Gold

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong’s Orchestra and Chorus42:19
2Cabaret
Techniker(in):
Eddie Brackett (am 1967-08-16) und Bob Simpson (US jazz engineer/producer) (am 1967-08-16)
Produzent(in):
Bob Thiele (producer & songwriter)
Gitarre:
Art Ryerson (am 1967-08-16)
Klarinette:
Joe Muranyi (am 1967-08-16)
Klavier:
Marty Napoleon (am 1967-08-16)
Kontrabass:
Buddy Catlett (am 1967-08-16)
Posaune:
Tyree Glenn (am 1967-08-16)
Schlagzeug:
Danny Barcelona (am 1967-08-16)
Trompete und Sologesang:
Louis Armstrong (am 1967-08-16)
recording of:
Cabaret (title song from the Kander & Ebb musical) (am 1967-08-16)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Carlin Music Corp.
Teil von:
Cabaret (musical)
Louis Armstrong & the All‐Stars32:46
3Dream a Little Dream of Me
recorded in:
Las Vegas, Nevada, Vereinigte Staaten (am 1968-07-23)
Techniker(in):
Eddie Brackett (am 1968-07-23) und Bob Simpson (US jazz engineer/producer) (am 1968-07-23)
Produzent(in):
Bob Thiele (producer & songwriter)
Gitarre:
Art Ryerson (am 1968-07-23)
Klarinette:
Joe Muranyi (am 1968-07-23)
Klavier:
Marty Napoleon (am 1968-07-23)
Kontrabass:
Buddy Catlett (am 1968-07-23)
Posaune:
Tyree Glenn (am 1968-07-23)
Schlagzeug:
Danny Barcelona (am 1968-07-23)
Trompete und Sologesang:
Louis Armstrong (am 1968-07-23)
recording of:
Dream a Little Dream of Me (am 1968-07-23)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong & the All‐Stars43:16
4Mame
Banjo:
Alfred Di Lernia (in 1966-05)
Klarinette:
Buster Bailey (clarinetist) (in 1966-05)
Klavier:
Marty Napoleon (in 1966-05)
Kontrabass:
Buddy Catlett (in 1966-05)
Posaune:
Tyree Glenn (in 1966-05)
Schlagzeug:
Danny Barcelona (in 1966-05)
Trompete und Sologesang:
Louis Armstrong (in 1966-05)
recording of:
Mame (in 1966-05)
Texter und Komponist(in):
Jerry Herman
Teil von:
Mame (full musical)
Louis Armstrong & the All‐Stars2:22
5Solitude
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-03)
Kontrabass:
Mort Herbert (am 1961-04-03)
Posaune:
Trummy Young (am 1961-04-03)
Schlagzeug:
Danny Barcelona (am 1961-04-03)
Trompete und Sologesang:
Louis Armstrong (am 1961-04-03)
recording of:
(In My) Solitude (am 1961-04-03)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
Louis Armstrong with Duke Ellington4:55
6Hello, Dolly!
recorded in:
New York, Vereinigte Staaten (am 1963-12-03)
Produzent(in):
Mickey Kapp
Banjo und Gitarre:
Anthony Gottuso (Tony Gottuso, guitar) (am 1963-12-03)
Bass:
Arvell Shaw (am 1963-12-03)
Klarinette:
Joe Darensbourg (am 1963-12-03)
Klavier:
Billy Kyle (am 1963-12-03)
Kontrabass:
Arvell Shaw
Posaune:
Trummy Young (am 1963-12-03)
Schlagzeug:
Danny Barcelona (am 1963-12-03)
Trompete:
Louis Armstrong
Sologesang:
Louis Armstrong (am 1963-12-03)
vocals:
Louis Armstrong
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (am 1963-12-03)
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
Louis Armstrong & the All‐Stars42:27
7You Go to My Head
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1957-10-14)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-14)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-14)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-14)
Schlagzeug:
Louie Bellson (am 1957-10-14)
Trompete und Sologesang:
Louis Armstrong (am 1957-10-14)
vocals:
Louis Armstrong (am 1957-10-14)
recording of:
You Go to My Head (am 1957-10-14)
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
Louis Armstrong6:26
8I Gotta Right to Sing the Blues
Produzent(in):
Norman Granz
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-08-14)
Trompete und Sologesang:
Louis Armstrong (am 1957-08-14)
Orchester:
Russell Garcia and Orchestra (am 1957-08-14)
conductor:
Russell Garcia (am 1957-08-14)
arranger:
Russell Garcia
recording of:
I Gotta Right to Sing the Blues (am 1957-08-14)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Louis Armstrong with Russell Garcia and Orchestra3:55
9A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
Sologesang:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (am 1957-08-13)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Louis Armstrong with Ella Fitzgerald43:52
10Georgia on My Mind
Trompete und Sologesang:
Louis Armstrong (am 1956-12-12)
Orchester:
Sy Oliver and His Orchestra (am 1956-12-12)
conductor:
Sy Oliver (am 1956-12-12)
arranger:
Sy Oliver
recording of:
Georgia on My Mind (am 1956-12-12)
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
Louis Armstrong with Sy Oliver’s Orchestra3:24
11When You’re Smiling (The Whole World Smiles With You)
Trompete und Sologesang:
Louis Armstrong (am 1956-12-12)
Orchester:
Sy Oliver and His Orchestra (am 1956-12-12)
conductor:
Sy Oliver (am 1956-12-12)
arranger:
Sy Oliver
recording of:
When You’re Smiling (the Whole World Smiles With You) (am 1956-12-12)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
Louis Armstrong with Sy Oliver’s Orchestra4:03
12On the Sunny Side of the Street
Trompete und Sologesang:
Louis Armstrong (am 1956-12-11)
Orchester:
Sy Oliver and His Orchestra (am 1956-12-11)
conductor:
Sy Oliver (am 1956-12-11)
arranger:
Sy Oliver
recording of:
On the Sunny Side of the Street (am 1956-12-11)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Louis Armstrong with Sy Oliver’s Orchestra5:52
13Mack the Knife
Klarinette:
Edmund Hall (American jazz clarinetist, bandleader) (am 1955-09-28)
Klavier:
Billy Kyle (am 1955-09-28)
Kontrabass:
Arvell Shaw (am 1955-09-28)
Posaune:
Trummy Young (am 1955-09-28)
Schlagzeug:
Barnett Deems (am 1955-09-28)
Trompete und Sologesang:
Louis Armstrong (am 1955-09-28)
recording of:
Mack the Knife (1954 Blitzstein translation) (am 1955-09-28)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong & the All‐Stars3:24
14Rockin’ Chair
Klarinette:
Barney Bigard (am 1955-01-21)
Klavier:
Billy Kyle (am 1955-01-21)
Kontrabass:
Arvell Shaw (am 1955-01-21)
Posaune:
Trummy Young (am 1955-01-21)
Schlagzeug:
Barnett Deems (am 1955-01-21)
Trompete:
Louis Armstrong
Sologesang:
Louis Armstrong (am 1955-01-21) und Trummy Young (am 1955-01-21)
aufgenommen bei:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-01-21)
live cover recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (am 1955-01-21)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
Louis Armstrong & the All‐Stars4:16
15Basin Street Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-25)
Bass und Kontrabass:
Arvell Shaw (am 1954-03-25)
Klarinette:
Barney Bigard (am 1954-03-25)
Klavier:
Billy Kyle (am 1954-03-25)
Posaune:
Trummy Young (am 1954-03-25)
Schlagzeug:
Kenny John (drums) (am 1954-03-25) und Kenny Johns (drummer) (am 1954-03-25)
Tenorsaxophon:
Bud Freeman (am 1954-03-25)
Trompete und Sologesang:
Louis Armstrong (am 1954-03-25)
vocals:
Louis Armstrong (am 1954-03-25)
Orchester:
Louis Armstrong & His All-Stars (am 1954-03-25)
recording of:
Basin Street Blues (am 1954-03-25)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong & the All‐Stars45:51
16Someday You’ll Be Sorry
Trompete und Sologesang:
Louis Armstrong (am 1953-10-22)
conductor:
Tutti Camarata (am 1953-10-22)
Interpret(in):
The Commanders (big band led by Eddie Grady, 1950s; collaborated with Louis Armstrong)
arranger:
Tutti Camarata
recording of:
Someday You’ll Be Sorry (am 1953-10-22)
Verfasser(in):
Louis Armstrong
Louis Armstrong with the Commanders3:07
17It Takes Two to Tango
Trompete und Sologesang:
Louis Armstrong (am 1952-08-25)
Orchester:
Sy Oliver and His Orchestra (am 1952-08-25)
conductor:
Sy Oliver (am 1952-08-25)
arranger:
Sy Oliver
recording of:
Takes Two to Tango (am 1952-08-25)
Verfasser(in):
Al Hoffman (in 1952) und Dick Manning (American songwriter) (in 1952)
Louis Armstrong with Sy Oliver’s Orchestra2:54
18A Kiss to Build a Dream On
Trompete und Sologesang:
Louis Armstrong (am 1951-07-24)
Orchester:
Sy Oliver and His Orchestra (am 1951-07-24)
conductor:
Sy Oliver (am 1951-07-24)
arranger:
Sy Oliver
recording of:
A Kiss to Build a Dream On (am 1951-07-24)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) und Bert Kalmar (in 1935)
Komponist(in):
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Strip (1951 film)
Louis Armstrong with Sy Oliver’s Orchestra3:02
2▼CD
Nr.TitelKünstlerBewertungLänge
1Gone Fishin’
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-04-27)
Gitarre:
Perry Botkin (am 1951-04-27)
Klavier:
Buddy Cole (am 1951-04-27) und Mel Henke (am 1951-04-27)
Kontrabass:
Phil Stephens (bass and tuba player) (am 1951-04-27)
Posaune:
Bill Atkinson (am 1951-04-27), Wendell Mayhew (am 1951-04-27) und Dick Taylor (jazz trombonist) (am 1951-04-27)
Saxophon:
Warren Baker (am 1951-04-27), Matty Matlock (am 1951-04-27), Irving “Babe” Russin (am 1951-04-27) und Philip Shuken (am 1951-04-27)
Schlagzeug:
Nick Fatool (am 1951-04-27)
Trompete:
Ziggy Elman (am 1951-04-27), Bobby Guy (am 1951-04-27) und Red Nichols (am 1951-04-27)
Sologesang:
Louis Armstrong (am 1951-04-27) und Bing Crosby (am 1951-04-27)
Orchester und Interpret(in):
John Scott Trotter and His Orchestra (am 1951-04-27)
conductor:
John Scott Trotter (am 1951-04-27)
arranger:
John Scott Trotter (am 1951-04-27)
phonographisches Urheberrecht (℗) von:
MCA Music Ltd. (in 1951)
recording of:
Gone Fishin’ (am 1951-04-27)
Verfasser(in):
Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne Co. (not for release label use, this is a music publisher) und EMI Feist Catalog Inc.
Louis Armstrong with Bing Crosby2:31
2I’ll Be Glad When You’re Dead, You Rascal You
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1950-08-23)
Gitarre:
Bill Jennings (1950s US jazz guitarist) (am 1950-08-23)
Klavier:
Bill Doggett (am 1950-08-23)
Kontrabass:
Bob Bushnell (am 1950-08-23)
Schlagzeug:
Joe Morris (1940-50s jazz drummer) (am 1950-08-23)
Tenorsaxophon:
Josh Jackson (tenor saxophone player) (am 1950-08-23)
Trompete:
Louis Armstrong (am 1950-08-23) und Aaron Izenhall (am 1950-08-23)
Sologesang:
Louis Armstrong (am 1950-08-23) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1950-08-23)
Orchester:
Louis Jordan and His Tympany Five (am 1950-08-23)
cover recording of:
I’ll Be Glad When You’re Dead, You Rascal You (am 1950-08-23)
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong with Louis Jordan3:06
3La Vie en rose
Trompete und Sologesang:
Louis Armstrong (am 1950-06-26)
Orchester:
Sy Oliver and His Orchestra (am 1950-06-26)
conductor:
Sy Oliver (am 1950-06-26)
arranger:
Sy Oliver
cover recording of:
La Vie en rose (English translation) (am 1950-06-26)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi)
Übersetzer:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
übersetzte Version von:
La Vie en rose (French original)
Louis Armstrong3:24
4My Sweet Hunk o’ Trash
Trompete:
Louis Armstrong (am 1949-09-30)
Sologesang:
Louis Armstrong (am 1949-09-30) und Billie Holiday (am 1949-09-30)
Orchester:
Sy Oliver and His Orchestra (am 1949-09-30)
conductor:
Sy Oliver (am 1949-09-30)
arranger:
Sy Oliver
recording of:
My Sweet Hunk o’ Trash (am 1949-09-30)
Texter:
Flournoy E. Miller
Komponist(in):
James P. Johnson
Louis Armstrong with Billie Holiday3:20
5Blueberry Hill
Sologesang:
Louis Armstrong (am 1949-09-06)
Orchester:
Gordon Jenkins’ Orchestra and Choir (am 1949-09-06)
conductor:
Gordon Jenkins (am 1949-09-06)
arranger:
Gordon Jenkins
cover recording of:
Blueberry Hill (am 1949-09-06)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Louis Armstrong with Gordon Jenkins’ Orchestra and Choir2:53
6(What Did I Do to Be So) Black and Blue (live)
Klarinette:
Barney Bigard (am 1947-11-30)
Klavier:
Dick Cary (piano, trumpet, alto horn) (am 1947-11-30)
Kontrabass:
Arvell Shaw (am 1947-11-30)
Posaune:
Jack Teagarden (am 1947-11-30)
Schlagzeug:
Sid Catlett (am 1947-11-30)
Trompete und Sologesang:
Louis Armstrong (am 1947-11-30)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (am 1947-11-30)
live recording of:
Black and Blue (am 1947-11-30)
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
Louis Armstrong & the All‐Stars4:14
7Do You Know What It Means to Miss New Orleans?
Gitarre:
Bud Scott (am 1946-10-17)
Klarinette:
Barney Bigard (am 1946-10-17)
Klavier:
Charlie Beal (am 1946-10-17)
Kontrabass:
Red Callender (am 1946-10-17)
Posaune:
Kid Ory (am 1946-10-17)
Schlagzeug:
Ram "Minor" Hall (am 1946-10-17)
Trompete und Sologesang:
Louis Armstrong (am 1946-10-17)
Orchester:
Louis Armstrong & His Dixieland Seven (am 1946-10-17)
recording of:
Do You Know What It Means to Miss New Orleans (am 1946-10-17)
Texter:
Eddie DeLange und Cathrine Legardh
Verfasser(in):
Louis Alter und Eddie DeLange
Komponist(in):
Louis Alter
Louis Armstrong & His Dixieland Seven3:00
8I Wonder
Trompete und Sologesang:
Louis Armstrong (am 1945-01-14)
Orchester:
Louis Armstrong & His Orchestra (am 1945-01-14)
conductor:
Bob Haggart (am 1945-01-14)
cover recording of:
I Wonder (am 1945-01-14)
Texter und Komponist(in):
Cecil Gant (in 1944)
Verfasser(in):
R. Laveen (Composer, songwriter and author)
Louis Armstrong & His Orchestra3:00
9When It’s Sleepy Time Down South
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1941-11-16)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1941-11-16) und Carl Frye (am 1941-11-16)
Bass und Kontrabass:
Hayes Alvis (am 1941-11-16)
Gitarre:
Lawrence Lucie (am 1941-11-16)
Klavier:
Luis Russell (am 1941-11-16)
Posaune:
Henderson Chambers (am 1941-11-16), Norman Greene (am 1941-11-16) und George Washington (jazz trombonist) (am 1941-11-16)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1941-11-16)
Saxophon:
Joe Garland (saxophonist, composer) (am 1941-11-16)
Schlagzeug:
Sid Catlett (am 1941-11-16)
Tenorsaxophon:
Joe Garland (saxophonist, composer) (am 1941-11-16) und Prince Robinson (am 1941-11-16)
Trompete:
Louis Armstrong (am 1941-11-16), Frank Galbreath (am 1941-11-16), Gene Prince (am 1941-11-16) und Shelton Hemphill (am 1941-11-16)
Orchester:
Louis Armstrong & His Orchestra (am 1941-11-16)
instrumental recording of:
When It’s Sleepy Time Down South (am 1941-11-16)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
Louis Armstrong & His Orchestra3:12
10I’m Confessin’ (That I Love You)
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-25)
Gitarre:
Lee Blair (am 1939-04-25)
Klavier:
Luis Russell (am 1939-04-25)
Kontrabass:
George "Pops" Foster (am 1939-04-25)
Posaune:
Wilbur de Paris (am 1939-04-25), J.C. Higginbotham (am 1939-04-25) und George Washington (jazz trombonist) (am 1939-04-25)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-25), Joe Garland (saxophonist, composer) (am 1939-04-25), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-25) und Bingie Madison (am 1939-04-25)
Schlagzeug:
Sid Catlett (am 1939-04-25)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-25), Louis Armstrong (am 1939-04-25), Bernard Flood (am 1939-04-25) und Shelton "Scad" Hemphill (am 1939-04-25)
Sologesang:
Louis Armstrong (am 1939-04-25)
vocals:
Louis Armstrong (am 1939-04-25)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-25)
arranger:
Luis Russell
recording of:
I’m Confessin’ (That I Love You) (am 1939-04-25)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
Louis Armstrong & His Orchestra3:11
11Ain’t Misbehavin’
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Bob Cusumano (am 1938-06-24) und Johnny McGee (am 1938-06-24)
Ventilposaune:
Al Philburn (am 1938-06-24)
Sologesang:
Louis Armstrong (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Orchester:
Louis Armstrong & His Orchestra (am 1938-06-24)
recording of:
Ain’t Misbehavin’ (am 1938-06-24)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Louis Armstrong & His Orchestra32:55
12When the Saints Go Marching In
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-13) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-13)
Gitarre:
Lee Blair (am 1938-05-13)
Klavier:
Luis Russell (am 1938-05-13)
Kontrabass:
George "Pops" Foster (am 1938-05-13)
Posaune:
J.C. Higginbotham (am 1938-05-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-13)
Tenorsaxophon:
Bingie Madison (am 1938-05-13)
Trompete:
Louis Armstrong (am 1938-05-13) und Shelton "Scad" Hemphill (am 1938-05-13)
vocals:
Louis Armstrong (am 1938-05-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (am 1938-05-13)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Louis Armstrong
Version von:
When the Saints Go Marching In
Louis Armstrong & His Orchestra2:42
13Struttin’ With Some Barbeque
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1938-01-12) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-12)
Bass:
George "Pops" Foster (am 1938-01-12)
Gitarre:
Lee Blair (am 1938-01-12)
Klavier:
Luis Russell (am 1938-01-12)
Posaune:
Wilbur de Paris (am 1938-01-12), J.C. Higginbotham (am 1938-01-12) und George Washington (jazz trombonist) (am 1938-01-12)
Rohrblattinstrumente:
Bingie Madison (am 1938-01-12) und Albert Nicholas (am 1938-01-12)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-12)
Trompete:
Henry “Red” Allen (jazz musician) (am 1938-01-12), Louis Armstrong (am 1938-01-12), Louis Bacon (am 1938-01-12) und Shelton "Scad" Hemphill (am 1938-01-12)
vocals:
Louis Armstrong (am 1938-01-12)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-12)
arranger:
Chippie Willett
recording of:
Struttin’ With Some Barbecue (am 1938-01-12)
Komponist(in):
Lil Hardin Armstrong
Louis Armstrong & His Orchestra2:59
14Swing That Music
Trompete und Sologesang:
Louis Armstrong (am 1936-05-18)
Orchester:
Louis Armstrong & His Orchestra (am 1936-05-18)
recording of:
Swing That Music (am 1936-05-18)
Texter und Komponist(in):
Louis Armstrong und Horace Gerlach
Louis Armstrong & His Orchestra42:49
15Old Man Mose
Trompete und Sologesang:
Louis Armstrong (am 1935-11-21)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-21)
recording of:
Ol’ Man Mose (am 1935-11-21)
Verfasser(in):
Louis Armstrong und Zilner Randolph
Louis Armstrong & His Orchestra32:32
16I’m in the Mood for Love
Trompete und Sologesang:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
I’m in the Mood for Love (am 1935-10-03)
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
James Moody (jazz saxophonist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
CBS Hastings Catalog inc. und SBK Robbins Catalog, Inc.
Version von:
I’m in the Mood for Love
Louis Armstrong & His Orchestra3:02
17St. Louis Blues
alto saxophone:
Peter DuConge (American jazz reedist) (am 1934-11-07) und Henry Tyree (am 1934-11-07)
Gitarre:
Maceo Jefferson (am 1934-11-07)
Klarinette:
Peter DuConge (American jazz reedist) (am 1934-11-07)
Klavier:
Herman Chittison (am 1934-11-07)
Kontrabass:
German Arango (am 1934-11-07)
Posaune:
Lionel Guimarães (am 1934-11-07)
Schlagzeug:
Oliver Tines (drummer) (am 1934-11-07)
Tenorsaxophon:
Alfred Pratt (am 1934-11-07)
Trompete:
Louis Armstrong (am 1934-11-07), Jack Hamilton (jazz trumpeter) (am 1934-11-07) und Leslie Thompson (am 1934-11-07)
Sologesang:
Louis Armstrong (am 1934-11-07)
recording of:
St. Louis Blues (am 1934-11-07)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong3:02
18Lazy River
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-03)
alto saxophone und Klarinette:
Lester Boone (am 1931-11-03) und George James (US jazz saxophonist) (am 1931-11-03)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-03)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-03)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-03)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-03)
Schlagzeug:
Tubby Hall (am 1931-11-03)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-03)
Trompete:
Louis Armstrong (am 1931-11-03) und Zilner Randolph (am 1931-11-03)
Sologesang:
Louis Armstrong (am 1931-11-03)
vocals:
Louis Armstrong (am 1931-11-03)
Orchester:
Louis Armstrong & His Orchestra (am 1931-11-03)
arranger:
Zilner Randolph
recording of:
Lazy River (am 1931-11-03)
Texter:
Hoagy Carmichael
Komponist(in):
Sidney Arodin und Hoagy Carmichael
Louis Armstrong & His Orchestra3:05
19West End Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-06-28)
Banjo:
Mancy Cara (am 1928-06-28)
Becken:
Zutty Singleton (am 1928-06-28)
Klarinette:
Jimmy Strong (am 1928-06-28)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1928-06-28)
Posaune:
Fred Robinson (American trombonist) (am 1928-06-28)
Trompete:
Louis Armstrong (am 1928-06-28)
vocals:
Louis Armstrong (am 1928-06-28)
recording of:
West End Blues (Armstrong recording) (am 1928-06-28)
Komponist(in):
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
Arrangement von:
West End Blues (original instrumental)
Louis Armstrong & His Hot Five33:18
20Potato Head Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-05-10)
Banjo:
Johnny St. Cyr (am 1927-05-10)
Klarinette:
Johnny Dodds (am 1927-05-10)
Klavier:
Lil Hardin Armstrong (am 1927-05-10)
Kornett:
Louis Armstrong (am 1927-05-10)
Posaune:
John Thomas (early jazz trombonist) (am 1927-05-10)
Schlagzeug:
Baby Dodds (am 1927-05-10)
Tuba:
Pete Briggs (am 1927-05-10)
vocals:
Louis Armstrong (am 1927-05-10)
Orchester:
Louis Armstrong and His Hot Seven (am 1927-05-10)
recording of:
Potato Head Blues (am 1927-05-10)
Komponist(in):
Louis Armstrong
Louis Armstrong & His Hot Seven2:55
21Wild Man Blues
Banjo:
Bud Scott (am 1927-04-22)
Klarinette:
Johnny Dodds (am 1927-04-22)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1927-04-22)
Kornett:
Louis Armstrong (am 1927-04-22)
Posaune:
Roy Palmer (US early jazz trombonist) (am 1927-04-22)
Schlagzeug:
Warren “Baby” Dodds (am 1927-04-22)
Tenorsaxophon:
Barney Bigard (am 1927-04-22)
Orchester:
Johnny Doddsʼ Black Bottom Stompers (am 1927-04-22)
recording of:
Wild Man Blues (am 1927-04-22)
Komponist(in):
Louis Armstrong und Ferdinand Joseph LaMothe
Louis Armstrong3:06
22Heebie Jeebies
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-02-26)
Banjo:
Johnny St. Cyr (am 1926-02-26)
Klarinette:
Johnny Dodds (am 1926-02-26)
Klavier:
Lil Hardin Armstrong (am 1926-02-26)
Kornett und Sologesang:
Louis Armstrong (am 1926-02-26)
Posaune:
Kid Ory (am 1926-02-26)
recording of:
Heebie Jeebies (am 1926-02-26)
Texter und Komponist(in):
Boyd Atkins
Louis Armstrong & His Hot Five3:01

Nennungen

Veröffentlichung

art direction:Vartan (art direction)
remastering:Erick Labson
design:Meire Murakami
remastered at:Universal Mastering West in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:Gold (Universal Records) (Reihenfolge: 102)
ASIN:US: B000H5VF2U [Info]

Veröffentlichungsgruppe

Rezensionen:http://www.hbdirect.com/album_detail.php?pid=926021 [Info]