Essential Bluegrass Anthology

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Foggy Mountain Breakdown
recorded in:
Cincinnati, Ohio, Vereinigte Staaten (am 1949-12-11)
Banjo:
Earl Scruggs (am 1949-12-11)
Fiddle:
Benny Sims (American fiddler) (am 1949-12-11)
Gitarre:
Lester Flatt (am 1949-12-11)
Kontrabass [string bass]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1949-12-11)
Mandoline:
Curly Seckler (am 1949-12-11)
recording of:
Foggy Mountain Breakdown (am 1949-12-11)
Komponist(in):
Earl Scruggs
Lester Flatt & Earl Scruggs42:41
2Blue Moon of Kentucky
Banjo:
Rudy Lyle (am 1956-05-13)
Fiddle:
Bobby Hicks (American bluegrass fiddler) (am 1956-05-13) und Joe Stuart (US bluegrass musician) (am 1956-05-13)
Gitarre:
Yates Green (US bluegrass guitarist) (am 1956-05-13)
Kontrabass [bass]:
Chick Stripling or Bessie Lee Mauldin ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-05-13)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1956-05-13)
Sologesang:
Yates Green (US bluegrass guitarist) und Bill Monroe (“The Father of Bluegrass”) (am 1956-05-13)
vocals:
Bill Monroe (“The Father of Bluegrass”)
aufgenommen bei:
New River Ranch in Rising Sun, Maryland, Vereinigte Staaten (am 1956-05-13)
live recording of:
Blue Moon of Kentucky (am 1956-05-13)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Bill Monroe and the Bluegrass Boys2:02
3I'm a Man of Constant Sorrow
Produzent(in):
Don Law und Art Satherly
Banjo und Sologesang:
Ralph Stanley (US bluegrass singer and banjo player) (am 1950-11-03)
Fiddle:
Les Woodie (am 1950-11-03)
Gitarre:
Carter Stanley (am 1950-11-03)
Kontrabass:
Ernie Newton (contrabassist) (am 1950-11-03)
Mandoline:
Darrell "Pee Wee" Lambert (am 1950-11-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-11-03)
recording of:
Man of Constant Sorrow (traditional, arranger neutral) (am 1950-11-03)
Verfasser(in):
[traditional] (special purpose artist)
publisher:
Southern Music Publishing Co. (publishing company)
The Stanley Brothers2:57
4Last Train to San Fernando
Johnny Duncan & His Bluegrass Boys2:28
5I'm Gone, Long Gone
Reno and Smiley2:20
6Poor Ellen Smith
Molly O’Day & The Cumberland Mountain Folks2:40
7She's Just a Cute Thing
Jimmy Martin & The Osborne Brothers1:56
8Are You Walking and A-Talking for the Lord
Wilma Lee, Stoney Cooper and The Clinch Mountain Clan2:07
9Going Like Wildfire
Mac Wiseman2:32
10Pain in My Heart
recorded in:
Bluefield, West Virginia, Vereinigte Staaten (in 1950-03)
Banjo:
Larry Richardson (Banjo player) (in 1950-03)
Fiddle:
Ray Morgan (US bluegrass fiddler) (in 1950-03)
Gitarre und Tenor-Gesang:
Bob Osborne (in 1950-03)
Kontrabass [bass]:
Ezra Cline (US bluegrass bassist) (in 1950-03)
Sologesang:
Bob Osborne (in 1950-03) und Larry Richardson (Banjo player) (in 1950-03)
recording of:
Pain in My Heart (in 1950-03)
Verfasser(in):
Bobby Osborne und Larry Richardson (Banjo player)
The Lonesome Pine Fiddlers2:43
11I Cried Again
Jim Eanes & The Shenandoah Valley Boys3:07
12Tennessee Boy
Frank Hunter & His Black Mountain Boys3:17
13I'm Gonna Leave You
Sonny Osborne2:41
14Y'all Come
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-08)
Fiddle:
Charlie Cline (am 1954-01-08)
Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1954-01-08) und Jimmy Martin (American bluegrass musician) (am 1954-01-08)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-08)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-08)
recording of:
Y’all Come (am 1954-01-08)
Texter und Komponist(in):
Arlie Duff
Bill Monroe and the Bluegrass Boys2:11
15Get in Line Brother
Lester Flatt & Earl Scruggs2:17
16Beautifull Brown Eyes
Bailey Brothers & The Happy Valley Boys2:44
17Too Late to Cry
Produzent(in):
Don Law und Art Satherly
Banjo und Tenor-Gesang:
Ralph Stanley (US bluegrass singer and banjo player) (am 1949-11-20)
Fiddle:
Les Woodie (am 1949-11-20)
Gitarre und Sologesang:
Carter Stanley (am 1949-11-20)
Kontrabass:
Ernie Newton (contrabassist) (am 1949-11-20)
Mandoline:
Darrell "Pee Wee" Lambert (am 1949-11-20)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1949-11-20)
recording of:
Too Late to Cry (am 1949-11-20)
Verfasser(in):
Carter Stanley und Ralph Stanley (US bluegrass singer and banjo player)
The Stanley Brothers3:00
18He Will Set Your Fields on Fire
Carl Story & His Rambling Mountaineers2:24
19Higher in My Prayer
Molly O’Day & The Cumberland Mountain Folks2:28
20Something Got Hold of Me
Bailes Brothers2:45
21Tennessee Cut-Up Breakdown
Reno and Smiley1:41
22Garden in the Sky
The Blue Sky Boys2:46
23Dreaming of a Little Cabin
Mac Wiseman2:55
24Are You Missing Me?
Produzent(in):
Ken Nelson (US record producer (’48‐’76) Capitol Records, country music)
Banjo:
Hoke Jenkins (US bluegrass banjoist) (am 1952-06-13)
Fiddle:
Sonny James (US country singer and songwriter) (am 1952-06-13)
Gitarre:
Jim McReynolds (am 1952-06-13) und Curly Seckler (am 1952-06-13)
Kontrabass:
Bob Moore (U.S. bassist and bandleader) (am 1952-06-13)
Mandoline:
Jesse McReynolds (am 1952-06-13)
vocals:
Jesse McReynolds (am 1952-06-13) und Jim McReynolds (am 1952-06-13)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-06-13)
recording of:
Are You Missing Me? (am 1952-06-13)
Verfasser(in):
Charlie Louvin und Ira Louvin
Jim & Jesse & The Virginia Boys2:25
25Will the Circle Be Unbroken
Gitarre:
Alton Delmore (in 1946-01)
Tenorgitarre und Tenor-Gesang:
Rabon Delmore (in 1946-01)
Baritongesang:
Alton Delmore (in 1946-01) und Grandpa Jones (in 1946-01)
Bass-Gesang:
Red Foley (US country music musician) (in 1946-01)
aufgenommen bei:
King Studios in Cincinnati, Ohio, Vereinigte Staaten (in 1946-01)
cover recording of:
Can the Circle Be Unbroken (By and By) (in 1946-01)
publisher:
Charles M. Alexander, Chicago, Illinois (gospel) (am 1907-04-30)
Texter:
Ada Ruth Habershon (in 1907)
zusätzlicher Texter und zusätzliche(r) Komponist(in):
A.P. Carter
Komponist(in):
Charles Hutchinson Gabriel (in 1907)
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (am 1935-06-22)
Version von:
Will the Circle Be Unbroken?
Brown’s Ferry Four2:58
2▼CD
Nr.TitelKünstlerBewertungLänge
1Orange Blossom Special
Banjo:
Don Lineberger (US banjo player) (in 1964-10)
Fiddle:
Benny Williams (US bluegrass fiddler/multi-instrumentalist) (in 1964-10)
Gitarre:
Jimmy Elrod (in 1964-10)
Kontrabass:
James Monroe (in 1964-10)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (in 1964-10)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1964-10)
live recording of:
Orange Blossom Special (in 1964-10)
Texter und Komponist(in):
Ervin Rouse
publisher:
Glanco Music (BMI-affiliated) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Bill Monroe and the Bluegrass Boys2:33
2Cotton-Eyed Joe
Banjo:
Ralph Stanley (US bluegrass singer and banjo player) (in 1947)
Fiddle und Sologesang:
Leslie Keith (fiddler) (in 1947)
Gitarre:
Carter Stanley (in 1947)
Kontrabass:
Ray Lambert (US bluegrass bassist and comedian) (in 1947)
Mandoline:
Darrell "Pee Wee" Lambert (in 1947)
aufgenommen bei:
Radio Station WCYB in Bristol, Virginia, Vereinigte Staaten (in 1947)
recording of:
Cotton‐Eyed Joe (traditional song) (in 1947)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 942)
The Stanley Brothers1:14
3Roll in My Sweet Baby's Arms
recorded in:
Tampa, Florida, Vereinigte Staaten (am 1950-10-20)
Banjo:
Earl Scruggs (am 1950-10-20)
Fiddle:
Benny Sims (American fiddler) (am 1950-10-20)
Gitarre:
Lester Flatt (am 1950-10-20)
Kontrabass [string bass]:
Jody Rainwater (American bluegrass bassist) (am 1950-10-20)
Mandoline:
Curly Seckler (am 1950-10-20)
vocals:
Lester Flatt (am 1950-10-20), Earl Scruggs (am 1950-10-20) und Curly Seckler (am 1950-10-20)
cover recording of:
Roll in My Sweet Baby’s Arms (am 1950-10-20)
Verfasser(in):
[traditional] (special purpose artist)
Lester Flatt & Earl Scruggs2:38
4When I Safely Reach That Other Shore
Tommy Magness and his Tennessee Buddies ft. Reno and Smiley2:33
5Sunny Side of the Mountain
recording of:
Sunny Side of the Mountain
Komponist(in):
Bob Gregory und Harry C. McAuliffe
Wilma Lee & Stoney Cooper3:04
6Tomorrow May Be Different
recorded in:
Mount Airy, North Carolina, Vereinigte Staaten (in 1951)
Banjo:
Hubert Davis (US bluegrass banjoist) (in 1951)
Gitarre:
Jim Eanes (in 1951)
vocals:
Jim Eanes (in 1951)
Jim Eanes & The Shenandoah Valley Boys2:39
7Lonesome Pine Breakdown
Produzent(in):
Stephen H. Sholes
Banjo:
Charlie Cline (am 1953-08-04)
Fiddle:
“Curly” Ray Cline (Fiddler) (am 1953-08-04)
Gitarre:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (am 1953-08-04)
Kontrabass [bass]:
Ezra Cline (US bluegrass bassist) (am 1953-08-04)
Mandoline:
Albert Punturi (US bluegrass mandolinist) (am 1953-08-04)
aufgenommen bei:
RCA Victor Studio (Chicago, 1935-1969) in Chicago, Illinois, Vereinigte Staaten (am 1953-08-04)
The Lonesome Pine Fiddlers2:30
8Radio Boogie
Fiddle:
Ralph Mayo
Gitarre:
L.C. Smith
vocals:
L.C. Smith
recording of:
Radio Boogie
Komponist(in):
Ralph Mayo und L.C. Smith
L.C. Smith and Ralph Mayo with The Southern Mountain Boys2:25
9Crazy Finger Blues
Reno and Smiley2:44
10The Tramp on the Street
Molly O’Day & The Cumberland Mountain Folks2:48
11Don't Get Above Your Raisin'
Banjo:
Earl Scruggs (am 1951-05-09)
Fiddle:
Chubby Wise (am 1951-05-09)
Gitarre:
Lester Flatt (am 1951-05-09)
Kontrabass [string bass]:
Jody Rainwater (American bluegrass bassist) (am 1951-05-09)
Mandoline:
Everett Lilly (am 1951-05-09)
vocals:
Lester Flatt (am 1951-05-09)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-05-09)
recording of:
Don't Get Above Your Raising (am 1951-05-09)
Verfasser(in):
Lester Flatt und Earl Scruggs
Lester Flatt & Earl Scruggs2:43
12The Fields Have Turned Brown
Produzent(in):
Don Law und Art Satherly
Banjo und Tenor-Gesang:
Ralph Stanley (US bluegrass singer and banjo player) (am 1949-11-20)
Fiddle:
Les Woodie (am 1949-11-20)
Gitarre und Sologesang:
Carter Stanley (am 1949-11-20)
Kontrabass:
Ernie Newton (contrabassist) (am 1949-11-20)
Mandoline und Baritongesang [high baritone vocals]:
Darrell "Pee Wee" Lambert (am 1949-11-20)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1949-11-20)
recording of:
The Fields Have Turned Brown (am 1949-11-20)
Verfasser(in):
Carter Stanley und Ralph Stanley (US bluegrass singer and banjo player)
The Stanley Brothers2:33
13Molly and Tenbrooks (The Race Horse Song)
Produzent(in):
Art Satherly
Banjo:
Earl Scruggs (am 1947-10-28)
Fiddle:
Chubby Wise (am 1947-10-28)
Gitarre:
Lester Flatt (am 1947-10-28)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1947-10-28)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1947-10-28)
aufgenommen bei:
WBBM Studio (radio/tv station) in Chicago, Illinois, Vereinigte Staaten (am 1947-10-28)
recording of:
Molly and Tenbrooks (am 1947-10-28)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
basiert auf:
Molly and Tenbrooks
Bill Monroe and the Bluegrass Boys2:46
14Going Back to Old Kentucky
Gitarre:
Jack Adkins (mid-20th century country musician, “Hobo”) (in 1945)
Mandoline:
Red Ratliff (US bluegrass musician) (in 1945)
vocals:
Jack Adkins (mid-20th century country musician, “Hobo”) (in 1945)
Hobo Jack Adkins2:06
15Twenty One Years
Produzent(in):
Stephen H. Sholes
Banjo:
Ray Goins (am 1952-05-14)
Fiddle:
“Curly” Ray Cline (Fiddler) (am 1952-05-14)
Gitarre und Tenor-Gesang:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (am 1952-05-14)
Kontrabass [bass]:
Ezra Cline (US bluegrass bassist) (am 1952-05-14)
Mandoline:
Charles Parker (US bluegrass mandolinist) (am 1952-05-14)
Sologesang:
Ray Goins (am 1952-05-14) und Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (am 1952-05-14)
aufgenommen bei:
Brown Radio Productions in Nashville, Tennessee, Vereinigte Staaten (am 1952-05-14)
recording of:
Twenty-One Years (am 1952-05-14)
Texter und Komponist(in):
Bob Miller (songwriter, producer)
The Lonesome Pine Fiddlers2:20
16'Tis Sweet to Be Remembered
Mac Wiseman2:56
17Florida Blues
recorded in:
Mount Airy, North Carolina, Vereinigte Staaten (in 1951)
Banjo:
Hubert Davis (US bluegrass banjoist) (in 1951)
Gitarre:
Jim Eanes (in 1951)
vocals:
Jim Eanes (in 1951)
recording of:
Florida Blues (in 1951)
Komponist(in):
Arthur Smith
Jim Eanes & The Shenandoah Valley Boys2:22
18Little Birdie
Wade Mainer and his Trio2:49
19I Like the Old Time Way
recording of:
I Like the Old Time Way
Verfasser(in):
Jesse "Pa" Johnson
Shannon Grayson and The Golden Valley Boys2:58
20Doin' My Time
recorded in:
Tampa, Florida, Vereinigte Staaten (am 1950-10-20)
Banjo:
Earl Scruggs (am 1950-10-20)
Fiddle:
Benny Sims (American fiddler) (am 1950-10-20)
Gitarre:
Lester Flatt (am 1950-10-20)
Kontrabass [string bass]:
Jody Rainwater (American bluegrass bassist) (am 1950-10-20)
Mandoline:
Jody Rainwater (American bluegrass bassist) (am 1950-10-20) und Curly Seckler (am 1950-10-20)
vocals:
Lester Flatt (am 1950-10-20)
cover recording of:
Doing My Time (am 1950-10-20)
Texter und Komponist(in):
Jimmie Skinner
recording of:
Doing My Time
Texter und Komponist(in):
Jimmie Skinner
Lester Flatt & Earl Scruggs2:49
21This Little Glass of Wine
Banjo und Tenor-Gesang:
Ralph Stanley (US bluegrass singer and banjo player) (von 1947 bis 1948)
Fiddle:
Leslie Keith (fiddler) (von 1947 bis 1948)
Gitarre und Sologesang:
Carter Stanley (von 1947 bis 1948)
Mandoline:
Darrell "Pee Wee" Lambert (von 1947 bis 1948)
aufgenommen bei:
Radio Station WOPI in Bristol, Virginia, Vereinigte Staaten (von 1947 bis 1948)
recording of:
Little Glass of Wine (von 1947 bis 1948)
Verfasser(in):
Carter Stanley und Ralph Stanley (US bluegrass singer and banjo player)
The Stanley Brothers3:06
22Happy Valley Special
Bailey Brothers2:21
23Lonesome, Sad and Blue
The Lonesome Pine Fiddlers2:25
24Long Time, No See
Fiddle:
Gene Christian (US fiddler)
Gitarre:
Frank Hunter (US bluegrass musician)
Kontrabass [bass]:
Junior Huskey (father of Roy Huskey, Jr.)
vocals:
Gene Christian (US fiddler) und Frank Hunter (US bluegrass musician)
Frank Hunter & His Black Mountain Boys2:29
25Blue Yodel No. 1 ('T' for Texas)
recorded in:
Mount Airy, North Carolina, Vereinigte Staaten (in 1951)
Banjo:
Hubert Davis (US bluegrass banjoist) (in 1951)
Gitarre:
Jim Eanes (in 1951)
vocals:
Jim Eanes (in 1951)
recording of:
Blue Yodel (Blue Yodel No. 1 (T for Texas)) (in 1951)
Texter, Verfasser(in) und Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
Ralph Peer (publisher 1920s) (am 1928-02-03)
Teil von:
Blue Yodels by Jimmie Rodgers
Jim Eanes & The Shenandoah Valley Boys2:19

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