The World's Greatest Composers: Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
4:21
2Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
4:21
3Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
5:18
4Brandenburg Concerto no. 1 in F major, BWV 1046: IV-V. Menuetto & Polacca
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
7:56
5Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
phonographic copyright (℗) by:
VMK (in 1987)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
5:32
6Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
phonographic copyright (℗) by:
VMK (in 1987)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:37
7Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro Assai
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
phonographic copyright (℗) by:
VMK (in 1987)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:00
8Brandenburg Concerto no. 5 in D major, BWV 1050: Allegro
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), Munich Chamber Ensemble (possibly an Alfred Scholtz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) and Luigi Varese (an Alfred Scholz pseudonym)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
10:41
9Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043: 2. Largo ma non tanto
violin:
Günther Körner (classical violinist, likely fictitious) and Richard Lester (cellist)
orchestra:
Camerata Romana (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym)
7:33
10Concerto for violin, strings & continuo no. 2 in E major, BWV 1042: 1. Allegro
violin:
Otto Büchner (violinist)
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) and Hanspeter Gmür (Swiss conductor, born in 1936)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (Violin Concerto in E major, BWV 1042: I. Allegro)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
8:22
11Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: 2. Largo
harpsichord:
Nicole Hostettler (harpsichord), Christiane Jaccottet (harpsichord), Leonore Klinckerfuss (harpsichordist/pianist) and Christine Sartoretti (harpsichord)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Jörg Faerber (conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993)
recording of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: II. Largo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
2:24
12Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: 1. Tempo ordinario
harpsichord:
Nicole Hostettler (harpsichord), Christiane Jaccottet (harpsichord), Leonore Klinckerfuss (harpsichordist/pianist) and Christine Sartoretti (harpsichord)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Jörg Faerber (conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993)
recording of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: I. [Allegro]
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
4:01
2▼CD
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1Orchestral Suite no. 3 in D major, BWV 1068: Air
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Bernhard Güller (German conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1994 to present)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
5:00
2Prelude and Fugue, for keyboard no. 1 in C major (WTC I/1), BWV 846 (BC L80)
harpsichord:
Christiane Jaccottet (harpsichord) (in 1989)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 (in 1989)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
3:48
3Two-Part Invention, for keyboard no. 1 in C major, BWV 772 (BC L42)
harpsichord:
Christiane Jaccottet (harpsichord) (in 1990)
recording of:
Inventio Nr. 1 C-Dur, BWV 772 (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1720 until 1723)
part of:
15 Inventions, BWV 772-786 (number: 1), Bach Compendium (number: BC L 27) and Bach-Werke-Verzeichnis (number: BWV 772)
1:11
4Two-Part Invention, for keyboard no. 4 in D minor, BWV 775 (BC L45)
harpsichord:
Christiane Jaccottet (harpsichord) (in 1990)
recording of:
Inventio Nr. 4 d-Moll, BWV 775 (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 4) and Bach-Werke-Verzeichnis (number: BWV 775)
1:08
5Two-Part Invention, for keyboard no. 8 in F major, BWV 779 (BC L49)
harpsichord:
Christiane Jaccottet (harpsichord) (in 1990)
recording of:
Inventio Nr. 8 F-Dur, BWV 779 (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 8) and Bach-Werke-Verzeichnis (number: BWV 779)
1:02
6Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903 (BC L34): I. Fantasia
harpsichord:
Christiane Jaccottet (harpsichord) (in 1990)
partial recording of:
Chromatische Fantasie und Fuge d-Moll, BWV 903: I. Fantasie (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chromatische Fantasie und Fuge d-Moll, BWV 903
3:45
7Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903 (BC L34): II. Recitativo
harpsichord:
Christiane Jaccottet (harpsichord) (in 1990)
partial recording of:
Chromatische Fantasie und Fuge d-Moll, BWV 903: I. Fantasie (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chromatische Fantasie und Fuge d-Moll, BWV 903
3:51
8Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903 (BC L34): III. Fugue
harpsichord:
Christiane Jaccottet (harpsichord) (in 1990)
recording of:
Chromatische Fantasie und Fuge d-Moll, BWV 903: II. Fuge (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chromatische Fantasie und Fuge d-Moll, BWV 903
5:31
9English Suite, for keyboard no. 5 in E minor, BWV 810 (BC L17): 5. Passepied 1 / 2
harpsichord:
Christiane Jaccottet (harpsichord) (in 1990)
recording of:
Englische Suite Nr. 5 e-Moll, BWV 810: VI. Passepied II - Passepied I da capo (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 5 e-Moll, BWV 810 (English Suite No. 5 in E minor, BWV 810)
3:43
10The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Trio Sonata: 1. Largo
cello:
Adolph Schmidt (cellist)
flute:
Karlheinz Zöller (flutist)
harpsichord:
Martin Galling (pianist and harpsichordist)
horn:
Hans-Peter Weber (oboist)
violin:
Susanne Lautenbacher (violinist)
4:10
11The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Trio Sonata: 2. Allegro
cello:
Adolph Schmidt (cellist)
flute:
Karlheinz Zöller (flutist)
harpsichord:
Martin Galling (pianist and harpsichordist)
horn:
Hans-Peter Weber (oboist)
violin:
Susanne Lautenbacher (violinist)
7:10
12The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Trio Sonata: 3. Andante
cello:
Adolph Schmidt (cellist)
flute:
Karlheinz Zöller (flutist)
harpsichord:
Martin Galling (pianist and harpsichordist)
horn:
Hans-Peter Weber (oboist)
violin:
Susanne Lautenbacher (violinist)
3:19
13The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Trio Sonata: 4. Allegro
cello:
Adolph Schmidt (cellist)
flute:
Karlheinz Zöller (flutist)
harpsichord:
Martin Galling (pianist and harpsichordist)
horn:
Hans-Peter Weber (oboist)
violin:
Susanne Lautenbacher (violinist)
3:08
14Suite for Solo Cello no. 1 in G major, BWV 1007: I. Prelude
cello:
Klaus‐Peter Hahn (cellist/conductor)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:18
15Suite for Solo Cello no. 1 in G major, BWV 1007: II. Alemande
cello:
Klaus‐Peter Hahn (cellist/conductor)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: II. Allemande (Cello Suite No. 1 in G major, BWV 1007: II. Allemande)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
4:25
16Suite for Solo Cello no. 1 in G major, BWV 1007: III. Courante
cello:
Klaus‐Peter Hahn (cellist/conductor)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: III. Courante (Cello Suite No. 1 in G major, BWV 1007: III. Courante)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:47
17Suite for Solo Cello no. 1 in G major, BWV 1007: IV. Sarabande
cello:
Klaus‐Peter Hahn (cellist/conductor)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: IV. Sarabande (Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:57
18Suite for Solo Cello no. 1 in G major, BWV 1007: V. Menuette I/II
cello:
Klaus‐Peter Hahn (cellist/conductor)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: V. Menuet I & II (Cello Suite No. 1 in G major, BWV 1007: V. Menuet I & II)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
3:19
19Suite for Solo Cello no. 1 in G major, BWV 1007: VI. Gigue
cello:
Klaus‐Peter Hahn (cellist/conductor)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: VI. Gigue (Cello Suite No. 1 in G major, BWV 1007: VI. Gigue)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
1:47
20Partita for solo flute in A minor, BWV 1013
flute:
Jadwiga Kotnowska (flutist)
recording of:
Partita für Flöte in a-Moll, BWV 1013: I. Allemande (Partita for Flute in A minor, BWV 1013: I. Allemande)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita für Flöte in a-Moll, BWV 1013 (Partita for Flute in A minor, BWV 1013)
3:10
3▼CD
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1Toccata and Fugue, for organ in D minor, BWV 565 (BC J37)
organ:
Hans-Christoph Becker-Foss (organist and choir leader)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1982 to present)
recorded at:
Marktkirche St. Nicolai (Beckerath-Organ, Hameln) in Hamelin, Niedersachsen (Lower Saxony), Germany
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
48:11
2Orchestral Suite no. 3 in D major, BWV 1068: Air
organ:
Hans D. Karras and Peter Maack
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
6:58
3Meditation on Prelude no. 1 of Bach, for violin or cello & piano with organ or cello ad lib. (or other instrumental arrangement)
organ:
Ernst Riedlinger (organist)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
3:09
4Passacaglia and Fugue, for organ in C minor, BWV 582 (BC J79): I. Passacaglia
organ:
Walter Kraft (organist / composer)
recorded at:
Christkirche in Tønder, Region of Southern Denmark, Denmark
recording of:
Passacaglia and Fugue in C minor, BWV 582: I. Passacaglia (from 1961 until 1967)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Passacaglia and Fugue in C minor, BWV 582
9:00
5Passacaglia and Fugue, for organ in C minor, BWV 582 (BC J79): II. Fugue
organ:
Walter Kraft (organist / composer)
recorded at:
Christkirche in Tønder, Region of Southern Denmark, Denmark
recording of:
Passacaglia and Fugue in C minor, BWV 582: II. Fugue (from 1961 until 1967)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Passacaglia and Fugue in C minor, BWV 582
6:16
6Prelude and Fugue, for organ in D major ("Little"), BWV 532 (BC J13, 54, 70): I. Prelude
organ:
Walter Kraft (organist / composer)
recorded at:
Ludgerikirche in Norden (Norden, Lower Saxony), Niedersachsen (Lower Saxony), Germany
compilation of:
Prelude and Fugue in D major, BWV 532: I. Prelude by Walter Kraft (organist / composer), Prelude and Fugue in D major, BWV 532: II. Allegro by Walter Kraft (organist / composer) and Prelude and Fugue in D major, BWV 532: III. (toccata) by Walter Kraft (organist / composer)
recording of:
Präludium und Fuge D-Dur, BWV 532: I. Präludium (from 1961 until 1967)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1717)
part of:
Präludium und Fuge D-Dur, BWV 532
4:27
7Prelude and Fugue, for organ in D major ("Little"), BWV 532 (BC J13, 54, 70): II. Fugue
organ:
Walter Kraft (organist / composer)
recorded at:
Ludgerikirche in Norden (Norden, Lower Saxony), Niedersachsen (Lower Saxony), Germany
recording of:
Präludium und Fuge D-Dur, BWV 532: II. Fuge (from 1961 until 1967)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1717)
part of:
Präludium und Fuge D-Dur, BWV 532
6:06
8In dir ist Freude, chorale prelude for organ (Orgel-Büchlein No. 17), BWV 615 (BC K44)
organ:
Walter Kraft (organist / composer)
recorded at:
St Nicolai Kirche in Mölln, Schleswig-Holstein, Germany
recording of:
In dir ist Freude, BWV 615 (from 1961 until 1967)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1715)
part of:
Das Orgel-Büchlein (number: 17) and Bach-Werke-Verzeichnis (number: BWV 615)
2:39
9Trio super Allein Gott in der Höh sei Ehr, chorale prelude for organ, BWV 664 (BC K87)
organ:
Walter Kraft (organist / composer)
recorded at:
St Liborius Kirche in Bremervörde, Niedersachsen (Lower Saxony), Germany
recording of:
Choralvorspiele für Orgel in A-Dur, BWV 664 "Trio super: Allein Gott in der Höh' sei Ehr" (from 1961 until 1967)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 14), Bach Compendium (number: BC K 87) and Bach-Werke-Verzeichnis (number: BWV 664)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
5:53
10Ein feste Burg ist unser Gott, chorale prelude for organ (by Johann Michael Bach, not JSB), BWV 720 (BC K103)
organ:
Walter Kraft (organist / composer)
recorded at:
Grote Kerk (has a Christian-Müller-Orgel) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Ein feste Burg ist unser Gott, BWV 720 (from 1961 until 1967)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 720)
is based on:
Ein feste Burg ist unser Gott
3:28
11Concerto for solo organ no. 5 in D minor (after Vivaldi op. 3/11, RV 565), BWV 596 (BC J85): I. Tempo ordinario-Grave
organ:
Klemens Schnorr (organist)
recording of:
Concerto d-Moll nach Antonio Vivaldi, op. 3 no. 11, BWV 596: I. (ohne Bezeichnung)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
pipe organ arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto d-Moll (nach A. Vivaldi, op. 3 Nr. 11), BWV 596
recording of:
Concerto d-Moll nach Antonio Vivaldi, op. 3 no. 11, BWV 596: II. Grave
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
pipe organ arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto d-Moll (nach A. Vivaldi, op. 3 Nr. 11), BWV 596
4:43
12Concerto for solo organ no. 5 in D minor (after Vivaldi op. 3/11, RV 565), BWV 596 (BC J85): II. Largo e spiccato
organ:
Klemens Schnorr (organist)
recording of:
Concerto d-Moll nach Antonio Vivaldi, op. 3 no. 11, BWV 596: IV. Largo e spiccato
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto d-Moll (nach A. Vivaldi, op. 3 Nr. 11), BWV 596
2:25
13Concerto for solo organ no. 5 in D minor (after Vivaldi op. 3/11, RV 565), BWV 596 (BC J85): III. Without Tempo indication
organ:
Klemens Schnorr (organist)
recording of:
Concerto d‐Moll nach Antonio Vivaldi, op. 3 no. 11, BWV 596: V. (Allegro)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto d-Moll (nach A. Vivaldi, op. 3 Nr. 11), BWV 596
3:02
4▼CD
#TitleRatingLength
1Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Magnificat
flute:
Konrad Hampe (flautist) and Helmut Steinkraus (flautist)
oboe:
Willy Schnell (oboist)
choir vocals:
Figuralchor der Gedächtniskirche Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:29
2Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Gloria Patri
flute:
Konrad Hampe (flautist) and Helmut Steinkraus (flautist)
oboe:
Willy Schnell (oboist)
alto vocals:
Hildegard Rüttgers (alto)
bass vocals:
Erich Wenk (bass-baritone)
choir vocals:
Stuttgart Remembrance Church Choir & Instrumentalists and Figuralchor der Gedächtniskirche Stuttgart
soprano vocals:
Romy Gundermann (soprano)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) and Bachchor Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:37
3Fuga sopra il Magnificat: Meine Seele erhebet den Herren, fugue for organ (by J. L. Krebs, not JSB), BWV 733 (BC K120)
organ:
Walter Kraft (organist / composer)
recorded at:
Lövstabruks kyrka in Tierp Municipality (Tierp municipality), Uppsala (Uppsala county), Sweden
recording of:
Meine Seele erhebet den Herren (Fuga sopra il Magnificat), BWV 733 (from 1961 until 1967)
composer:
Johann Ludwig Krebs (German composer and organist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 733), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 733), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 733) and Bach Compendium (number: BC K 120)
4:30
4Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Jesu meine Freude
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
recording of:
Jesu, meine Freude, BWV 227: I. Corale „Jesu, meine Freude“ (in 1990-06)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 196)
is based on:
Jesu, meine Freude
part of:
Jesu, meine Freude, BWV 227
1:00
5Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Er ist nun nichts
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
recording of:
Jesu, meine Freude, BWV 227: II. "Es ist nun nichts Verdammliches" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
2:33
6Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Unter deinem Schirme
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
recording of:
Jesu, meine Freude, BWV 227: III. Corale: "Unter deinem Schirmen" (in 1990-06)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 198)
part of:
Jesu, meine Freude, BWV 227
0:54
7Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Denn das Gesetz des Geistes
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
recording of:
Jesu, meine Freude, BWV 227: IV. "Denn das Gesetz des Geistes" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
0:49
8Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Trotz dem alten Drachen
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
recording of:
Jesu, meine Freude, BWV 227: V. Corale: "Trotz dem alten Drachen" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
2:05
9Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Ihr aber seid nicht fleischlich
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
recording of:
Jesu, meine Freude, BWV 227: VI. "Ihr aber seid nicht fleischlich" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
2:21
10Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Weg mit allen Schätzen
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
recording of:
Jesu, meine Freude, BWV 227: VII. Corale: "Weg mit allen Schätzen" (in 1990-06)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 199)
part of:
Jesu, meine Freude, BWV 227
0:54
11Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): So aber Christus in euch ist
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
recording of:
Jesu, meine Freude, BWV 227: VIII. "So aber Christus in euch ist" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
1:39
12Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Gute Nacht & So nun der Geist
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
recording of:
Jesu, meine Freude, BWV 227: IX. Corale: "Gute Nacht, o Wesen" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
recording of:
Jesu, meine Freude, BWV 227: X. "So nun der Geist" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
4:19
13Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Weicht, ihr Trauergeister
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
recording of:
Jesu, meine Freude, BWV 227: XI. Corale: "Weicht, ihr Trauergeister" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
1:06
14Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): No. 10. Sinfonia in G major
orchestra:
Stuttgart Radio Symphony (Stuttgart Radio Symphony Orchestra)
conductor:
Garcia Navarro (conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1986 to present)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
6:10
15Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1): Choir: Singet dem Herrn ein neues Lied
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
recording of:
Singet dem Herrn ein neues Lied, BWV 225: I. "Singet dem Herrn ein neues Lied" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
4:31
16Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1): Aria 1. Strophe: Wie sich ein Vater erbarmet
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
partial recording of:
Singet dem Herrn ein neues Lied, BWV 225: II. "Wie sich ein Vater erbarmet" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
4:01
17Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1): Aria 2. Strophe: Die Gottesgnad alleine
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
recording of:
Singet dem Herrn ein neues Lied, BWV 225: II. "Wie sich ein Vater erbarmet" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
3:54
18Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1): Chor: Lobet den Herrn in seien Taten
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
partial recording of:
Singet dem Herrn ein neues Lied, BWV 225: III. "Lobet den Herrn in seinen Taten" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
1:23
19Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1): Chor: Alles was Odem hat lobe den Herrn
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
partial recording of:
Singet dem Herrn ein neues Lied, BWV 225: III. "Lobet den Herrn in seinen Taten" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
1:50
20Fughetta super Allein Gott in der Höh sei Ehr, for organ (Clavier-Ubung III/9), BWV 677 (BC K9)
organ:
Walter Kraft (organist / composer)
recorded at:
Kloster Ottobeuren in Ottobeuren, Bayern (Bavaria), Germany
recording of:
Choralvorspiel, BWV 677: Fughetta super "Allein Gott in der Höh sei Ehr" (from 1961 until 1967)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 9), Bach Compendium (number: BC K 9) and Bach-Werke-Verzeichnis (number: BWV 677)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
1:18
21Cantata No. 28, "Gottlob! nun geht das Jahr zu Ende," BWV 28 (BC A20): Nun lob', mein' Seel', den Herren
choir vocals:
Motettenchor Pforzheim (German chamber choir)
orchestra:
Bachorchester Pforzheim
conductor:
Rolf Schweizer
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren" (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann Gramann (in 1530)
is based on:
Nun lob, mein Seel, den Herren (german hymn, lyrics after Psalm 103, with the melody of "Weiß mir ein Blümlein blaue", 16th century)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
4:09
22Prelude and Fugue, for organ in C major, BWV 531 (BC J9)
organ:
Walter Kraft (organist / composer)
recorded at:
Abbaye Saint-Étienne de Marmoutier in Marmoutier, Bas-Rhin, Grand Est (Great East), France
compilation of:
Prelude and Fugue in C major, BWV 531: I. Prelude by Walter Kraft (organist / composer) and Prelude and Fugue in C major, BWV 531: II. Fugue by Walter Kraft (organist / composer)
recording of:
Präludium und Fuge C-Dur, BWV 531 (Prelude and Fugue in C major, BWV 531) (from 1961 until 1967)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
publisher:
C. F. Peters (imprint of Edition Peters) (in 1845)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 531) and Bach Compendium (number: BC J 9)
7:20

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Release

ASIN:US: B0012RLX92 [info]