Eight Classic Albums

~ Pubblicazione di Duke Ellington (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

| |
1CD: Such Sweet Thunder / Black Brown and Beige
#TitoloValutazioneDurata
1Such Sweet Thunder
ance :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1957-04-24) e Russell Procope (il 1957-04-24)
batteria :
Sam Woodyard (il 1957-04-24)
contrabbasso :
Jimmy Woode (il 1957-04-24)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1957-04-24)
sassofono baritono :
Harry Carney (il 1957-04-24)
sassofono contralto :
Johnny Hodges (il 1957-04-24)
tromba :
William “Cat” Anderson (il 1957-04-24), Willie Cook (US jazz trumpeter) (il 1957-04-24), Ray Nance (il 1957-04-24) e Clark Terry (American swing trumpeter) (il 1957-04-24)
trombone :
Quentin Jackson (il 1957-04-24), John Sanders (US jazz trombonist) (il 1957-04-24) e Britt Woodman (il 1957-04-24)
registrazione di:
Such Sweet Thunder (il 1957-04-24)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
3:21
2Sonnet for Ceasar
ance :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1957-04-15) e Russell Procope (il 1957-04-15)
batteria :
Sam Woodyard (il 1957-04-15)
contrabbasso :
Jimmy Woode (il 1957-04-15)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1957-04-15)
sassofono baritono :
Harry Carney (il 1957-04-15)
sassofono contralto :
Johnny Hodges (il 1957-04-15)
tromba :
William “Cat” Anderson (il 1957-04-15), Willie Cook (US jazz trumpeter) (il 1957-04-15), Ray Nance (il 1957-04-15) e Clark Terry (American swing trumpeter) (il 1957-04-15)
trombone :
Quentin Jackson (il 1957-04-15), John Sanders (US jazz trombonist) (il 1957-04-15) e Britt Woodman (il 1957-04-15)
registrazione di:
Sonnet for Caesar (il 1957-04-15)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
2:58
3Sonnet to Hank Cinq
ance :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1957-05-03) e Russell Procope (il 1957-05-03)
batteria :
Sam Woodyard (il 1957-05-03)
contrabbasso :
Jimmy Woode (il 1957-05-03)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1957-05-03)
sassofono baritono :
Harry Carney (il 1957-05-03)
sassofono contralto :
Johnny Hodges (il 1957-05-03)
tromba :
William “Cat” Anderson (il 1957-05-03), Willie Cook (US jazz trumpeter) (il 1957-05-03), Ray Nance (il 1957-05-03) e Clark Terry (American swing trumpeter) (il 1957-05-03)
trombone :
Quentin Jackson (il 1957-05-03), John Sanders (US jazz trombonist) (il 1957-05-03) e Britt Woodman (il 1957-05-03)
registrazione di:
Sonnet to Hank Cinq (il 1957-05-03)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
1:20
4Lady Mac
ance :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1957-04-24) e Russell Procope (il 1957-04-24)
batteria :
Sam Woodyard (il 1957-04-24)
contrabbasso :
Jimmy Woode (il 1957-04-24)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1957-04-24)
sassofono baritono :
Harry Carney (il 1957-04-24)
sassofono contralto :
Johnny Hodges (il 1957-04-24)
tromba :
William “Cat” Anderson (il 1957-04-24), Willie Cook (US jazz trumpeter) (il 1957-04-24), Ray Nance (il 1957-04-24) e Clark Terry (American swing trumpeter) (il 1957-04-24)
trombone :
Quentin Jackson (il 1957-04-24), John Sanders (US jazz trombonist) (il 1957-04-24) e Britt Woodman (il 1957-04-24)
registrazione di:
Lady Mac (il 1957-04-24)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
3:38
5Sonnet in Search of a Moor
ance :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1957-04-15) e Russell Procope (il 1957-04-15)
batteria :
Sam Woodyard (il 1957-04-15)
contrabbasso :
Jimmy Woode (il 1957-04-15)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1957-04-15)
sassofono baritono :
Harry Carney (il 1957-04-15)
sassofono contralto :
Johnny Hodges (il 1957-04-15)
tromba :
William “Cat” Anderson (il 1957-04-15), Willie Cook (US jazz trumpeter) (il 1957-04-15), Ray Nance (il 1957-04-15) e Clark Terry (American swing trumpeter) (il 1957-04-15)
trombone :
Quentin Jackson (il 1957-04-15), John Sanders (US jazz trombonist) (il 1957-04-15) e Britt Woodman (il 1957-04-15)
registrazione di:
Sonnet in Search of a Moor (il 1957-04-15)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
2:20
6The Telecasters
ance :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1957-05-03) e Russell Procope (il 1957-05-03)
batteria :
Sam Woodyard (il 1957-05-03)
contrabbasso :
Jimmy Woode (il 1957-05-03)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1957-05-03)
sassofono baritono :
Harry Carney (il 1957-05-03)
sassofono contralto :
Johnny Hodges (il 1957-05-03)
tromba :
William “Cat” Anderson (il 1957-05-03), Willie Cook (US jazz trumpeter) (il 1957-05-03), Ray Nance (il 1957-05-03) e Clark Terry (American swing trumpeter) (il 1957-05-03)
trombone :
Quentin Jackson (il 1957-05-03), John Sanders (US jazz trombonist) (il 1957-05-03) e Britt Woodman (il 1957-05-03)
registrazione di:
The Telecasters (il 1957-05-03)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
3:01
7Up and Down, Up and Down (I Will Lead Them Up and Down)
ance :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1957-04-24) e Russell Procope (il 1957-04-24)
batteria :
Sam Woodyard (il 1957-04-24)
contrabbasso :
Jimmy Woode (il 1957-04-24)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1957-04-24)
sassofono baritono :
Harry Carney (il 1957-04-24)
sassofono contralto :
Johnny Hodges (il 1957-04-24)
tromba :
William “Cat” Anderson (il 1957-04-24), Willie Cook (US jazz trumpeter) (il 1957-04-24), Ray Nance (il 1957-04-24) e Clark Terry (American swing trumpeter) (il 1957-04-24)
trombone :
Quentin Jackson (il 1957-04-24), John Sanders (US jazz trombonist) (il 1957-04-24) e Britt Woodman (il 1957-04-24)
registrazione di:
Up and Down, Up and Down (I Will Lead Them Up and Down) (il 1957-04-24)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
3:05
8Sonnet for Sister Katie
ance :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1957-04-15) e Russell Procope (il 1957-04-15)
batteria :
Sam Woodyard (il 1957-04-15)
contrabbasso :
Jimmy Woode (il 1957-04-15)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1957-04-15)
sassofono baritono :
Harry Carney (il 1957-04-15)
sassofono contralto :
Johnny Hodges (il 1957-04-15)
tromba :
William “Cat” Anderson (il 1957-04-15), Willie Cook (US jazz trumpeter) (il 1957-04-15), Ray Nance (il 1957-04-15) e Clark Terry (American swing trumpeter) (il 1957-04-15)
trombone :
Quentin Jackson (il 1957-04-15), John Sanders (US jazz trombonist) (il 1957-04-15) e Britt Woodman (il 1957-04-15)
registrazione di:
Sonnet for Sister Kate (il 1957-04-15)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
2:19
9The Star Crossed Lovers
ance :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1957-05-03) e Russell Procope (il 1957-05-03)
batteria :
Sam Woodyard (il 1957-05-03)
contrabbasso :
Jimmy Woode (il 1957-05-03)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1957-05-03)
sassofono baritono :
Harry Carney (il 1957-05-03)
sassofono contralto :
Johnny Hodges (il 1957-05-03)
tromba :
William “Cat” Anderson (il 1957-05-03), Willie Cook (US jazz trumpeter) (il 1957-05-03), Ray Nance (il 1957-05-03) e Clark Terry (American swing trumpeter) (il 1957-05-03)
trombone :
Quentin Jackson (il 1957-05-03), John Sanders (US jazz trombonist) (il 1957-05-03) e Britt Woodman (il 1957-05-03)
registrazione di:
The Star-Crossed Lovers (il 1957-05-03)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
3:56
10Madness in Great Ones
ance :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1957-05-03) e Russell Procope (il 1957-05-03)
batteria :
Sam Woodyard (il 1957-05-03)
contrabbasso :
Jimmy Woode (il 1957-05-03)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1957-05-03)
sassofono baritono :
Harry Carney (il 1957-05-03)
sassofono contralto :
Johnny Hodges (il 1957-05-03)
tromba :
William “Cat” Anderson (il 1957-05-03), Willie Cook (US jazz trumpeter) (il 1957-05-03), Ray Nance (il 1957-05-03) e Clark Terry (American swing trumpeter) (il 1957-05-03)
trombone :
Quentin Jackson (il 1957-05-03), John Sanders (US jazz trombonist) (il 1957-05-03) e Britt Woodman (il 1957-05-03)
registrazione di:
Madness in Great Ones (il 1957-05-03)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
3:22
11Half the Fun
ance :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1956-08-07) e Russell Procope (il 1956-08-07)
batteria :
Sam Woodyard (il 1956-08-07)
contrabbasso :
Jimmy Woode (il 1956-08-07)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1956-08-07)
sassofono baritono :
Harry Carney (il 1956-08-07)
sassofono contralto :
Johnny Hodges (il 1956-08-07)
tromba :
William “Cat” Anderson (il 1956-08-07), Willie Cook (US jazz trumpeter) (il 1956-08-07), Ray Nance (il 1956-08-07) e Clark Terry (American swing trumpeter) (il 1956-08-07)
trombone :
Quentin Jackson (il 1956-08-07), John Sanders (US jazz trombonist) (il 1956-08-07) e Britt Woodman (il 1956-08-07)
registrazione di:
Half the Fun (a.k.a. Lately) (il 1956-08-07)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
4:19
12Circle of Fourth
ance :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1957-05-03) e Russell Procope (il 1957-05-03)
batteria :
Sam Woodyard (il 1957-05-03)
contrabbasso :
Jimmy Woode (il 1957-05-03)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1957-05-03)
sassofono baritono :
Harry Carney (il 1957-05-03)
sassofono contralto :
Johnny Hodges (il 1957-05-03)
tromba :
William “Cat” Anderson (il 1957-05-03), Willie Cook (US jazz trumpeter) (il 1957-05-03), Ray Nance (il 1957-05-03) e Clark Terry (American swing trumpeter) (il 1957-05-03)
trombone :
Quentin Jackson (il 1957-05-03), John Sanders (US jazz trombonist) (il 1957-05-03) e Britt Woodman (il 1957-05-03)
registrazione di:
Circle of Fourths (il 1957-05-03)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
1:45
13Part 1
basso :
Jimmy Woode (dal 1958-02-04 al 1958-02-12)
batteria :
Sam Woodyard (dal 1958-02-04 al 1958-02-12)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (dal 1958-02-04 al 1958-02-12)
sassofono baritono :
Harry Carney (dal 1958-02-04 al 1958-02-12)
sassofono contralto :
Bill Graham (US jazz saxophonist) (dal 1958-02-04 al 1958-02-12)
sassofono tenore :
Paul Gonsalves (dal 1958-02-04 al 1958-02-12)
tromba :
William “Cat” Anderson (dal 1958-02-04 al 1958-02-12), Harold “Shorty” Baker (dal 1958-02-04 al 1958-02-12), Ray Nance (dal 1958-02-04 al 1958-02-12) e Clark Terry (American swing trumpeter) (dal 1958-02-04 al 1958-02-12)
trombone :
Quentin Jackson (dal 1958-02-04 al 1958-02-12) e Britt Woodman (dal 1958-02-04 al 1958-02-12)
trombone a pistoni :
John Sanders (US jazz trombonist) (dal 1958-02-04 al 1958-02-12)
registrazione di:
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (il 1958-02-04)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
parte di:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
registrazione di:
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (dal 1958-02-04 al 1958-02-12)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
parte di:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
8:15
14Part 2
basso :
Jimmy Woode (dal 1958-02-04 al 1958-02-12)
batteria :
Sam Woodyard (dal 1958-02-04 al 1958-02-12)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (dal 1958-02-04 al 1958-02-12)
sassofono baritono :
Harry Carney (dal 1958-02-04 al 1958-02-12)
sassofono contralto :
Bill Graham (US jazz saxophonist) (dal 1958-02-04 al 1958-02-12)
sassofono tenore :
Paul Gonsalves (dal 1958-02-04 al 1958-02-12)
tromba :
William “Cat” Anderson (dal 1958-02-04 al 1958-02-12), Harold “Shorty” Baker (dal 1958-02-04 al 1958-02-12), Ray Nance (dal 1958-02-04 al 1958-02-12) e Clark Terry (American swing trumpeter) (dal 1958-02-04 al 1958-02-12)
trombone :
Quentin Jackson (dal 1958-02-04 al 1958-02-12) e Britt Woodman (dal 1958-02-04 al 1958-02-12)
trombone a pistoni :
John Sanders (US jazz trombonist) (dal 1958-02-04 al 1958-02-12)
registrazione di:
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (dal 1958-02-04 al 1958-02-12)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
parte di:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
registrazione di:
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (nel 1958-02)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
parte di:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
6:12
15Part 3 (a.k.a. Light)
batteria :
Sam Woodyard (il 1958-02-12)
contrabbasso :
Jimmy Woode (il 1958-02-12)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-02-12)
sassofono baritono :
Harry Carney (il 1958-02-12)
sassofono contralto :
Bill Graham (US jazz saxophonist) (il 1958-02-12)
sassofono tenore :
Paul Gonsalves (il 1958-02-12)
tromba :
William “Cat” Anderson (il 1958-02-12), Harold “Shorty” Baker (il 1958-02-12), Ray Nance (il 1958-02-12) e Clark Terry (American swing trumpeter) (il 1958-02-12)
trombone :
Quentin Jackson (il 1958-02-12) e Britt Woodman (il 1958-02-12)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-02-12)
registrazione di:
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (il 1958-02-04)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
parte di:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
registrazione di:
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (il 1958-02-12)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
parte di:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
6:17
16Part 4 (a.k.a. Come Sunday)
registrata a:
New York, New York, Stati Uniti (il 1958-02-11)
produttore:
Irving Townsend
ance :
Russell Procope
basso :
Jimmy Woode (il 1958-02-11)
batteria [drums] :
Sam Woodyard (il 1958-02-11)
clarinetto :
Russell Procope e Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-02-11)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-02-11)
sassofono baritono :
Harry Carney (il 1958-02-11)
sassofono contralto :
Russell Procope e Bill Graham (US jazz saxophonist) (il 1958-02-11)
sassofono tenore :
Paul Gonsalves (il 1958-02-11)
tromba :
Cat Anderson (il 1958-02-11), Harold Baker (il 1958-02-11) e Clark Terry (American swing trumpeter) (il 1958-02-11)
tromba e violino :
Ray Nance (il 1958-02-11)
trombone :
Quentin Jackson (il 1958-02-11) e Britt Woodman (il 1958-02-11)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-02-11)
voce:
Mahalia Jackson (il 1958-02-11)
registrazione di:
Come Sunday (1958 revision with lyrics) (il 1958-02-05)
paroliere e compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
versione di:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
parte di:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
registrazione di:
Come Sunday (1958 revision with lyrics) (il 1958-02-11)
paroliere e compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
versione di:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
parte di:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
registrazione di:
Come Sunday (1958 revision with lyrics) (nel 1958-02)
paroliere e compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
versione di:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
parte di:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
7:56
17Part 5 (a.k.a. Come Sunday)
batteria :
Sam Woodyard (il 1958-02-12)
contrabbasso :
Jimmy Woode (il 1958-02-12)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-02-12)
sassofono baritono :
Harry Carney (il 1958-02-12)
sassofono contralto :
Bill Graham (US jazz saxophonist) (il 1958-02-12)
sassofono tenore :
Paul Gonsalves (il 1958-02-12)
tromba :
William “Cat” Anderson (il 1958-02-12), Harold “Shorty” Baker (il 1958-02-12), Ray Nance (il 1958-02-12) e Clark Terry (American swing trumpeter) (il 1958-02-12)
trombone :
Quentin Jackson (il 1958-02-12) e Britt Woodman (il 1958-02-12)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-02-12)
violino solista :
Ray Nance (il 1958-02-12)
registrazione di:
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (il 1958-02-12)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
parte di:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
registrazione di:
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (nel 1958-02)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
parte di:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
3:40
18Part 6 (a.k.a. 23rd Psalm)
batteria :
Sam Woodyard (il 1958-02-11)
contrabbasso :
Jimmy Woode (il 1958-02-11)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-02-11)
sassofono baritono :
Harry Carney (il 1958-02-11)
sassofono contralto :
Bill Graham (US jazz saxophonist) (il 1958-02-11)
sassofono tenore :
Paul Gonsalves (il 1958-02-11)
tromba :
William “Cat” Anderson (il 1958-02-11), Harold “Shorty” Baker (il 1958-02-11), Ray Nance (il 1958-02-11) e Clark Terry (American swing trumpeter) (il 1958-02-11)
trombone :
Quentin Jackson (il 1958-02-11) e Britt Woodman (il 1958-02-11)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-02-11)
voce:
Mahalia Jackson (il 1958-02-11)
registrazione di:
Black, Brown, and Beige, Part VI (23rd Psalm) (part of the 1958 revised "Black, Brown, and Beige" suite) (il 1958-02-11)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
parte di:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
3:00
2CD: Duke Ellington at the Bal Masque / The Cosmic Scene
#TitoloValutazioneDurata
1Alice Blue Gown
tecnico e produttore:
Bill Putnam
basso :
Jimmy Woode (il 1958-03-31)
batteria :
Sam Woodyard (il 1958-03-31)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-03-31)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-03-31)
sassofono baritono :
Harry Carney (il 1958-03-31)
sassofono contralto e clarinetto :
Russell Procope (il 1958-03-31)
sassofono tenore :
Paul Gonsalves (il 1958-03-31)
tromba :
William “Cat” Anderson (il 1958-03-31), Harold “Shorty” Baker (il 1958-03-31), Willie Cook (US jazz trumpeter) (il 1958-03-31), Ray Nance (il 1958-03-31) e Clark Terry (American swing trumpeter) (il 1958-03-31)
trombone :
Quentin Jackson (il 1958-03-31) e Britt Woodman (il 1958-03-31)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-03-31)
remixer:
Ken Robertson (sound engineer)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-03-31)
registrazione di:
Alice Blue Gown (il 1958-03-31)
paroliere:
Joseph McCarthy (lyricist, 1885–1943)
compositore:
Harry Tierney
parte di:
Irene (the musical)
3:01
2Who's Afraid of the Big Bad Wolf
tecnico e produttore:
Bill Putnam
ance :
Harry Carney (il 1958-04-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-04-01) e Russell Procope (il 1958-04-01)
basso e contrabbasso :
Jimmy Woode (il 1958-04-01)
batteria :
Sam Woodyard (il 1958-04-01)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-04-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-04-01)
sassofono baritono :
Harry Carney (il 1958-04-01)
sassofono contralto :
Johnny Hodges (il 1958-04-01)
sassofono contralto e clarinetto :
Russell Procope (il 1958-04-01)
sassofono tenore :
Paul Gonsalves (il 1958-04-01)
tromba :
William “Cat” Anderson (il 1958-04-01), Harold “Shorty” Baker (il 1958-04-01), Willie Cook (US jazz trumpeter) (il 1958-04-01), Ray Nance (il 1958-04-01) e Clark Terry (American swing trumpeter) (il 1958-04-01)
trombone :
Quentin Jackson (il 1958-04-01), John Sanders (US jazz trombonist) (il 1958-04-01) e Britt Woodman (il 1958-04-01)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-04-01)
remixer:
Ken Robertson (sound engineer)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-04-01)
registrazione di:
Who’s Afraid of the Big Bad Wolf? (from “Three Little Pigs”) (il 1958-04-01)
paroliere e compositore:
Frank Churchill
paroliere aggiunto:
Ann Ronell
editore:
Bourne Co. (not for release label use, this is a music publisher)
2:53
3Got a Date With an Angel
tecnico e produttore:
Bill Putnam
basso :
Jimmy Woode (il 1958-03-20)
batteria :
Sam Woodyard (il 1958-03-20)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-03-20)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-03-20)
sassofono baritono :
Harry Carney (il 1958-03-20)
sassofono contralto e clarinetto :
Russell Procope (il 1958-03-20)
sassofono tenore :
Paul Gonsalves (il 1958-03-20)
tromba :
William “Cat” Anderson (il 1958-03-20), Harold “Shorty” Baker (il 1958-03-20), Willie Cook (US jazz trumpeter) (il 1958-03-20), Ray Nance (il 1958-03-20) e Clark Terry (American swing trumpeter) (il 1958-03-20)
trombone :
Quentin Jackson (il 1958-03-20) e Britt Woodman (il 1958-03-20)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-03-20)
remixer:
Ken Robertson (sound engineer)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-03-20)
registrazione di:
Got a Date with an Angel (il 1958-03-20)
paroliere:
Clifford Grey e Sonny Miller (1930s lyricist)
compositore:
Joseph Tunbridge e Jack Waller
2:26
4Poor Butterfly
tecnico e produttore:
Bill Putnam
basso :
Jimmy Woode (il 1958-03-24)
batteria :
Sam Woodyard (il 1958-03-24)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-03-24)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-03-24)
sassofono baritono :
Harry Carney (il 1958-03-24)
sassofono contralto e clarinetto :
Russell Procope (il 1958-03-24)
sassofono tenore :
Paul Gonsalves (il 1958-03-24)
tromba :
William “Cat” Anderson (il 1958-03-24), Harold “Shorty” Baker (il 1958-03-24), Willie Cook (US jazz trumpeter) (il 1958-03-24), Ray Nance (il 1958-03-24) e Clark Terry (American swing trumpeter) (il 1958-03-24)
trombone :
Quentin Jackson (il 1958-03-24) e Britt Woodman (il 1958-03-24)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-03-24)
remixer:
Ken Robertson (sound engineer)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-03-24)
registrazione di:
Poor Butterfly (il 1958-03-24)
paroliere:
John L. Golden (nel 1916)
compositore:
John Raymond Hubbell (composer, co-founder of ASCAP) (nel 1916)
editore:
Harms, Inc.
3:41
5Satan Takes a Holiday
tecnico e produttore:
Bill Putnam
basso :
Jimmy Woode (il 1958-03-20)
batteria :
Sam Woodyard (il 1958-03-20)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-03-20)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-03-20)
sassofono baritono :
Harry Carney (il 1958-03-20)
sassofono contralto e clarinetto :
Russell Procope (il 1958-03-20)
sassofono tenore :
Paul Gonsalves (il 1958-03-20)
tromba :
William “Cat” Anderson (il 1958-03-20), Harold “Shorty” Baker (il 1958-03-20), Willie Cook (US jazz trumpeter) (il 1958-03-20), Ray Nance (il 1958-03-20) e Clark Terry (American swing trumpeter) (il 1958-03-20)
trombone :
Quentin Jackson (il 1958-03-20) e Britt Woodman (il 1958-03-20)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-03-20)
remixer:
Ken Robertson (sound engineer)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-03-20)
registrazione di:
Satan Takes a Holiday (il 1958-03-20)
paroliere e compositore:
Larry Clinton
3:15
6The Peanut Vender
tecnico e produttore:
Bill Putnam
basso :
Jimmy Woode (il 1958-03-24)
batteria :
Sam Woodyard (il 1958-03-24)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-03-24)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-03-24)
sassofono baritono :
Harry Carney (il 1958-03-24)
sassofono contralto e clarinetto :
Russell Procope (il 1958-03-24)
sassofono tenore :
Paul Gonsalves (il 1958-03-24)
tromba :
William “Cat” Anderson (il 1958-03-24), Harold “Shorty” Baker (il 1958-03-24), Willie Cook (US jazz trumpeter) (il 1958-03-24), Ray Nance (il 1958-03-24) e Clark Terry (American swing trumpeter) (il 1958-03-24)
trombone :
Quentin Jackson (il 1958-03-24) e Britt Woodman (il 1958-03-24)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-03-24)
remixer:
Ken Robertson (sound engineer)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-03-24)
registrazione di:
The Peanut Vendor (il 1958-03-24)
paroliere:
L. Wolfe Gilbert e Marion Sunshine
compositore:
Moisés Simons
versione tradotta di:
El manisero
3:30
7Satin Doll
tecnico e produttore:
Bill Putnam
basso :
Jimmy Woode (il 1958-03-31)
batteria :
Sam Woodyard (il 1958-03-31)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-03-31)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-03-31)
sassofono baritono :
Harry Carney (il 1958-03-31)
sassofono contralto e clarinetto :
Russell Procope (il 1958-03-31)
sassofono tenore :
Paul Gonsalves (il 1958-03-31)
tromba :
William “Cat” Anderson (il 1958-03-31), Harold “Shorty” Baker (il 1958-03-31), Willie Cook (US jazz trumpeter) (il 1958-03-31), Ray Nance (il 1958-03-31) e Clark Terry (American swing trumpeter) (il 1958-03-31)
trombone :
Quentin Jackson (il 1958-03-31) e Britt Woodman (il 1958-03-31)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-03-31)
remixer:
Ken Robertson (sound engineer)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-03-31)
registrazione di:
Satin Doll (il 1958-03-31)
paroliere:
Johnny Mercer (nel 1953)
compositore:
Billy Strayhorn (nel 1953)
compositore aggiunto:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1953)
editore:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) e WB Music Corp. (1929–2019)
3:49
8Lady in Red
tecnico e produttore:
Bill Putnam
basso :
Jimmy Woode (il 1958-03-31)
batteria :
Sam Woodyard (il 1958-03-31)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-03-31)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-03-31)
sassofono baritono :
Harry Carney (il 1958-03-31)
sassofono contralto e clarinetto :
Russell Procope (il 1958-03-31)
sassofono tenore :
Paul Gonsalves (il 1958-03-31)
tromba :
William “Cat” Anderson (il 1958-03-31), Harold “Shorty” Baker (il 1958-03-31), Willie Cook (US jazz trumpeter) (il 1958-03-31), Ray Nance (il 1958-03-31) e Clark Terry (American swing trumpeter) (il 1958-03-31)
trombone :
Quentin Jackson (il 1958-03-31) e Britt Woodman (il 1958-03-31)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-03-31)
remixer:
Ken Robertson (sound engineer)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-03-31)
registrazione di:
The Lady in Red (il 1958-03-26)
paroliere:
Mort Dixon
compositore:
Allie Wrubel (US composer and songwriter)
2:49
9Indian Love Call
tecnico e produttore:
Bill Putnam
basso :
Jimmy Woode (il 1958-03-26)
batteria :
Sam Woodyard (il 1958-03-26)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-03-26)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-03-26)
sassofono baritono :
Harry Carney (il 1958-03-26)
sassofono contralto e clarinetto :
Russell Procope (il 1958-03-26)
sassofono tenore :
Paul Gonsalves (il 1958-03-26)
tromba :
William “Cat” Anderson (il 1958-03-26), Harold “Shorty” Baker (il 1958-03-26), Willie Cook (US jazz trumpeter) (il 1958-03-26), Ray Nance (il 1958-03-26) e Clark Terry (American swing trumpeter) (il 1958-03-26)
trombone :
Quentin Jackson (il 1958-03-26) e Britt Woodman (il 1958-03-26)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-03-26)
remixer:
Ken Robertson (sound engineer)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-03-26)
registrazione di:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”) (il 1958-03-26)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) e Otto Harbach
compositore:
Rudolf Friml e Herbert Stothart (composer)
editore:
Bill-Bob Publ. Company, Chappell Music Ltd. e Harms, Inc. (il 1924-09-02)
parte di:
Rose-Marie (1924 operetta-style musical)
parte di:
Rose-Marie (1936 musical film)
3:37
10The Donkey Serenade
tecnico e produttore:
Bill Putnam
basso :
Jimmy Woode (il 1958-03-31)
batteria :
Sam Woodyard (il 1958-03-31)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-03-31)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-03-31)
sassofono baritono :
Harry Carney (il 1958-03-31)
sassofono contralto e clarinetto :
Russell Procope (il 1958-03-31)
sassofono tenore :
Paul Gonsalves (il 1958-03-31)
tromba :
William “Cat” Anderson (il 1958-03-31), Harold “Shorty” Baker (il 1958-03-31), Willie Cook (US jazz trumpeter) (il 1958-03-31), Ray Nance (il 1958-03-31) e Clark Terry (American swing trumpeter) (il 1958-03-31)
trombone :
Quentin Jackson (il 1958-03-31) e Britt Woodman (il 1958-03-31)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-03-31)
remixer:
Ken Robertson (sound engineer)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-03-31)
registrazione di:
The Donkey Serenade (il 1958-03-31)
autore:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
compositore:
Rudolf Friml e Herbert Stothart (composer)
parte di:
The Firefly (Rudolf Friml operetta)
2:14
11Gypsy Love Song
tecnico e produttore:
Bill Putnam
ance :
Harry Carney (il 1958-04-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-04-01) e Russell Procope (il 1958-04-01)
basso e contrabbasso :
Jimmy Woode (il 1958-04-01)
batteria :
Sam Woodyard (il 1958-04-01)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-04-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-04-01)
sassofono baritono :
Harry Carney (il 1958-04-01)
sassofono contralto :
Johnny Hodges (il 1958-04-01)
sassofono contralto e clarinetto :
Russell Procope (il 1958-04-01)
sassofono tenore :
Paul Gonsalves (il 1958-04-01)
tromba :
William “Cat” Anderson (il 1958-04-01), Harold “Shorty” Baker (il 1958-04-01), Willie Cook (US jazz trumpeter) (il 1958-04-01), Ray Nance (il 1958-04-01) e Clark Terry (American swing trumpeter) (il 1958-04-01)
trombone :
Quentin Jackson (il 1958-04-01), John Sanders (US jazz trombonist) (il 1958-04-01) e Britt Woodman (il 1958-04-01)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-04-01)
remixer:
Ken Robertson (sound engineer)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-04-01)
3:55
12Laugh, Clown Laugh
tecnico e produttore:
Bill Putnam
basso :
Jimmy Woode (il 1958-03-20)
batteria :
Sam Woodyard (il 1958-03-20)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1958-03-20)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1958-03-20)
sassofono baritono :
Harry Carney (il 1958-03-20)
sassofono contralto e clarinetto :
Russell Procope (il 1958-03-20)
sassofono tenore :
Paul Gonsalves (il 1958-03-20)
tromba :
William “Cat” Anderson (il 1958-03-20), Harold “Shorty” Baker (il 1958-03-20), Willie Cook (US jazz trumpeter) (il 1958-03-20), Ray Nance (il 1958-03-20) e Clark Terry (American swing trumpeter) (il 1958-03-20)
trombone :
Quentin Jackson (il 1958-03-20) e Britt Woodman (il 1958-03-20)
trombone a pistoni :
John Sanders (US jazz trombonist) (il 1958-03-20)
remixer:
Ken Robertson (sound engineer)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-03-20)
registrazione di:
Laugh! Clown! Laugh! (il 1958-03-20)
paroliere:
Sam M. Lewis (1930s lyricist) e Joe Young (US lyricist)
compositore:
Ted Fio Rito
3:02
13Avalon
basso :
Jimmy Woode
batteria :
Sam Woodyard
clarinetto :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono tenore :
Paul Gonsalves
tromba :
Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson e Britt Woodman
trombone a pistoni :
John Sanders (US jazz trombonist)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-04-02)
registrazione strumentale di:
Avalon
autore:
B. G. DeSylva, Al Jolson e Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Jerome H. Remick & Co. (il 1920-09-04)
3:20
14Body and Soul
basso :
Jimmy Woode
batteria :
Sam Woodyard
clarinetto :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono tenore :
Paul Gonsalves
tromba :
Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson e Britt Woodman
trombone a pistoni :
John Sanders (US jazz trombonist)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-04-02)
registrazione strumentale di:
Body and Soul
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:54
15Bass-Ment
basso :
Jimmy Woode
batteria :
Sam Woodyard
clarinetto :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono tenore :
Paul Gonsalves
tromba :
Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson e Britt Woodman
trombone a pistoni :
John Sanders (US jazz trombonist)
registrazione di:
Bass-Ment
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
3:01
16Early Autumn
basso :
Jimmy Woode
batteria :
Sam Woodyard
clarinetto :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono tenore :
Paul Gonsalves
tromba :
Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson e Britt Woodman
trombone a pistoni :
John Sanders (US jazz trombonist)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-04-03)
registrazione strumentale di:
Early Autumn
paroliere:
Johnny Mercer (nel 1949)
compositore:
Ralph Burns (nel 1949) e Woody Herman (nel 1949)
3:08
17Jones
basso :
Jimmy Woode
batteria :
Sam Woodyard
clarinetto :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono tenore :
Paul Gonsalves
tromba :
Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson e Britt Woodman
trombone a pistoni :
John Sanders (US jazz trombonist)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-04-03)
registrazione di:
Jones
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Pauline Reddon
2:53
18Perdido
basso :
Jimmy Woode
batteria :
Sam Woodyard
clarinetto :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono tenore :
Paul Gonsalves
tromba :
Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson e Britt Woodman
trombone a pistoni :
John Sanders (US jazz trombonist)
registrazione di:
Perdido (original instrumental version)
compositore:
Juan Tizol
2:47
19St Louis Blues
basso :
Jimmy Woode
batteria :
Sam Woodyard
clarinetto :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono tenore :
Paul Gonsalves
tromba :
Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson e Britt Woodman
trombone a pistoni :
John Sanders (US jazz trombonist)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-04-03)
registrazione strumentale di:
St. Louis Blues
paroliere e compositore:
William Christopher Handy (nel 1913)
editore:
Handy Bros. Music Co., Inc.
sub-editore:
Reuter & Reuter Förlags AB
5:04
20Spacemen
basso :
Jimmy Woode
batteria :
Sam Woodyard
clarinetto :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono tenore :
Paul Gonsalves
tromba :
Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson e Britt Woodman
trombone a pistoni :
John Sanders (US jazz trombonist)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-04-03)
registrazione di:
Spacemen
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
2:31
21Midnight Sun
basso :
Jimmy Woode
batteria :
Sam Woodyard
clarinetto :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono tenore :
Paul Gonsalves
tromba :
Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson e Britt Woodman
trombone a pistoni :
John Sanders (US jazz trombonist)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-04-02)
registrazione di:
Midnight Sun
paroliere:
Johnny Mercer (nel 1954)
compositore:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (nel 1947) e Lionel Hampton (nel 1947)
3:35
22Take the 'A' Train
basso :
Jimmy Woode
batteria :
Sam Woodyard
clarinetto :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono tenore :
Paul Gonsalves
tromba :
Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson e Britt Woodman
trombone a pistoni :
John Sanders (US jazz trombonist)
registrata presso:
McElroy's Ballroom in Portland, Oregon, Stati Uniti e CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1958-04-02)
registrazione dal vivo strumentale di:
Take the “A” Train (version with lyrics by Sherrill)
paroliere:
Joya Sherrill (nel 1944)
compositore:
Billy Strayhorn (nel 1939)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Take the “A” Train (original instrumental version)
4:57
3CD: Anatomy of a Murder / Nutcracker Suite
#TitoloValutazioneDurata
1Main Theme/Anatomy of a Murder
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1959-06)
3:57
2Flirtbird
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1959-06-01)
registrazione di:
Flirtibird (il 1959-06-01)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
2:11
3Way Early Subtone
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1959-06)
3:58
4Hero to Zero
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1959-06)
2:12
5Low Key Lightly
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1959-06-02)
registrazione di:
Low Key Lightly (il 1959-06-02)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
3:38
6Happy Anatomy
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1959-06-01)
registrazione di:
Happy Anatomy (il 1959-06-01)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
2:32
7Midnight Indigo
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1959-06)
registrazione di:
Midnight Indigo (nel 1959-06)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
2:45
8Almost Cried
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1959-06-01)
2:26
9Sunswept Sunday
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1959-05-29)
1:53
10Grace Valse
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1959-06)
2:30
11Happy Anatomy
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1959-06)
registrazione di:
Happy Anatomy (nel 1959-06)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
1:24
12Haupe
2:37
13Upper and Outest
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1959-06)
2:19
14Anatomy of a Murder (single version)
2:44
15Overture
produttore:
Irving Townsend
ance :
Harry Carney (il 1960-05-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-05-26) e Russell Procope (il 1960-05-26)
basso :
Aaron Bell (jazz double bassist) (il 1960-05-26)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-05-26)
membranofono :
Sam Woodyard (il 1960-05-26)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1960-05-26)
sassofono baritono :
Harry Carney (il 1960-05-26)
sassofono contralto :
Johnny Hodges (il 1960-05-26) e Russell Procope (il 1960-05-26)
sassofono tenore :
Paul Gonsalves (il 1960-05-26)
tromba :
Willie Cook (US jazz trumpeter) (il 1960-05-26), Fats Ford (trumpeter) (il 1960-05-26), Ray Nance (il 1960-05-26) e Clark Terry (American swing trumpeter) (il 1960-05-26)
trombone :
Lawrence Brown (jazz trombonist) (il 1960-05-26), Booty Wood (il 1960-05-26) e Britt Woodman (il 1960-05-26)
trombone a pistoni :
Juan Tizol (il 1960-05-26)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1960-05-26)
registrazione di:
Nutcracker Suite: Overture
arrangiatore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
parte di:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
3:23
16Toot Toot Tootie Toot (dance of the Reed Pipes)
produttore:
Irving Townsend
ance :
Harry Carney (il 1960-05-31), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-05-31) e Russell Procope (il 1960-05-31)
basso :
Aaron Bell (jazz double bassist) (il 1960-05-31)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-05-31)
membranofono :
Sam Woodyard (il 1960-05-31)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1960-05-31)
sassofono baritono :
Harry Carney (il 1960-05-31)
sassofono contralto :
Johnny Hodges (il 1960-05-31) e Russell Procope (il 1960-05-31)
sassofono tenore :
Paul Gonsalves (il 1960-05-31)
tromba :
Willie Cook (US jazz trumpeter) (il 1960-05-31), Fats Ford (trumpeter) (il 1960-05-31), Ray Nance (il 1960-05-31) e Clark Terry (American swing trumpeter) (il 1960-05-31)
trombone :
Lawrence Brown (jazz trombonist) (il 1960-05-31), Booty Wood (il 1960-05-31) e Britt Woodman (il 1960-05-31)
trombone a pistoni :
Juan Tizol (il 1960-05-31)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1960-05-31)
registrazione di:
Nutcracker Suite: Toot Toot Tootie Toot (Dance of the Reed-Pipes)
arrangiatore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
parte di:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
2:31
17Peanut Brittle Brigade
produttore:
Irving Townsend
ance :
Harry Carney (il 1960-06-21), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-06-21) e Russell Procope (il 1960-06-21)
basso :
Aaron Bell (jazz double bassist) (il 1960-06-21)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-06-21)
membranofono :
Sam Woodyard (il 1960-06-21)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1960-06-21)
sassofono baritono :
Harry Carney (il 1960-06-21)
sassofono contralto :
Johnny Hodges (il 1960-06-21) e Russell Procope (il 1960-06-21)
sassofono tenore :
Paul Gonsalves (il 1960-06-21)
tromba :
Willie Cook (US jazz trumpeter) (il 1960-06-21), Fats Ford (trumpeter) (il 1960-06-21), Ray Nance (il 1960-06-21) e Clark Terry (American swing trumpeter) (il 1960-06-21)
trombone :
Lawrence Brown (jazz trombonist) (il 1960-06-21), Booty Wood (il 1960-06-21) e Britt Woodman (il 1960-06-21)
trombone a pistoni :
Juan Tizol (il 1960-06-21)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1960-06-21)
registrazione di:
Nutcracker Suite: Peanut Brittle Brigade (March)
arrangiatore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
parte di:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
4:40
18Sugar Rum Cherry (dance of the Sugar Plum Fairy)
registrazione di:
Nutcracker Suite: Sugar Rum Cherry (Dance of the Sugar Plum Fairy)
arrangiatore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
parte di:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
3:07
19Entr'Acte
produttore:
Irving Townsend
ance :
Harry Carney (il 1960-05-26), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-05-26) e Russell Procope (il 1960-05-26)
basso :
Aaron Bell (jazz double bassist) (il 1960-05-26)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-05-26)
membranofono :
Sam Woodyard (il 1960-05-26)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1960-05-26)
sassofono baritono :
Harry Carney (il 1960-05-26)
sassofono contralto :
Johnny Hodges (il 1960-05-26) e Russell Procope (il 1960-05-26)
sassofono tenore :
Paul Gonsalves (il 1960-05-26)
tromba :
Willie Cook (US jazz trumpeter) (il 1960-05-26), Fats Ford (trumpeter) (il 1960-05-26), Ray Nance (il 1960-05-26) e Clark Terry (American swing trumpeter) (il 1960-05-26)
trombone :
Lawrence Brown (jazz trombonist) (il 1960-05-26), Booty Wood (il 1960-05-26) e Britt Woodman (il 1960-05-26)
trombone a pistoni :
Juan Tizol (il 1960-05-26)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1960-05-26)
registrazione di:
Nutcracker Suite: Entr'acte
arrangiatore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
parte di:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
1:54
20The Volga Vouty (Russian dance)
produttore:
Irving Townsend
ance :
Harry Carney (il 1960-06-22), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-06-22) e Russell Procope (il 1960-06-22)
basso :
Aaron Bell (jazz double bassist) (il 1960-06-22)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-06-22)
membranofono :
Sam Woodyard (il 1960-06-22)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1960-06-22)
sassofono baritono :
Harry Carney (il 1960-06-22)
sassofono contralto :
Johnny Hodges (il 1960-06-22) e Russell Procope (il 1960-06-22)
sassofono tenore :
Paul Gonsalves (il 1960-06-22)
tromba :
Willie Cook (US jazz trumpeter) (il 1960-06-22), Fats Ford (trumpeter) (il 1960-06-22), Ray Nance (il 1960-06-22) e Clark Terry (American swing trumpeter) (il 1960-06-22)
trombone :
Lawrence Brown (jazz trombonist) (il 1960-06-22), Booty Wood (il 1960-06-22) e Britt Woodman (il 1960-06-22)
trombone a pistoni :
Juan Tizol (il 1960-06-22)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1960-06-22)
registrazione di:
Nutcracker Suite: The Volga Vouty (Russian Dance)
arrangiatore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
parte di:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
2:54
21Chinoiserie (Chinese dance)
produttore:
Irving Townsend
ance :
Harry Carney (il 1960-06-21), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-06-21) e Russell Procope (il 1960-06-21)
basso :
Aaron Bell (jazz double bassist) (il 1960-06-21)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-06-21)
membranofono :
Sam Woodyard (il 1960-06-21)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1960-06-21)
sassofono baritono :
Harry Carney (il 1960-06-21)
sassofono contralto :
Johnny Hodges (il 1960-06-21) e Russell Procope (il 1960-06-21)
sassofono tenore :
Paul Gonsalves (il 1960-06-21)
tromba :
Willie Cook (US jazz trumpeter) (il 1960-06-21), Fats Ford (trumpeter) (il 1960-06-21), Ray Nance (il 1960-06-21) e Clark Terry (American swing trumpeter) (il 1960-06-21)
trombone :
Lawrence Brown (jazz trombonist) (il 1960-06-21), Booty Wood (il 1960-06-21) e Britt Woodman (il 1960-06-21)
trombone a pistoni :
Juan Tizol (il 1960-06-21)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1960-06-21)
registrazione di:
Chinoiserie
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
registrazione di:
Nutcracker Suite: Chinoiserie (Chinese Dance)
arrangiatore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
parte di:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
2:48
22Dance of the Floreadones (Waltz of the Flowers)
produttore:
Irving Townsend
ance :
Harry Carney (il 1960-06-03), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-06-03) e Russell Procope (il 1960-06-03)
basso :
Aaron Bell (jazz double bassist) (il 1960-06-03)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-06-03)
membranofono :
Sam Woodyard (il 1960-06-03)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1960-06-03)
sassofono baritono :
Harry Carney (il 1960-06-03)
sassofono contralto :
Johnny Hodges (il 1960-06-03) e Russell Procope (il 1960-06-03)
sassofono tenore :
Paul Gonsalves (il 1960-06-03)
tromba :
Willie Cook (US jazz trumpeter) (il 1960-06-03), Fats Ford (trumpeter) (il 1960-06-03), Ray Nance (il 1960-06-03) e Clark Terry (American swing trumpeter) (il 1960-06-03)
trombone :
Lawrence Brown (jazz trombonist) (il 1960-06-03), Booty Wood (il 1960-06-03) e Britt Woodman (il 1960-06-03)
trombone a pistoni :
Juan Tizol (il 1960-06-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1960-06-03)
registrazione di:
Nutcracker Suite: Danse of the Floreadores (Waltz of the Flowers)
arrangiatore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
parte di:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
4:06
23Arabesque Cookie (Arabian dance)
produttore:
Irving Townsend
ance :
Harry Carney (il 1960-06-22), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-06-22) e Russell Procope (il 1960-06-22)
basso :
Aaron Bell (jazz double bassist) (il 1960-06-22)
clarinetto e sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1960-06-22)
membranofono :
Sam Woodyard (il 1960-06-22)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1960-06-22)
sassofono baritono :
Harry Carney (il 1960-06-22)
sassofono contralto :
Johnny Hodges (il 1960-06-22) e Russell Procope (il 1960-06-22)
sassofono tenore :
Paul Gonsalves (il 1960-06-22)
tromba :
Willie Cook (US jazz trumpeter) (il 1960-06-22), Fats Ford (trumpeter) (il 1960-06-22), Ray Nance (il 1960-06-22) e Clark Terry (American swing trumpeter) (il 1960-06-22)
trombone :
Lawrence Brown (jazz trombonist) (il 1960-06-22), Booty Wood (il 1960-06-22) e Britt Woodman (il 1960-06-22)
trombone a pistoni :
Juan Tizol (il 1960-06-22)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1960-06-22)
registrazione di:
Nutcracker Suite: Arabesque Cookie (Arabian Dance)
arrangiatore:
Duke Ellington (US composer, pianist & jazz bandleader) e Billy Strayhorn
parte di:
Nutcracker Suite (jazz interpretation, arr. Ellington, Strayhorn)
5:44
4CD: Piano in the Foreground / Together Again
#TitoloValutazioneDurata
1I Can't Get Started
tecnico:
Allan Emig
produttore:
Irving Townsend
batteria :
Sam Woodyard (il 1961-03-01)
contrabbasso :
Aaron Bell (jazz double bassist) (il 1961-03-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-03-01)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1961-03-01)
registrazione di:
I Can’t Get Started (il 1961-03-01)
paroliere:
Ira Gershwin
compositore:
Vernon Duke
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) e Universal Music Corp. (USA, affiliated with ASCAP)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:21
2Gong-Go
tecnico:
Allan Emig
produttore:
Irving Townsend
batteria :
Sam Woodyard (il 1961-03-01)
contrabbasso :
Aaron Bell (jazz double bassist) (il 1961-03-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-03-01)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1961-03-01)
registrazione di:
Cong-Go (il 1961-03-01)
compositore:
Aaron Bell (jazz double bassist) e Duke Ellington (US composer, pianist & jazz bandleader)
4:14
3Body and Soul
tecnico:
Allan Emig
produttore:
Irving Townsend
batteria :
Sam Woodyard (il 1961-03-01)
contrabbasso :
Aaron Bell (jazz double bassist) (il 1961-03-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-03-01)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1961-03-01)
registrazione di:
Body and Soul (il 1961-03-01)
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:42
4Blues for Jerry
tecnico:
Allan Emig
produttore:
Irving Townsend
batteria :
Sam Woodyard (il 1961-03-01)
contrabbasso :
Aaron Bell (jazz double bassist) (il 1961-03-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-03-01)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1961-03-01)
registrazione di:
Blues for Jerry (il 1961-03-01)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
4:38
5Fontainebleau Forest
tecnico:
Allan Emig
produttore:
Irving Townsend
batteria :
Sam Woodyard (il 1961-03-01)
contrabbasso :
Aaron Bell (jazz double bassist) (il 1961-03-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-03-01)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1961-03-01)
registrazione di:
Fountainebleau Forest (il 1961-03-01)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
2:47
6Summertime
tecnico:
Allan Emig
produttore:
Irving Townsend
batteria :
Sam Woodyard (il 1961-03-01)
contrabbasso :
Aaron Bell (jazz double bassist) (il 1961-03-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-03-01)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1961-03-01)
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1961-03-01)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
registrazione di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:50
7It's Bad to Be Forgotten
tecnico:
Allan Emig
produttore:
Irving Townsend
batteria :
Sam Woodyard (il 1961-03-01)
contrabbasso :
Aaron Bell (jazz double bassist) (il 1961-03-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-03-01)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1961-03-01)
registrazione di:
It's Bad to Be Forgotten (il 1961-03-01)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
3:16
8A Hundred Dreams Ago
tecnico:
Allan Emig
produttore:
Irving Townsend
batteria :
Sam Woodyard (il 1961-03-01)
contrabbasso :
Aaron Bell (jazz double bassist) (il 1961-03-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-03-01)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1961-03-01)
registrazione di:
A Hundred Dreams Ago (il 1961-03-01)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
2:25
9So
tecnico:
Allan Emig
produttore:
Irving Townsend
batteria :
Sam Woodyard (il 1961-03-01)
contrabbasso :
Aaron Bell (jazz double bassist) (il 1961-03-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-03-01)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1961-03-01)
registrazione di:
So (il 1961-03-01)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
4:32
10Searching
tecnico:
Allan Emig
produttore:
Irving Townsend
batteria :
Sam Woodyard (il 1961-03-01)
contrabbasso :
Aaron Bell (jazz double bassist) (il 1961-03-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-03-01)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1961-03-01)
registrazione di:
Searching (Pleading for Love) (il 1961-03-01)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
1:47
11Springtime in Africa
tecnico:
Allan Emig
produttore:
Irving Townsend
batteria :
Sam Woodyard (il 1961-03-01)
contrabbasso :
Aaron Bell (jazz double bassist) (il 1961-03-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-03-01)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1961-03-01)
registrazione di:
Springtime in Africa (il 1961-03-01)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
3:44
12Duke's Place
batteria :
Danny Barcelona (il 1961-04-03)
clarinetto :
Barney Bigard (il 1961-04-03)
contrabbasso :
Mort Herbert (il 1961-04-03)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-03)
tromba :
Louis Armstrong (il 1961-04-03)
trombone :
Trummy Young (il 1961-04-03)
voce:
Louis Armstrong (il 1961-04-03)
registrazione di:
Duke’s Place (il 1961-04-03)
paroliere:
Bill Katz, Ruth Roberts e Bob Thiele (producer & songwriter)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
versione di:
“C” Jam Blues
5:04
13I'm Just a Lucky So and So
tecnico di registrazione:
Ray Hall (engineer)
produttore:
Bob Thiele (producer & songwriter) (il 1961-04-04)
batteria :
Danny Barcelona (il 1961-04-04)
clarinetto :
Barney Bigard (il 1961-04-04)
contrabbasso :
Mort Herbert (il 1961-04-04)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-04)
tromba :
Louis Armstrong (il 1961-04-04)
trombone :
Trummy Young (il 1961-04-04)
voce:
Louis Armstrong (il 1961-04-04)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1961-04-04)
registrazione di:
I’m Just a Lucky So and So (il 1961-04-04)
paroliere:
Mack David (American lyricist and songwriter) (nel 1945)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1945)
editore:
Paramount Music Corporation e PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
43:09
14Cottontail
batteria :
Danny Barcelona (il 1961-04-04)
clarinetto :
Barney Bigard (il 1961-04-04)
contrabbasso :
Mort Herbert (il 1961-04-04)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-04)
tromba :
Louis Armstrong (il 1961-04-04)
trombone :
Trummy Young (il 1961-04-04)
voce:
Louis Armstrong (il 1961-04-04)
registrazione di:
Cotton Tail (il 1961-04-04)
paroliere e compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
3:42
15Mood Indigo
tecnico di registrazione:
Ray Hall (engineer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Danny Barcelona (il 1961-04-04)
clarinetto :
Barney Bigard (il 1961-04-04)
contrabbasso :
Mort Herbert (il 1961-04-04)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-04)
tromba :
Louis Armstrong (il 1961-04-04)
trombone :
Trummy Young (il 1961-04-04)
voce:
Louis Armstrong (il 1961-04-04)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1961-04-04)
registrazione di:
Mood Indigo (1930 jazz composition and song) (il 1961-04-04)
paroliere:
Irving Mills (nel 1930)
compositore:
Barney Bigard (nel 1930) e Duke Ellington (US composer, pianist & jazz bandleader) (nel 1930)
editore:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (nel 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1930) e Lawrence Wright Music Co., Ltd. (nel 1930)
sub-editore:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The Real Book (compilation of jazz standards, Volume I)
3:56
16Do Nuthin' Till You Hear From Me
batteria :
Danny Barcelona (il 1961-04-04)
clarinetto :
Barney Bigard (il 1961-04-04)
contrabbasso :
Mort Herbert (il 1961-04-04)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-04)
tromba :
Louis Armstrong (il 1961-04-04)
trombone :
Trummy Young (il 1961-04-04)
voce:
Louis Armstrong (il 1961-04-04)
registrazione di:
Do Nothin’ Till You Hear From Me (il 1961-04-04)
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1943)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1943)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Sony/ATV Harmony
versione di:
Concerto for Cootie
2:38
17The Beautiful American
batteria :
Danny Barcelona (il 1961-04-03)
clarinetto :
Barney Bigard (il 1961-04-03)
contrabbasso :
Mort Herbert (il 1961-04-03)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-03)
tromba :
Louis Armstrong (il 1961-04-03)
trombone :
Trummy Young (il 1961-04-03)
3:08
18Black and Tan Fantasy
tecnico di registrazione:
Ray Hall (engineer) (il 1961-04-04)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Danny Barcelona (il 1961-04-04)
clarinetto :
Barney Bigard (il 1961-04-04)
contrabbasso :
Mort Herbert (il 1961-04-04)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-04)
tromba :
Louis Armstrong (il 1961-04-04)
trombone :
Trummy Young (il 1961-04-04)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1961-04-04)
registrazione di:
Black and Tan Fantasy (il 1961-04-04)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Bubber Miley
4:00
19Drop Me Off in Harlem
batteria :
Danny Barcelona (il 1961-04-04)
clarinetto :
Barney Bigard (il 1961-04-04)
contrabbasso :
Mort Herbert (il 1961-04-04)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-04)
tromba :
Louis Armstrong (il 1961-04-04)
trombone :
Trummy Young (il 1961-04-04)
voce:
Louis Armstrong (il 1961-04-04)
registrazione di:
Drop Me Off in Harlem (il 1961-04-04)
paroliere:
Nick Kenny (nel 1933)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1933)
3:50
20The Moochie
tecnico di registrazione:
Ray Hall (engineer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Danny Barcelona (il 1961-04-04)
clarinetto :
Barney Bigard (il 1961-04-04)
contrabbasso :
Mort Herbert (il 1961-04-04)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-04)
tromba :
Louis Armstrong (il 1961-04-04)
trombone :
Trummy Young (il 1961-04-04)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1961-04-04)
registrazione di:
The Mooche (il 1961-04-04)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) e Irving Mills
3:41
21In a Mellow Tone
batteria :
Danny Barcelona (il 1961-04-03)
clarinetto :
Barney Bigard (il 1961-04-03)
contrabbasso :
Mort Herbert (il 1961-04-03)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-03)
tromba :
Louis Armstrong (il 1961-04-03)
trombone :
Trummy Young (il 1961-04-03)
voce:
Louis Armstrong (il 1961-04-03)
registrazione di:
In a Mellow Tone (il 1961-04-03)
paroliere:
Milt Gabler (nel 1939)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1939)
editore:
EMI Robbins e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:46