School Disco Anthems, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Don’t Stop Me Now
additional engineer:
John Etchells
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer) and Queen (UK rock group)
bass guitar:
John Deacon (from 1978-07 until 1978-10)
electric guitar:
Brian May (Queen guitarist) (from 1978-07 until 1978-10)
percussion:
Roger Taylor (Queen drummer) (from 1978-07 until 1978-10)
piano:
Freddie Mercury (from 1978-07 until 1978-10)
vocals:
Brian May (Queen guitarist) (from 1978-07 until 1978-10), Freddie Mercury (from 1978-07 until 1978-10) and Roger Taylor (Queen drummer) (from 1978-07 until 1978-10)
arranger:
Queen (UK rock group)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1978) and Raincloud Productions Ltd. (in 1978, in 2011)
recorded at:
Mountain Studio (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1978-07 until 1978-10) and Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (from 1978-07 until 1978-10)
part of:
TV Cream: Real 100 Best Singles Ever (number: 74)
recording of:
Don’t Stop Me Now (from 1978-07 until 1978-10)
written in:
Montreux, Vaud (Canton of Vaud), Switzerland and Nice, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France
lyricist and composer:
Freddie Mercury (from 1978-07 until 1978-10)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., Sony/ATV, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (Queen musical)
Queen4.253:33
2Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (not for release label use!) (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
10cc4.654:28
3I Don’t Wanna Dance
recording of:
I Don’t Wanna Dance
lyricist and composer:
Eddy Grant
Eddy Grant33:40
4Break My Stride
drums (drum set) programming:
John Gilston (in 1983)
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) and Matthew Wilder (in 1983)
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta (in 1983)
guitar:
Dennis Herring (in 1983)
background vocals:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) and Matthew Wilder (in 1983)
lead vocals:
Matthew Wilder (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
recording of:
Break My Stride (in 1983)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:02
5Funkytown
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
edit of:
Funkytown (12″ version) by Lipps, Inc.
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 37)
recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.14:00
6Don’t Leave Me This Way
producer:
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1976)
edit of:
Don’t Leave Me This Way by Thelma Houston
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 355) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.53:39
7Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:22
8Dr. Beat
lead vocals:
Gloria Estefan
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Dr. Beat
lyricist and composer:
Enrique Garcia (Miami Sound Machine)
publisher:
EMI Songs Ltd. and Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:24
9Dance Little Sister
recording engineer and mixer:
Phil Legg
producer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Martyn Ware
bass:
Cass Lewis
clavinet, percussion and piano and background vocals and lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
drums (drum set):
Clive Mngaza
guitar:
Pete Glenister, Christian Marsac and Blast Murray
Hammond organ:
Nick Plytas
keyboard:
Andy Whitmore
saxophone:
Mel Collins
additional background vocals:
Phil Legg, Misty Oldland and Martyn Ware
performer:
The Bojangles (Terence Trent D'Arby's backing band)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
recording of:
Dance Little Sister
lyricist and composer:
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby23:57
10Only You
recording of:
Only You
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing and Sony/ATV Music Publishing (UK) Ltd.
Yazoo3:04
1199 Red Balloons
producer:
Jay Faires, Tricia Holloway, Reinhold Heil (from 1982 until 1983) and Manne Praeker (from 1982 until 1983)
lead vocals:
Nena (the person, performing solo since 1987) (in 1983)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
recorded at:
Spliff Studio in Berlin, Germany (from 1982 until 1983)
part of:
TV Cream: Real 100 Best Singles Ever (number: 64)
recording of:
99 Red Balloons (from 1982 until 1983)
lyricist:
Carlo Karges (in 1982)
composer:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
translator:
Kevin McAlea (in 1983)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Songs Ltd.
translated version of:
99 Luftballons
Nena3.83:52
12Do Wah Diddy Diddy
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 35)
cover recording of:
Do Wah Diddy Diddy
writer:
Jeff Barry and Ellie Greenwich
publisher:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:24
13A Good Heart
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
mixer:
Shelly Yakus
arranger:
Feargal Sharkey and Dave Stewart (UK guitarist/singer for Eurythmics)
phonographic copyright (℗) by:
EMI Music Italy S.p.A. (company 1997–2007, not the same as "EMI Music Italy" its main imprint) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
A Good Heart
lyricist and composer:
Maria McKee
publisher:
J. Albert & Son Pty. Ltd.
Feargal Sharkey3.64:40
14Dizzy
producer and mixer:
Mick Glossop (producer & engineer)
cover recording of:
Dizzy
lyricist and composer:
Tommy Roe and Freddy Weller
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Vic Reeves & The Wonder Stuff3.653:19
15Tarzan Boy
producer:
Maurizio Bassi
arranger:
Maurizio Bassi
recording of:
Tarzan Boy
lyricist:
Naimy Hackett
composer:
Maurizio Bassi
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Baltimora43:27
16Love Changes (Everything)
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
additional percussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Neil Taylor (guitarist)
keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
background vocals:
Coral Gordon and Soultanas
vocals:
Simon Climie
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:29
17Hot in the City
assistant engineer:
Steve Bates (engineer)
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
edit of:
Hot in the City (extended version) by Billy Idol (English rock singer‐songwriter)
music videos:
Hot in the City (uncensored version) by Billy Idol (English rock singer‐songwriter)
recording of:
Hot in the City
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Mushroom Music (Mushroom label’s publishing company) and Rare Blue Music Inc
Billy Idol4.53:33
18Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins4.13:48
19Bridge to Your Heart
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1987) and BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 1987)
recording of:
Bridge to Your Heart
writer:
Andrew Gold and Graham Gouldman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music (Island Music Ltd.), Island Music Ltd., Sluggogsongs and St. Anne’s Music Ltd.
Wax4.54:15
20Perfect
producer:
Fairground Attraction and Kevin Moloney
assistant mixer:
Alistair Johnson (engineering)
mixer:
Kevin Moloney
lead vocals:
Eddi Reader
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recorded at:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, United Kingdom
music videos:
Perfect by Fairground Attraction
recording of:
Perfect
lyricist and composer:
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:36
2▼CD
#TitleArtistRatingLength
1I’m So Excited
producer:
Richard Perry (producer)
bass guitar:
Nathan East
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
George Doering and Lee Ritenour
keyboard [keyboards] and synthesizer:
Michael Boddicker and Greg Phillinganes
piano:
William D. “Smitty” Smith (organist/keyboardist)
background vocals:
June Pointer and Ruth Pointer
lead vocals:
Anita Pointer
phonographic copyright (℗) by:
BMG Music (in 1982)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 258)
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Pointer Sisters4.83:56
2When Will I Be Famous
recording engineer:
John Brand (engineer), Simon Humphrey and Robin Sellers
assistant engineer:
Richard Edwards (sound engineer) and Alex Osman
engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer and mixer:
Nicky Graham
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at:
Hot Nights Studio in London (Greater London), England, United Kingdom
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
When Will I Be Famous?
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited and Warner Chappell Music (publisher as Warner/Chappell Music)
Bros34:01
3Touch Me
producer:
Jon Astrop (British musician, songwriter and painter)
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1986), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recording of:
Touch Me (I Want Your Body) (Full moon in the city and the night was young... I was hungry for love)
writer:
Jon Astrop (British musician, songwriter and painter), Peter Brian Harris and Mark Shreeve
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Imagem London Ltd.
Samantha Fox3.653:47
4Shattered Dreams
producer:
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) and Mike Nocito
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Shattered Dreams
lyricist and composer:
Clark Datchler
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sweet Oily Music
Johnny Hates Jazz4.53:29
5Love Really Hurts Without You
vocals:
Billy Ocean
phonographic copyright (℗) by:
GTO Records Ltd. (holding company - file no releases here!) (in 1976) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1976)
recording of:
Love Really Hurts Without You
lyricist and composer:
Ben Findon (songwriter and producer) and Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.53:01
6If I Can’t Have You
engineer:
James Richards (engineer) and Stephen Streater
additional producer:
Phil Kelsey (notable remixer, aka Uncle Bob)
producer:
Ricky Wilde
remixer:
Phil Kelsey (notable remixer, aka Uncle Bob)
arranger:
Ricky Wilde
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
recorded at and mixed at:
Select Sound Studios in Knebworth, Hertfordshire, England, United Kingdom
cover recording of:
If I Can’t Have You
written in:
France
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kim Wilde2.653:27
7Circle in the Sand
producer:
Rick Nowels
phonographic copyright (℗) by:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
Circle in the Sand
writer:
Rick Nowels and Ellen Shipley
publisher:
Bug Music Ltd., Screen Gems–EMI Music Ltd., Virgin Music (Publishers) Ltd., Future Furniture Music (in 1987) and Shipwreck Music (publisher) (in 1987)
Belinda Carlisle3.653:42
8The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:54
9A Message to You Rudy
producer:
Elvis Costello
guest trombone:
Rico Rodriguez (Jamaican trombonist)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 132)
cover recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
The Specials42:56
10Cool for Cats
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1979)
part of:
TV Cream: Real 100 Best Singles Ever (number: 81)
recording of:
Cool for Cats
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3.53:08
11Let’s Go All the Way
recording of:
Let’s Go All the Way
lyricist and composer:
Gary “Mudbone” Cooper
publisher:
EMI Music Publishing (do not use as a release label!)
Sly Fox3.53:50
12Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.252:56
13My Boy Lollipop
producer:
Chris Blackwell (Island Records)
cover recording of:
My Boy Lollipop
writer:
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") and Robert Spencer (English lutenist, guitarist & musicologist)
recording of:
My Boy Lollipop
writer:
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") and Robert Spencer (English lutenist, guitarist & musicologist)
Millie4.652:02
14Some Girls
recording of:
Some Girls
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Downtown DLJ Songs, Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Racey3.53:25
15Baby, I Love Your Way
producer:
Peter Frampton
bass guitar:
Stanley Sheldon (bass player)
drums (drum set) [drums]:
John Siomos
grand piano, organ and Rhodes piano:
Bob Mayo (US session keyboardist & guitarist)
guitar:
Peter Frampton and Bob Mayo (US session keyboardist & guitarist)
talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) and Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographic copyright (℗) by:
A&M Records (in 1975) and A&M Records, Inc. (in 1975)
live recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Peter Frampton3.654:43
16Africa
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
acoustic guitar:
Timothy B. Schmit
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) and gong:
Jeff Porcaro
electric guitar and guitar:
Steve Lukather
keyboard and piano:
David Paich
marimba:
Joe Porcaro
percussion:
Lenny Castro and Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
synthesizer:
Steve Porcaro
background vocals:
Bobby Kimball, Steve Lukather, David Paich and Timothy B. Schmit
lead vocals:
Bobby Kimball and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
music videos:
Africa by Toto (US rock group)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 105) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 452)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:57
17Copacabana
assistant engineer:
Derek Dunan
engineer:
Michael DeLugg
producer:
Ron Dante and Barry Manilow
bass guitar:
Will Lee (US jazz/rock bassist) (from 1977-07 until 1977-11)
drums (drum set):
Ronnie Zito (from 1977-07 until 1977-11)
guitar:
Mitch Holder (guitarist) (from 1977-07 until 1977-11)
keyboard:
Bill Mays (from 1977-07 until 1977-11)
percussion:
Allan Estes (from 1977-07 until 1977-11)
background vocals:
Ginger Blake (from 1977-07 until 1977-11), Laura Creamer (from 1977-07 until 1977-11) and Linda Dillard (from 1977-07 until 1977-11)
lead vocals:
Barry Manilow (from 1977-07 until 1977-11)
orchestrator:
Artie Butler
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (from 1977-07 until 1977-11)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 74) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 193)
recording of:
Copacabana (original 1978 disco/pop song) (from 1977-07 until 1977-11)
lyricist:
Jack Feldman and Bruce Sussman
composer:
Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music and Universal Music Careers
sub-publisher:
Chappell & Co Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Copacabana (1985 TV film soundtrack)
part of:
Foul Play (1978 film soundtrack)
Barry Manilow55:45
18Lido Shuffle
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
Moog:
David Paich (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
Lido Shuffle (in 1975-09)
lyricist:
Boz Scaggs
composer:
David Paich and Boz Scaggs
publisher:
BMG Music Ltd., Boz Scaggs Music (publisher), Francis & Freedman Accountancy Corp., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK) and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3.653:42
19All the Young Dudes
producer:
David Bowie (English singer‐songwriter)
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
part of:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Mott the Hoople4.23:32
20Music
engineer:
Alan Parsons (of The Alan Parsons Project) (from 1975-11 until 1975-12)
producer:
Alan Parsons (of The Alan Parsons Project)
bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (from 1975-11 until 1975-12)
guitar, keyboard, synthesizer and lead vocals:
John Miles (UK singer/songwriter/guitarist/keyboardist) (from 1975-11 until 1975-12)
percussion:
Barry Black (from 1975-11 until 1975-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-11 until 1975-12)
part of:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 10) and SWR1 Hitparade 2020 (Baden-Württemberg) (number: 10)
recording of:
Music (from 1975-11 until 1975-12)
lyricist and composer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:54
3▼CD
#TitleArtistRatingLength
1Baby One More Time
recording engineer, producer and mixer:
Max Martin (Swedish record producer) and Rami (Swedish record producer and songwriter)
bass guitar:
Tomas Lindberg (Swedish bass player)
guitar:
Johan Carlberg
background vocals:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) and Britney Spears
lead vocals:
Britney Spears
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) and Zomba Recording LLC (in 1999)
mixed for and produced for:
Cheiron Productions
recorded at and mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
…Baby One More Time by Britney Spears, …Baby One More Time (official music video) by Britney Spears, …Baby One More Time (Angle 1) by Britney Spears and …Baby One More Time (Angle 2) by Britney Spears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 205) and BILLIONS CLUB
recording of:
…Baby One More Time
lyricist and composer:
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Freaky Friday (2003)
Britney Spears3.853:33
2Big Big World
producer:
Urban "Hurb" Eriksson and Yogi (producer Günter Lauke)
phonographic copyright (℗) by:
Rodeo Records (Swedish label) (in 1998)
recording of:
Big Big World
writer:
Emilia Rydberg (Swedish singer Emilia Rydberg (Mitiku), “Big Big World”, “Twist of Fate”) and Yogi (producer Günter Lauke)
publisher:
Anderson Music and EMI Music Publishing Sweden AB
Emilia2.653:24
3The Sun Always Shines on TV
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
part of:
TV Cream: Real 100 Best Singles Ever (number: 11) and The Downloader’s Music Source Book (number: 283)
recording of:
The Sun Always Shines on T.V.
lyricist and composer:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and Sony ATV Publishing
a‐ha3.95:06
4The Shoop Shoop Song
producer:
Peter Asher
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1990)
music videos:
The Shoop Shoop Song (It’s in His Kiss) by Cher
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. and Trio Music Company
Cher3.22:49
5Mysterious Girl
recording of:
Mysterious Girl
writer:
Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs and Bubbler Ranx
publisher:
Int. Music Network, Mushroom Music (Mushroom label’s publishing company), Perfect Songs (UK publisher, affiliated with BMI), Roll Over Music and Warner Chappell Music (publisher as Warner/Chappell Music)
Peter Andre3:38
6Barbie Girl
producer and mixer:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
phonographic copyright (℗) by:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group) (in 1997)
music videos:
Barbie Girl by Aqua (Danish Euro‐dance group)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 48), Cachitos Nochevieja 2022 (number: 157) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 220)
recording of:
Barbie Girl
writer:
Lene Grawford Nystrøm, Claus Norreen, Søren Rasted and René Dif
publisher:
MCA Music Scandinavia AB and Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.753:16
7Just a Little Bit
remixer:
Motiv8
recording of:
Ooh Aah… Just a Little Bit
writer:
Steve Rodway and Simon Tauber
publisher:
Peermusic (UK) Ltd.
Gina G43:24
8Achy Breaky Heart
producer:
Jim Cotton and Joe Scaife
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 2011)
music videos:
Achy Breaky Heart by Billy Ray Cyrus
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 464)
cover recording of:
Achy Breaky Heart
lyricist and composer:
Donald L. Tress
Billy Ray Cyrus2.53:25
9How Bizarre
additional engineer and additional mixer:
Rick Huntington
engineer and producer:
Alan Jansson
accordion:
Hershal Herscher
guitar:
Lee Baker (NZ guitarist)
trumpet:
George Chisholm (jazz trombonist (1915-1997))
background vocals:
Sina Saipaia
phonographic copyright (℗) by:
Universal Music NZ Ltd. (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 1995)
recording of:
How Bizarre
writer:
Pauly Fuemana and Alan Jansson
publisher:
Lamont Music
part of:
APRA Top 100 New Zealand Songs of All Time (number: 34)
OMC3.953:47
10The Breaks
recording of:
The Breaks
writer:
James B. Moore (producer, composer), Kurtis Walker, Lawrence Smith (US hip hop producer), Robert Arthur Ford, Jr. (hip hop writer and producer) and Russell W. Simmons
publisher:
Neutral Gray Music
Kurtis Blow4:43
11Poison
recording engineer and audio engineer:
Jay Henry
associate producer:
Howie Hersh
producer and mixer:
Dr. Freeze
instruments:
Dr. Freeze
background vocals:
Bell Biv DeVoe
lead vocals:
Michael Bivins and Ronnie DeVoe
remixer:
Eric Sadler, Hank Shocklee and Keith Shocklee
recorded at and mixed at:
Echo Sound in Los Angeles, California, United States
remixed at:
Greene St. Recording in SoHo, New York, New York, United States
later releases:
Poison by Bell Biv DeVoe
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 56)
recording of:
Poison (Bell Biv DeVoe song)
lyricist and composer:
Elliot Straite
Bell Biv DeVoe3.74:24
12What’s Up
recording engineer:
David Tickle (in 1992)
mastering:
Stephen Marcussen (mastering engineer)
additional engineer:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
engineer:
Mark Hensley
producer and mixer:
David Tickle
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992, in 1993)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981–2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
4 Non Blondes4.354:13
13Linger
additional engineer:
Aiden McGovern
engineer and producer:
Stephen Street (famous producer, songwriter)
acoustic guitar and electric guitar:
Noel Hogan
bass guitar:
Mike Hogan (bassist for The Cranberries)
drums (drum set) and percussion:
Fergal Lawler
background vocals:
Noel Hogan and Mike Mahoney
lead vocals:
Dolores O’Riordan
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1993)
recorded at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
mixed at:
Maison Rouge in London (Greater London), England, United Kingdom
music videos:
Linger by The Cranberries
recording of:
Linger
lyricist:
Dolores O’Riordan
composer:
Noel Hogan and Dolores O’Riordan
publisher:
Island Music Ltd.
The Cranberries4.14:35
14Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:45
15Disco 2000
programming:
Matthew Vaughan (UK producer)
additional engineer:
Pete Lewis (engineer)
assistant engineer:
Julie Gardner (engineer) and Pete Lewis (engineer)
engineer:
David "Chipper" Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1995)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1995-06 until 1995-07)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Disco 2000
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist), Russell Senior and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
Glastonbury Festival 1995, day 2: Pyramid Stage (1995-06-24)
publisher:
Island Music Ltd.
Pulp3.754:32
16Always
producer:
Martyn Ware
mixer:
Phil Legg
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1994)
recording of:
Always
writer:
Belle (singer / songwriter for Erasure) and Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Minotaur Music Ltd., Musical Moments (Europe) Ltd. and Sony Music Publishing (worldwide except Japan, ended 1995)
Erasure3.354:01
17Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1994) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:58
18Lifted
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1996)
recording of:
Lifted
writer:
Tunde Baiyewu, Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) and Paul Tucker
publisher:
Lots of Hits Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family24:17
4▼CD
#TitleArtistRatingLength
1No Matter What
recorded in:
London (Greater London), England, United Kingdom and Los Angeles, California, United States
keyboard programming:
Lee McCutcheon
programming:
Simon Franglen (English score composer)
assistant engineer:
Alex Black (engineer) and Tom (assistant engineeer)
engineer:
Simon Franglen (English score composer), Steve Rinkoff and Robin Sellars (British recording engineer)
additional producer:
Simon Franglen (English score composer) and Lupino
executive producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Jim Steinman
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman and Nigel Wright (British producer, orchestrator and songwriter)
mixer:
Mick Guzauski and Steve Rinkoff
acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
Michael Thompson (session guitarist)
bass:
Angela Lupino
guitar:
Fridrik Karlsson
keyboard [keyboards]:
Simon Franglen (English score composer) and Nigel Wright (British producer, orchestrator and songwriter)
background vocals [backing vocals]:
Tracy Ackerman and Andy Caine
lead vocals:
Stephen Gately and Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham and Shane Lynch
arranger:
Simon Franglen (English score composer) and Lupino
phonographic copyright (℗) by:
Polydor Ireland (in 1998)
recorded at:
FLM Studios in Hollywood, Los Angeles, California, United States, Metropolis Studios (London) in London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
engineered at:
Barking Dog Studios in New York, New York, United States
music videos:
No Matter What by Boyzone
cover recording of:
No Matter What
lyricist:
Jim Steinman
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. (BMI affiliated) and The Really Useful Group Limited (not for release label use!)
part of:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:34
2Don’t Dream It’s Over
recording engineer:
Tchad Blake and Dennis Kirk
assistant engineer:
Glen Holguin (engineer)
producer:
Mitchell Froom
mixer:
Michael Frondelli
bass:
Nick Seymour (Nicholas More Seymour)
congas, mbira [kalimba] and shakers:
Jorge Bermudez
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric guitar [Gibson Les Paul Goldtop] and lead vocals:
Neil Finn
electric guitar [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
keyboard and organ:
Mitchell Froom
background vocals:
Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 5)
recording of:
Don’t Dream It’s Over
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 2)
Crowded House3.93:55
3Slave to Love
additional engineer:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee (sound engineer)
assistant engineer:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Rhett Davies
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999, in 2004)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The White House in Nashville, Tennessee, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.854:25
4Save a Prayer
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Save a Prayer (Duran Duran)
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
Gloucester Place Music Ltd.
Duran Duran4.153:46
5True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet5:37
6Time After Time
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1984)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
a cappella versions:
Time After Time by Forte A Cappella (Centerville High School)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 116) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 494)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.254:01
7Nothing Compares 2 U
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records Limited (not for release label use! company behind the Chrysalis imprint) (in 1990)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor3.54:42
8China in Your Hand
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau4:48
9Don’t Break My Heart
music videos:
Don’t Break My Heart by UB40
recording of:
Don’t Break My Heart
lyricist and composer:
Deborah Banks, Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers, Michael Virtue and Terence Wilson (aka Astro of UB40)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and DEP International (UB40)
UB4033:51
10Please Don’t Go
producer:
Harry Wayne Casey and Richard Finch
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Please Don’t Go
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs and EMI Songs Ltd.
KC and the Sunshine Band43:50
11Cherish
phonographic copyright (℗) by:
Delite Recorded Sound (not for release) (in 1984) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
recording of:
Cherish
writer:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) and Claydes Smith
publisher:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Windswept Pacific Music Ltd.
Kool & the Gang4.54:42
12I’ve Never Been to Me
producer:
Don Costa (US pop music arranger & producer), Berry Gordy and Ron Miller (Motown songwriter Ronald Norman Miller)
arranger:
Don Costa (US pop music arranger & producer)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1977) and Motown Record Company, L.P. (company credits only; do NOT use as release label) (from 1982 to present)
recording of:
I’ve Never Been to Me
writer:
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Stone Diamond Music Corporation
Charlene3:52
13Rush Rush
producer:
Peter Lord Moreland and V. J. Smith (Vernon Jeffrey Smith, producer, writer, musician)
recording of:
Rush Rush
lyricist and composer:
Peter Lord Moreland
publisher:
EMI April Music Inc.
Paula Abdul44:20
14Right Here Waiting
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recording of:
Right Here Waiting
lyricist:
Richard Marx
composer:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) and Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. and EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:06
15Missing You
producer:
Gary Gersh, David Thoener and John Waite
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984) and EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1984)
edit of:
Missing You by John Waite
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite3.653:32
16Every Rose Has Its Thorn
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
performer:
Poison (US glam metal band)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1988), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988), Enigma (1980s US rock & alternative) (in 1988) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 34)
recording of:
Every Rose Has Its Thorn
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
publisher:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Songs Inc.
Poison44:20
17All I Need
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 71)
recording of:
All I Need
writer:
Glen Ballard, Clif Magness and David Pack
Jack Wagner3:29
18Room in Your Heart
producer:
Living in a Box and Chris Porter (engineer and producer)
mixer:
Chris Porter (engineer and producer)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1989)
recording of:
Room in Your Heart
writer:
Richard Darbyshire, Albert Hammond and Marcus Vere
publisher:
Chappell Music Ltd., Empire Music Ltd. and Windswept Pacific Music Ltd.
Living in a Box24:35
19It Started With a Kiss
producer:
Mickie Most (English record producer)
lead vocals:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
music videos:
It Started With a Kiss by Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. and Universal Music Publishing MGB Australia
Hot Chocolate34:02