Jazz in the Charts 018 (1934)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Take My Word
Benny Goodman & His Music Hall Orchestra2:53
2Two Cigarettes in the Dark
Casa Loma Orchestra3:17
3Ol’ Man River
Luis Russell & His Orchestra2:48
4It Happens to the Best of Friends
Benny Goodman & His Music Hall Orchestra2:46
5Out in the Cold Again
Casa Loma Orchestra3:16
6Learning
Casa Loma Orchestra3:16
7Then I’ll Be Tired of You
recorded in:
New York, New York, Vereinigte Staaten (am 1934-08-17)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-08-17)
Klavier:
Fats Waller (am 1934-08-17)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-08-17)
Schlagzeug:
Harry Dial (am 1934-08-17)
Tenorsaxophon:
Gene Sedric (am 1934-08-17)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-08-17)
vocals:
Fats Waller (am 1934-08-17)
recording of:
Then I’ll Be Tired of You (am 1934-08-17)
Texter:
Yip Harburg
Komponist(in):
Arthur Schwartz
Fats Waller & His Rhythm3:08
8Moonglow
recording of:
Moonglow
Texter:
Eddie DeLange
Komponist(in):
Will Hudson und Irving Mills
Duke Ellington & His Orchestra3:08
9Bugle Call Rag
cover recording of:
Bugle Call Rag
Komponist(in):
Billy Meyers (US jazz songwriter), Jack Pettis und Elmer Schoebel
Benny Goodman & His Music Hall Orchestra2:59
10Don’t Let It Bother You
recorded in:
New York, New York, Vereinigte Staaten (am 1934-08-17)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-08-17)
Klavier:
Fats Waller (am 1934-08-17)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-08-17)
Schlagzeug:
Harry Dial (am 1934-08-17)
Tenorsaxophon:
Gene Sedric (am 1934-08-17)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-08-17)
vocals:
Fats Waller (am 1934-08-17)
zusätzlich Sprecher:
Harry Dial (am 1934-08-17) und Fats Waller (am 1934-08-17)
recording of:
Don’t Let It Bother You (am 1934-08-17)
Verfasser(in):
Mack Gordon und Harry Revel (British-born American composer)
Fats Waller & His Rhythm2:52
11Chinese Rhythm
Banjo:
Morris White (jazz guitarist) (am 1934-09-04)
Klavier:
Benny Payne (jazz pianist and vocalist) (am 1934-09-04)
Kontrabass:
Al Morgan (jazz double-bassist) (am 1934-09-04)
Posaune:
DePriest Wheeler (am 1934-09-04) und Harry White (jazz trombonist) (am 1934-09-04)
Rohrblattinstrumente:
Eddie Barefield (am 1934-09-04), Andrew Brown (jazz saxophonist) (am 1934-09-04), Arville Harris (am 1934-09-04) und Walter Thomas (am 1934-09-04)
Schlagzeug:
Leroy Maxey (jazz drummer) (am 1934-09-04)
Trompete:
Doc Cheatham (am 1934-09-04), Edwin Swayze (am 1934-09-04) und Lammar Wright (am 1934-09-04)
vocals:
Cab Calloway (am 1934-09-04)
Cab Calloway & His Orchestra2:48
12Tidal Wave
recording of:
Tidal Wave
Komponist(in):
Will Hudson
Fletcher Henderson & His Orchestra3:04
13Sweetie Pie
recorded in:
New York, New York, Vereinigte Staaten (am 1934-09-28)
alto saxophone und Klarinette:
Mezz Mezzrow (am 1934-09-28)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-09-28)
Klavier:
Fats Waller (am 1934-09-28)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-09-28)
Posaune:
Floyd O'Brien (am 1934-09-28)
Schlagzeug:
Harry Dial (am 1934-09-28)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-09-28)
vocals:
Fats Waller (am 1934-09-28)
recording of:
Sweetie Pie (am 1934-09-28)
Texter und Komponist(in):
John Jacob Loeb
Fats Waller & His Rhythm3:06
14Solitude
recording of:
(In My) Solitude
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
Duke Ellington & His Orchestra3:13
15How Can You Face Me?
recorded in:
New York, New York, Vereinigte Staaten (am 1934-09-28)
alto saxophone und Klarinette:
Mezz Mezzrow (am 1934-09-28)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-09-28)
Klavier:
Fats Waller (am 1934-09-28)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-09-28)
Posaune:
Floyd O'Brien (am 1934-09-28)
Schlagzeug:
Harry Dial (am 1934-09-28)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-09-28)
vocals:
Fats Waller (am 1934-09-28)
recording of:
How Can You Face Me? (am 1934-09-28)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
Fats Waller & His Rhythm2:49
16Lost in a Fog
The Dorsey Brothers Orchestra3:19
17You’re A Builder Upper
Casa Loma Orchestra2:43
18Mood Indigo
alto saxophone:
Laforest Dent (am 1934-09-04) und Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1934-09-04)
baritone saxophone:
Earl Carruthers (am 1934-09-04)
Gitarre:
Al Norris (am 1934-09-04)
Klarinette:
Earl Carruthers (am 1934-09-04), Laforest Dent (am 1934-09-04) und Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1934-09-04)
Klavier:
Edwin Wilcox (am 1934-09-04)
Kontrabass:
Moses Allen (am 1934-09-04)
Posaune:
Russell Bowles (am 1934-09-04) und Henry Wells (jazz trombonist) (am 1934-09-04)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (am 1934-09-04)
Tenorsaxophon:
Joe Thomas (US jazz tenor saxophone player) (am 1934-09-04)
Trompete:
Sy Oliver (am 1934-09-04), Tommy Stevenson (am 1934-09-04) und Eddie Tompkins (am 1934-09-04)
conductor:
Jimmie Lunceford (US jazz saxophonist and bandleader) (am 1934-09-04)
recording of:
Mood Indigo (1930 jazz composition and song) (am 1934-09-04)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Jimmie Lunceford & His Orchestra2:53
19I’m Getting Sentimental Over You
The Dorsey Brothers Orchestra2:47
20Saddest Tale
recording of:
Saddest Tale
Texter:
Irving Mills
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Orchestra3:20
21What a Difference a Day Made
cover recording of:
What a Diff’rence a Day Made
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
The Dorsey Brothers Orchestra3:10
22A Porter’s Love Song to a Chambermaid
recorded in:
New York, New York, Vereinigte Staaten (am 1934-05-16)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-05-16)
Klarinette:
Ben Whitted (am 1934-05-16)
Klavier:
Fats Waller (am 1934-05-16)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-05-16)
Schlagzeug und Vibraphon:
Harry Dial (am 1934-05-16)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-05-16)
vocals:
Fats Waller (am 1934-05-16)
recording of:
A Porter's Love Song to a Chambermaid (am 1934-05-16)
Texter:
Andy Razaf
Komponist(in):
James P. Johnson
Fats Waller & His Rhythm3:20
23The Object of My Affection
Casa Loma Orchestra3:19

Nennungen

Veröffentlichung

ASIN:DE: B000JBXNEU [Info]

Veröffentlichungsgruppe

Teil von:Jazz in the Charts (Nummer: 18) (Reihenfolge: 18)