The Classics at the Movies: Love

~ Parution par Various Artists (afficher toutes les versions de cette parution, 1 proposée)

Liste de pistes

1▼CD
noTitreArtisteÉvaluationDurée
1Titanic: An der schönen, blauen Donau, waltz for orchestra (with chorus ad lib), Op. 314 (RV 314)
orchestre :
Strauss Festival Orchestra
conductor :
Ondrej Lenárd (conductor)
recording of :
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
première en :
Wien (Vienna), Autriche (le 1867-02-15)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (le 1866)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 314)
Johann Strauss9:27
2Titanic: Orphée aux enfers, operetta: Can-Can
orchestre :
Slovak State Philharmonic Orchestra (Slovak State Philharmonic Orchestra, Košice)
conductor :
Johannes Wildner (conductor)
recording of :
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
compositeur :
Jacques Offenbach (German-French composer, cellist and impresario)
partie de :
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach5:23
3The English Patient: Goldberg Variations, for keyboard (Clavier-Übung IV), BWV 988 (BC L9): Aria
producteur :
Wolfgang Seikritt (le 1985-10)
piano :
Chen Pi‐hsien (pianist) (le 1985-10)
droits phonographiques (℗) par :
Pacific Music Co., Ltd. (le 1987)
enregistré à :
Festeburgkirche dans Frankfurt am Main (Frankfurt), Hessen (Hesse), Allemagne (le 1985-10)
recording of :
Goldberg-Variationen, BWV 988: Aria (opening) (le 1985-10)
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician)
partie de :
Notebook for Anna Magdalena Bach (Petits livres de notes d'Anna Magdalena Bach, 1725) (numéro : 26)
partie de :
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:20
4Breaking the Waves: Sonata for flute & keyboard in E flat major, BWV 1031: Siciliana
clavecin :
Anssi Mattila (du 1995-12-27 au 1995-12-30)
flûte :
Petri Alanko (flutist) (du 1995-12-27 au 1995-12-30)
recording of :
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (du 1995-12-27 au 1995-12-30)
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician)
partie de :
Flute Sonata in E-flat major, BWV 1031
Johann Sebastian Bach2:08
5Dangerous Liaisons: Organ Concerto in A major No.14, HWV 296a: Allegro
orgue :
Johann Aratore (organist)
orchestre :
Handel Festival Chamber Orchestra
conductor :
John Tinge (conductor)
recording of :
Organ Concerto in A major, HWV 296a: IV. Allegro
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer)
partie de :
Organ Concerto in A major, HWV 296a
George Frideric Handel3:20
6Dangerous Liaisons: Serse, HWV 40: Ombra mai fu. Largo
voix de ténor :
József Mukk (tenor)
orchestre :
Camerata Budapest
conductor :
Kovács László (conductor)
recording of :
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer)
arrangement de :
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel3:27
7Gone With the Wind, film score: Tara
orchestre :
Philharmonic Symphony (of Richard Hayman)
conductor :
Richard Hayman
recording of :
Tara’s Theme (Gone With the Wind, main theme)
compositeur :
Max Steiner
éditeur :
Warner Chappell Music Ltd. (no slash; used 1988–1996) et Warner Olive Music LLC
partie de :
Gone With the Wind (soundtrack from the 1939 film)
Richard Hayman3:59
8Elvira Madigan: Piano Concerto No. 21 in C major "Elvira Madigan" K. 467: Andante
piano :
Jenő Jandó (pianist)
orchestre :
Concentus Hungaricus (Hungarian chamber orchestra)
conductor :
Mátyás Antal (conductor)
recording of :
Concerto for Piano no. 21 in C major, K. 467: II. Andante
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1785 au 1785-03-09)
partie de :
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:47
9William Shakespeare's Romeo + Juliet: Symphony No. 25 in G minor, K. 183 (K. 173dB): Allegro con brio
orchestre :
Capella Istropolitana
conductor :
Barry Wordsworth (conductor)
recording of :
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1773 au 1773-10-05)
partie de :
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
Wolfgang Amadeus Mozart7:42
10Symphony No. 5: Adagietto, for orchestra
orchestre :
Polish National Radio Symphony Orchestra (Orchestre symphonique national de la radio polonaise, revived in 1945 in Katowice)
conductor :
Antoni Wit (conductor)
recording of :
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
compositeur :
Gustav Mahler (composer) (du 1901 au 1902)
partie de :
Symphony no. 5
Gustav Mahler12:09
11Madama Butterfly: Love Duet “Viene la sera” (Mona Lisa)
voix de soprano [Butterfly] :
Miriam Gauci (soprano)
voix de ténor [Pinkerton] :
Yordy Ramiro (tenor)
orchestre :
Slovak Radio Symphony Orchestra
conductor :
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of :
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki)
compositeur :
Giacomo Puccini (Italian composer)
librettiste :
Giuseppe Giacosa et Luigi Illica
partie de :
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini14:50

Crédits