The Ultimate Jazz Archive, Set 19: Swing to Bebop, Modern Jazz

~ Release by Ben Webster, Django Reinhardt, Benny Goodman, Roy Eldridge (see all versions of this release, 44 available)

Tracklist

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1▼CD: Ben Webster
#TitleArtistRatingLength
1The Blue Room
Bennie Moten’s Kansas City Orchestra3:20
2New Orleans
Bennie Moten’s Kansas City Orchestra2:59
3Milenberg Joys
Bennie Moten’s Kansas City Orchestra2:46
4Lafayette
Bennie Moten’s Kansas City Orchestra2:46
5Rug Cutter’s Swing
Bennie Moten’s Kansas City Orchestra3:02
6Dream Lullaby
Benny Carter and His Orchestra3:09
7Tea for Two
Teddy Wilson and His Orchestra3:10
8Early Session Hop
Ben Webster2:41
9Cotton Tail
recording of:
Cotton Tail
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Orchestra3:11
10Linger Awhile
Rex Stewart & His Orchestra3:13
11Raincheck
recording of:
Raincheck
composer:
Billy Strayhorn
Duke Ellington & His Orchestra2:31
12Perdido
recording of:
Perdido (original instrumental version)
composer:
Juan Tizol
Duke Ellington & His Orchestra3:09
13Woke Up Clipped
Ben Webster3:10
14After You’ve Gone
James P. Johnson’s Blue Note Jazzmen4:26
15Sleep
Ben Webster3:08
16Memories of You
Ben Webster3:49
17Just a Riff
Ben Webster4:03
18Blue Skies
Ben Webster3:14
19Kat’s Fur
Ben Webster2:59
20I Surrender Dear
Ben Webster3:02
2▼CD: Django Reinhardt
#TitleArtistRatingLength
1After You’ve Gone
recorded in:
Paris, Île-de-France, France (on 1936-05-04)
double bass:
Lucien Simoens (on 1936-05-04)
guitar:
Pierre Ferret (on 1936-05-04), Django Reinhardt (French jazz guitarist and composer) (on 1936-05-04) and Joseph Reinhardt (on 1936-05-04)
violin:
Stephane Grappelly (jazz violinist) (on 1936-05-04)
vocals:
Freddy Taylor (jazz trumpeter and vocalist) (on 1936-05-04)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1060-1)
recording of:
After You’ve Gone (on 1936-05-04)
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Quintette du Hot Club de France3:07
2I Can’t Give You Anything but Love
recorded in:
Paris, Île-de-France, France (on 1936-05-04)
double bass:
Lucien Simoens (on 1936-05-04)
guitar:
Pierre “Baro” Ferret (on 1936-05-04), Django Reinhardt (French jazz guitarist and composer) (on 1936-05-04) and Joseph Reinhardt (on 1936-05-04)
violin:
Stéphane Grappelli (jazz violinist) (on 1936-05-04)
vocals:
Freddy Taylor (jazz trumpeter and vocalist) (on 1936-05-04)
recording of:
I Can’t Give You Anything but Love, Baby (on 1936-05-04)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Quintette du Hot Club de France3:21
3Limehouse Blues
recorded in:
Paris, Île-de-France, France (on 1936-05-04)
double bass:
Lucien Simoens (on 1936-05-04)
guitar:
Pierre “Baro” Ferret (on 1936-05-04), Django Reinhardt (French jazz guitarist and composer) (on 1936-05-04) and Joseph Reinhardt (on 1936-05-04)
violin:
Stéphane Grappelli (jazz violinist) (on 1936-05-04)
instrumental recording of:
Limehouse Blues (on 1936-05-04)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
Quintette du Hot Club de France2:46
4Oriental Shuffle
recorded in:
Paris, Île-de-France, France (on 1936-05-04)
double bass:
Lucien Simoens (on 1936-05-04)
guitar:
Pierre “Baro” Ferret (on 1936-05-04), Django Reinhardt (French jazz guitarist and composer) (on 1936-05-04) and Joseph Reinhardt (on 1936-05-04)
violin:
Stéphane Grappelli (jazz violinist) (on 1936-05-04)
recording of:
Oriental Shuffle (on 1936-05-04)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
Quintette du Hot Club de France2:38
5Nagasaki
recorded in:
Paris, Île-de-France, France (on 1936-10-15)
double bass:
Louis Vola (on 1936-10-15)
guitar:
Pierre “Baro” Ferret (on 1936-10-15), Django Reinhardt (French jazz guitarist and composer) (on 1936-10-15) and Joseph Reinhardt (on 1936-10-15)
violin:
Stéphane Grappelli (jazz violinist) (on 1936-10-15)
vocals:
Freddy Taylor (jazz trumpeter and vocalist) (on 1936-10-15)
recording of:
Nagasaki (on 1936-10-15)
lyricist:
Mort Dixon
composer:
Harry Warren (US composer and lyricist) (in 1928)
Quintette du Hot Club de France2:50
6Swing Guitars
Quintette du Hot Club de France2:24
7Georgia on My Mind
recorded in:
Paris, Île-de-France, France (on 1936-10-15)
double bass:
Louis Vola (on 1936-10-15)
guitar:
Pierre “Baro” Ferret (on 1936-10-15), Django Reinhardt (French jazz guitarist and composer) (on 1936-10-15) and Joseph Reinhardt (on 1936-10-15)
violin:
Stéphane Grappelli (jazz violinist) (on 1936-10-15)
vocals:
Freddy Taylor (jazz trumpeter and vocalist) (on 1936-10-15)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1292-1)
recording of:
Georgia on My Mind (on 1936-10-15)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Quintette du Hot Club de France3:15
8Shine
Quintette du Hot Club de France2:57
9Sweet Chorus
recorded in:
Paris, Île-de-France, France (on 1936-10-15)
double bass:
Louis Vola (on 1936-10-15)
guitar:
Pierre “Baro” Ferret (on 1936-10-15), Django Reinhardt (French jazz guitarist and composer) (on 1936-10-15) and Joseph Reinhardt (on 1936-10-15)
violin:
Stéphane Grappelli (jazz violinist) (on 1936-10-15)
recording of:
Sweet Chorus (on 1936-10-15)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
Quintette du Hot Club de France2:44
10Exactly Like You
recorded in:
Paris, Île-de-France, France (on 1937-04-21)
double bass:
Louis Vola (on 1937-04-21)
guitar:
Marcel Bianchi (on 1937-04-21), Pierre “Baro” Ferret (on 1937-04-21) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-21)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-21)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1702-1)
instrumental recording of:
Exactly Like You (on 1937-04-21)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
Quintette du Hot Club de France2:29
11Charleston
recorded in:
Paris, Île-de-France, France (on 1937-04-21)
double bass:
Louis Vola (on 1937-04-21)
guitar:
Marcel Bianchi (on 1937-04-21) and Pierre “Baro” Ferret (on 1937-04-21)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-04-21)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-21)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1703-1) and Swing (by matrix number) (number: OLA 1703-1)
instrumental recording of:
Charleston (on 1937-04-21)
lyricist:
Cecil Mack (in 1923)
composer:
James P. Johnson (in 1923)
publisher:
Salabert
Quintette du Hot Club de France2:53
12You’re Driving Me Crazy
recording of:
You’re Driving Me Crazy
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
Quintette du Hot Club de France2:54
13Ain’t Misbehavin’
recorded in:
Paris, Île-de-France, France (on 1937-04-22)
double bass:
Louis Vola (on 1937-04-22)
guitar:
Marcel Bianchi (on 1937-04-22) and Pierre “Baro” Ferret (on 1937-04-22)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-04-22)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-22)
performer:
Django Reinhardt et son quintette (on 1937-04-22)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1708-1)
instrumental recording of:
Ain’t Misbehavin’ (on 1937-04-22)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Quintette du Hot Club de France2:54
14Rose Room
Quintette du Hot Club de France2:43
15When Day Is Done
recorded in:
Paris, Île-de-France, France (on 1941-04-22)
double bass:
Louis Vola (on 1937-04-22)
guitar:
Marcel Bianchi (on 1937-04-22), Pierre “Baro” Ferret (on 1937-04-22) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-22)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-22)
instrumental recording of:
When Day Is Done (on 1937-04-22)
lyricist:
Buddy DeSylva (in 1926)
composer:
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
is based on:
Madonna, du bist schöner als der Sonnenschein
Quintette du Hot Club de France3:11
16Runnin’ Wild
Quintette du Hot Club de France2:53
17Chicago
recorded in:
Paris, Île-de-France, France (on 1937-04-26)
double bass:
Louis Vola (on 1937-04-26)
guitar:
Marcel Bianchi (on 1937-04-26) and Pierre “Baro” Ferret (on 1937-04-26)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-04-26)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-26)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1713-1) and Swing (by matrix number) (number: OLA 1713-1)
recording of:
Chicago (That Toddlin’ Town) (on 1937-04-26)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
Quintette du Hot Club de France3:27
18Minor Swing
recorded in:
Paris, Île-de-France, France (on 1937-11-25)
double bass:
Louis Vola (on 1937-11-25)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-11-25), Joseph Reinhardt (on 1937-11-25) and Eugène Vées (on 1937-11-25)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-11-25)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1990-1) and Swing (by matrix number) (number: OLA 1990-1)
recording of:
Minor Swing (on 1937-11-25)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
publisher:
Publications Francis Day
Quintette du Hot Club de France13:13
3▼CD: Benny Goodman
#TitleArtistRatingLength
1After You’ve Gone
cover recording of:
After You’ve Gone
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
The Benny Goodman Trio2:47
2Body and Soul (take 1)
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Benny Goodman Trio3:28
3Body and Soul (take 2)
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Benny Goodman Trio3:24
4Who
The Benny Goodman Trio3:13
5Someday Sweetheart
recording of:
Someday Sweetheart
lyricist and composer:
Benjamin Franklin Spikes (Benjamin Franklin "Reb" Spikes) and John Curry Spikes
publisher:
Spikes Bros. and Carter Music House (on 1919-12-26)
The Benny Goodman Trio2:48
6China Boy
The Benny Goodman Trio2:32
7More Than You Know
The Benny Goodman Trio3:14
8All My Life
The Benny Goodman Trio3:13
9Oh, Lady Be Good
The Benny Goodman Trio3:01
10Nobody’s Sweetheart
The Benny Goodman Trio2:46
11Too Good to Be True
instrumental recording of:
Too Good to Be True
lyricist:
Clay Boland
composer:
Clay Boland (in 1936)
recording of:
Too Good to Be True
lyricist:
Clay Boland
composer:
Clay Boland (in 1936)
The Benny Goodman Trio3:30
12Moonglow
The Benny Goodman Trio3:25
13Dinah
The Benny Goodman Trio2:41
14Exactly Like You
The Benny Goodman Trio3:18
15Vibraphone Blues
The Benny Goodman Trio3:21
16Sweet Sue, Just You
The Benny Goodman Quartet3:18
17My Melancholy Babe
The Benny Goodman Quartet3:25
18Tiger Rag (take 1)
recording of:
Tiger Rag (original 1917 instrumental version)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
Benny Goodman3:00
19Stompin’ at the Savoy (take 1)
The Benny Goodman Quartet3:19
20Stompin’ at the Savoy (take 2)
The Benny Goodman Quartet2:48
4▼CD: Roy Eldridge
#TitleArtistRatingLength
1When I Grow Too Old to Dream
Roy Eldridge2:40
2(Lookie, Lookie, Lookie) Here Comes Cookie
Roy Eldridge3:02
3Big Chief De Sota (Grand Terrace Swing)
Fletcher Henderson and His Orchestra2:58
4Stealin’ Apples
recording of:
Stealin’ Apples
lyricist:
Andy Razaf
composer:
Fats Waller
Fletcher Henderson and His Orchestra2:58
5Blue Lou
recording of:
Blue Lou
composer:
Irving Mills and Edgar Sampson
Fletcher Henderson and His Orchestra3:08
6Warmin’ Up
Teddy Wilson and His Orchestra3:16
7Blues in C Sharp Minor
Teddy Wilson and His Orchestra3:19
8Mary Had a Little Lamb
Teddy Wilson and His Orchestra2:56
9Heckler’s Shop
Roy Eldridge2:35
10Florida Stomp
Roy Eldridge2:56
11Wabash Stomp
Roy Eldridge3:07
12After You’ve Gone
Roy Eldridge2:58
13Where the Lazy River Goes By
Roy Eldridge2:31
14That Thing
Roy Eldridge2:59
15Wham! (Be‐Bop‐Boom‐Bam)
recording of:
Wham (Re-Bop-Boom-Bam)
lyricist:
Marion Joseph "Taps" Miller
composer:
Eddie Durham (American guitarist, trombonist, composer and arranger.)
publisher:
Victoria Music Publishing Co. Ltd.
Roy Eldridge3:11
16Fallin’ in Love Again
Roy Eldridge2:46
17I’m Nobody’s Baby
Roy Eldridge2:59
18Let Me Off Uptown
recording of:
Let Me Off Uptown
lyricist:
Redd Evans
composer:
Earl Bostic (saxophonist)
Gene Krupa and His Orchestra3:04