6 Queens of Jazz Vocal

~ Release by Ella Fitzgerald, Anita O’Day, Carmen McRae, Peggy Lee, Helen Merrill, Monica Zetterlund (see all versions of this release, 1 available)

Annotation

Discs 1 and 6 are in stereo whereas discs 2, 3, 4 and 5 are in mono.

Annotation last modified on 2022-10-31 17:56 UTC.

Tracklist

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1▼Hybrid SACD: Ella Fitzgerald: Like Someone in Love
#TitleArtistRatingLength
1There’s a Lull in My Life
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-15)
producer:
Norman Granz
saxophone:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
There’s a Lull in My Life
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Robbins Music Corp.
Ella Fitzgerald3:30
2More Than You Know
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-15)
producer:
Norman Granz
saxophone:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
recording of:
More Than You Know
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
Ella Fitzgerald3:17
3What Will I Tell My Heart
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-15)
producer:
Norman Granz
saxophone:
Stan Getz (on 1957-10-15)
vocals:
Ella Fitzgerald (American jazz singer) (on 1957-10-15)
orchestra:
Frank De Vol and His Orchestra (on 1957-10-15)
conductor:
Frank De Vol (on 1957-10-15)
cover recording of:
What Will I Tell My Heart (on 1957-10-15)
lyricist and composer:
Jack Lawrence (US songwriter) and Peter Tinturin
Ella Fitzgerald3:32
4I Never Had a Chance
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-15)
producer:
Norman Granz
vocals:
Ella Fitzgerald (American jazz singer) (on 1957-10-15)
orchestra:
Frank De Vol and His Orchestra (on 1957-10-15)
conductor:
Frank De Vol (on 1957-10-15)
cover recording of:
I Never Had a Chance (on 1957-10-15)
lyricist and composer:
Irving Berlin
Ella Fitzgerald32:48
5Close Your Eyes
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-15)
producer:
Norman Granz
saxophone:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
Close Your Eyes
lyricist and composer:
Bernice Petkere (in 1933)
publisher:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. and Sherman, Clay & Co. (in 1933)
Ella Fitzgerald2:58
6We’ll Be Together Again
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-15)
producer:
Norman Granz
saxophone:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
We’ll Be Together Again
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Ella Fitzgerald3:22
7Then I’ll Be Tired of You
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-15)
producer:
Norman Granz
saxophone:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
Then I’ll Be Tired of You
lyricist:
Yip Harburg
composer:
Arthur Schwartz
Ella Fitzgerald3:14
8Like Someone in Love
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-15)
producer:
Norman Granz
saxophone:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
Like Someone in Love
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:11
9Midnight Sun
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-28)
producer:
Norman Granz
saxophone:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
Midnight Sun
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
Ella Fitzgerald3:58
10I Thought About You
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-28)
producer:
Norman Granz
saxophone:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
recording of:
I Thought About You
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Ella Fitzgerald2:56
11You’re Blase
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-28)
producer:
Norman Granz
saxophone:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
You’re Blasé
lyricist:
Bruce Sievier
composer:
Ord Hamilton
Ella Fitzgerald4:00
12Night Wind
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-28)
producer:
Norman Granz
saxophone:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
Night Wind
writer:
Bob Rothberg (tin-pan alley songwriter)
composer:
Dave Pollock
Ella Fitzgerald3:21
13What’s New
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-28)
producer:
Norman Granz
saxophone:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
What’s New?
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
Ella Fitzgerald3:08
14Hurry Home
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-28)
producer:
Norman Granz
saxophone:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
recording of:
Hurry Home
lyricist:
Buddy Bernier
writer:
Robert Emmerich (writer "Our Love") and Joseph Meyer (US songwriter)
Ella Fitzgerald4:42
15How Long Has This Been Going On
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-10-28)
producer:
Norman Granz
saxophone:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
Ella Fitzgerald5:50
2▼Hybrid SACD: Anita O’Day: Anita Sings the Most [MONO]
#TitleArtistRatingLength
1’s Wonderful / They Can’t Take That Away From Me
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
medley including a recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
medley including a recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Anita O’Day3:02
2Tenderly
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Anita O’Day3:23
3Old Devil Moon
recorded in:
Los Angeles, California, United States (on 1960-08-03)
producer:
Norman Granz
alto saxophone:
Joe Maini (on 1960-08-03)
double bass:
Joe Mondragon (on 1960-08-03)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1960-08-03)
piano:
Lou Levy (on 1960-08-03)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1960-08-03)
trombone:
Frank Rosolino (on 1960-08-03)
trumpet:
Lee Katzman (on 1960-08-03) and Al Porcino (on 1960-08-03)
vocals:
Anita O’Day (on 1960-08-03)
recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1960-08-03)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
Anita O’Day2:55
4Love Me or Leave Me
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Anita O’Day2:35
5We’ll Be Together Again
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
We’ll Be Together Again
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Anita O’Day3:40
6Stella by Starlight
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Stella by Starlight
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Anita O’Day42:07
7Taking a Chance on Love
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Taking a Chance on Love
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
Anita O’Day2:24
8Them There Eyes
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
Anita O’Day2:40
9I’ve Got the World on a String
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Anita O’Day4:01
10You Turned the Tables on Me
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
You Turned the Tables on Me
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
Anita O’Day3:44
11Bewitched, Bothered and Bewildered
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
Anita O’Day3:56
3▼Hybrid SACD: Carmen McRae: After Glow [MONO]
#TitleArtistRatingLength
1I Can’t Escape From You
double bass:
Ike Isaacs (bassist) (on 1957-03-06)
drums (drum set):
Charles “Specs” Wright (on 1957-03-06)
piano:
Carmen McRae (on 1957-03-06)
vocals:
Carmen McRae (on 1957-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
I Can’t Escape From You (on 1957-03-06)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Richard A. Whiting
Carmen McRae3:37
2Guess Who I Saw Today
double bass:
Ike Isaacs (bassist) (on 1957-03-06)
drums (drum set):
Charles “Specs” Wright (on 1957-03-06)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-03-06)
vocals:
Carmen McRae (on 1957-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Guess Who I Saw Today (on 1957-03-06)
lyricist:
Elisse Boyd (in 1952)
composer:
Murray Grand (in 1952)
publisher:
Sony/ATV Tunes LLC (ASCAP)
Carmen McRae3:39
3My Funny Valentine
double bass:
Ike Isaacs (bassist) (on 1957-03-06)
drums (drum set):
Charles “Specs” Wright (on 1957-03-06)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-03-06)
vocals:
Carmen McRae (on 1957-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
My Funny Valentine (from “Babes in Arms”) (on 1957-03-06)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Carmen McRae4:23
4It’s the Little Things That Mean So Much
double bass:
Ike Isaacs (bassist) (on 1957-03-06)
drums (drum set):
Charles “Specs” Wright (on 1957-03-06)
piano:
Carmen McRae (on 1957-03-06)
vocals:
Carmen McRae (on 1957-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Little Things That Mean So Much (on 1957-03-06)
lyricist:
Harold Adamson
composer:
Teddy Wilson
Carmen McRae3:18
5I'm Thru With Love
double bass:
Ike Isaacs (bassist) (on 1957-04-18)
drums (drum set):
Charles “Specs” Wright (on 1957-04-18)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-04-18)
vocals:
Carmen McRae (on 1957-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
I’m Thru With Love (on 1957-04-18)
lyricist:
Gus Kahn
composer:
Fud Livingston and Matty Malneck
publisher:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (on 1931-04-17)
Carmen McRae4:13
6Nice Work If You Can Get It
double bass:
Ike Isaacs (bassist) (on 1957-04-18)
drums (drum set):
Charles “Specs” Wright (on 1957-04-18)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-04-18)
vocals:
Carmen McRae (on 1957-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Nice Work If You Can Get It (on 1957-04-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Carmen McRae2:33
7East of the Sun (West of the Moon)
double bass:
Ike Isaacs (bassist) (on 1957-03-06)
drums (drum set):
Charles “Specs” Wright (on 1957-03-06)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-03-06)
vocals:
Carmen McRae (on 1957-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
East of the Sun (and West of the Moon) (on 1957-03-06)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
Carmen McRae2:18
8Exactly Like You
double bass:
Ike Isaacs (bassist) (on 1957-03-06)
drums (drum set):
Charles “Specs” Wright (on 1957-03-06)
piano:
Carmen McRae (on 1957-03-06)
vocals:
Carmen McRae (on 1957-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Exactly Like You (on 1957-03-06)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
Carmen McRae2:13
9All My Life
double bass:
Ike Isaacs (bassist) (on 1957-04-18)
drums (drum set):
Charles “Specs” Wright (on 1957-04-18)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-04-18)
vocals:
Carmen McRae (on 1957-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
Carmen McRae4:18
10Between the Devil and the Deep Blue Sea
double bass:
Ike Isaacs (bassist) (on 1957-04-18)
drums (drum set):
Charles “Specs” Wright (on 1957-04-18)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-04-18)
vocals:
Carmen McRae (on 1957-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Between the Devil and the Deep Blue Sea (on 1957-04-18)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
Carmen McRae2:30
11Dream of Life
double bass:
Ike Isaacs (bassist) (on 1957-03-06)
drums (drum set):
Charles “Specs” Wright (on 1957-03-06)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1957-03-06)
vocals:
Carmen McRae (on 1957-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Dream of Life (Carmen McRae song) (on 1957-03-06)
writer:
Luther Henderson and Carmen McRae
Carmen McRae4:04
12Perdido
double bass:
Ike Isaacs (bassist) (on 1957-03-06)
drums (drum set):
Charles “Specs” Wright (on 1957-03-06)
piano:
Carmen McRae (on 1957-03-06)
vocals:
Carmen McRae (on 1957-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Perdido (with lyrics) (on 1957-03-06)
lyricist:
Ervin Drake (Songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
version of:
Perdido (original instrumental version)
Carmen McRae2:19
4▼Hybrid SACD: Peggy Lee: Black Coffee [MONO]
#TitleArtistRatingLength
1Black Coffee
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-04)
cover recording of:
Black Coffee (1948 song) (on 1953-05-04)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Peggy Lee3:13
2I’ve Got You Under My Skin
double bass:
Max Wayne (on 1953-04-30)
drums (drum set):
Ed Shaughnessy (on 1953-04-30)
piano:
Jimmy Rowles (on 1953-04-30)
trumpet:
Pete Candoli (on 1953-04-30)
vocals:
Peggy Lee (jazz vocalist) (on 1953-04-30)
recording of:
I’ve Got You Under My Skin (on 1953-04-30)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Peggy Lee2:32
3Easy Living
double bass:
Max Wayne (on 1953-05-01)
drums (drum set):
Ed Shaughnessy (on 1953-05-01)
piano:
Jimmy Rowles (on 1953-05-01)
trumpet:
Pete Candoli (on 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-01)
cover recording of:
Easy Living (on 1953-05-01)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
Peggy Lee2:48
4My Heart Belongs to Daddy
double bass:
Max Wayne (on 1953-05-01)
drums (drum set):
Ed Shaughnessy (on 1953-05-01)
piano:
Jimmy Rowles (on 1953-05-01)
trumpet:
Pete Candoli (on 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-01)
cover recording of:
My Heart Belongs to Daddy (on 1953-05-01)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Peggy Lee2:11
5It Ain’t Necessarily So
double bass:
Buddy Clark (US jazz bassist) (in 1956-04)
drums (drum set), percussion and vibraphone:
Larry Bunker (in 1956-04)
guitar:
Bill Pitman (in 1956-04)
harp:
Stella Castellucci (in 1956-04)
piano:
Lou Levy (in 1956-04)
vocals:
Peggy Lee (jazz vocalist) (in 1956-04)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (in 1956-04)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Peggy Lee3:25
6Gee Baby, Ain’t I Good to You?
double bass:
Buddy Clark (US jazz bassist) (in 1956-04)
drums (drum set), percussion and vibraphone:
Larry Bunker (in 1956-04)
guitar:
Bill Pitman (in 1956-04)
harp:
Stella Castellucci (in 1956-04)
piano:
Lou Levy (in 1956-04)
vocals:
Peggy Lee (jazz vocalist) (in 1956-04)
cover recording of:
Gee, Baby Ain’t I Good to You (in 1956-04)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Peggy Lee3:27
7A Woman Alone With the Blues
double bass:
Max Wayne (on 1953-05-01)
drums (drum set):
Ed Shaughnessy (on 1953-05-01)
piano:
Jimmy Rowles (on 1953-05-01)
trumpet:
Pete Candoli (on 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-01)
cover recording of:
A Woman Alone With the Blues (on 1953-05-01)
lyricist and composer:
Willard Robison
Peggy Lee3:18
8I Didn’t Know What Time It Was
double bass:
Max Wayne (on 1953-04-30)
drums (drum set):
Ed Shaughnessy (on 1953-04-30)
piano:
Jimmy Rowles (on 1953-04-30)
trumpet:
Pete Candoli (on 1953-04-30)
vocals:
Peggy Lee (jazz vocalist) (on 1953-04-30)
cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1953-04-30)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
Peggy Lee2:20
9When the World Was Young
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-04)
recording of:
When the World Was Young (on 1953-05-04)
lyricist:
Johnny Mercer
composer:
Philippe-Gérard (French composer & lyricist)
publisher:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.) and Peter Maurice Music Co. Ltd.
version of:
Le Chevalier de Paris
Peggy Lee3:21
10Love Me or Leave Me
double bass:
Max Wayne (on 1953-04-30)
drums (drum set):
Ed Shaughnessy (on 1953-04-30)
piano:
Jimmy Rowles (on 1953-04-30)
trumpet:
Pete Candoli (on 1953-04-30)
vocals:
Peggy Lee (jazz vocalist) (on 1953-04-30)
cover recording of:
Love Me or Leave Me (on 1953-04-30)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Peggy Lee42:11
11You’re My Thrill
double bass:
Buddy Clark (US jazz bassist) (in 1956-04)
drums (drum set), percussion and vibraphone:
Larry Bunker (in 1956-04)
guitar:
Bill Pitman (in 1956-04)
harp:
Stella Castellucci (in 1956-04)
piano:
Lou Levy (in 1956-04)
vocals:
Peggy Lee (jazz vocalist) (in 1956-04)
cover recording of:
You’re My Thrill (in 1956-04)
lyricist:
Sidney Clare
composer:
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Peggy Lee3:27
12There’s a Small Hotel
double bass:
Buddy Clark (US jazz bassist) (in 1956-04)
drums (drum set), percussion and vibraphone:
Larry Bunker (in 1956-04)
guitar:
Bill Pitman (in 1956-04)
harp:
Stella Castellucci (in 1956-04)
piano:
Lou Levy (in 1956-04)
vocals:
Peggy Lee (jazz vocalist) (in 1956-04)
cover recording of:
There’s a Small Hotel (from “On Your Toes”) (in 1956-04)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (composer) (in 1936)
part of:
On Your Toes
part of:
Pal Joey
Peggy Lee2:53
5▼Hybrid SACD: Helen Merrill: Helen Merril [MONO]
#TitleArtistRatingLength
1Don’t Explain
cover recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Helen Merrill5:19
2You’d Be So Nice to Come Home To
producer:
Quincy Jones
baritone saxophone and bass clarinet:
Danny Bank (reeds) (on 1954-12-22)
bass:
Milt Hinton (on 1954-12-22)
guitar:
Barry Galbraith (on 1954-12-22)
instruments:
Osie Johnson (on 1954-12-22)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1954-12-22)
trumpet:
Clifford Brown (trumpet) (on 1954-12-22)
lead vocals:
Helen Merrill (on 1954-12-22)
conductor:
Quincy Jones
arranger:
Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1954-12-22)
cover recording of:
You’d Be So Nice to Come Home To (on 1954-12-22)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Helen Merrill4:24
3What’s New
cover recording of:
What’s New?
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
Helen Merrill5:05
4Falling in Love With Love
cover recording of:
Falling in Love With Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
Helen Merrill3:58
5Yesterdays
cover recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Helen Merrill6:05
6Born to Be Blue
cover recording of:
Born to Be Blue
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
Helen Merrill5:20
7’s Wonderful
cover recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Helen Merrill3:15
6▼Hybrid SACD: Monica Zetterlund: Waltz for Debby
#TitleArtistRatingLength
1Come Rain or Come Shine
producer:
Göte Wilhelmson
bass:
Chuck Israels (on 1964-08-23)
drums (drum set):
Larry Bunker (on 1964-08-23)
piano:
Bill Evans (pianist) (on 1964-08-23)
lead vocals:
Monica Zetterlund (on 1964-08-23)
recorded at:
Europa Film in Stockholm, Stockholms län (Stockholm county), Sweden (on 1964-08-23)
cover recording of:
Come Rain or Come Shine (on 1964-08-23)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Monica Zetterlund & Bill Evans4:44
2Beautiful Rose
producer:
Göte Wilhelmson
bass:
Chuck Israels (on 1964-08-23)
drums (drum set):
Larry Bunker (on 1964-08-23)
piano:
Bill Evans (pianist) (on 1964-08-23)
lead vocals:
Monica Zetterlund (on 1964-08-23)
arranger:
Bill Evans (pianist)
recorded at:
Europa Film in Stockholm, Stockholms län (Stockholm county), Sweden (on 1964-08-23)
recording of:
Jag vet en dejlig rosa (on 1964-08-23)
writer and composer:
[traditional] (special purpose artist)
publisher:
Warner/Chappell Music Scandinavia AB
Monica Zetterlund & Bill Evans2:53
3Once Upon a Summertime
producer:
Göte Wilhelmson
bass:
Chuck Israels (on 1964-08-23)
drums (drum set):
Larry Bunker (on 1964-08-23)
piano:
Bill Evans (pianist) (on 1964-08-23)
lead vocals:
Monica Zetterlund (on 1964-08-23)
recorded at:
Europa Film in Stockholm, Stockholms län (Stockholm county), Sweden (on 1964-08-23)
recording of:
Once Upon a Summertime (La Valse des lilas) (on 1964-08-23)
lyricist:
Eddy Marnay (French lyricist)
composer:
Eddie Barclay and Michel Legrand
translator:
Johnny Mercer
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Ltd. (ended), Leeds/BIEM, Patricia Editions Musical (SACEM-affiliated publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing AB (Sweden)
translated version of:
La Valse des lilas
Monica Zetterlund & Bill Evans3:03
4So Long Big Time
producer:
Göte Wilhelmson
bass:
Chuck Israels (on 1964-08-23)
drums (drum set):
Larry Bunker (on 1964-08-23)
piano:
Bill Evans (pianist) (on 1964-08-23)
lead vocals:
Monica Zetterlund (on 1964-08-23)
recorded at:
Europa Film in Stockholm, Stockholms län (Stockholm county), Sweden (on 1964-08-23)
recording of:
So Long, Big Time! (on 1964-08-23)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
composer:
Harold Arlen
publisher:
Warner/Chappell Music Scandinavia AB
Monica Zetterlund & Bill Evans3:49
5Waltz for Debby (Monicas vals)
producer:
Göte Wilhelmson
bass:
Chuck Israels (on 1964-08-23)
drums (drum set):
Larry Bunker (on 1964-08-23)
piano:
Bill Evans (pianist) (on 1964-08-23)
lead vocals:
Monica Zetterlund (on 1964-08-23)
recorded at:
Europa Film in Stockholm, Stockholms län (Stockholm county), Sweden (on 1964-08-23)
recording of:
Monicas vals (on 1964-08-23)
lyricist:
Gene Lees
composer:
Bill Evans (pianist)
translator:
Beppe Wolgers
publisher:
Air Chrysalis Scandinavia and Essex Musikförlaget
translated version of:
Waltz for Debby (English lyrics)
recording of:
Waltz for Debby (English lyrics)
lyricist:
Gene Lees
composer:
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
version of:
Waltz for Debby (instrumental)
Monica Zetterlund & Bill Evans2:47
6Lucky to Be Me
producer:
Göte Wilhelmson
bass:
Chuck Israels (on 1964-08-23)
drums (drum set):
Larry Bunker (on 1964-08-23)
piano:
Bill Evans (pianist) (on 1964-08-23)
lead vocals:
Monica Zetterlund (on 1964-08-23)
recorded at:
Europa Film in Stockholm, Stockholms län (Stockholm county), Sweden (on 1964-08-23)
recording of:
On the Town: Lucky to Be Me (on 1964-08-23)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Warner Bros. (holding: file NO releases) and Warner Bros. Music (publisher; do NOT use as release label)
part of:
On the Town
Monica Zetterlund & Bill Evans3:36
7Sorrow Wind
producer:
Göte Wilhelmson
bass:
Chuck Israels (on 1964-08-23)
drums (drum set):
Larry Bunker (on 1964-08-23)
piano:
Bill Evans (pianist) (on 1964-08-23)
lead vocals:
Monica Zetterlund (on 1964-08-23)
recorded at:
Europa Film in Stockholm, Stockholms län (Stockholm county), Sweden (on 1964-08-23)
Monica Zetterlund & Bill Evans3:03
8It Could Happen to You
producer:
Göte Wilhelmson
bass:
Chuck Israels (on 1964-08-23)
drums (drum set):
Larry Bunker (on 1964-08-23)
piano:
Bill Evans (pianist) (on 1964-08-23)
lead vocals:
Monica Zetterlund (on 1964-08-23)
recorded at:
Europa Film in Stockholm, Stockholms län (Stockholm county), Sweden (on 1964-08-23)
cover recording of:
It Could Happen to You (on 1964-08-23)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Monica Zetterlund & Bill Evans3:00
9Some Other Time
producer:
Göte Wilhelmson
bass:
Chuck Israels (on 1964-08-23)
drums (drum set):
Larry Bunker (on 1964-08-23)
piano:
Bill Evans (pianist) (on 1964-08-23)
lead vocals:
Monica Zetterlund (on 1964-08-23)
recorded at:
Europa Film in Stockholm, Stockholms län (Stockholm county), Sweden (on 1964-08-23)
recording of:
On the Town: Some Other Time (on 1964-08-23)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
Monica Zetterlund & Bill Evans5:35
10In the Night (Om natten)
producer:
Göte Wilhelmson
bass:
Chuck Israels (on 1964-08-23)
drums (drum set):
Larry Bunker (on 1964-08-23)
piano:
Bill Evans (pianist) (on 1964-08-23)
lead vocals:
Monica Zetterlund (on 1964-08-23)
recorded at:
Europa Film in Stockholm, Stockholms län (Stockholm county), Sweden (on 1964-08-23)
cover recording of:
Om natten (on 1964-08-23)
lyricist:
Carl Fredrik Reuterswärd
composer:
Olle Adolphson (Swedish writer, singer and songwriter)
publisher:
Universal Music Publishing AB (Sweden)
Monica Zetterlund & Bill Evans1:41