Les Contes d’Hoffmann

~ Release by Jacques Offenbach; Neil Shicoff, Sylvain Cambreling (see all versions of this release, 1 available)

Tracklist

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1Les Contes d’Hoffmann : Prologue. « Glou, glou, glou »
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 1 Introduction « Glou, glou, glou ! Je suis la bière » (Chœur des esprits invisibles) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:53
2Les Contes d’Hoffmann : Prologue. « Voyons: Pour Hoffmann. Bon! »
producer:
David R. Murray
bass vocals [Lindorf]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
partial recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 2 « Voyons, 'Pour Hoffmann', bon » … « Dans le rôle d’amoureux langoureux » … « Oui, chère prima donna » (Lindorf) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 2 « Voyons, 'Pour Hoffmann', bon » … « Dans le rôle d’amoureux langoureux » … « Oui, chère prima donna » (Lindorf)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach4:29
3Les Contes d’Hoffmann : Prologue. « Chante donc le premier »
choir vocals:
Choeurs de l'Opéra Royal de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera)
tenor vocals [Hoffmann]:
Neil Shicoff (tenor)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt)
conductor:
Sylvain Cambreling (conductor)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Chanson « Il était une fois à la cour d’Eisenach » (Hoffmann, les étudiants, Nathanaël) (Va pour Kleinzach: La Chanson de Kleinzach)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach6:29
4Les Contes d’Hoffmann : Acte I. « Une poupée aux yeux d’émail »
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Par Dieu ! j'étais bien sûr de te trouver ici ! » ... « Une poupée aux yeux d'émail » (Nicklausse, Hoffmann) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach1:30
5Les Contes d’Hoffmann : Acte I. « Les oiseaux dans la charmille »
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06)
soprano vocals [Olympia]:
Luciana Serra (soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille) (Chanson d’Olympia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach5:39
6Les Contes d’Hoffmann : Acte II. « Elle a fui, la tourterelle »
producer:
David R. Murray
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann: Acte IV. “Elle a fui, la tourterelle” (Antonia, Crespel, Frantz) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
recording of:
Les Contes d’Hoffmann : Acte III. No 11 Romance « Elle a fui, la tourterelle » (Antonia)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach5:15
7Les Contes d’Hoffmann : Acte II. « Jour et nuit, je me mets en quatre »
producer:
David R. Murray
tenor vocals [Frantz]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. No 12 Couplets « Jour et nuit je me mets en quatre » (Frantz) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:35
8Les Contes d’Hoffmann : Acte II. « O chère Antonia » … « Ah ! J’ai le bonheur dans l’âme »
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. No 14 Duo « J'ai le bonheur dans l'âme ! » (Hoffmann, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:46
9Les Contes d’Hoffmann : Acte II. « Pourtant, ô ma fiancée » … « C’est une chanson d’amour »
producer:
David R. Murray
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “C'est une chanson … J'ai le bonheur dans l'âme !” (Hoffmann, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Pourtant, ô ma fiancée” (Hoffmann, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
recording of:
Les Contes d’Hoffmann : Acte III. « C'est une chanson d'amour qui s'envole » (Hoffmann, Antonia)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach5:19
10Les Contes d’Hoffmann : Acte II. « Tu ne chanteras plus »
producer:
David R. Murray
bass vocals [Miracle]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte III. No 16 Finale: Trio « Tu ne chanteras plus ? » (Miracle, Antonia, la voix de la mère d'Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach5:36
11Les Contes d’Hoffmann : Acte II. « Ta mère oses‐tu l’invoquer ? » … « Chère enfant … »
producer:
David R. Murray
bass vocals [Miracle]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
mezzo-soprano vocals [Mère d'Antonia]:
Jocelyne Taillon (mezzo-soprano) (in 1988-06)
soprano vocals [Antonia]:
Rosalind Plowright (soprano / mezzo soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Ta mère ? Oses-tu l’invoquer ?... Chère enfant ! Que j’appelle” (Miracle, la voix de la mère d'Antonia, Antonia) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach5:45
12Les Contes d’Hoffmann : Acte III. « Belle nuit, o nuit d’amour »
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:26
13Les Contes d’Hoffmann : Acte III. « Scintille, diamant ! »
producer:
David R. Murray
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann: Acte III. "Scintille, diamant" (Dapertutto, Giulietta, Hoffmann, Schlemil) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d'Hoffmann : Acte IV. Chanson «Scintille, diamant » (Dapertutto)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:12
14Les Contes d’Hoffmann : Acte III. « Qui connait dans la souffrance » … « Hoffmann, vite, partons d’ici » … « Ô Dieu »
producer:
David R. Murray
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. No 20 Air « Qui connaît donc la souffrance » … « Hoffmann, vite, partons d'ici ! » (Giulietta, Chorus, Hoffmann, Nicklausse) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann : Acte IV. No 21 « Ô Dieu, de quelle ivresse embrasses-tu mon âme » (Giulietta, Chorus, Hoffmann, Nicklausse) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann : Acte IV. No 20 Air « Qui connaît donc la souffrance » … « Hoffmann, vite, partons d'ici ! » (Giulietta, Chorus, Hoffmann, Nicklausse)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach6:52
15Les Contes d’Hoffmann : Acte III. « Jusque‐là cependant affermis mon courage » … « Aujourd’hui … »
producer:
David R. Murray
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann : Acte IV. « Aujourd'hui, aujourd'hui les larmes » (Giulietta, Hoffmann) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann : Acte IV. « Jusqu'à là cependant affermis mon courage » (Giulietta, Hoffmann) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:48
16Les Contes d’Hoffmann : Acte III. « Hélas ! Mon cœur s’égare encore ! »
producer:
David R. Murray
baritone vocals [Schlémil]:
Dale Duesing (baritone) (in 1988-06)
bass vocals [Dapertutto]:
José van Dam (Belgian operatic bass-baritone) (in 1988-06)
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
tenor vocals [Hoffman]:
Neil Shicoff (tenor) (in 1988-06)
tenor vocals [Pitichinaccio]:
Robert Tear (tenor) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d'Hoffmann: Acte III. Septuor “Hélas ! mon cœur s'égare encore !” (Hoffmann, Dapertutto, Giulietta, Nicklausse, Schlemil, Pittichinaccio, Chœur) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:32