Pick Yourself Up With Anita O’Day

~ Release by Anita O’Day (see all versions of this release, 3 available)

Tracklist

1SHM-CD
#TitleRatingLength
1Don’t Be That Way
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Don’t Be That Way
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
2:33
2Let’s Face the Music and Dance
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
3:16
3I Never Had a Chance
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
I Never Had a Chance
lyricist and composer:
Irving Berlin
4:24
4Stompin’ at the Savoy
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Stompin’ at the Savoy (on 1956-12-20)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:19
5Pick Yourself Up
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Pick Yourself Up (from “Swing Time”)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
3:07
6Stars Fell on Alabama
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (american bass trombone) (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
2:52
7Sweet Georgia Brown
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Sweet Georgia Brown (on 1956-12-20)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
4:14
8I Won’t Dance
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1956-12-20)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:27
9Man With a Horn
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (american bass trombone) (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
Man With a Horn (on 1956-12-19)
lyricist:
Eddie DeLange
composer:
Jack Jenney (American jazz trombonist) and Bonnie Lake
3:57
10I Used to Be a Color Blind
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
I Used to Be Color Blind (from "Carefree")
lyricist and composer:
Irving Berlin (in 1938)
3:10
11There’s a Lull in My Life
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (american bass trombone) (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
There’s a Lull in My Life (on 1956-12-19)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Robbins Music Corp.
3:19
12Let’s Begin
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Let’s Begin (from "Roberta")
lyricist:
Dorothy Fields (American librettist and lyricist) and Otto Harbach (in 1933)
composer:
Jerome Kern (in 1933)
part of:
Roberta
2:19