The Great Reunion

~ Release by Louis Armstrong & Duke Ellington (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1Duke's Place
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1961-04-03 until 1961-04-04)
recording of:
Duke’s Place (in 1961-04)
lyricist:
Bill Katz, Ruth Roberts and Bob Thiele (producer & songwriter)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
“C” Jam Blues
5:08
2I'm Just a Lucky So and So
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter) (on 1961-04-04)
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
vocals:
Louis Armstrong (on 1961-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-04)
recording of:
I’m Just a Lucky So and So (on 1961-04-04)
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
43:11
3Cotton Tail
recording of:
Cotton Tail (on 1961-04-04)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:47
4Mood Indigo
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
vocals:
Louis Armstrong (on 1961-04-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-04)
recording of:
Mood Indigo (1930 jazz composition and song) (on 1961-04-04)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:00
5Do Nothin' Till You Hear From Me
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-03)
double bass:
Mort Herbert (on 1961-04-03)
drums (drum set):
Danny Barcelona (on 1961-04-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-03)
trombone:
Trummy Young (on 1961-04-03)
trumpet:
Louis Armstrong (on 1961-04-03)
vocals:
Louis Armstrong (on 1961-04-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-03)
recording of:
Do Nothin’ Till You Hear From Me (on 1961-04-03)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
2:39
6The Beautiful American
3:10
7Black and Tan Fantasy
recording of:
Black and Tan Fantasy (on 1961-04-04)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
4:03
8Drop Me Off in Harlem
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1961-04-03 until 1961-04-04)
recording of:
Drop Me Off in Harlem (on 1961-04-04)
lyricist:
Nick Kenny (in 1933)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1933)
3:52
9The Mooche
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-04)
recording of:
The Mooche (on 1961-04-04)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
3:45
10In a Mellow Tone
recording engineer:
Ray Hall (engineer) (on 1961-04-03)
producer:
Bob Thiele (producer & songwriter)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-03)
recording of:
In a Mellow Tone (on 1961-04-03)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:52
11It Don't Mean a Thing (If It Ain't Got That Swing)
recording engineer:
Ray Hall (engineer) (on 1961-04-03)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-03)
double bass:
Mort Herbert (on 1961-04-03)
drums (drum set):
Danny Barcelona (on 1961-04-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-03)
trombone:
Trummy Young (on 1961-04-03)
trumpet:
Louis Armstrong (on 1961-04-03)
vocals:
Louis Armstrong (on 1961-04-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-03)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1961-04-03)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
44:01
12Solitude
recording of:
(In My) Solitude (on 1961-04-03)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
4:57
13Don't Get Around Much Anymore
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-03)
double bass:
Mort Herbert (on 1961-04-03)
drums (drum set):
Danny Barcelona (on 1961-04-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-03)
trombone:
Trummy Young (on 1961-04-03)
trumpet:
Louis Armstrong (on 1961-04-03)
vocals:
Louis Armstrong (on 1961-04-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-03)
recording of:
Don’t Get Around Much Anymore (on 1961-04-03)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
3:34
14I'm Beginning to See the Light
recording of:
I’m Beginning to See the Light (on 1961-04-03)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:39
15Just Squeeze Me
recording of:
Just Squeeze Me (but Don’t Tease Me) (on 1961-04-03)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
4:01
16I Got It Bad (and That Ain't Good)
recording of:
I Got It Bad (and That Ain’t Good) (on 1961-04-03)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
5:33
17Azalea
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1961-04-03 until 1961-04-04)
recording of:
Azalea
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
5:06

Credits

Release group

included in:American Freedom
The Great Summit