebens zu hören
producer:
Hans Kipfer
tenor vocals:
Gerd Türk (German tenor) (from 2000-02-22 until 2000-02-25)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": II. Aria (Tenor) "Ich eile, die Lehren des Lebens zu hören" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
4:18
10Bringet dem Herrn Ehre seines Namens, BWV 148: 3. [Recitative:] So, wie der Hirsch nach frischem Wasser schreit
producer:
Hans Kipfer
alto vocals:
Robin Blaze (countertenor) (from 2000-02-22 until 2000-02-25)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": III. Recitativo (Alt) "So, wie der Hirsch nach frischem Wasser schreit" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
1:16
11Bringet dem Herrn Ehre seines Namens, BWV 148: 4. [Aria:] Mund und Herze steht dir offen
producer:
Hans Kipfer
alto vocals:
Robin Blaze (countertenor) (from 2000-02-22 until 2000-02-25)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": IV. Aria (Alt) "Mund und Herze steht dir offen" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
4:15
12Bringet dem Herrn Ehre seines Namens, BWV 148: 5. Recitative: Bleib auch, mein Gott, in mir
producer:
Hans Kipfer
tenor vocals:
Gerd Türk (German tenor) (from 2000-02-22 until 2000-02-25)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": V. Recitativo (Tenor) "Bleib auch, mein Gott, in mir" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
0:46
13Bringet dem Herrn Ehre seines Namens, BWV 148: 6. [Chorale:] Amen zu aller Stund
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": VI. Choral "Amen zu aller Stund" (from 2000-02-22 until 2000-02-25)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 29)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
0:53
14Ich elender Mensch, wer wird mich erlösen, BWV 48: 1. [Chorus:] Ich elender Mensch, wer wird mich erlösen
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": I. Coro "Ich elender Mensch, wer wird mich erlösen" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
5:55
15Ich elender Mensch, wer wird mich erlösen, BWV 48: 2. Recitative: O Schmerz, o Elend, so mich trifft
producer:
Hans Kipfer
alto vocals:
Robin Blaze (countertenor) (from 2000-02-22 until 2000-02-25)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": II. Recitativo (Alto) "O Schmerz, o Elend, so mich trifft" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
1:16
16Ich elender Mensch, wer wird mich erlösen, BWV 48: 3. Chorale: Solls ja so sein
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": III. Choral "Solls ja so sein, daß Straf und Pein" (from 2000-02-22 until 2000-02-25)
lyricist:
Martin Rutilius (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 4)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
0:44
17Ich elender Mensch, wer wird mich erlösen, BWV 48: 4. Aria: Ach lege das Sodom der sündlichen Glieder
producer:
Hans Kipfer
alto vocals:
Robin Blaze (countertenor) (from 2000-02-22 until 2000-02-25)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": IV. Aria (Alto) "Ach, lege das Sodom der sündlichen Glieder" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
2:05
18Ich elender Mensch, wer wird mich erlösen, BWV 48: 5. Recitative: Hier aber tut des Heilands Hand
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": V. Recitativo (Tenore) "Hier aber tut des Heilands Hand" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
0:43
19Ich elender Mensch, wer wird mich erlösen, BWV 48: 6. Aria: Vergibt mir Jesus meine Sünden
producer:
Hans Kipfer
tenor vocals:
Gerd Türk (German tenor) (from 2000-02-22 until 2000-02-25)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": VI. Aria (Tenore) "Vergibt mir Jesus meine Sünden" (from 2000-02-02 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
2:49
20Ich elender Mensch, wer wird mich erlösen, BWV 48: 7. Chorale: Herr Jesu Christ, einiger Trost
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": VII. Choral "Herr Jesu Christ, einiger Trost" (from 0200-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 144)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
1:06
21Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109: 1. [Chorus:] Ich glaube, lieber Herr, hilf meinem Unglauben
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": I. Coro "Ich glaube, lieber Herr, hilf meinem Unglauben" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
7:48
22Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109: 2. Recitative: Des Herren Hand ist ja noch nicht verkürzt
producer:
Hans Kipfer
tenor vocals:
Gerd Türk (German tenor) (from 2000-02-22 until 2000-02-25)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": II. Recitativo (Tenor) "Des Herren Hand ist ja noch nicht verkürzt" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
1:26
23Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109: 3. Aria: Wie zweifelhaftig ist mein Hoffen
producer:
Hans Kipfer
tenor vocals:
Gerd Türk (German tenor) (from 2000-02-22 until 2000-02-25)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": III. Aria (Tenor) "Wie zweifelhaftig ist mein Hoffen" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
6:55
24Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109: 4. Recitative: O fasse dich, du zweifelhafter Mut
producer:
Hans Kipfer
alto vocals:
Robin Blaze (countertenor) (from 2000-02-22 until 2000-02-25)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": IV. Recitativo (Alt) "O fasse dich, du zweifelhafter Mut" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
0:32
25Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109: 5. Aria: Der Heiland kennet ja die Seinen
producer:
Hans Kipfer
alto vocals:
Robin Blaze (countertenor) (from 2000-02-22 until 2000-02-25)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": V. Aria (Alt) "Der Heiland kennt ja die Seinen" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
4:47
26Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109: 6. [Chorale:] Wer hofft in Gott und dem vertraut
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-02-22 until 2000-02-25)
performer:
Bach Collegium Japan (from 2000-02-22 until 2000-02-25)
balance engineer:
Dirk Lüdemann (from 2000-02-22 until 2000-02-25)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-02-22 until 2000-02-25)
recording of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben": VI. Choral "Wer hofft in Gott und dem vertraut" (from 2000-02-22 until 2000-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben"
3:02
4▶CD: Cantatas 89, 60, 90, 70, 40 (1723)
5▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
6▶CD: Cantatas 73, 81, 83, 144, 181 (1724)
7▶CD: Cantatas 18, 66, 134, 67 (1724)
8▶CD: Cantatas 104, 166, 86, 37, 44 (1724)
9▶CD: Cantatas 173, 184, 194 (1724)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]