The Lamentations of Jeremiah

~ Veröffentlichung von Thomas Tallis (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1Medium
Nr.TitelBewertungLänge
1Premiere Lecon
Baritongesang:
Maurice Bevan (bass-baritone) (in 1967) und Christopher Keyte (operatic bass) (in 1967)
Countertenorgesang:
Alfred Deller (countertenor) (in 1967) und Mark Deller (countertenor) (in 1967)
Tenor-Gesang:
Neil Jenkins (tenor) (in 1967)
conductor:
Alfred Deller (countertenor) (in 1967)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1968)
recording of:
Lamentations of Jeremiah (I), P. 102 (in 1967)
Komponist(in):
Thomas Tallis (composer)
Teil von:
Lamentations of Jeremiah (I–II)
7:31
2Deuxieme Lecon
Baritongesang:
Maurice Bevan (bass-baritone) (in 1967) und Christopher Keyte (operatic bass) (in 1967)
Countertenorgesang:
Alfred Deller (countertenor) (in 1967) und Mark Deller (countertenor) (in 1967)
Tenor-Gesang:
Neil Jenkins (tenor) (in 1967)
conductor:
Alfred Deller (countertenor) (in 1967)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1968)
recording of:
Lamentations of Jeremiah (II), P. 110 (in 1967)
Komponist(in):
Thomas Tallis (composer)
Teil von:
Lamentations of Jeremiah (I–II)
13:31
3Iam lucis orto sidere
Orgel [orgue positif]:
Robert Elliott (harpsichord / organist) (in 1967)
Baritongesang:
Maurice Bevan (bass-baritone) (in 1967) und Simon Deller (in 1967)
Countertenorgesang:
Alfred Deller (countertenor) (in 1967) und Mark Deller (countertenor) (in 1967)
Soprangesang:
Honor Shepherd (soprano) (in 1967)
Tenor-Gesang:
Neil Jenkins (tenor) (in 1967)
conductor:
Alfred Deller (countertenor) (in 1967)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1968)
instrumental recording of:
Jam lucis orto sidere (in 1967)
Komponist(in):
Thomas Tallis (composer)
Teil von:
Mulliner Book
1:28
4Salvator mundi Domine
Baritongesang:
Maurice Bevan (bass-baritone) (in 1967) und Simon Deller (in 1967)
Countertenorgesang:
Alfred Deller (countertenor) (in 1967) und Mark Deller (countertenor) (in 1967)
Soprangesang:
Honor Shepherd (soprano) (in 1967)
Tenor-Gesang:
Neil Jenkins (tenor) (in 1967)
conductor:
Alfred Deller (countertenor) (in 1967)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1968)
recording of:
Salvator mundi (use if uncertain which of the two Tallis settings is being performed) (in 1967)
Komponist(in):
Thomas Tallis (composer)
5:14
5Deus tuorum militum
Baritongesang:
Maurice Bevan (bass-baritone) (in 1967) und Simon Deller (in 1967)
Countertenorgesang:
Alfred Deller (countertenor) (in 1967) und Mark Deller (countertenor) (in 1967)
Soprangesang:
Honor Shepherd (soprano) (in 1967)
Tenor-Gesang:
Neil Jenkins (tenor) (in 1967)
conductor:
Alfred Deller (countertenor) (in 1967)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1968)
recording of:
Deus tuorum militum (in 1967)
Komponist(in):
Thomas Tallis (composer)
3:05
6Iste confessor
Orgel [orgue positif]:
Robert Elliott (harpsichord / organist) (in 1967)
Baritongesang:
Maurice Bevan (bass-baritone) (in 1967) und Simon Deller (in 1967)
Countertenorgesang:
Alfred Deller (countertenor) (in 1967) und Mark Deller (countertenor) (in 1967)
Soprangesang:
Honor Shepherd (soprano) (in 1967)
Tenor-Gesang:
Neil Jenkins (tenor) (in 1967)
conductor:
Alfred Deller (countertenor) (in 1967)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1968)
recording of:
Iste confessor (in 1967)
Komponist(in):
Thomas Tallis (composer)
2:52
7Sermone blando angelus
Baritongesang:
Maurice Bevan (bass-baritone) (in 1967) und Simon Deller (in 1967)
Countertenorgesang:
Alfred Deller (countertenor) (in 1967) und Mark Deller (countertenor) (in 1967)
Soprangesang:
Honor Shepherd (soprano) (in 1967)
Tenor-Gesang:
Neil Jenkins (tenor) (in 1967)
conductor:
Alfred Deller (countertenor) (in 1967)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1968)
recording of:
Sermone blando angelus, P. 193 ("Illae dum pergunt concitae", à 5, Cantiones sacrae (1575)) (in 1967)
Komponist(in):
Thomas Tallis (composer)
Teil von:
Hamond Partbooks (British Library Add. MS 30480-30484, c. 1560-1590) (Nummer: 54)
Teil von:
Cantiones quae ab argumento sacrae vocantur (1575)
3:07
8Iam Christus astra ascenderat
Baritongesang:
Maurice Bevan (bass-baritone) (in 1967) und Simon Deller (in 1967)
Countertenorgesang:
Alfred Deller (countertenor) (in 1967) und Mark Deller (countertenor) (in 1967)
Soprangesang:
Honor Shepherd (soprano) (in 1967)
Tenor-Gesang:
Neil Jenkins (tenor) (in 1967)
conductor:
Alfred Deller (countertenor) (in 1967)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1968)
recording of:
Jam Christus astra ascenderat (Solemnis urgebat dies, motet for 5 voices, P. 285) (in 1967)
Komponist(in):
Thomas Tallis (composer)
3:59
9Ex more docti mistico
Orgel [orgue positif]:
Robert Elliott (harpsichord / organist) (in 1967)
Baritongesang:
Maurice Bevan (bass-baritone) (in 1967) und Simon Deller (in 1967)
Countertenorgesang:
Alfred Deller (countertenor) (in 1967) und Mark Deller (countertenor) (in 1967)
Soprangesang:
Honor Shepherd (soprano) (in 1967)
Tenor-Gesang:
Neil Jenkins (tenor) (in 1967)
conductor:
Alfred Deller (countertenor) (in 1967)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1968)
recording of:
Ex more docti mistico (in 1967)
Komponist(in):
Thomas Tallis (composer)
2:19
10Te lucis ante terminum
Baritongesang:
Maurice Bevan (bass-baritone) (in 1967) und Simon Deller (in 1967)
Countertenorgesang:
Alfred Deller (countertenor) (in 1967) und Mark Deller (countertenor) (in 1967)
Soprangesang:
Honor Shepherd (soprano) (in 1967)
Tenor-Gesang:
Neil Jenkins (tenor) (in 1967)
conductor:
Alfred Deller (countertenor) (in 1967)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1968)
recording of:
Te lucis ante terminum (II), P. 215 ("festal tone", à 5, Cantiones sacrae (1575)) (in 1967)
Komponist(in):
Thomas Tallis (composer)
Teil von:
Cantiones quae ab argumento sacrae vocantur (1575)
2:12