100 Seventies Classics (100 Essential 1970's)

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Other Catalog #
disk 1: 530.651-5
disk 2: 530.651-6
disk 3: 530.651-7
disk 4: 530.651-8
disk 5: 530.651-9

Annotation last modified on 2015-05-18 00:15 UTC.

Tracklist

| |
1CD
#TitleArtistRatingLength
1ABC
producer:
The Corporation (Motown songwriters)
drums (drum set):
Gene Pello (in 1970-01)
electric bass guitar:
Wilton Felder (in 1970-01) and Bob West (US session bassist, producer & songwriter) (in 1970-01)
guitar:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) and David T. Walker (in 1970-01)
keyboard:
Freddie Perren (in 1970-01)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) and Tito Jackson (in 1970-01)
background vocals and lead vocals:
Michael Jackson (“King of Pop”) (in 1970-01)
lead vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) and Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1970-01)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 174)
recording of:
ABC (in 1970-01)
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
composer:
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
part of:
MJ: The Musical
The Jackson 54.12:58
2Can’t Get Enough of Your Love, Babe
phonographic copyright (℗) by:
PolyGram Records (in 1974)
recording of:
Can’t Get Enough of Your Love Babe
lyricist and composer:
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:03
3Never Can Say Goodbye
arranger:
City Life (arranger for Gloria Gaynor) and Harold Wheeler
cover recording of:
Never Can Say Goodbye
lyricist and composer:
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. and Portable Music Co., Inc.
Gloria Gaynor3:00
4River Deep - Mountain High
producer:
Nickolas Ashford and Valerie Simpson
lead vocals:
Levi Stubbs and Jean Terrell
cover recording of:
River Deep – Mountain High
writer:
Jeff Barry (in 1966), Ellie Greenwich (in 1966) and Phil Spector (in 1966)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日本アブコ音楽出版 (ABKCO Japan Publishing)
The Supremes & Four Tops3:07
5I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music and Universal Music Publishing France (not for release label use!)
KISS4.54:29
6In the City
engineer:
Vic Smith
producer:
Chris Parry and Vic Smith
bass:
Bruce Foxton (in 1977-03)
drums (drum set):
Rick Buckler (in 1977-03)
guitar:
Paul Weller (English singer‐songwriter and musician) (in 1977-03)
vocals:
Bruce Foxton (in 1977-03) and Paul Weller (English singer‐songwriter and musician) (in 1977-03)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1977-03)
recording of:
In the City (in 1977-03)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
And Son Music Ltd., BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam42:20
7Disco Connection
recording of:
Disco Connection
composer:
Isaac Hayes
Isaac Hayes3:41
8Oh What a Circus
producer:
Mike Batt
lead vocals:
David Essex
vocals:
David Essex
music videos:
Oh What a Circus by David Essex
recording of:
Oh, What a Circus (Evita)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music and Evita Music Ltd.
part of:
Evita (Andrew Lloyd Webber musical)
David Essex3:52
9Eighteen With a Bullet
recording of:
Eighteen With a Bullet
lyricist and composer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Pete Wingfield3:30
10It’s a Shame
producer:
Stevie Wonder
recording of:
It’s a Shame (on 1970-04-29)
lyricist and composer:
Lee Garrett, Syreeta (US singer‐songwriter active 1970s–80s) and Stevie Wonder
publisher:
Black Bull Music and Jobete Music (appears also as: Jobete Msc.)
The Spinners3.653:13
11Sunshine After the Rain
cover recording of:
The Sunshine After the Rain
lyricist and composer:
Ellie Greenwich
publisher:
EMI Unart Catalog Inc.
Elkie Brooks3:21
12Don’t Cry for Me Argentina
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Tim Rice
vocals:
Julie Covington (in 1976)
part of:
TV Cream: Real 100 Best Singles Ever (number: 56)
recording of:
Don’t Cry for Me Argentina (Evita) (in 1976)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
Julie Covington35:28
13Float On
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
edit of:
Float On (long version) by Floaters
recording of:
Float On
writer:
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) and Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters54:11
14Silly Games
recording of:
Silly Games
lyricist and composer:
Dennis Bovell (reggae guitarist, bass player and record producer)
Janet Kay3:57
15Abraham, Martin John
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
cover recording of:
Abraham, Martin and John
lyricist and arranger:
Dick Holler
composer:
Dick Holler (in 1968)
publisher:
Regent Music (BMI) and TJ Musicservice GmbH
Marvin Gaye4:16
16Beg Steal or Borrow
part of:
United Kingdom in the Eurovision Song Contest (number: 1972)
recording of:
Beg Steal or Borrow
writer:
Tony Cole, Graeme Hall and Steve Wolfe (producer, songwriter and guitar player)
The New Seekers2:48
17It’s All in the Game
producer:
Frank Wilson (Motown singer/songwriter)
arranger:
Jerry Long (Motown songwriter Jerry Long, Sr.) and Jimmy Roach
cover recording of:
It’s All in the Game
lyricist:
Carl Sigman (in 1951)
composer:
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
is based on:
Melody in A major (instrumental)
Four Tops2:44
18I Did What I Did for MariaTony Christie3:30
19Whatever You Want
assistant engineer:
Freek Feenstra
engineer:
John Eden (producer) and Barry Hammond
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
mixer:
Simon Sullivan
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979), Mercury Records Ltd. (London) (for copyrights use only) (in 1979), Mercury Records Ltd. (UK) (in 1979), Phonogram Ltd. (not for release label use!) (in 1979) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1979)
produced for:
Handle Records Ltd.
recorded at:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
music videos:
Whatever You Want by Status Quo (UK boogie rock band)
recording of:
Whatever You Want
written in:
Jersey
writer:
Andy Bown and Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton and Shawbury Music Ltd. (publisher)
Status Quo44:02
20Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:17
2CD
#TitleArtistRatingLength
1You Ain’t Seen Nothing Yet
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974)
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. and Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:31
2Crazy Horses
recording of:
Crazy Horses
lyricist and composer:
Alan Osmond, Merrill Osmond and Wayne Osmond
publisher:
Kolob Music and Mike Curb Music
version of:
Crazy Horses
The Osmonds2:31
3All Right Now
engineer:
Roy Thomas Baker (producer)
additional producer:
John Kelly (producer)
producer:
Free (60s/70s UK blues rock group)
bass:
Andy Fraser (English bassist, member of Free) (in 1970)
drums (drum set):
Simon Kirke (in 1970)
electric bass guitar and piano:
Andy Fraser (English bassist, member of Free)
guitar:
Paul Kossoff (in 1970)
lead vocals:
Paul Rodgers (in 1970)
vocals:
Paul Rodgers
phonographic copyright (℗) by:
Free (60s/70s UK blues rock group) (in 1970)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970) and Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1970)
music videos:
All Right Now by Free (60s/70s UK blues rock group)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 27)
recording of:
All Right Now (in 1970)
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:34
4You’re the First, the Last, My EverythingBarry White3.753:24
5With You I’m Born Again
assistant engineer:
James Warmack
engineer and mixer:
F. Byron Clark
producer:
James di Pasquale and David Shire (American score composer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) and Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1979)
recording of:
With You I’m Born Again
lyricist:
Carol Connors
composer:
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) and Jobete Music (UK) Ltd.
Billy Preston & Syreeta3:38
6The Twelfth of Never
recording of:
The Twelfth of Never
lyricist:
Paul Francis Webster
composer:
Jerry Livingston (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Webster Music Co.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
is based on:
The Riddle Song (aka “I Gave My Love a Cherry”)
Donny Osmond2:42
7Convoy
bass:
Brian Sampson
drums (drum set):
Chip Davis (founder of Mannheim Steamroller)
five-string banjo:
Steve Hanson (banjo player with C.W. McCall)
guitar:
Ron Cooley
arranger:
Chip Davis (founder of Mannheim Steamroller)
recording of:
Convoy
lyricist:
C.W. McCall
composer:
Chip Davis (founder of Mannheim Steamroller)
C.W. McCall53:50
8United We Stand
assistant engineer:
Stephen Brown (assistant engineer, Deram, 1970s)
engineer:
Terry Johnson (engineer)
producer:
Brotherhood of Man and Tony Hiller
arranger:
Cy Payne
recording of:
United We Stand
composer:
Tony Hiller and Peter Simons (John Goodison)
publisher:
Belwin-Mills Publishing Corp., Edition Corona, EMI April Music Inc., EMI Harmonies Ltd., EMI Mills Music Inc. (ASCAP-affiliated), Palace-Hiller Music and Rolf Budde GmbH & Co.
Brotherhood of Man4.52:49
9Heaven Must Have Sent You
The Elgins2:53
10I’m Still Waiting
producer:
Hal Davis and Deke Richards (American songwriter and record producer)
arranger:
Gene Page and Paul Riser
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) and Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
I’m Still Waiting
lyricist and composer:
Deke Richards (American songwriter and record producer)
publisher:
Jobete Music Co., Inc.
Diana Ross33:41
11Till
recording of:
Till
lyricist:
Pierre Buisson
composer:
Charles Danvers
translator:
Carl Sigman
translated version of:
Prière sans espoir
cover recording of:
Till
lyricist:
Pierre Buisson
composer:
Charles Danvers
translator:
Carl Sigman
translated version of:
Prière sans espoir
Tom Jones2:19
12Ain’t No Sunshine
cover recording of:
Ain’t No Sunshine
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Michael Jackson3:53
13If I Can’t Have You
producer:
Freddie Perren
bass:
Scott Edwards (bassist)
drums (drum set):
James Gadson (American drummer)
guitar:
Bob Bowles
keyboard and synthesizer:
Freddie Perren
percussion:
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) and Freddie Perren
piano:
Sonny Burke (soul/jazz/funk keyboardist)
background vocals [additional background vocals] and lead vocals:
Yvonne Elliman
background vocals [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters and Maxine Waters
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 19) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 343)
recording of:
If I Can’t Have You
written in:
France
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.252:57
14You and I
producer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer) and Art Stewart
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
You and I
lyricist and composer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Rick James3.57:59
15Banana Splits
cover recording of:
The Tra La La Song (One Banana, Two Banana)
writer and composer:
Richie Adams and Mark Barkan
The Dickies1:56
16Come What May
Vicky Leandros3:34
17ChaseGiorgio Moroder43:39
18The Look of Love
cover recording of:
The Look of Love
lyricist:
Hal David
writer:
Burt Bacharach and Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Gladys Knight & the Pips2:49
19Whod She Coo
producer:
Ohio Players
recording of:
Who’d She Coo
writer:
Billy Beck, Leroy Bonner (funk guitarist, aka Sugarfoot), James Williams (US drummer for Ohio Players), Marshall Jones (US bassist & songwriter, member of Ohio Players), Marvin Pierce, Ralph Middlebrooks and Clarence Satchell
Ohio Players4:28
20Since You Been Gone
recording engineer:
Leigh Mantle (in 1979-04) and Dr. Michael Palmer (engineer) (in 1979-04)
engineer:
Gary Edwards (producer, engineer)
producer:
Roger Glover
bass guitar:
Roger Glover (in 1979-04)
drums (drum set):
Cozy Powell (in 1979-04)
guitar:
Ritchie Blackmore (in 1979-04)
keyboard:
Don Airey (in 1979-04)
lead vocals:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979), Polydor Records Inc. (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, France (in 1979-04) and Maison Rouge Mobile Studio (in 1979-04)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 82)
cover recording of:
Since You Been Gone (in 1979-04)
lyricist and composer:
Russ Ballard
publisher:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. and Virgin Music (Publishers) Ltd.
Rainbow43:16
3CD
#TitleArtistRatingLength
1Papa Was a Rollin’ Stone
producer:
Norman Whitfield
lead vocals:
Dennis Edwards (US soul & R’n’B singer) (in 1972), Damon Harris (in 1972) and Richard Street (in 1972)
conductor:
Paul Riser (in 1972)
arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 168) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 333)
cover recording of:
Papa Was a Rollin’ Stone (in 1972)
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations46:54
2Sugar Baby Love
engineer:
John Mackswith (English sound engineer)
producer:
Wayne Bickerton
recording of:
Sugar Baby Love (The Rubettes)
lyricist:
Wayne Bickerton
composer:
Tony Waddington
premiered by:
The Rubettes (in 1974-01)
publisher:
Arlovol Music, Budde Music Inc. (US publisher) and WB Music Corp. (1929–2019)
The Rubettes3:28
3Whiskey in the Jar
recording of:
Whiskey in the Jar (rock version, arranged by Thin Lizzy)
writer:
[traditional] (special purpose artist)
arranger:
Thin Lizzy (Irish hard rock band)
publisher:
Pippin the Friendly Ranger Music Co. Ltd., Universal Music Publishing GmbH (Universal Music Publishing Group Germany) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
version of:
Whiskey in the Jar (traditional)
Thin Lizzy3:43
4Rockin’ All Over the World
assistant engineer:
Kevin Whyte
engineer:
John Eden (producer), Barry Hammond and Simon Sullivan
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1977), Mercury Records Ltd. (London) (for copyrights use only) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (not for release label use!) (in 1977), Phonogram Ltd. (London) (company name, NOT a label!) (in 1977, in 1988) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1992)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (on 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Sweden (on 1992-08-30) and Sutton Park in Birmingham, West Midlands, England, United Kingdom (on 1992-08-30)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
music videos:
Rockin All Over the World by Status Quo (UK boogie rock band)
cover recording of:
Rockin’ All Over the World (on 1992-08-30)
lyricist and composer:
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company and Intersong Ltd. (publisher) (in 1977)
Status Quo43:35
5The Ballad of Lucy Jordan
recording of:
The Ballad of Lucy Jordan
lyricist and composer:
Shel Silverstein
publisher:
Evil Eye Music Inc.
Marianne Faithfull4:08
6Shake Your Rump to the FunkThe Bar‐Kays3:31
7Daughter of DarknessTom Jones3:17
8Down in the Tube Station at Midnight
producer:
Vic Coppersmith‐Heaven
edit of:
Down in the Tube Station at Midnight by The Jam (late 70s/early 80s UK punk/mod revival band)
recording of:
Down in the Tube Station at Midnight
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam4:00
9I’m Qualified to Satisfy You
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page and Barry White
recording of:
I’m Qualified to Satisfy You
lyricist and composer:
Barry White
Barry White43:06
10Reason to Believe
producer:
Rod Stewart
acoustic guitar:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) and Rod Stewart (in 1971-01)
bass:
Andy Pyle (in 1971-01)
bass guitar, guitar and pedal steel guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
double bass:
Danny Thompson (English double bass player) (in 1971-01)
drums (drum set):
Micky Waller (in 1971-01)
organ:
Ian McLagan (in 1971-01)
piano:
Pete Sears (in 1971-01)
slide guitar:
Sam Mitchell (in 1971-01)
violin:
Dick Powell (Violinist and double-bass player) (in 1971-01)
lead vocals:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971)
cover recording of:
Reason to Believe (in 1971-01)
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. and Trio Music Co., Inc.
Rod Stewart3.154:08
11Welcome Home
recording of:
Welcome Home (English version of “Vivre”)
composer:
Stanislas Beldone (French songwriter)
translator:
Bryan Blackburn
translated version of:
Vivre (1970s French song)
Peters & Lee3:32
12Woodstock
cover recording of:
Woodstock
lyricist and composer:
Joni Mitchell
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Matthews’ Southern Comfort3.64:30
13Help Me Make It Through the Night
producer:
Johnny Bristol
phonographic copyright (℗) by:
Motown Record Company, L.P. (Los Angeles) (company credits only; do NOT use as release label) (in 1971)
cover recording of:
Help Me Make It Through the Night
lyricist and composer:
Kris Kristofferson
publisher:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. and KPM (music publisher)
sub-publisher:
Air Music Scandinavia AB
Gladys Knight & the Pips34:21
14Long Haired Lover Form LiverpoolJimmy Osmond2:14
15Music
engineer:
Alan Parsons (of The Alan Parsons Project) (from 1975-11 until 1975-12)
producer:
Alan Parsons (of The Alan Parsons Project)
bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (from 1975-11 until 1975-12)
guitar, keyboard, synthesizer and lead vocals:
John Miles (UK singer/songwriter/guitarist/keyboardist) (from 1975-11 until 1975-12)
percussion:
Barry Black (from 1975-11 until 1975-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-11 until 1975-12)
part of:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 10) and SWR1 Hitparade 2020 (Baden-Württemberg) (number: 10)
recording of:
Music (from 1975-11 until 1975-12)
lyricist and composer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:54
16I’ll Be There
producer:
Nickolas Ashford, Hal Davis and Valerie Simpson
arranger:
Bob West (US session bassist, producer & songwriter)
recording of:
I’ll Be There (in 1970-06)
writer:
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy and Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. and Stone Diamond Music Corporation
part of:
MJ: The Musical
The Jackson 54.353:57
17The Tears of a Clown
guitar:
Marvin Tarplin (on 1966-09-26)
instruments:
The Funk Brothers (on 1966-09-26)
background vocals:
Warren “Pete” Moore (on 1966-09-26), Claudette Robinson (on 1966-09-26), Bobby Rogers (on 1966-09-26) and Ronald White (soul singer, founding member of The Miracles) (on 1966-09-26)
lead vocals:
Smokey Robinson (on 1966-09-26)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1970)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1966-09-26)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 190) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 313)
recording of:
The Tears of a Clown (on 1966-09-26)
lyricist:
Smokey Robinson
composer:
Henry Cosby, Smokey Robinson and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd and Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles3.93:00
18Rockin’ Robin
producer:
Mel Larson and Jerry Marcellino
lead vocals:
Michael Jackson (“King of Pop”) (in 1971-10)
arranger:
James Anthony Carmichael
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1972)
cover recording of:
Rockin’ Robin (in 1971-10)
lyricist and composer:
Jimmie Thomas
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son and Recordo Music Pub.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Michael Jackson4.62:33
19War
performer:
Edwin Starr
cover recording of:
War (on 1970-05-15)
writer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
recording of:
War
writer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
Edwin Starr4.253:21
20I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:18
4CD
#TitleArtistRatingLength
1Easy
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977), Motown Record Corporation (company credits only; do NOT use as release label) (in 1977), Motown Records (not for label use; use “Motown” instead) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2009)
recording of:
Easy
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores3.754:15
2Ball of Confusion
producer:
Norman Whitfield
lead vocals:
Dennis Edwards (US soul & R’n’B singer), Eddie Kendricks and Paul Williams (member of The Temptations)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1970), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 24)
recording of:
Ball of Confusion (That’s What the World Is Today)
composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd. and Stone Agate Music
The Temptations54:07
3Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (not for release label use!) (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
10cc4.654:28
4Reunited
producer:
Freddie Perren
phonographic copyright (℗) by:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978)
edit of:
Reunited by Peaches & Herb
recording of:
Reunited
writer:
Dino Fekaris and Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb53:58
5I Wanna Stay With YouGallagher & Lyle2:58
6Lovin’, Livin’ and Givin’
mastering:
Jack Andrews
executive producer:
Berry Gordy
producer:
Hal Davis
mixer:
Russ Terrana
arranger:
Art Wright (guitar)
recording of:
Lovin’, Livin’ and Givin’
composer:
Pamela L Davis and Kenny Stover
publisher:
Jobete Music Co., Inc.
Diana Ross4:47
7Question
engineer:
Adrian Martins, Robin Thompson (UK engineer) and Derek Varnals
producer:
Tony Clarke (UK producer/guitarist)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wessex Studios in Highbury, Islington, London (Greater London), England, United Kingdom
recording of:
Question
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex (publisher)
The Moody Blues5:46
8Keep On Truckin’, Part 1
producer:
Leonard Caston (son of Leonard Caston) and Frank Wilson (Motown singer/songwriter)
arranger:
James Carmichael and Jerry Long (Motown songwriter Jerry Long, Sr.)
recording of:
Keep On Truckin’
writer:
Lenny Caston (son of Leonard Caston), Anita Porée and Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Diamond Music Corporation
Eddie Kendricks3:32
9A Simple Game
cover recording of:
A Simple Game
lyricist and composer:
Mike Pinder
Four Tops3:00
10Were All Alone
producer:
David Anderle
phonographic copyright (℗) by:
A&M Records (in 1977) and A&M Records, Inc. (Los Angeles) (in 1977)
cover recording of:
We’re All Alone
lyricist and composer:
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and Boz Scaggs Music (publisher) (from 1975 to present)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge43:34
11Now That Weve Found Love
cover recording of:
Now That We Found Love
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Third World3:53
12Chantilly Lace
producer:
Jerry Kennedy
cover recording of:
Chantilly Lace
lyricist and composer:
J.P. Richardson (known as The Big Bopper)
publisher:
Glad Music Co.
Jerry Lee Lewis32:49
13Get Up (I Feel Like Being a) Sex Machine, Part 1
bass:
Bootsy Collins (US funk musician & songwriter) (on 1970-04-25)
guitar:
Catfish Collins (on 1970-04-25)
membranophone:
John Starks (on 1970-04-25)
organ and background vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (on 1970-04-25)
piano and lead vocals:
James Brown (The Godfather of Soul) (on 1970-04-25)
tenor saxophone:
Robert McCollough (on 1970-04-25)
trumpet:
Clayton Gunnells (on 1970-04-25) and Darryl Hassan Jamison (on 1970-04-25)
recorded at:
Starday Sound Studios in Nashville, Tennessee, United States (on 1970-04-25)
partial recording of:
Get Up (I Feel Like Being Like a) Sex Machine (on 1970-04-25)
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown42:52
14Wishing Well
guest congas:
Rebop Kwaku Baah
recording of:
Wishing Well (Free song)
writer:
John “Rabbit” Bundrick, Simon Kirke, Paul Kossoff, Paul Rodgers and Tetsu Yamauchi
publisher:
Cayman Music Inc, Keepers Cottage Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
sub-publisher:
Universal Music Publishing France (not for release label use!)
Free43:35
15Too Beautiful to Last
Engelbert Humperdinck3:08
16Ladies Night
producer:
Eumir Deodato and Kool & the Gang
recording of:
Ladies’ Night
writer:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens and Claydes Smith
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang4.253:24
17Cool for Cats
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1979)
part of:
TV Cream: Real 100 Best Singles Ever (number: 81)
recording of:
Cool for Cats
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3.53:08
18The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.24:25
19The Way I Want to Touch YouCaptain & Tennille2:40
20Love Me for a ReasonThe Osmonds3:59
5CD
#TitleArtistRatingLength
1I’m Not in Love
recording engineer:
10cc (in 1974)
engineer and mixer:
Eric Stewart
producer:
10cc
bass and guitar:
Graham Gouldman (in 1974)
effects [musical effects], electric piano and lead vocals:
Eric Stewart (in 1974)
Moog:
Kevin (in 1974)
piano:
Lol (in 1974)
synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) and Eric Stewart (in 1974)
background vocals:
Graham Gouldman (in 1974), Kevin (in 1974) and Lol (in 1974)
other vocals [whisper vocals]:
Kathy Redfern (in 1974)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1975), Mercury Records Ltd. (London) (for copyrights use only) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (not for release label use!) (in 1979) and Mercury Records Ltd. (not for release label use!) (in 1996)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
music videos:
I’m Not in Love by 10cc
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 319)
recording of:
I’m Not in Love (in 1974)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
10cc3.86:04
2The Eton Rifles
producer:
Vic Coppersmith‐Heaven and The Jam (late 70s/early 80s UK punk/mod revival band)
recording of:
The Eton Rifles
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam3:30
3I’d Like to Teach the World to Sing
producer:
David Mackay (Australian producer, arranger, musical director)
vocals:
Eve Graham
arranger:
David Mackay (Australian producer, arranger, musical director)
recording of:
I’d Like to Teach the World to Sing
writer:
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis and Roger Greenaway
publisher:
PolyGram Music Publishing
version of:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers3.652:22
4All Kinds of Everything
part of:
Ireland in the Eurovision Song Contest (number: 1970) and Winners of the Eurovision Song Contest (number: 1970)
recording of:
All Kinds of Everything (1970 eurovision song)
writer:
Derry Lindsay (Songwriter) and Jackie Smith (Songwriter)
Dana23:04
5Three Times a Lady
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
lead vocals:
Lionel Richie
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 10)
recording of:
Three Times a Lady
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores3.653:39
6The Laughing Gnome
engineer:
Gus Dudgeon
producer:
Mike Vernon
bass:
Derek Fearnley (bassist) (from 1967-01-26 until 1967-03-08)
drums (drum set):
John Eager (drummer) (from 1967-01-26 until 1967-03-08)
guitar:
Pete Hampshire (guitarist) (from 1967-01-26 until 1967-03-08)
harpsichord:
Derek Boyes (pianist) (from 1967-01-26 until 1967-03-08)
lead vocals:
David Bowie (English singer‐songwriter) (from 1967-01-26 until 1967-03-08)
spoken vocals:
David Bowie (English singer‐songwriter) (from 1967-01-26 until 1967-03-08) and Gus Dudgeon (from 1967-01-26 until 1967-03-08)
arranger:
David Bowie (English singer‐songwriter) and Derek Fearnley (bassist)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1967)
recorded at:
Decca Studios: Studio 2 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1967-01-26, on 1967-02-07, on 1967-02-10, on 1967-03-08)
recording of:
The Laughing Gnome (from 1967-01-26 until 1967-03-08)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
David Bowie3.653:01
7Do Anything You Wanna Do
recording of:
Do Anything You Wanna Do
composer:
Graeme Douglas and Ed Hollis (British songwriter and producer)
Eddie & the Hot Rods4:03
8Gypsy Woman
recording engineer:
Dave Hassinger
producer:
Del Shannon
vocals:
Brian Hyland
strings arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
recorded at:
The Sound Factory, Studio C (1969–1980) in Los Angeles, California, United States
cover recording of:
Gypsy Woman
lyricist and composer:
Curtis Mayfield
publisher:
EMI Tunes Ltd, EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Curtom Publishing Co Inc (from 1961 to ????)
Brian Hyland2:37
9Hey There Lonely Girl
recording of:
Hey There Lonely Girl
lyricist:
Earl S. Shuman (composer / lyricist)
composer:
Leon Carr
publisher:
Campbell Connelly & Co. Ltd.
Eddie Holman4.653:36
10Love Machine, Part 1
recording of:
Love Machine
lyricist and composer:
Billy Griffin and Warren Moore
horn and strings arranger:
Wade Marcus
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Miracles2:51
11I Feel Love
recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:49
12Parisienne Walkways
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1987)
recording of:
Parisienne Walkways
writer:
Phil Lynott and Gary Moore (Thin Lizzy, blues guitar)
publisher:
Agelong Music Publishing Inc and Maxwood Music Ltd.
is based on:
Blue Bossa
Gary Moore3:17
13You Make Me Feel Brand New
recording of:
You Make Me Feel Brand New
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics45:28
14Love and Affection
recording of:
Love and Affection
lyricist and composer:
Joan Armatrading
publisher:
Irving Music (BMI)
Joan Armatrading44:27
15There’s a Ghost in My House
recording of:
There’s a Ghost in My House (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and R. Dean Taylor (Canadian singer, songwriter and record producer)
R. Dean Taylor2:16
16I Want You Back
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1969-07)
drums (drum set):
Gene Pello and Johnny Jackson (drummer for Jackson 5) (in 1969-07)
guitar:
Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
guitar [lead guitar]:
Louis Shelton (in 1969-07)
keyboard:
Clarence McDonald and Ronnie Rancifer (in 1969-07)
percussion:
Sandra Crouch and Marlon Jackson (in 1969-07)
piano:
Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
background vocals:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
lead vocals:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
music videos:
I Want You Back by The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 120)
recording of:
I Want You Back (in 1969-07)
lyricist and composer:
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
MJ: The Musical
The Jackson 54.152:56
17(Is This the Way to) Amarillo
phonographic copyright (℗) by:
Geffen Records (in 1972) and JTC Music (in 2001)
recording of:
Is This the Way to Amarillo
writer:
Howard Greenfield and Neil Sedaka
publisher:
Kirshner-Warner Bros Music
Tony Christie23:12
18Puppy Love
cover recording of:
Puppy Love
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Epa Publishing
Donny Osmond3:04
19Get Up Offa That Thing
producer:
James Brown (The Godfather of Soul)
clavinet:
“Sweet” Charles Sherrell (in 1976-04)
drums (drum set):
Melvin Parker (in 1976-04)
guitar:
Robert Coleman (in 1976-04) and Jimmy Nolen (in 1976-04)
tenor saxophone:
St. Clair Pinckney (in 1976-04)
trombone:
Hollie Ferris (in 1976-04)
trumpet:
Russell Crimes (in 1976-04)
lead vocals:
James Brown (The Godfather of Soul) (in 1976-04)
arranger:
James Brown (The Godfather of Soul)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
recorded at:
Criteria Studios in Miami, Florida, United States (in 1976-04)
recording of:
Get Up Offa That Thing (in 1976-04)
lyricist and composer:
Deanna Brown (James Brown’s daughter), Deidre Brown (was James Brown second spouse) and Yamma Brown (James Brown’s daughter)
publisher:
Belinda Music Inc., Dynatone Publishing Co., Intersong Music Ltd. and Unichappell Music, Inc.
James Brown44:12
20Free BirdLynyrd Skynyrd4:22

Credits

Release group

part of:100 Classics (order: 16)