Super Hits

~ Release by Johnny Mathis (see all versions of this release, 4 available)

Annotation

℗ «Originally released 1958, 1959, 1961, 1967»
℗ «1973, 1978, 1987, 1990, 1999 Jon Mat Records, Inc.»

Annotation last modified on 2021-11-30 07:39 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Chances Are
executive producer:
Michael Berniker and Jerry Shulman
producer:
Al Ham and Mitch Miller
vocals:
Johnny Mathis (US pop/soul singer) (in 1957)
orchestra:
Ray Conniff and His Orchestra
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1957)
part of:
Grammy Hall of Fame (number: 1998)
recording of:
Chances Are (in 1957)
lyricist:
Al Stillman
composer:
Robert Allen (US songwriter/arranger/pianist)
publisher:
Kitty Anne Music Co., Inc. (ended), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:01
2Love Look Away
recording of:
Love, Look Away (Flower Drum Song)
orchestrator:
Don Sebesky
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Flower Drum Song (Rodgers & Hammerstein musical)
Johnny Mathis3:28
3Somewhere My Love (Lara’s Theme) (From the MGM Film, “Doctor Zhivago”)
cover recording of:
Somewhere My Love
lyricist:
Paul Francis Webster
composer:
Maurice Jarre (composer and conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Rondor Music (Australia) Pty Ltd and Webster Music Co.
version of:
Lara’s Theme (original without lyrics)
Johnny Mathis3:30
4Twelfth of Never
executive producer:
Michael Berniker and Jerry Shulman
producer:
Al Ham and Mitch Miller
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1957)
recording of:
The Twelfth of Never
lyricist:
Paul Francis Webster
composer:
Jerry Livingston (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Webster Music Co.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
is based on:
The Riddle Song (aka “I Gave My Love a Cherry”)
Johnny Mathis & Ray Conniff2:25
5My Funny Valentine
guitar:
Al Caiola and Tony Mottola
vocals:
Johnny Mathis (US pop/soul singer)
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Johnny Mathis3:35
6It Might as Well Be Spring
cover recording of:
It Might as Well Be Spring (State Fair)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
Johnny Mathis & Henry Mancini4:33
7Wonderful Wonderful
recording of:
Wonderful, Wonderful
lyricist:
Ben Raleigh
composer:
Sherman Edwards
Johnny Mathis & Ray Conniff2:47
8Prelude to a Kiss
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
producer:
Mike Berniker
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1990)
recording of:
Prelude to a Kiss (from 1990-02-06 until 1990-02-10)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
Johnny Mathis2:53
9Life Is a Song Worth Singing
recording of:
Life Is a Song Worth Singing
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Johnny Mathis6:01
10Too Much, Too Little, Too Late
producer:
Jack Gold
performer:
Johnny Mathis (US pop/soul singer) and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
writer:
Nat Kipner (Australian producer, songwriter, label owner & publisher) and John McIntyre Vallins
publisher:
Homewood House Music and MCA Music Ltd.
Johnny Mathis42:59