Guitarland

~ Release by Rick McRae (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Stumblin’
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
acoustic guitar and electric guitar:
Rick McRae (guitarist)
double bass [upright bass]:
Terry Hale (US country bassist)
drums (drum set):
Art Kidd (Austin drummer)
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
instrumental recording of:
Stumbling
lyricist and composer:
Zez Confrey (in 1922)
publisher:
EMI Feist Catalog Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
2:26
2Pickin’ Around (Fiddlin’ Around)
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
double bass [upright bass]:
Terry Hale (US country bassist)
drums (drum set):
Art Kidd (Austin drummer)
electric guitar:
Rick McRae (guitarist)
mandolin [electric mandolin]:
Johnny Gimble and Paul Glasse
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
instrumental recording of:
Fiddlin' Around
lyricist and composer:
Johnny Gimble
3:40
3Crazy Rhythm
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
double bass [upright bass]:
Terry Hale (US country bassist)
drums (drum set):
Art Kidd (Austin drummer)
electric guitar:
Rick McRae (guitarist)
piano:
Floyd Domino
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
instrumental recording of:
Crazy Rhythm
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
4:02
4Little Train of the Caipira
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
acoustic guitar:
John Steinman (Austin guitarist)
double bass [upright bass]:
Terry Hale (US country bassist)
electric guitar:
Rick McRae (guitarist)
percussion:
James Fenner
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
recording of:
Little Train
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
is based on:
Bachianas Brasileiras nº 2, W247: IV. Toccata (O trenzinho do caipira) (for orchestra)
3:13
5You’d Be So Nice to Come Home To
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
double bass [upright bass]:
Terry Hale (US country bassist)
drums (drum set):
Art Kidd (Austin drummer)
electric guitar:
Rick McRae (guitarist)
piano:
Floyd Domino
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
instrumental recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
5:56
6But Beautiful
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
electric guitar:
Rick McRae (guitarist)
arranger:
Rick McRae (guitarist)
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
instrumental recording of:
But Beautiful
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
2:57
7One Note Samba
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
acoustic guitar:
John Steinman (Austin guitarist)
double bass [upright bass]:
Terry Hale (US country bassist)
drums (drum set):
Art Kidd (Austin drummer)
electric guitar:
Rick McRae (guitarist)
percussion:
James Fenner
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
instrumental recording of:
One Note Samba
lyricist:
Jon Hendricks and Newton Mendonça
composer:
Antônio Carlos Jobim and Newton Mendonça
translator:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Samba de uma nota só
part of:
The Real Book (compilation of jazz standards, Volume I)
3:44
8Limehouse Blues
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
acoustic guitar:
John Steinman (Austin guitarist)
double bass [upright bass]:
Terry Hale (US country bassist)
drums (drum set):
Art Kidd (Austin drummer)
percussion:
James Fenner
steel-string acoustic guitar:
Rick McRae (guitarist)
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
instrumental recording of:
Limehouse Blues
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
3:02
9Maria Elena
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
acoustic guitar:
John Steinman (Austin guitarist)
electric guitar:
Rick McRae (guitarist)
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
instrumental recording of:
Maria Elena (Spanish original)
lyricist and composer:
Lorenzo Barcelata
2:55
10Tico Tico
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
acoustic guitar:
John Steinman (Austin guitarist)
double bass [upright bass]:
Terry Hale (US country bassist)
electric guitar:
Rick McRae (guitarist)
percussion:
James Fenner
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
instrumental recording of:
Tico-tico no fubá (original Portuguese version)
lyricist:
Aloysio de Oliveira
composer:
Zequinha de Abreu (in 1917)
3:10
11Tonight I Think I’m Gonna Go Downtown
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
electric guitar:
Rick McRae (guitarist)
mandolin:
Gene Elders
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
instrumental recording of:
Tonight I Think I’m Gonna Go Downtown
writer:
Jimmie Dale Gilmore and John Reed (Texan guitarist)
3:01
12Samba de Orpheu
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
double bass [upright bass]:
Terry Hale (US country bassist)
drums (drum set):
Art Kidd (Austin drummer)
electric guitar:
Rick McRae (guitarist)
percussion:
James Fenner
piano:
Floyd Domino
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
instrumental recording of:
Samba de Orfeu
writer:
Luiz Bonfá and Antônio Maria
publisher:
Éditions Meridian
4:43
13Daughter’s Waltze
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
electric guitar:
Rick McRae (guitarist)
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
recording of:
Daughter’s Waltze
composer:
Rick McRae (guitarist)
1:58
14Katy’s Song
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
electric guitar:
Rick McRae (guitarist)
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
recording of:
Katy’s Song
composer:
Rick McRae (guitarist)
2:16
15Billie’s Bounce
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
double bass [upright bass]:
Terry Hale (US country bassist)
electric guitar:
Rick McRae (guitarist)
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
recording of:
Billie’s Bounce
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:28
16But Beautiful (take 2)
producer:
George Coyne (Austin engineer & guitarist) and Rick McRae (guitarist)
electric guitar:
Rick McRae (guitarist)
arranger:
Rick McRae (guitarist)
recorded at:
Parrot Tracks Studio in Manchaca, Texas, United States (from 2005 until 2006)
instrumental recording of:
But Beautiful
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
3:10