Complete Philips Recordings (2025 Reissue/Reprint of the 2022 Box Set)

~ Release by John Williams And The Boston Pops Orchestra (see all versions of this release, 2 available)

Annotation

A limited edition, 21-CD set of John Williams' complete recordings made for Philips during his first 10 years with the Boston Pops Orchestra.

Annotation last modified on 2026-02-18 20:54 UTC.

Tracklist

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1CD: Pops on the March
#TitleArtistRatingLength
1Under the Double Eagle
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Unter dem Doppeladler, op. 159 (Under the Double Eagle) (in 1980-06)
composer:
J. F. Wagner (in 1893)
Josef Franz Wagner3:17
2Pomp and Circumstance Marches: March no. 4 in G
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (in 1980-06)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar4:59
3Festival Coronation March
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Coronation March in D major, TH 50, ČW 47 (in 1980-06)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1883-03)
premiered at:
[concert] (1883-06-04)
publisher:
P. Jurgenson (in 1883)
part of:
The Tchaikovsky Handbook (number: TH 50) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 47)
Pyotr Ilyich Tchaikovsky4:38
4Orb and Sceptre
engineer:
Stanley Goodall (engineer), Jack Law (engineer) (in 1980-06) and Michael Mailes (engineer) (in 1980-06)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Orb and Sceptre (in 1980-06)
composer:
William Walton (British composer and conductor)
publisher:
Oxford University Press
William Walton6:51
5Strike Up the Band
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Strike Up the Band! (unknown orchestration of the song) (in 1980-06)
composer:
George Gershwin (composer)
orchestration of:
Strike Up the Band (1927 Gershwin song)
George Gershwin2:47
6St. Louis Blues March
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
instrumental recording of:
St. Louis Blues (in 1980-06)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
W.C. Handy3:01
7Midway March
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Midway March (in 1980-06)
composer:
John Williams (American score composer) (in 1976)
part of:
Midway (1976 film score)
John Williams4:12
8Seventy-Six Trombones
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
instrumental recording of:
Seventy-Six Trombones (The Music Man) (in 1980-06)
lyricist and composer:
Meredith Willson
publisher:
MPL UK Publishing
part of:
The Music Man
Meredith Willson3:00
9South Rampart Street Parade
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
South Rampart Street Parade (original 1937 instrumental version) (in 1980-06)
composer:
Ray Bauduc (in 1937) and Bob Haggart (in 1937)
Ray Bauduc5:13
10Conquest
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Conquest (march for USC, originally written for Captain from Castile) (in 1980-06)
composer:
Alfred Newman
part of:
Captain from Castile
Alfred Newman3:39
2CD: Pops in Space
#TitleArtistRatingLength
1Superman: March
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Theme (Superman: The Movie) (in 1980-06)
composer:
John Williams (American score composer)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams4:27
2Superman: Love Theme
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Can You Read My Mind (Superman: The Movie, love theme) (in 1980-06)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
Flying Part III (Superman: The Movie)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams4:49
3The Empire Strikes Back: The Asteroid Field
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
The Asteroid Field (Star Wars, Episode V: The Empire Strikes Back) (in 1980-06)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams4:15
4The Empire Strikes Back: Yoda's Theme
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (in 1980-06)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3:21
5The Empire Strikes Back: The Imperial March
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (in 1980-06)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3:07
6Star Wars: Main Title
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Title (Star Wars) (in 1980-06)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams5:38
7Star Wars: Princess Leia
recorded in:
Boston, Massachusetts, United States (in 1980-06)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (in 1980-06)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:06
8Close Encounters of the Third Kind Suite
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Close Encounters of the Third Kind: Suite (in 1980-06)
composer:
John Williams (American score composer)
publisher:
EMI Music Publishing (do not use as a release label!)
John Williams10:09
3CD: That's Entertainment (Pops on Broadway)
#TitleArtistRatingLength
1The Band Wagon: That's Entertainment / Gypsy: Let Me Entertain You
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981)
conductor:
John Williams (American score composer) (in 1981)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981)
medley including a instrumental recording of:
Let Me Entertain You (from “Gypsy”) (in 1981)
lyricist:
Stephen Sondheim
composer:
Jule Styne
publisher:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Gypsy
medley including a instrumental recording of:
That’s Entertainment! (in 1981)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
That’s Entertainment (1974 film)
part of:
That’s Entertainment, Part 2 (1976 film)
part of:
The Band Wagon (1953 film)
Arthur Schwartz / Jules Styne3:40
2Fiddler on the Roof: a. If I Were a Rich Man / b. To Life / c. Miracle of Miracles / d. Sunrise, Sunset / e. Matchmaker / f. Tradition
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
solo violin:
Emanuel Borok (violinist) (in 1981)
orchestra:
Boston Pops Orchestra (in 1981)
conductor:
John Williams (American score composer) (in 1981)
arranger:
John Williams (American score composer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981)
medley including a recording of:
If I Were a Rich Man (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Chappell & Co. and Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Matchmaker, Matchmaker (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Miracle of Miracles (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Sunrise, Sunset (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
medley including a recording of:
To Life (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
medley including a recording of:
Tradition (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
medley including a recording of:
If I Were a Rich Man (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Chappell & Co. and Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Matchmaker, Matchmaker (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Miracle of Miracles (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Sunrise, Sunset (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
medley including a recording of:
To Life (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
medley including a recording of:
Tradition (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
Jerry Bock7:25
3A Little Night Music: a. Night Waltz / Send in the Clowns
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981)
conductor:
John Williams (American score composer) (in 1981)
arranger:
Jonathan Tunick
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981)
medley including a instrumental recording of:
Send In the Clowns (A Little Night Music) (in 1981)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
medley including a instrumental recording of:
Night Waltz
composer:
Stephen Sondheim
part of:
A Little Night Music (musical)
part of:
Overture and Night Waltz (A Little Night Music)
Stephen Sondheim8:56
4Richard Rodgers Waltzes (Medley): a. Love Me Tonight: Lover / b. The Boys from Syracuse: Falling in Love with Love / c. Oklahoma!: Oh, what a Beautiful Mornin' / d. State Fair: It's a Grand Night to Singing
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981)
conductor:
John Williams (American score composer) (in 1981)
arranger:
Leroy Anderson
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981)
medley including a instrumental recording of:
Falling in Love With Love (in 1981)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
medley including a instrumental recording of:
It’s a Grand Night for Singing (State Fair) (in 1981)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
medley including a instrumental recording of:
Lover (in 1981)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
medley including a instrumental recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!) (in 1981)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Richard Rodgers6:02
5Pops on Broadway: a. A Chorus Line: One / b. Annie: Tomorrow / c. Evita: Don't Cry for Me Argentina
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981)
conductor:
John Williams (American score composer) (in 1981)
arranger:
Ralph Burns
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981)
medley including a instrumental recording of:
Don’t Cry for Me Argentina (Evita) (in 1981)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
medley including a instrumental recording of:
One (from “A Chorus Line”) (in 1981)
lyricist:
Edward Kleban
composer:
Marvin Hamlisch
part of:
A Chorus Line (Marvin Hamlisch musical)
medley including a instrumental recording of:
Tomorrow (Annie) (in 1981)
lyricist:
Martin Charnin
composer:
Charles Strouse
publisher:
Charles Strouse Publishing, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and WC Music Corp.
part of:
Annie (Charles Strouse musical)
Marvin Hamlisch / Charles Strouse / Andrew Lloyd Webber6:58
6Gigi: The Night They Invented Champagne / Gigi / Waltz at Maxim's / I'm Glad I'm Not Young Anymore / The Parisians / Say a Prayer for Me Tonight / Thank Heaven for Little Girls
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981)
conductor:
John Williams (American score composer) (in 1981)
arranger:
Robert Russell Bennett (American composer and arranger)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981)
instrumental recording of:
Gigi (Gigi) (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell Music Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
The 31st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1958 winner)
part of:
Gigi (full musical)
instrumental recording of:
I’m Glad I’m Not Young Anymore (from “Gigi”) (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell Music Ltd.
part of:
Gigi (full musical)
instrumental recording of:
Say a Prayer for Me Tonight (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell Music Ltd.
part of:
Gigi (full musical)
instrumental recording of:
Thank Heaven for Little Girls (Gigi) (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell Music Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Gigi (full musical)
instrumental recording of:
The Night They Invented Champagne (from "Gigi") (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Gigi (full musical)
instrumental recording of:
The Parisians (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell Music Ltd.
part of:
Gigi (full musical)
instrumental recording of:
Waltz at Maxim's (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
Gigi (full musical)
Frederick Loewe8:58
4CD: We Wish You a Merry Christmas
#TitleArtistRatingLength
1We Wish You a Merry Christmas
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
choir vocals:
Tanglewood Festival Chorus (from 1980-12-18 until 1980-12-20)
orchestra:
Boston Pops Orchestra (from 1980-12-18 until 1980-12-20)
conductor:
John Williams (American score composer) (from 1980-12-18 until 1980-12-20)
chorus master:
John Oliver (chorus master) (from 1980-12-18 until 1980-12-20)
arranger:
Arthur Harris (pianist, composer, arranger)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1980-12-18 until 1980-12-20)
recording of:
We Wish You a Merry Christmas (from 1980-12-18 until 1980-12-20)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 230)
[traditional]1:57
2Christmas Festival (Medley): a. Joy to the World / b. Deck the Halls / c. God Rest Ye Merry Gentlemen / d. Good King Wenceslas / e. Hark! The Herand Angels Sing / f. The First Nowell / g. Silent Night / h. Jingle Bells / i. O Come, All Ye Faithful
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (from 1980-12-18 until 1980-12-20)
conductor:
John Williams (American score composer) (from 1980-12-18 until 1980-12-20)
arranger:
Leroy Anderson
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1980-12-18 until 1980-12-20)
recording of:
A Christmas Festival (from 1980-12-18 until 1980-12-20)
arranger:
Leroy Anderson
medley of:
Joy to the World (Christmas carol)
medley of:
Deck the Halls
medley of:
God Rest Ye Merry, Gentlemen (traditional, no arrangement credits here)
medley of:
Good King Wenceslas
medley of:
Hark! The Herald Angels Sing (Christmas carol)
medley of:
The First Nowell
medley of:
Jingle Bells
medley of:
O Come, All Ye Faithful (English version of Latin “Adeste fideles”)
medley of:
Silent Night (Christmas carol, English translation)
[traditional] / [traditional] / [traditional] / [traditional] / Felix Mendelssohn / [traditional] / Franz Xaver Gruber / James Lord Pierpont / [traditional]9:12
3A Christmas Greeting: The Carols of Alfred Burt: a. Come, Dear Children / b. All On a Christmas Morning / c. Christ, In the Stranger's Guise / d. Caroling, Caroling / e. Some Children See Him / f. O Harken Ye
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
choir vocals:
Tanglewood Festival Chorus (from 1980-12-18 until 1980-12-20)
orchestra:
Boston Pops Orchestra (from 1980-12-18 until 1980-12-20)
conductor:
John Williams (American score composer) (from 1980-12-18 until 1980-12-20)
chorus master:
John Oliver (chorus master) (from 1980-12-18 until 1980-12-20)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1980-12-18 until 1980-12-20)
recording of:
A Christmas Greeting (from 1980-12-18 until 1980-12-20)
writer:
Alfred S. Burt (composer of Christmas carols)
medley of:
Come, Dear Children
medley of:
All on a Christmas Morning (1946 carol)
medley of:
Christ In The Stranger’s Guise
medley of:
Caroling, Caroling
medley of:
Some Children See Him
medley of:
O Harken Ye
Alfred S. Burt12:51
4Holidary Cheer (Medley): a. Let It Snow! Let It Snow! Let It Snow! / b. The Christmas Song (Chestnuts Roasting) / c. Jingle Bell Rock / d. Have Yourself a Merry Little Christmas / e. All I Want for Christmas Is My Two Front Teeth / f. I'll Be Home for Christmas / g. Silver Bells
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (from 1980-12-18 until 1980-12-20)
conductor:
John Williams (American score composer) (from 1980-12-18 until 1980-12-20)
arranger:
Billy May
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1980-12-18 until 1980-12-20)
recording of:
Holiday Cheer (from 1980-12-18 until 1980-12-20)
writer:
Billy May
medley of:
Jingle Bell Rock
medley of:
All I Want for Christmas Is My Two Front Teeth
medley of:
Silver Bells (Christmas song)
medley of:
Have Yourself a Merry Little Christmas
Jule Styne / Mel Tormé / Joe Beal & Jim Boothe / Hugh Martin / Donald Yetter Gardner / Walter Kent & Buck Ram / Jay Livingston & Ray Evans9:33
5A Christmas Carol
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
choir vocals:
Tanglewood Festival Chorus (from 1980-12-18 until 1980-12-20)
orchestra:
Boston Pops Orchestra (from 1980-12-18 until 1980-12-20)
conductor:
John Williams (American score composer) (from 1980-12-18 until 1980-12-20)
chorus master:
John Oliver (chorus master) (from 1980-12-18 until 1980-12-20)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1980-12-18 until 1980-12-20)
recording of:
A Christmas Carol, S. 228 (from 1980-12-18 until 1980-12-20)
lyricist and composer:
Charles Ives (American composer) (in 1894)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 228)
Charles Edward Ives2:15
6Carols of the Drum
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (from 1980-12-18 until 1980-12-20)
conductor:
John Williams (American score composer) (from 1980-12-18 until 1980-12-20)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1980-12-18 until 1980-12-20)
recording of:
Carol of the Drum (aka “The Little Drummer Boy”) (from 1980-12-18 until 1980-12-20)
lyricist and composer:
Katherine K. Davis (Katherine Kennicott Davis) (in 1941)
additional composer:
Henry Onorati (in 1958) and Harry Simeone (in 1958)
publisher:
EMI Mills Music (ASCAP-affiliated), International Korwin Corp., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Belwin-Mills Publishing Corp. (in 1955) and Mills Music, Inc. (in 1964)
is based on:
Trad. (traditional Czech carol, became “Carol of the Drums”)
Katherine Kennicott Davis3:34
7The Twelve Days of Christmas
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
choir vocals:
Tanglewood Festival Chorus (from 1980-12-18 until 1980-12-20)
orchestra:
Boston Pops Orchestra (from 1980-12-18 until 1980-12-20)
conductor:
John Williams (American score composer) (from 1980-12-18 until 1980-12-20)
chorus master:
John Oliver (chorus master) (from 1980-12-18 until 1980-12-20)
arranger:
Billy May
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1980-12-18 until 1980-12-20)
recording of:
The Twelve Days of Christmas (from 1980-12-18 until 1980-12-20)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Frederic Austin (English baritone and composer) (in 1909)
publisher:
Shawnee Press Inc.
[traditional]3:48
5CD: Pops Around the World
#TitleArtistRatingLength
1Colas Breugnan: Overture
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981-06)
conductor:
John Williams (American score composer) (in 1981-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981-06)
recording of:
Colas Breugnon, op. 24: Overture (in 1981-06)
composer:
Dimitri Kabalevsky (Dmitri Kabalevsky, Soviet composer/teacher) (from 1936 until 1938)
part of:
Colas Breugnon, op. 24
Dimitri Kabalevsky4:37
2Boccaccio: Overture
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981-06)
conductor:
John Williams (American score composer) (in 1981-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981-06)
recording of:
Boccaccio-Marsch (in 1981-06)
composer:
Franz von Suppé (Franz von Suppè, composer)
Franz von Suppé7:02
3The Bronze Horse (Le Cheval de bronze): Overture
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981-06)
conductor:
John Williams (American score composer) (in 1981-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981-06)
recording of:
Le Cheval de bronze: Overture (in 1981-06)
composer:
Daniel François Esprit Auber (composer)
part of:
Le Cheval de bronze
Daniel François Esprit Auber6:57
4Ruslan and Ludmila: Overture
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981-06)
conductor:
John Williams (American score composer) (in 1981-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981-06)
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture) (in 1981-06)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Mikhail Glinka5:23
5The Cowboys: Overture
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981-06)
conductor:
John Williams (American score composer) (in 1981-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981-06)
recording of:
The Cowboys (in 1981-06)
composer:
John Williams (American score composer)
recording of:
The Cowboys Overture (The Cowboys)
composer:
John Williams (American score composer)
John Williams8:52
6L'Italiana in Algeri: Overture
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981-06)
conductor:
John Williams (American score composer) (in 1981-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981-06)
recording of:
L’italiana in Algeri (in 1981-06)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
Gioachino Rossini8:04
7Candide: Overture
producer:
John McClure (recording engineer and record producer) and George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981-06)
conductor:
John Williams (American score composer) (in 1981-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981-06)
recording of:
Candide: Overture (in 1981-06)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein4:16
6CD: Aisle Seat
#TitleArtistRatingLength
1E.T.: The Flying Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 1982)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams3:43
2Chariots of Fire: Main Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Joseph Reisman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Chariots of Fire (title theme of the 1981 film) (in 1982)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!) and WB Music Corp. (1929–2019)
Vangelis4:09
3Raiders of the Lost Ark: Raiders of the Lost Ark March
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
The Raiders March (Raiders of the Lost Ark) (in 1982)
composer:
John Williams (American score composer)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams5:28
4Yes, Giorgio: If We Were in Love
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
If We Were in Love (Yes, Giorgio) (in 1982)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
John Williams (American score composer)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
part of:
Yes, Giorgio
John Williams4:57
5New York, New York: Main Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Billy Byers
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (in 1982)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (ended), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
New York, New York (1977 musical film soundtrack)
John Kander3:21
6Gone with the Wind: Tara's Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Angela Morley
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Tara’s Theme (Gone With the Wind, main theme) (in 1982)
composer:
Max Steiner
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Olive Music LLC
part of:
Gone With the Wind (soundtrack from the 1939 film)
Max Steiner4:40
7The Wizard of Oz: Over the Rainbow
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Alexander Courage
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (in 1982)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Harold Arlen3:10
8Singin' in the Rain: Main Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Alexander Courage and Conrad Salinger
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
instrumental recording of:
Singin’ in the Rain (in 1982)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
recording of:
Main Title (Singin’ in the Rain)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
Nacio Herb Brown3:39
9Friendly Persuasion: Main Theme (Thee I Love)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Angela Morley
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Main Theme (Friendly Persuasion) (in 1982)
composer:
Dimitri Tiomkin
Dimitri Tiomkin3:52
10Meet Me in St. Louis: The Trolley Song
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
additional arranger:
Alexander Courage
arranger:
Alexander Courage and Conrad Salinger
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (in 1982)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
Hugh Martin3:29
7CD: Out of This World
#TitleArtistRatingLength
12001: A Space Odyssey: Also sprach Zarathustra: Introduction
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1983-06)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:48
2E.T.: Adventures on Earth
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (in 1983-06)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams9:13
3Alien: Closing Title
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
arranger:
Jerry Goldsmith (American score composer)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
End Title (Alien) (in 1983-06)
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Alien (film soundtrack)
Jerry Goldsmith2:48
4Star Trek - The Television Show: Main Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
arranger:
Alexander Courage
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Where No Man Has Gone Before (original Star Trek title theme) (in 1983-06)
orchestrator:
Mike Townend
additional lyricist:
Gene Roddenberry (television writer and producer)
composer:
Alexander Courage and Gene Roddenberry (television writer and producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
Empath Finale (contains "Theme From Star Trek (TV Series)" by Alexander Courage & Gene Roddenberry and "Mr. Spock" by Gerald Fried)
Alexander Courage3:39
5Battlestar Galactica: Main Title
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Main Theme (Battlestar Galactica, 1978) (in 1983-06)
orchestrator:
Stu Phillips (US TV/film composer, conductor & producer), Edward Trybek and Henri Wilkinson
composer:
Glen Larson and Stu Phillips (US TV/film composer, conductor & producer)
publisher:
MCA Music Ltd., Songs of Universal, Inc. (BMI) and USI B Music Publishing
Stu Phillips & Glen A. Larson3:25
6Star Trek - The Motion Picture: Main Title
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
arranger:
Jerry Goldsmith (American score composer)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Main Theme (Star Trek: The Motion Picture) (in 1983-06)
composer:
Jerry Goldsmith (American score composer)
publisher:
Sony/ATV Melody
version of:
Where No Man Has Gone Before (original Star Trek title theme)
Jerry Goldsmith4:05
7Twilight Zone: Theme and Variations
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Main Theme (The Twilight Zone) (in 1983-06)
composer:
Marius Constant (Romanian-born French composer and conductor)
publisher:
Aspenfair Music Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Marius Constant3:38
8Return of the Jedi: Parade of the Ewoks
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Parade of the Ewoks (Star Wars, Episode VI: Return of the Jedi) (in 1983-06)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams3:32
9Return of the Jedi: Luke & Leia
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (in 1983-06)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams4:25
10Return of the Jedi: Jabba the Hutt
producer:
John McClure (recording engineer and record producer)
tuba:
Chester Schmitz (tubist) (in 1983-06)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Jabba the Hutt (Star Wars, Episode VI: Return of the Jedi) (in 1983-06)
composer:
John Williams (American score composer)
John Williams3:33
11Return of the Jedi: The Forest Battle
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
The Forest Battle (Star Wars, Episode VI: Return of the Jedi) (in 1983-06)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams4:03
8CD: Peter and the Wolf / Nutcracker Suite
#TitleArtistRatingLength
1Peter and the Wolf (A Musical Tale for Children)
producer:
John McClure (recording engineer and record producer)
spoken vocals [narrator]:
Dudley Moore (in 1983-06)
orchestra:
The Boston Pops (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Peter and the Wolf, op. 67 (in 1983-06)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev26:39
2Nutcracker Suite: 1. Minature Overture
producer:
John McClure (recording engineer and record producer)
orchestra:
The Boston Pops (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto (in 1983-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Pyotr Ilyich Tchaikovsky3:14
3Nutcracker Suite: 2. Characteristic Dances: March
producer:
John McClure (recording engineer and record producer)
orchestra:
The Boston Pops (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva (in 1983-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky2:18
4Nutcracker Suite: 2. Characteristic Dances: Dance of the Sugar-Plum Fairy
producer:
John McClure (recording engineer and record producer)
orchestra:
The Boston Pops (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy) (in 1983-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Pyotr Ilyich Tchaikovsky1:42
5Nutcracker Suite: 2. Characteristic Dances: Russian Dance (Trepak)
producer:
John McClure (recording engineer and record producer)
orchestra:
The Boston Pops (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace (in 1983-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky1:08
6Nutcracker Suite: 2. Characteristic Dances: Arabian Dance (Coffee)
producer:
John McClure (recording engineer and record producer)
orchestra:
The Boston Pops (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto (in 1983-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky3:20
7Nutcracker Suite: 2. Characteristic Dances: Chinese Dance (Tea)
producer:
John McClure (recording engineer and record producer)
orchestra:
The Boston Pops (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato (in 1983-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky1:06
8Nutcracker Suite: 2. Characteristic Dances: Dance of the Reed-PipesPyotr Ilyich Tchaikovsky2:19
9Nutcracker Suite: 3. Waltz of the Flowers
producer:
John McClure (recording engineer and record producer)
orchestra:
The Boston Pops (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (in 1983-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Pyotr Ilyich Tchaikovsky6:48
9CD: With a Song in My Heart
#TitleArtistRatingLength
1The Boys from Syracuse: Falling in Love with Love
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Jessye Norman (soprano) (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
arranger:
Dick Hyman (jazz pianist)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
Falling in Love With Love (in 1984-06)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
Richard Rodgers2:11
2Rosalie: In the Still of the Night
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Jessye Norman (soprano) (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
arranger:
Joseph Reisman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
In the Still of the Night (Cole Porter song) (in 1984-06)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Cole Porter2:43
3I Married an Angel: Spring Is Here
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Jessye Norman (soprano) (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
arranger:
Joseph Reisman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
Spring Is Here (in 1984-06)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
Richard Rodgers3:32
4You Were Never Lovelier: I'm Old-Fashioned
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Jessye Norman (soprano) (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
arranger:
Alexander Courage
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (in 1984-06)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Jerome Kern2:32
5House of Flowers: A Sleepin' Bee
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Jessye Norman (soprano) (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
arranger:
John Williams (American score composer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
A Sleepin’ Bee (House of Flowers) (in 1984-06)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
Harold Arlen4:21
6Can-Can: I Love Paris
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Jessye Norman (soprano) (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
arranger:
Dick Hyman (jazz pianist)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
I Love Paris (Can-Can [Pistache, Company]) (in 1984-06)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Cole Porter2:42
7Music in the Air: The Song Is You
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Jessye Norman (soprano) (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
arranger:
Alexander Courage
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
The Song Is You (in 1984-06)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
Jerome Kern3:43
8Hayride: I Love You
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Jessye Norman (soprano) (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
arranger:
Alexander Courage
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
I Love You (Mexican Hayride musical) (in 1984-06)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Cole Porter2:15
9Goldwyn Follies: Love Is Here to Stay
producer:
John McClure (recording engineer and record producer)
piano:
John Williams (American score composer) (in 1984-06)
soprano vocals:
Jessye Norman (soprano) (in 1984-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
Love Is Here to Stay (in 1984-06)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
George Gershwin3:36
10Very Warm for May: All the Things You Are
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Jessye Norman (soprano) (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
arranger:
Dick Hyman (jazz pianist)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
All the Things You Are (from “Very Warm for May”) (in 1984-06)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
Jerome Kern4:02
11Goldwyn Follies: Love Walked In
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Jessye Norman (soprano) (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
arranger:
Dick Hyman (jazz pianist)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
Love Walked In (in 1984-06)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
George Gershwin2:39
12With a Song in My Heart: With a Song in My Heart
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Jessye Norman (soprano) (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
arranger:
Alexander Courage
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
With a Song in My Heart (in 1984-06)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Richard Rodgers2:43
10CD: Swing, Swing, Swing
#TitleArtistRatingLength
1Opus One
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo clarinet:
Thomas Ferrante (in 1984-05)
solo piano:
Jeremy Rosen (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Larry Wilcox
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
Opus One (1943 song) (in 1984-05)
lyricist:
Sidney Reginald Garris
composer:
Sy Oliver
publisher:
Embassy Music Corp. (on 1943-06-23)
part of:
New York, New York (1977 musical film soundtrack)
Sy Oliver3:17
2Begin the Beguine
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo clarinet:
Thomas Ferrante (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Jerry Gray (US big band arranger and conductor) and Billy May
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Begin the Beguine (in 1984-05)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Cole Porter3:16
3Sunrise Serenade
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Sunrise Serenade (in 1984-05)
lyricist:
Jack Lawrence (US songwriter) (in 1939)
composer:
Frankie Carle (in 1939)
Frankie Carle2:55
4Tuxedo Junction
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo flute:
Leone Buyse (American classical flautist) (in 1984-05)
solo piano:
Robert Winter (pianist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Tuxedo Junction (in 1984-05)
lyricist:
Buddy Feyne
writer:
Dash, Feyne, Hawkins and Johnson (US jazz alto saxophonist, clarinetist & arranger)
composer:
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger), Julian Dash, Buddy Feyne and Erskine Hawkins
Erskine Hawkins, Bill Johnson & Julian Dash2:53
5Satin Doll
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo piano:
Robert Winter (pianist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Satin Doll (in 1984-05)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
Duke Ellington & Billy Strayhorn2:23
6In the Mood
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Glenn Osser
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
In the Mood (in 1984-05)
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
I’m in the Mood
writer:
Bernard Besman and John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
La Cienega Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Joseph Garland3:27
7Sing, Sing, Sing
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
bass drum:
Thomas Gauder (in 1984-05)
cymbal:
Frank Epstein (in 1984-05)
drums (drum set):
Fred Buda (in 1984-05)
membranophone:
Charles Smith (percussionist) (in 1984-05)
timpani:
Arthur Press (percussionist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Dick Hyman (jazz pianist)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Sing, Sing, Sing (With a Swing) (in 1984-05)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Louis Prima3:59
8Stompin' at the Savoy
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
bass drum:
Thomas Gauder (in 1984-05)
cymbal:
Frank Epstein (in 1984-05)
drums (drum set):
Fred Buda (in 1984-05)
membranophone:
Charles Smith (percussionist) (in 1984-05)
timpani:
Arthur Press (percussionist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Glenn Osser
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Stompin’ at the Savoy (in 1984-05)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Edgar Sampson, Benny Goodman & Chick Webb2:39
9Moonlight Serenade
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
cover recording of:
Moonlight Serenade (original instrumental version) (in 1984-05)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Moonlight Serenade (original instrumental version)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Glenn Miller3:47
10A String of Pearls
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo trumpet:
Charles Daval (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
A String of Pearls (in 1984-05)
lyricist:
Eddie DeLange
composer:
Jerry Gray (US big band arranger and conductor)
publisher:
Chappell & Co. and Scarsdale Music (ASCAP)
Jerry Gray3:09
11Sleepy Lagoon
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo flute:
Leone Buyse (American classical flautist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
By the Sleepy Lagoon (BBC Desert Island Discs theme) (in 1984-05)
lyricist:
Jack Lawrence (US songwriter) (in 1940)
composer:
Eric Coates (composer) (in 1930)
Eric Coates2:44
12Song of India
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo trombone:
Norman Bolter (trombonist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Don Sebesky
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
Song of India (catch-all for arrangements) (in 1984-05)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer)
arrangement of:
Song of India
Nikolai Rimsky-Korsakov3:27
13Snowfall
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Dick Hyman (jazz pianist)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
Snowfall (in 1984-05)
writer:
Claude Thornhill and Ruth Thornhill
publisher:
Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Claude Thornhill3:12
14Swing, Swing, Swing
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo clarinet:
Thomas Ferrante (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
Swing, Swing, Swing (in 1984-05)
composer:
John Williams (American score composer)
part of:
1941
John Williams4:25
11CD: America, the Dream Goes On
12CD: On Stage
13CD: Bernstein by Boston
14CD: Pops in Love
15CD: Holst: The Planets
16CD: Digital Jukebox
17CD: Lucky to Be Me
18CD: Salute to Hollywood
19CD: Pops à la Russe
20CD: Pops by Gershwin
21CD: By Request… / Pops Britannia

Credits

Release group

includes:Aisle Seat: Great Film Music by John Williams (American score composer) & The Boston Pops Orchestra
America, The Dream Goes On by John Williams (American score composer) & The Boston Pops Orchestra
Bernstein by Boston by Bernstein (Leonard Bernstein, American conductor, composer, pianist); Boston Pops Orchestra, John Williams (American score composer)
By Request… The Best of John Williams and the Boston Pops by John Williams (American score composer) and the Boston Pops
Digital Jukebox by John Williams (American score composer) & The Boston Pops Orchestra
Lucky to Be Me by Jessye Norman (soprano) & John Williams (American score composer)
On Stage by John Williams (American score composer) & Boston Pops Orchestra
Out of This World by John Williams (American score composer) & Boston Pops Orchestra
Pops à la Russe by John Williams (American score composer) and the Boston Pops Orchestra
Pops Around the World by John Williams (American score composer) & Boston Pops Orchestra
Pops Britannia by Boston Pops Orchestra, John Williams (American score composer)
Pops by Gershwin by Boston Pops Orchestra
Pops in Love by John Williams (American score composer) & Boston Pops Orchestra
Pops in Space by John Williams (American score composer) & The Boston Pops Orchestra
Pops on the March by John Williams (American score composer) & The Boston Pops Orchestra
Prokofiev: Peter and the Wolf, Op. 67 / Tchaikovsky: Nutcracker Suite, Op. 71a by Prokofiev (Sergei Prokofiev, Russian composer), Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Dudley Moore, John Williams (American score composer) & The Boston Pops
Salute to Hollywood by John Williams (American score composer) & The Boston Pops Orchestra
Swing, Swing, Swing by John Williams (American score composer) & The Boston Pops
That's Entertainment by John Williams (American score composer) & Boston Pops
The Planets by Gustav Holst (composer); Boston Pops, John Williams (American score composer)
We Wish You a Merry Christmas by John Williams (American score composer) & The Boston Pops Orchestra
With a Song in My Heart by Jessye Norman (soprano), Boston Pops Orchestra, John Williams (American score composer)
part of:Boston Pops conducted by John Williams compilations (order: 20)