Carmen / L’Arlésienne suites / Symphony in C

~ Release by Georges Bizet; Domingo, Carreras, Berganza, Abbado, Giulini (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Carmen: Prelude
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09, in 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09, in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Prélude (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
recording of:
Carmen : Prélude (in 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet3:32
2Carmen, Act I Scene 4: La cloche a sonné
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 4 Chœur des cigarières « La cloche a sonné » (Les Jeunes Gens, les Soldats, les Cigarières) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet5:12
3Carmen, Act I Scene 5: Mais nous ne voyons pas la Camencita
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-08) and George Watson’s College Boys’ Chorus (in 1977-08)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1977-08)
orchestra:
London Symphony Orchestra (in 1977-08)
conductor:
Claudio Abbado (conductor) (in 1977-08)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-08) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recording of:
Carmen : Acte I. No. 4 Chœur et scène « Mais nous ne voyons pas la Carmencita ! » (Les Soldats, les Jeunes Gens) (in 1977-08)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte I
Georges Bizet1:11
4Carmen, Act I Scene 5: L'amour est un oiseau rebelle
recording engineer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-08) and George Watson’s College Boys’ Chorus (in 1977-08)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo-soprano) (in 1977-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) and Teresa Berganza (mezzo-soprano)
orchestra:
London Symphony Orchestra (in 1977-08)
conductor:
Claudio Abbado (conductor) (in 1977-08)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-08) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1977-08)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:26
5Carmen, Act I Scene 6: Parle-moi de ma mère!
soprano vocals [Micaëla]:
Ileana Cotrubaș (Romanian soprano) (in 1977-09)
tenor vocals [Don José]:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (in 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet9:51
6Carmen, Act I Scene 10: Près des remparts de Séville
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:39
7Carmen, Act II Scene 1: Les tringles des sistres tintaient
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:09
8Carmen, Act II Scene 2: Votre toast... je peux vous le rendre
baritone vocals [Escamillo] and bass-baritone vocals [Escamillo]:
Sherrill Milnes (baritone) (in 1977-09)
baritone vocals [Moralès]:
Stuart Harling (English baritone)
bass vocals [Zuniga]:
Robert Lloyd (operatic bass) (in 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-09)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo-soprano) (in 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (in 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (in 1977-09)
tenor vocals [Don José]:
Plácido Domingo (tenor)
tenor vocals [Moralès]:
Jean Lainé (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (in 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:12
9Carmen, Act II Scene 5: La fleur que tu m'avais jetée
producer:
Christopher Alder (editor/engineer/producer) and Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer) and Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:21
10Carmen, Act III Scene 5: Je dis que rien ne m'épouvante
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
soprano vocals [Micaëla]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09, in 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09, in 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09, in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (in 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:55
11Carmen, Act III Scene 6: Je suis Escamillo, torero de Grenade
baritone vocals [Escamillo]:
Sherrill Milnes (baritone) (in 1977-09)
tenor vocals [Don José]:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recording of:
Carmen : Acte III. No. 23. Duo « Quelques lignes plus bas » …« Je suis Escamillo, toréro de Grenade ! » (Escamillo, Don José) (in 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:34
12Carmen, Act IV Scene 1: Les voici, voici le quadrille!
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
John McCarthy (British choral conductor, scholar, composer and arranger) and Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:53
13Carmen, Act IV Scene 1: Si tu m'aimes, Carmen
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:23
14Carmen, Act IV Scene 2: C'est toi? - C'est moi
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet9:18
2▼CD
#TitleArtistRatingLength
1L' Arlésienne Suite No. 1: I. Prelude
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (in 1980-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet7:01
2L' Arlésienne Suite No. 1: II. Minuetto
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) (in 1980-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:16
3L' Arlésienne Suite No. 1: III. Adagietto
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (in 1980-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:48
4L' Arlésienne Suite No. 1: IV. Carillon
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra) (in 1980-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:29
5L' Arlésienne Suite No. 2: I. Pastorale
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra) (in 1980-01)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet5:21
6L' Arlésienne Suite No. 2: II. Intermezzo
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra) (in 1980-01)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:58
7L' Arlésienne Suite No. 2: III. Menuet
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra) (in 1980-01)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:57
8L' Arlésienne Suite No. 2: IV. Farandole
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (in 1980-01)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:31
9Agnus Dei
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Uwe Christian Harrer (chorus master/conductor)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recording of:
Agnus Dei
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet3:43
10Symphony No. 1 in C major "Roma": I. Allegro vivo
orchestra:
Orchestre national de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1971-02)
conductor:
Jean Martinon (French conductor and composer) (in 1971-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recording of:
Symphonie no. 1 en ut majeur : I. Allegro vivo (Symphony no. 1 in C major: I. Allegro vivo) (in 1971-02)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet6:49
11Symphony No. 1 in C major "Roma": II. Adagio
orchestra:
Orchestre national de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1971-02)
conductor:
Jean Martinon (French conductor and composer) (in 1971-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recording of:
Symphonie no. 1 en ut majeur : II. Andante (Adagio) (Symphony No. 1 in C major: II. Adagio) (in 1971-02)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet9:17
12Symphony No. 1 in C major "Roma": III. Scherzo: Allegro vivace
orchestra:
Orchestre national de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1971-02)
conductor:
Jean Martinon (French conductor and composer) (in 1971-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recording of:
Symphonie no. 1 en ut majeur : III. Scherzo. Allegro vivace (Symphony no. 1 in C major: III. Allegro vivace) (in 1971-02)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet4:30
13Symphony No. 1 in C major "Roma": IV. Finale: Allegro vivace
orchestra:
Orchestre national de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1971-02)
conductor:
Jean Martinon (French conductor and composer) (in 1971-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recording of:
Symphonie no. 1 en ut majeur : IV. Finale. Allegro vivace (Symphony no. 1 in C major: IV. Allegro vivace) (in 1971-02)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet6:18
14Les pêcheurs de perles, Act I: Je crois entendre encore
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (in 1980-11)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:47
15Les pêcheurs de perles, Act I: C'est toi... - Au fond du temple saint
baritone vocals:
Gregory Cross (tenor) and Gino Quilico (baritone)
baritone vocals [Zurga]:
Gino Quilico (baritone)
tenor vocals and tenor vocals [Nadir]:
Gregory Cross (tenor)
orchestra:
Montréal Symphony Orchestra (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1993)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (in 1992)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Récit « C’est toi, toi qu’enfin je revois ! » (Zurga, Nadir)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet7:32

Credits

Release

part of:Panorama (Deutsche Grammophon) (order: 11)
ASIN:US: B00004W3IO [info]
other databases:https://d-nb.info/357972511 [info]