Now Yearbook 1977 (special edition with booklet)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1We are the Champions
engineer:
Mike Stone (producer and engineer, 1960s–80s)
assistant producer and co-producer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
Queen (UK rock group)
bass guitar:
John Deacon
drums (drum set):
Roger Taylor (Queen drummer)
electric guitar and guitar:
Brian May (Queen guitarist)
piano and lead vocals:
Freddie Mercury
background vocals:
Brian May (Queen guitarist), Freddie Mercury and Roger Taylor (Queen drummer)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2011)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 25)
recording of:
We Are the Champions
lyricist and composer:
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen4.13:01
2Fanfare for the Common Man
producer:
Greg Lake
bass guitar:
Greg Lake
drums (drum set) and timpani:
Carl Palmer
synthesizer:
Keith Emerson
edit of:
Fanfare for the Common Man by Emerson, Lake & Palmer
recording of:
Fanfare for the Common Man (ELP arrangement)
composer:
Aaron Copland (composer)
arranger:
Keith Emerson, Greg Lake and Carl Palmer
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
Fanfare for the Common Man (for brass and percussion orchestra)
Emerson, Lake & Palmer42:58
3Rockin’ All Over the World
assistant engineer:
Kevin Whyte
engineer:
John Eden (producer), Barry Hammond and Simon Sullivan
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1977), Mercury Records Ltd. (London) (for copyrights use only) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (not for release label use!) (in 1977), Phonogram Ltd. (London) (company name, NOT a label!) (in 1977, in 1988) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1992)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (on 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Sweden (on 1992-08-30) and Sutton Park in Birmingham, West Midlands, England, United Kingdom (on 1992-08-30)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
music videos:
Rockin All Over the World by Status Quo (UK boogie rock band)
cover recording of:
Rockin’ All Over the World (on 1992-08-30)
lyricist and composer:
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company and Intersong Ltd. (publisher) (in 1977)
Status Quo43:31
4Way Down
engineer:
Mike Moran (American engineer, associated with RCA)
executive producer:
Elvis Presley (“The King of Rock and Roll”)
bass:
Jerry Scheff (from 1976-10-29 until 1976-10-30)
drums (drum set):
Ronnie Tutt (drummer) (from 1976-10-29 until 1976-10-30)
electric piano:
David Briggs (English organist and composer) (from 1976-10-29 until 1976-10-30)
guitar:
James Burton (guitarist) (from 1976-10-29 until 1976-10-30), Charlie Hodge (from 1976-10-29 until 1976-10-30), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (from 1976-10-29 until 1976-10-30) and Chip Young (American session guitarist, bassist, producer in the genre of country) (from 1976-10-29 until 1976-10-30)
Moog:
Shane Keister (from 1976-10-29 until 1976-10-30)
piano:
Tony Brown (US producer, pianist and keyboardist) (from 1976-10-29 until 1976-10-30)
steel guitar:
Weldon Myrick (from 1976-10-29 until 1976-10-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1976-10-29)
vocals:
Sherrill Nielsen (American tenor singer) (on 1976-10-29, from 1976-10-29 until 1976-10-30), Myrna Smith (on 1976-10-29, from 1976-10-29 until 1976-10-30), J.D. Sumner & The Stamps (on 1976-10-29, from 1976-10-29 until 1976-10-30) and Kathy Westmoreland (on 1976-10-29, from 1976-10-29 until 1976-10-30)
phonographic copyright (℗) by:
BMG Music (in 1977), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1977) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Graceland in Memphis, Tennessee, United States (on 1976-10-29, from 1976-10-29 until 1976-10-30) and Creative Workshop in Nashville, Tennessee, United States (in 1977-01)
recording of:
Way Down (from 1976-10-29 until 1977-01)
lyricist and composer:
Layng Martine, Jr. (Nashville songwriter)
publisher:
MCS Music Ltd. and Ray Stevens Music
Elvis Presley2.252:38
5Good Morning Jude
assistant engineer and assistant mixer:
Tony Spath
engineer, mixer and editor:
Eric Stewart
producer:
10cc, Graham Gouldman and Eric Stewart
bass guitar, electric guitar, guitar and tambourine, electric bass guitar [six string bass] and background vocals:
Graham Gouldman
cabasa, drums (drum set), piano and tambourine:
Paul (UK rock drummer)
Moog, guitar, piano and slide guitar and background vocals and lead vocals:
Eric Stewart
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1977) and Phonogram Ltd. (not for release label use!) (in 1977)
recorded at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Good Morning Judge by 10cc
recording of:
Good Morning Judge
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd. (in 1977)
10cc4.42:53
6Telephone Line
engineer:
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) and Duane Scott
producer:
Jeff Lynne
bass and background vocals:
Kelly Groucutt (in 1976-07)
cello:
Melvyn Gale (in 1976-07) and Hugh McDowell (in 1976-07)
clavinet, Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1976-07)
guitar:
Jeff Lynne (in 1976-07) and Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
violin:
Mik Kaminski (in 1976-07)
lead vocals:
Jeff Lynne (in 1976-07)
conductor:
Louis Clark (in 1976-07)
phonographic copyright (℗) by:
United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1974), Jet Records (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (in 1976-07), De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1976-07) and Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1976-07)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
edited at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Telephone Line (in 1976-07)
lyricist and composer:
Jeff Lynne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Jet Music Ltd. (British branch) and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.54:40
7When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistant engineer:
Dana Latham
producer:
Richard Perry (producer)
bass:
Willie Weeks (US bass player) (in 1976)
drums (drum set):
Jeff Porcaro (in 1976)
electric piano:
Michael Omartian (in 1976)
guitar:
Dean Parks (American session guitarist) (in 1976)
saxophone:
George Palisky, Jr. (in 1976)
synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
synthesizer arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) and Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
writer:
Carole Bayer Sager and Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
When I Need You
writer:
Carole Bayer Sager and Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:09
8Don’t Give Up on Us
vocals:
David Soul
phonographic copyright (℗) by:
David Soul (in 1976)
phonographic copyright (℗) by:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) and Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
lyricist and composer:
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. and Universal Music Publishing International Ltd.
David Soul33:36
9So You Win Again
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) and RAK (in 1977)
recording of:
So You Win Again
lyricist and composer:
Russ Ballard
publisher:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) and Universal Music–MGB Songs
Hot Chocolate4.254:31
10Nights on Broadway
background vocals [backing vocals]:
Deborah Lindsey and Paulette McWilliams
horn [horns arranger] arranger:
Rick Kellis (horn)
strings arranger:
Gerald Lee
cover recording of:
Nights on Broadway
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Casserole Music Corp., Crompton Songs, Gibb Brothers Music, Slamm Music, Inc (BMI-affiliated), Unichappell Music, Inc., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Abigail Music Ltd. (publisher) (in 1975) and Flam Music Ltd. (in 1975)
Candi Staton33:30
11From New York to LA
recording of:
From New York to L.A.
writer:
Gilles Vigneault and Gene Williams (Songwriter, worked with Patsy Gallant)
is based on:
Mon pays (Gilles Vigneault song)
Patsy Gallant3:44
12Love’s Unkind
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1977) and WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (in 1977)
recording of:
Love’s Unkind
writer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
Donna Summer24:28
13Ma Baker
recording of:
Ma Baker
lyricist and composer:
Frank Farian, Fred Jay and George Reyam
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Boney M.4.54:36
14The Crunch
recording of:
The Crunch
composer:
Richard Hewson
The RAH Band3:40
15Tear Me Apart
recording of:
Tear Me Apart
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Suzi Quatro32:58
16OK?
assistant engineer:
Steve Prestage (in 1977) and John Walls (in 1977)
engineer:
Denny Bridges (in 1977)
producer:
Andy Mackay (of Roxy Music) (in 1977)
bass:
Tony Stevens (Bass player for Foghat) (in 1977)
drums (drum set):
Peter Van Hooke (in 1977)
guitar:
Ray Russell (guitar, composer, producer) (in 1977)
lead vocals:
Julie Covington (in 1977)
vocals:
Sue Jones‐Davies, Charlotte Cornwell (in 1977) and Rula Lenska (in 1977)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1977)
recording of:
OK? (in 1977)
lyricist:
Howard Schuman
composer:
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Rock Follies53:33
17Living Next Door to Alice
associate producer:
Nicky Chinn
producer:
Mike Chapman (Australian producer and songwriter) and G. Kasper (German sound engineer & producer, "Mr. Cool")
phonographic copyright (℗) by:
Chinnichap Records Ltd. (in 1976) and RAK Records Ltd. (in 1976)
produced for:
Chinnichap (production company and publisher)
cover recording of:
Living Next Door to Alice (Original by New World)
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton and Universal Music Publishers MGB Australia Pty Ltd
recording of:
Living Next Door to Alice (Original by New World)
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton and Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:28
18Pearl’s a Singer
cover recording of:
Pearl’s a Singer
writer:
Ralph Dino, Jerry Leiber, John Sembello and Mike Stoller
publisher:
Sony/ATV Songs LLC
Elkie Brooks43:38
19Every Man Must Have a Dream
producer:
Hal Carter (songwriter and producer) and Peter Swettenham
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
produced for:
Hal Carter Productions (production company)
recording of:
Every Man Must Have a Dream
lyricist and composer:
Roger Scott Craig and Billy Kinsley (singer, songwriter and bassist)
Liverpool Express3:53
20Don’t Cry for Me Argentina
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Tim Rice
vocals:
Julie Covington (in 1976)
part of:
TV Cream: Real 100 Best Singles Ever (number: 56)
recording of:
Don’t Cry for Me Argentina (Evita) (in 1976)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
Julie Covington, Andrew Lloyd Webber, Tim Rice35:25
2▼CD
#TitleArtistRatingLength
1No More Heroes
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1977-07)
recording of:
No More Heroes (in 1977-07)
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers4.653:28
2Sheena is a Punk Rocker
assistant engineer:
Don Berman
engineer:
Ed Stasium (US record producer & audio engineer)
producer:
Tony Bongiovi and Thomas Erdelyi (Tommy Ramone)
bass guitar:
Dee Dee Ramone
drums (drum set):
Tommy Ramone
guitar:
Johnny Ramone
lead vocals:
Joey Ramone
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
recorded at:
Mediasound Studios in New York, New York, United States and Sundragon Studios in Flatiron District, New York, New York, United States
mixed at:
Le Studio in Morin‐Heights, Québec (Quebec), Canada, Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States and Track Recorders (location listed as Maryland or Washington, DC) in Silver Spring, Maryland, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 434) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 457)
recording of:
Sheena Is a Punk Rocker
writer:
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman and John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher), Taco Tunes Inc. and Warner/Chappell North America
Ramones4.552:46
3White Riot
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
White Riot
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
The Clash3.51:59
4All Around the World
producer:
Chris Parry and Vic Smith
bass:
Bruce Foxton (on 1977-06-28)
drums (drum set):
Rick Buckler (on 1977-06-28)
guitar:
Paul Weller (English singer‐songwriter and musician) (on 1977-06-28)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
recorded at:
Chappell Music in London (Greater London), England, United Kingdom (on 1977-06-28)
recording of:
All Around the World (on 1977-06-28)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
And Son Music Ltd., BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam2:23
5Lookin’ After No.1
engineer:
Steve Brown (engineer/music producer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
recording of:
Lookin’ After No. 1
lyricist and composer:
Bob Geldof
The Boomtown Rats4.653:08
6Do Anything You Wanna Do
recording of:
Do Anything You Wanna Do
composer:
Graeme Douglas and Ed Hollis (British songwriter and producer)
Eddie & the Hot Rods4:02
7Roadrunner (Once)
recording of:
Roadrunner (Once)
writer:
Jonathan Richman
Jonathan Richman & The Modern Lovers4:43
8Spanish Stroll
bass:
Rubén Sigüenza
guitar:
Willy DeVille and Louis X. Erlanger
membranophone:
Thomas R. "Manfred" Allen, Jr.
piano:
Bobby Leonards
lead vocals:
Willy DeVille
phonographic copyright (℗) by:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2015)
recording of:
Spanish Stroll
lyricist and composer:
Willy DeVille
Mink DeVille53:38
9Watching the Detectives
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
drums (drum set):
Steve Goulding (English drummer for the Rumour, Mekons, etc.)
electric bass guitar [bass]:
Andrew Bodnar (bass player)
guitar:
Elvis Costello
organ and piano:
Steve Nieve
vocals:
Elvis Costello
phonographic copyright (℗) by:
Elvis Costello (in 1977)
phonographic copyright (℗) by:
Demon Records Ltd. (in 1984)
recorded at:
Pathway Studios in Islington, London (Greater London), England, United Kingdom (in 1976, from 1977-05 until 1977-06)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 354) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 355)
recording of:
Watching the Detectives
lyricist and composer:
Declan Patrick MacManus
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Universal Music Publishing International MGB Ltd.
Elvis Costello4.153:45
10Peaches
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
assistant mixer:
Benny King (engineer)
mixer:
Doug Bennett (producer, engineer)
bass guitar:
Jean‐Jacques Burnel (from 1976-12-20 until 1977-01-28)
drums (drum set):
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (from 1976-12-20 until 1977-01-28)
guitar and lead vocals:
Hugh Cornwell (English rock musician) (from 1976-12-20 until 1977-01-28)
keyboard:
Dave Greenfield (from 1976-12-20 until 1977-01-28)
publisher:
EMI April Music Inc.
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1976-12-20 until 1977-01-28)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1977-01 until 1977-02)
recording of:
Peaches (from 1976-12-20 until 1977-01-28)
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton and Universal Music Publishing MGB Ltd.
The Stranglers4.154:05
112-4-6-8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
Berwick Street Studios in Westminster, London (Greater London), England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:17
12Black Betty
producer:
Jerry Kasenetz and Jeff Katz (music producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (from 1977 to present) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam4.52:30
13More Than a Feeling
producer:
John Boylan and Tom Scholz
acoustic guitar, bass and electric guitar:
Tom Scholz (from 1975-10 until 1976-04)
drums (drum set):
Sib Hashian (from 1975-10 until 1976-04)
vocals:
Brad Delp (from 1975-10 until 1976-04)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
recording of:
More Than a Feeling (from 1975-10 until 1976-04)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston4.83:24
14Lido Shuffle
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
Moog:
David Paich (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
Lido Shuffle (in 1975-09)
lyricist:
Boz Scaggs
composer:
David Paich and Boz Scaggs
publisher:
BMG Music Ltd., Boz Scaggs Music (publisher), Francis & Freedman Accountancy Corp., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK) and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3.653:41
15She’s Not There
cover recording of:
She’s Not There
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana3:14
16This is Tomorrow
assistant engineer:
Ross Cullum and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Steve Nye (producer, engineer and pianist)
producer:
Bryan Ferry and Steve Nye (producer, engineer and pianist)
horn arranger:
Mel Collins and Chris Mercer (British saxophonist)
strings arranger:
Ann O'Dell
phonographic copyright (℗) by:
Virgin EG Records Ltd (company credits only; do NOT use as release label) (in 1977) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (from 1976-06 until 1977)
recording of:
This Is Tomorrow (from 1976-06 until 1977)
lyricist and composer:
Bryan Ferry
publisher:
BMG Songs Ltd. and E.G. Music Ltd. (publisher) (in 1977)
Bryan Ferry3:39
17Slip Slidin’ Away
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 48)
recording of:
Slip Slidin’ Away
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music (in 1977)
Paul Simon4.354:46
18Dancing in the Moonlight (It’s Caught Me in It’s Spotlight)
engineer:
Tony Visconti
producer:
Thin Lizzy (Irish hard rock band) and Tony Visconti
acoustic guitar, bass guitar and harp and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist)
saxophone:
John Helliwell
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1977)
recording of:
Dancing in the Moonlight (It’s Caught Me in Its Spotlight)
lyricist and composer:
Phil Lynott
publisher:
PolyGram Music Ltd.
Thin Lizzy4.253:25
19They Shoot Horses Don’t They
recording of:
They Shoot Horses Don't They?
lyricist and composer:
Gareth Mortimer
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Racing Cars3:40
20Wonderous Stories
assistant engineer:
David Richards (Swiss-based producer and engineer)
engineer:
John Timperley
executive producer:
Brian Lane (producer)
producer:
Yes (British progressive rock band)
bass guitar:
Chris Squire (Yes bassist) (from 1976 until 1977)
drums (drum set) and percussion:
Alan White (Yes drummer) (from 1976 until 1977)
Moog [Polymoog]:
Rick Wakeman (from 1976 until 1977)
Portuguese guitar [Vachalia] and electric guitar:
Steve Howe (from 1976 until 1977)
background vocals:
Steve Howe (from 1976 until 1977) and Chris Squire (Yes bassist) (from 1976 until 1977)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (from 1976 until 1977)
arranger:
Yes (British progressive rock band)
phonographic copyright (℗) by:
Atlantic (Warner Music imprint) (in 1977), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
recorded at:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1976 until 1977)
partial recording of:
Wonderous Stories (from 1976 until 1977)
lyricist and composer:
Jon Anderson (Yes/Jon & Vangelis)
publisher:
Rondor Music (London) Ltd., Topographic Music (publisher), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Topographic Music, Ltd. (in 1977)
Yes4.353:48
3▼CD
#TitleArtistRatingLength
1I Feel Love
recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:48
2Yes Sir, I Can Boogie
producer:
Rolf Soja
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1977) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music and Peermusic (UK) Ltd.
Baccara4.754:33
3Black is Black
Belle Epoque5:11
4Daddy Cool
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett (in 1976), Frank Farian (in 1976) and Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographic copyright (℗) by:
Far Music Productions GmbH (in 1976) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
part of:
Cachitos Nochevieja 2022 (number: 153)
recording of:
Daddy Cool (in 1976)
lyricist:
George Reyam
composer:
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH and Intro (German publisher) (in 1976)
Boney M.43:28
5Star Wars Theme/Cantina Band
recording of:
Star Wars Theme / Cantina Band
writer:
John Williams (American score composer)
Meco3:31
6Disco Inferno
recording of:
Disco Inferno
writer:
Leroy Green (disco/soul songwriter) and Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. and Six Strings Music
The Trammps3:11
7Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)
edit of:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (LP / 12″ version) by Chic (US disco group)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 20)
recording of:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (in 1977)
writer:
Bernard Edwards (American bassist and record producer), Kenny Lehman and Nile Rodgers
Chic3.53:45
8Boogie Nights
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
GTO Records (in 1976) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976)
edit of:
Boogie Nights by Heatwave (70s/80s R&B/funk band)
recording of:
Boogie Nights (in 1976)
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.653:37
9Car Wash
recording of:
Car Wash
lyricist and composer:
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) and USI B Music Publishing
Rose Royce4.63:18
10Best of My Love
producer:
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 334)
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:41
11Don’t Leave Me This Way
producer:
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1976)
edit of:
Don’t Leave Me This Way by Thelma Houston
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 355) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.53:38
12The Shuffle
recording of:
The Shuffle
composer:
Van McCoy
Van McCoy & the Soul City Symphony4:17
13Got to Give It Up (Pt.1)
producer:
Art Stewart
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recording of:
Got to Give It Up
lyricist and composer:
Marvin Gaye
publisher:
Jobete Music (UK) Ltd. and Jobete Music Publishing
Marvin Gaye4.154:13
14Baby, Don’t Change Your Mind
cover recording of:
Baby Don’t Change Your Mind
lyricist and composer:
Van McCoy
Gladys Knight & the Pips3:11
15You Don’t Have to be a Star (to be in My Show)
recording of:
You Don't Have to Be a Star (To Be in My Show)
writer:
James Dean (US soul songwriter) and John Glover (US Funk/disco/soul producer & songwriter)
Marilyn McCoo & Billy Davis, Jr.4:38
16You’re More Than a Number in My Little Red Book
producer:
Roger Greenaway
baritone vocals:
Billy Lewis
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters)
vocals:
Clyde Brown (US soul singer) and Butch Mann
conductor:
Gerry Butler (Production music composer)
arranger:
Gerry Butler (Production music composer)
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1975)
recording of:
You’re More Than a Number in My Little Red Book
composer:
Roger Greenaway and Tony Macaulay
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and PolyGram Music Publishing Ltd.
The Drifters3:16
17Jack in the Box
recording of:
Jack in the Box
writer:
Al Goodman (US 70s R&B singer/producer), Tommy Keith and Harry Ray
The Moments3:58
18Free
producer:
Charles Stepney (musician, producer, arranger and songwriter) and Maurice White (Earth, Wind & Fire)
edit of:
Free by Deniece Williams (US soul/funk vocalist/songwriter)
recording of:
Free
writer:
Susaye Greene, Hank Redd, Nathan Watts and Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Black Eye Music, Island Music Ltd., Kee‐Drick Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams42:51
19Easy
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977), Motown Record Corporation (company credits only; do NOT use as release label) (in 1977), Motown Records (not for label use; use “Motown” instead) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2009)
recording of:
Easy
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores3.754:14
20Float On
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
edit of:
Float On (long version) by Floaters
recording of:
Float On
writer:
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) and Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters54:09
4▼CD
#TitleArtistRatingLength
1Mull of Kintyre
assistant recording engineer:
Tim Summerhayes (from 1977-08-09 until 1977-10)
recording engineer:
Geoff Emerick (British recording engineer) (from 1977-08-09 until 1977-10)
producer:
Paul McCartney (The Beatles)
mixer:
Geoff Emerick (British recording engineer)
acoustic bass guitar and lead vocals:
Paul McCartney (The Beatles) (from 1977-08-09 until 1977-10)
acoustic guitar:
Denny Laine (from 1977-08-09 until 1977-10) and Paul McCartney (The Beatles) (from 1977-08-09 until 1977-10)
bagpipe:
John Lang Brown (from 1977-08-09 until 1977-10), Campbelltown Pipe Band (from 1977-08-09 until 1977-10), Archie Coffield (from 1977-08-09 until 1977-10), Dougie Lang (from 1977-08-09 until 1977-10), John McGeachy (from 1977-08-09 until 1977-10), Ian McKerral (from 1977-08-09 until 1977-10) and Tony Wilson (bagpipes) (from 1977-08-09 until 1977-10)
drums (drum set):
Tommy Blue (from 1977-08-09 until 1977-10), Joe English (from 1977-08-09 until 1977-10), Campbell Maloney (from 1977-08-09 until 1977-10) and Jimmy McGeachy (from 1977-08-09 until 1977-10)
electric guitar:
Denny Laine (from 1977-08-09 until 1977-10)
percussion:
Linda McCartney (from 1977-08-09 until 1977-10)
background vocals:
Denny Laine (from 1977-08-09 until 1977-10), Linda McCartney (from 1977-08-09 until 1977-10), Paul McCartney (The Beatles) (from 1977-08-09 until 1977-10), Ian McKerral (from 1977-08-09 until 1977-10) and Dave Paton (from 1977-08-09 until 1977-10)
phonographic copyright (℗) by:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
recorded at:
Spirit of Ranachan Studio in Scotland, United Kingdom (on 1977-08-09) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1977-10)
recording of:
Mull of Kintyre (from 1977-08-09 until 1977-10)
writer:
Denny Laine and Paul McCartney (The Beatles)
publisher:
ATV Music
Paul McCartney & Wings3.254:43
2Chanson d’amour
producer:
Richard Perry (producer)
accordion:
Steve Paietta
bass:
Andy Muson (in 1975)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (in 1975)
guitar:
Ben Benay (in 1975) and Ira Newborn (in 1975)
piano:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) (in 1975)
solo tenor saxophone:
Jay Migliori (in 1975)
remixer:
Howard Steele (US producer, sound engineer)
arranger:
Ira Newborn
vocals arranger:
Tim Hauser (in 1975) and Janis Siegel (in 1975)
cover recording of:
Chanson d’amour (1958 song) (in 1975)
lyricist and composer:
Wayne Shanklin
publisher:
Carlin Music and Intersong (publisher) (in 1982)
The Manhattan Transfer2:54
3Silver Lady
phonographic copyright (℗) by:
David Soul (in 1977)
recording of:
Silver Lady (in 1977)
writer:
Tony Macaulay and Geoff Stephens
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Macaulay Music Ltd., Polygram International Music Publishing Ltd. and PolyGram Music Publishing
David Soul53:42
4Sam
producer:
John Farrar
arranger:
John Farrar
phonographic copyright (℗) by:
Olivia Newton‐John (British‐Australian singer, actress and activist) (in 1976)
recording of:
Sam (Olivia Newton-John song)
writer:
Don Black (English lyricist), John Farrar and Hank Marvin (lead guitarist of The Shadows, songwriter)
publisher:
Bienstock Publishing Company (ASCAP affiliated), John Farrar Music, Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Olivia Newton‐John33:42
5Angelo
recording engineer:
Simon Skolfield
producer:
Brotherhood of Man and Tony Hiller
creative direction:
Lee Sheriden
arranger:
Lee Sheriden
recording of:
Angelo
writer:
Tony Hiller, Martin Lee (singer, of UK pop group Brotherhood of Man) and Lee Sheriden
publisher:
ATV Music Ltd., Castle (publisher), E.M.I. Pub. Ltd., EMI Music Publishing Germany GmbH (1967–2001), Tony Hiller Music (publisher) and Tony Hills Music Co. Ltd.
Brotherhood of Man33:16
6You’re Moving Out Today
recording of:
You're Moving out Today
writer:
Carole Bayer Sager, Bette Midler and Bruce Roberts (American singer-songwriter)
Carole Bayer Sager4.353:33
7Telephone Man
recording of:
Telephone Man
writer:
Meri Wilson
Meri Wilson41:59
8Oh Lori
assistant engineer:
Geoff Howe
engineer:
Bones Howe (from 1976-07 until 1976-09)
producer:
Bones Howe
vocals:
Billy Alessi and Bobby Alessi
conductor:
Mike Melvoin
arranger:
Mike Melvoin
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07 until 1976-09)
part of:
The Downloader’s Music Source Book (number: 330)
recording of:
Oh Lori
writer:
Billy Alessi and Bobby Alessi
publisher:
Alessi Music, Tenyor Music and 大洋音楽 (Taiyō Music)
Alessi Brothers33:19
9The Things We Do for Love
recording of:
The Things We Do for Love
writer:
Graham Gouldman and Eric Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. and Man-Ken Music Ltd. (in 1977)
10cc3:18
10We’re All Alone
producer:
David Anderle
phonographic copyright (℗) by:
A&M Records (in 1977) and A&M Records, Inc. (Los Angeles) (in 1977)
cover recording of:
We’re All Alone
lyricist and composer:
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and Boz Scaggs Music (publisher) (from 1975 to present)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge43:39
11Lucille
producer:
Larry Butler (US country music producer, songwriter & pianist)
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Capitol Records Nashville (in 1976), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1976) and Liberty Records, Inc. (in 1977)
recording of:
Lucille
writer:
Roger Bowling and Hal Bynum
publisher:
ATV Music Corp., Sony/ATV Music Publishing Australia Pty Ltd., Andite Invasion (publisher) (in 1976) and Brougham Hall Music Co., Inc. (publisher) (in 1976)
Kenny Rogers43:37
12Desiree
engineer:
Val Garay and Bill Schnee
producer:
Bob Gaudio
recording of:
Desirée (in 1977)
lyricist:
Neil Diamond
composer:
Neil Diamond (in 1977)
Neil Diamond4.53:18
13Think I’m Gonna Fall in Love with You
assistant producer:
Mike Myers (UK producer/songwriter)
producer:
Ben Findon (songwriter and producer)
recording of:
Think I’m Gonna Fall in Love With You
writer:
Ben Findon (songwriter and producer) and Mike Myers (UK producer/songwriter)
The Dooleys3:04
14Red Light Spells Danger
recording of:
Red Light Spells Danger
writer:
Ben Findon (songwriter and producer) and Leslie Sebastian Charles
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3:30
15Lonely Boy
assistant engineer:
Dennis Kirk and Greg Ladanyi
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1976-03 until 1976-10)
bell [Sleigh] and drums (drum set):
Michael Botts (from 1976-03 until 1976-10)
cowbell, piano and tambourine:
Andrew Gold (from 1976-03 until 1976-10)
electric piano and synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (from 1976-03 until 1976-10)
guitar:
Dan Dugmore (from 1976-03 until 1976-10)
guitar [Lead Guitar]:
Waddy (from 1976-03 until 1976-10)
handclaps:
Peter Asher (from 1976-03 until 1976-10) and Andrew Gold (from 1976-03 until 1976-10)
background vocals:
Linda Ronstadt (from 1976-03 until 1976-10)
vocals:
Andrew Gold (from 1976-03 until 1976-10)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1976-03 until 1976-10)
recording of:
Lonely Boy (from 1976-03 until 1976-10)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:20
16Have I the Right
producer:
Barry Blue (singer, producer, and songwriter)
cover recording of:
Have I the Right
writer:
Alan Blaikley and Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Ivy Music Ltd.
Dead End Kids43:11
17Dancin’ Party
cover recording of:
Dancing Party
lyricist:
Kal Mann
composer:
Dave Appell
Showaddywaddy2:43
18Daddy Cool / The Girl Can’t Help It
recording of:
Daddy Cool / The Girl Can’t Help It
writer:
Bob Crewe, Frank Slay Jr. and Bobby Troup
Darts2:29
19Portsmouth
engineer:
Paul Lindsay
producer:
Mike Oldfield
accordion, acoustic guitar, bodhrán, mandolin, synthesizer and timpani:
Mike Oldfield
foot stomps [feet], kortholt and recorder:
Les Penning
arranger:
Mike Oldfield
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2010)
recorded at:
Througham (in 1976-01)
recording of:
Portsmouth
composer:
[traditional] (special purpose artist)
arranger:
Mike Oldfield
is based on:
Portsmouth
Mike Oldfield42:01
20The Floral Dance
recording of:
The Floral Dance (Brass Band arr. Broadbent)
composer:
Katie Moss (violinist, singer and composer)
instruments arranger:
Derek Broadbent (UK Band Director)
arrangement of:
The Floral Dance
The Brighouse and Rastrick Brass Band2:52

Credits

Release group

part of:Now Yearbook (UK Now subseries) (number: 1977) (order: 5)
Discogs:https://www.discogs.com/master/3644589 [info]