The Best One Hit Wonders in the World… Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

*Overall catalog number for both discs in set is: VTDCD 497 and overall barcode is 7 24381 32072 3.

  • Virgin TV is a subsidiary of EMI.
Anmerkung zuletzt geändert am 2011-06-14 08:56 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
199 Red Balloons
Produzent(in):
Jay Faires, Tricia Holloway, Reinhold Heil (von 1982 bis 1983) und Manne Praeker (von 1982 bis 1983)
Sologesang:
Nena (the person, performing solo since 1987) (in 1983)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
aufgenommen bei:
Spliff Studio in Berlin, Deutschland (von 1982 bis 1983)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 64)
recording of:
99 Red Balloons (von 1982 bis 1983)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Übersetzer:
Kevin McAlea (in 1983)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Songs Ltd.
übersetzte Version von:
99 Luftballons
Nena3.83:53
2I’ll Be There for You (Theme From Friends)
leitende(r) Produzent(in):
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) und Marta Kauffman
vocals:
The Soldiers (singing trio of British Army soldiers)
recording of:
I’ll Be There for You (theme from ‘Friends’)
Texter:
Allee Willis
Komponist(in):
Michael Skloff
zusätzliche(r) Komponist(in):
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem und Danny Wilde (The Rembrandts, Great Buildings & The Quick)
The Rembrandts43:06
3Breakfast at Tiffany’s
Techniker(in), Produzent(in) und Mix:
David Castell
Akustikgitarre und E-Gitarre:
Toby Pipes, Todd Pipes und Kirk Tatom
Bassgitarre:
Todd Pipes und Kirk Tatom
Keyboard:
Toby Pipes und Todd Pipes
Klavier und Orgel:
Kirk Tatom
Lap-Steel-Gitarre:
Toby Pipes
Perkussion und Schlagzeug:
John Kirtland (Drummer, head of Kirtland Records)
vocals:
Toby Pipes, Todd Pipes und Kirk Tatom
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1995) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1995)
recording of:
Breakfast at Tiffany’s
Texter und Komponist(in):
Todd Pipes
publisher:
Warner Chappell North America und WC Music Corp.
Deep Blue Something3.74:17
4(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:30
5You’re the Voice
recording engineer und Mix:
Doug Brady (engineer)
drum machine-Programmierung und Synthesizer [Fairlight]-Programmierung:
Dave (Australian score composer), Jack und Ross
assistierende(r) Techniker(in):
Michael Wickow (engineer)
Produzent(in):
Ross Fraser
Fretless Bass:
Roger McLachlan
Gitarre:
Brett Garsed
Keyboard und Synthesizer [Fairlight]:
David Hirschfelder (Australian score composer)
Hintergrundgesang:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton und Sandy Weekes
Sologesang:
Whispering Jack
arranger:
John Farnham, Ross Fraser und David Hirschfelder (Australian score composer)
phonographisches Urheberrecht (℗) von:
BMG Arista / Ariola Limited (not for release label use! manufacters and distributors operating in Australasia) (in 1986), BMG Australia Limited (not for release label use!) (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records Pty. Ltd. (in 1986) und RCA/Ariola (in 1987)
aufgenommen bei und mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 15)
recording of:
You’re the Voice
Verfasser(in):
Andy Qunta, Keith Reid, Maggie Ryder und Chris Thompson (vocalist with Manfred Mann’s Earth Band)
publisher:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing AB (Sweden)
John Farnham4.15:05
6Venus
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 33)
recording of:
Venus (Shocking Blue (I’m Your Venus)) (in 1969)
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) und The International Music Network
basiert auf:
The Banjo Song
Shocking Blue4.153:01
7Harlem Shuffle
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd. und HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
Remaster von:
Harlem Shuffle von Bob & Earl
recording of:
Harlem Shuffle
Verfasser(in):
Earl Nelson und Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) und Marc-Jean Music (publisher) (in 1988)
Bob & Earl22:51
8Spirit in the Sky
Produzent(in):
Erik Jacobsen
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969) und Transtone Productions (in 1970)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 5), Billboard Year-End Hot 100 singles of 1970 (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 333)
recording of:
Spirit in the Sky (in 1969)
Texter und Komponist(in):
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) und Westminster Music Ltd.
Norman Greenbaum4.053:58
9Fire
Partner-Produzent(in):
Pete Townshend (of The Who)
Produzent(in):
Kit Lambert
Bass:
Sean Nicholas
Orgel:
Vincent Crane
Schlagzeug:
Dracken Theaker
vocals:
Arthur Brown
arranger:
Vincent Crane
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1968)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Fire
Verfasser(in):
Arthur Brown, Vincent Crane, Mike Finesilver und Peter Ker (producer and songwriter)
publisher:
Gowmonk, Inc. und Onward Music Ltd.
The Crazy World of Arthur Brown3.852:58
10Something in the Air
Produzent(in):
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
Texter und Komponist(in):
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) und Songs of Windswept Pacific
Thunderclap Newman43:56
11Mmm Mmm Mmm Mmm
recording engineer:
Tommy Lipnick
zusätzlich recording engineer:
David Vartanian
Techniker(in):
Dan Harjung
Produzent(in):
Crash Test Dummies und Jerry Harrison (Talking Heads & producer)
Mix:
Tom Lord‐Alge
Editing:
Patrick Murphy (engineer)
accordion, Keyboard [keyboards], Klavier und Hintergrundgesang [back-up vocals]:
Ellen Reid (Canadian keyboardist and singer)
Akustikgitarre [acoustic guitars], E-Gitarre [electric guitars] und Sologesang:
Brad Roberts (of Crash Test Dummies)
phonographisches Urheberrecht (℗) von:
BMG Music Canada Inc. (in 1991, in 1993) und BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1993)
aufgenommen bei:
DV Productions in Milwaukee, Wisconsin, Vereinigte Staaten, Mindscape in Chicago, Illinois, Vereinigte Staaten und Music Head Recording in Lake Geneva, Wisconsin, Vereinigte Staaten
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, Vereinigte Staaten
produced at:
God of Thunder Studios in Winnipeg, Manitoba, Kanada
Musikvideos:
Mmm Mmm Mmm Mmm von Crash Test Dummies
recording of:
Mmm Mmm Mmm Mmm
Texter und Komponist(in):
Brad Roberts (of Crash Test Dummies)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Door Number Two Music (in 1993), Dummies Productions Inc. (in 1993) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1993)
Crash Test Dummies3.953:54
12Drinking in L.A.
recording of:
Drinking in L.A.
Verfasser(in):
Bran Van 3000, James Di Salvio, Duane Larson und Haig Vartzbedian
quotes lyrics from:
Gin & Juice
Bran Van 300033:40
13Runaway Train
assistierende(r) Techniker(in):
David Michael Dill (engineer) und Dan Gellert (sound engineer)
Produzent(in):
Michael Beinhorn
assistierende(r) Mix:
Craig Doubet (recording engineer) und Steve Sisco
Mix:
Andy Wallace (engineer)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
Texter und Komponist(in):
Dave Pirner
publisher:
EMI Music Publishing Taiwan, LFR Music, Standing Water Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Soul Asylum4.44:21
14Mary’s Prayer
Produzent(in):
Dave Bascombe
Interpret(in):
Danny Wilson (Scottish pop group) (in 1987)
produced at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich und Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Mary’s Prayer (in 1987)
Texter und Komponist(in):
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson33:46
15Can You Dig It?
Produzent(in):
Martin Coogan
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1991)
Musikvideos:
Can You Dig It? von The Mock Turtles
recording of:
Can You Dig It?
Texter und Komponist(in):
Martin Coogan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Mock Turtles3.254:08
16Your Woman
Produzent(in):
Jyoti Mishra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
Samples:
My Woman von Lew Stone & His Monseigneur Band
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 408)
recording of:
Your Woman
Texter:
Bing Crosby und Irving Wallman
Komponist(in):
Jyoti Mishra, Irving Wallman und Max Wartell
basiert auf:
My Woman
White Town4.14:18
17Imagination
recording of:
Imagination
Texter und Komponist(in):
Neville Keighley
Belouis Some33:33
18How Long?
Produzent(in):
John Anthony (British producer and record executive)
phonographisches Urheberrecht (℗) von:
Anchor Records (UK 70s indie label), Cavalcade Records Ltd, Minder Records (in 1974) und Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 7), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 31) und The Downloader’s Music Source Book (Nummer: 121)
recording of:
How Long?
Texter und Komponist(in):
Paul Carrack
publisher:
Anchor Music Ltd. und Minder Music Ltd.
Ace3.653:21
19Private Number
Produzent(in):
Booker T. Jones
Interpret(in):
Judy Clay (American soul and gospel singer)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (in 1968)
recording of:
Private Number (in 1968)
Verfasser(in):
William Bell und Booker T. Jones
publisher:
Irving Music, Inc. und Music for Africa (South Africa)
Judy Clay & William Bell22:40
20All by Myself
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) und Arista Records, LLC (holding company - file NO releases here!) (in 1975)
Bearbeitung von:
All by Myself von Eric Carmen
recording of:
All by Myself
Texter:
Eric Carmen
Komponist(in):
Eric Carmen und Sergei Rachmaninov (Sergei Rachmaninow, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (beendet), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
Let’s Pretend
basiert auf:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:28
21Lovin’ You
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Stevie Wonder
Bassgitarre:
Reggie McBride
Becken, Klavier, Mundharmonika und Schlagzeug:
El Toro Negro
Conga:
Kwasi "Rocki" Dzidzornu
Gitarre:
Marlo Henderson und Michael Sembello
Schlagzeug [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) und El Toro Negro
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
vocals:
Minnie Riperton
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:22
2▼CD
Nr.TitelKünstlerBewertungLänge
1Uptown Top Ranking
recording of:
Uptown Top Ranking
Verfasser(in):
Althea Forrest, Joe Gibbs, Donna Reid und Errol Thompson (Jamaican reggae/dub producer & engineer)
publisher:
Carlin Music und EMI Virgin Music Ltd. (do not use this as a release label!)
Althea and Donna3.53:42
2Pop Muzik
recording of:
Pop Muzik
Texter und Komponist(in):
Robin Scott
publisher:
BMG Music Publishing Ltd., Pop Muzik Limited und Union Square Music Publishing Ltd.
M3.53:18
3Mah Na Mah Na
recording of:
Mah Nà Mah Nà
Verfasser(in) und Komponist(in):
Piero Umiliani
publisher:
J. Albert & Son Pty. Ltd.
Piero Umiliani22:09
4Don’t Worry Be Happy
Produzent(in):
Linda Goldstein
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1988) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
Musikvideos:
Don’t Worry, Be Happy von Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin3.73:52
5Da, Da, Da, (I Don’t Love You, You Don’t Love Me, Ha, Ha, Ha)
Techniker(in):
Jim Duncombe (Swiss musician / engineer) (in 1982-01)
Produzent(in):
Klaus Voormann (in 1982-01)
E-Bass:
Klaus Voormann (in 1982-01)
E-Gitarre:
Kralle Krawinkel (in 1982-01)
Kastagnetten:
Hans‐Joachim Behrendt (in 1982-01)
Keyboard:
Stephan Remmler (in 1982-01)
Schlagzeug:
Peter Behrens (in 1982-01)
Hintergrundgesang:
Annette Humpe (in 1982-01)
Sologesang:
Stephan Remmler (in 1982)
engineered at:
Audio Studios in Berlin, Deutschland (in 1982-01) und Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz (in 1982-01)
Bearbeitung von:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha von Trio (80s German band)
Musikvideos:
Da Da Da (I Don't Love You) von Trio (80s German band)
recording of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (in 1982-01)
Texter und Komponist(in):
Kralle (in 1981) und Stephan Remmler (in 1981)
Übersetzer:
Kralle und Stephan Remmler
publisher:
Just Us Music Production GmbH
übersetzte Version von:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:15
6Macarena
phonographisches Urheberrecht (℗) von:
Serdisco, S.A. (in 1996)
Teil von:
A.Side: 10 Songs That Have Their Own Dance Moves (Nummer: 4)
recording of:
Macarena
Texter und Komponist(in):
Antonio Romero Monge und Rafael Ruiz
publisher:
Canciones del Mundo (publisher), Discorama, S. L. (Used on (p), (c) and as publishing company) und Editorial Discorama
Los del Río34:12
7Love Grows (Where My Rosemary Goes)
Produzent(in):
Tony Macaulay
vocals:
Tony Burrows (in 1970)
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1970) und Demon Music Group (in 1970)
Musikvideos:
Love Grows (Where My Rosemary Goes) von Edison Lighthouse
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 40) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 416)
recording of:
Love Grows (Where My Rosemary Goes) (in 1970)
Verfasser(in):
Tony Macaulay und Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. und Universal Music Publishing MGB Australia
Edison Lighthouse3.82:48
8Break My Stride
Schlagzeug-Programmierung:
John Gilston (in 1983)
Produzent(in):
Peter Bunetta, Rick Chudacoff und Bill Elliott (keyboardist/composer)
Analoger Synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) und Matthew Wilder (in 1983)
drum machine [Oberheim DMX], Perkussion und Schlagzeug:
Peter Bunetta (in 1983)
Gitarre:
Dennis Herring (in 1983)
Hintergrundgesang:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) und Matthew Wilder (in 1983)
Sologesang:
Matthew Wilder (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
Pasha Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 39)
recording of:
Break My Stride (in 1983)
Verfasser(in):
Greg Prestopino und Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) und Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.42:58
9Tarzan Boy
Produzent(in):
Maurizio Bassi
arranger:
Maurizio Bassi
recording of:
Tarzan Boy
Texter:
Naimy Hackett
Komponist(in):
Maurizio Bassi
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Baltimora43:24
10It’s Raining Men
Mix:
Randy Tominaga
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 36)
recording of:
It’s Raining Men
Verfasser(in):
Paul Jabara und Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:32
11Mambo No. 5 (A Little Bit Of…)
Koproduzent(in):
Lou Bega und Zippy (Christian Königseder)
Produzent(in):
D. Fact und Frank Lio
Instrumente:
D. Fact und Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
enthält Samples von:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographisches Urheberrecht (℗) von:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) und Lautstark (in 1999)
produced for:
Syndicate
Samples:
Mambo No. 5 von Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
Texter:
Lou Bega und Zippy (Christian Königseder)
Komponist(in):
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag (Peermusic Musikverlag GesmbH) und Peermusic (Germany) GmbH
basiert auf:
Mambo No. 5 (original, 1949)
Lou Bega3.63:39
12The One and Only
Produzent(in):
Nik Kershaw und Alan Shacklock
vocals:
Chesney Hawkes (British pop singer, songwriter, and occasional actor)
aufgenommen bei:
Abbey Road in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
The One and Only (first version, Buddy's Song) von Chesney Hawkes (British pop singer, songwriter, and occasional actor)
recording of:
The One and Only
Texter und Komponist(in):
Nik Kershaw
Chesney Hawkes2.53:39
13Mickey
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 43), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 57) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 497)
cover recording of:
Kitty (more well known as "Mickey")
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
übersetzte Version von:
Mickey
Toni Basil3.84:11
14The Safety Dance
Produzent(in):
Marc Durand (Canadian producer)
phonographisches Urheberrecht (℗) von:
Statik Records (in 1982) und Marc Durand Production (in 1983)
Bearbeitung von:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Musikvideos:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 39) und Huffington Post: 100 Best Canadian Songs Ever (Nummer: 48)
recording of:
The Safety Dance (von 1982-01 bis 1982-03)
Texter und Komponist(in):
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) und Wintrup Musik (in 1982)
Men Without Hats3.82:44
15Nut Rocker
recording of:
Nut Rocker
Komponist(in):
Kim Fowley
publisher:
Kim Fowley Music
basiert auf:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
B. Bumble & the Stingers32:00
16My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.24:00
17I Eat Cannibals
recording of:
I Eat Cannibals
Verfasser(in):
Barry Blue (singer, producer, and songwriter), Paul Greedus und Roy Lachlan Nicolson
Toto Coelo2.653:29
18Groove Is in the Heart
recording of:
Groove Is in the Heart
Verfasser(in):
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) und Kier Kirby
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite3.53:31
19Would I Lie to You
Produzent(in):
Josh Deutsch
Bearbeitung von:
Would I Lie to You? von Charles & Eddie
recording of:
Would I Lie to You?
Verfasser(in):
Michael Leeson und Peter Vale (writer/arranger)
publisher:
EMI Virgin Music Publishing Australia P/L und BMG VM Music Ltd. (vom 2013-05-16 bis heute)
Charles & Eddie3.353:38
20Eloise
recording of:
Eloise
Texter und Komponist(in):
Paul Ryan (UK singer, songwriter & producer) (in 1968)
publisher:
Carlin Music Corporation und Hill & Range (publisher)
Barry Ryan35:32
21Softly Whispering I Love You
Techniker(in):
Peter Vince (engineer, producer)
Interpret(in):
Brian Keith und Alan Parker (guitarist & composer)
arranger:
Ken Woodman (British trumpeter, music director, arranger and composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Softly Whispering I Love You
Verfasser(in):
Roger Frederick Cook (US‐based British singer, songwriter and producer) und Roger John Reginald Greenaway
publisher:
Cookaway Music Ltd. (publisher, likely UK-based), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Congregation23:00
22Jesamine
cover recording of:
When Jesamine Goes
Verfasser(in):
Frere Manston und Jack Gellar (a British pop music promoter, group manager and songwriter)
recording of:
When Jesamine Goes
Verfasser(in):
Frere Manston und Jack Gellar (a British pop music promoter, group manager and songwriter)
The Casuals23:39
23Rhythm of the Rain
phonographisches Urheberrecht (℗) von:
Warner Music H.K. Ltd. (in 1997)
recording of:
Rhythm of the Rain (in 1962)
Texter und Komponist(in):
John Gummoe
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Cascades32:32

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ASIN:UK: B000088E38 [Info]