Hit Me With Your 80’s Box

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Brass in Pocket (I’m Special)
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
The Pretenders4.153:05
2Jessie’s Girl
produttore:
Keith Olsen (US producer and engineer)
arrangiatore:
Neil Geraldo, Keith Olsen (US producer and engineer) e Rick Springfield
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1981), BMG Music (nel 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 2001) e Wizard Records (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 20) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 55)
registrazione di:
Jessie’s Girl
paroliere e compositore:
Rick Springfield
editore:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Wizard Music
Rick Springfield4.453:13
3Maneater
assistente tecnico:
Bruce Buckhalter (Engineer), Barry Harris (engineer) e Michael Somer-Abbott
tecnico:
Neil Kernon
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
tecnico di missaggio:
Hugh Padgham
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1982), BMG Music (nel 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
registrazione di:
Maneater (nel 1981-12)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:31
4Super Freak, Part 1
registrazione di:
Super Freak
paroliere e compositore:
Alonzo Miller (Singer-songwriter, producer) e Rick James (US vocalist, multi‐instrumentalist, composer & producer)
editore:
Jobete Music Co., Inc. e Stone Diamond Music Corporation
Rick James3:23
5Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 21) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work3.953:42
6Stray Cat Strut
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI America Records, Inc. (holding – file NO releases here!) (nel 1982)
registrazione di:
Stray Cat Strut
paroliere e compositore:
Brian Setzer
editore:
Zomba Enterprises, Inc.
Stray Cats4.13:16
7Goody Two Shoes
produttore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
batteria :
Bogdan Wiczling
chitarra acustica e chitarra basso :
Adam Ant (English new wave singer and actor)
sassofono :
Jeff Daly
tromba :
Martin Drover
voce:
Adam Ant (English new wave singer and actor)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1982-06)
remixata presso:
Alchemy Studio (London studio owned by Kenny Jones) in London (Greater London), England, Regno Unito (nel 1982-06)
video musicali:
Goody Two Shoes di Adam Ant (English new wave singer and actor)
parte di:
The Downloader’s Music Source Book (numero: 149)
registrazione di:
Goody Two Shoes
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited e EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1982)
Adam Ant2.353:30
8I Know What Boys Like
co-produttore:
Chris Butler (US musician, writer and artist, led The Waitresses) e Kurt Munkacsi
produttore:
Chris Butler (US musician, writer and artist, led The Waitresses) e Kurt Munkacsi
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1980)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 34)
registrazione di:
I Know What Boys Like
paroliere e compositore:
Chris Butler (US musician, writer and artist, led The Waitresses)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
versione di:
Wait Here I’ll Be Right Back…
The Waitresses3:12
9The Safety Dance
produttore:
Marc Durand (Canadian producer)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 17)
registrazione di:
The Safety Dance (dal 1982-01 al 1982-03)
paroliere e compositore:
Ivan Doroschuk (Men Without Hats)
editore:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (nel 1982) e Wintrup Musik (nel 1982)
Men Without Hats4.54:35
10Mr. Telephone Man
registrazione di:
Mr. Telephone Man
paroliere e compositore:
Ray Parker Jr.
editore:
Raydiola Music e 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
New Edition44:00
11Somebody’s Watching Me
produttore:
Curtis Anthony Nolen e Rockwell (R & B – “Somebody’s Watching Me”)
voce di accompagnamento:
Jermaine Jackson (soul/pop singer, of Jackson 5)
voce ospite:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 20)
registrazione di:
Somebody’s Watching Me
paroliere e compositore:
Rockwell (R & B – “Somebody’s Watching Me”)
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:58
12Whip It
produttore:
DEVO (new wave/rock band)
produttore associato:
Robert Margouleff
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 15), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 63) e Indie 88: Top 500 Indie Rock Songs (numero: 463)
registrazione di:
Whip It (Devo song)
autore:
Gerald Casale e Mark Mothersbaugh
editore:
DEVO Music, EMI Virgin Music Australia Pty Ltd e Nymph Music
DEVO4.452:39
13I Ran
tecnico di registrazione:
Mike Score
tecnico:
Mike Shipley (audio engineer, mixer, producer)
produttore:
Mike Howlett
batteria :
Ali Score
chitarra :
Paul Reynolds (UK guitarist, in A Flock of Seagulls) e Mike Score
chitarra basso e voce di accompagnamento:
Frank Maudsley
tastiera e voce principale:
Mike Score
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982), Zomba Productions Limited (nel 1982) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
video musicali:
I Ran di A Flock of Seagulls
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 55)
registrazione di:
I Ran
autore:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score e Mike Score
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.355:04
14Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
esecutore:
Duran Duran (English rock band) (nel 1982)
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (nel 1982) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 398)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran3.353:23
2▼CD
#TitoloArtistaValutazioneDurata
1Rebel Yell
tecnico:
Michael Frondelli
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Dave Wittman
basso, chitarra e tastiera :
Steve Stevens (US guitarist and songwriter) (nel 1983)
batteria :
Thommy Price (nel 1983)
chitarra basso :
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (nel 1983)
tastiera :
Judi Dozier (nel 1983)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1983)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1999) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1986)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (nel 1983)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Rebel Yell di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 79)
registrazione di:
Rebel Yell (nel 1983)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) e WC Music Corp.
Billy Idol4.554:46
2We’re Not Gonna Take It
tecnico di registrazione e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Gary McGachan
tecnico:
John Agnello (engineer & producer), Greg Laney e Geoff Workman
produttore:
Tom Werman
batteria :
A.J. Pero
chitarra basso :
Mark Mendoza (Twisted Sister bassist)
chitarra elettrica :
Jay Jay French e Eddie Ojeda
voce di accompagnamento:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero e Dee Snider
voce principale:
Dee Snider
arrangiatore:
Twisted Sister e Tom Werman
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1984-02 al 1984-03) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03)
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 47) e Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 81)
registrazione di:
We’re Not Gonna Take It
paroliere e compositore:
Dee Snider
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Tunes
parte di:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (numero: 7)
Twisted Sister4.353:38
3The Warrior (feat. Patty Smyth)
esecutore:
Patti Smith e Patty Smyth
registrazione di:
The Warrior
autore:
Nick Gilder e Holly Knight
editore:
712 Stone Avenue Music, All Nations Music, Chrysalis Songs, Hebbes Music Group Pty. Ltd., Kobalt Music Publishing Ltd. (UK), Mike Chapman Publishing Enterprises, Music & Media International, Inc. e Red Admiral Music Inc. (publisher)
Scandal3:52
4Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
5Jeopardy
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1983)
registrazione di:
Jeopardy
autore:
Greg Kihn e Steve Wright (bassist for the Greg Kihn Band)
Greg Kihn Band3.353:49
6Jump (for My Love)
registrata a:
Los Angeles, California, Stati Uniti (nel 1983)
programmazione degli strumenti:
Reek Havoc (nel 1983) e Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983)
tecnico:
Gary Skardina
produttore:
Richard Perry (producer)
produttore associato:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) e Gary Skardina
basso :
Louis Johnson (bass, member of Brothers Johnson) (nel 1983)
drum machine e sintetizzatore :
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983)
minimoog e batteria elettronica e sintetizzatore aggiunto:
Howie Rice (nel 1983)
percussione :
Paulinho da Costa (Brazilian percussionist) (nel 1983)
voce principale:
June Pointer (nel 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) e James C. Tract
diritti fonografici (℗) detenuti da:
Planet Records Inc. (nel 1983)
registrazione di:
Jump (for My Love) (nel 1983)
autore:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron e Gary Skardina
editore:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Songs LLC
The Pointer Sisters3.354:26
7Caribbean Queen
registrazione di:
Caribbean Queen
autore:
Keith Diamond e Billy Ocean
Billy Ocean53:42
8Easy Lover
produttore:
Phil Collins (of Genesis)
basso :
Nathan East
batteria :
Phil Collins (of Genesis)
chitarra :
Daryl Stuermer
tastiera :
Lesette Wilson
voce principale:
Philip Bailey e Phil Collins (of Genesis)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 20), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 49) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 203)
registrazione di:
Easy Lover
autore:
Philip Bailey, Phil Collins (of Genesis) e Nathan East
editore:
Concord Music GmbH, Concord Music Publishing LLC, Concord Sounds, Musik-Edition Discoton, Pun Music Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal Music Publishing International MGB Ltd., Hit & Run Music (Publishing) Ltd (nel 1984), New East Music (nel 1984), Philip Collins Ltd. (nel 1984), Sir & Trini Music (nel 1984) e Warner Chappell Music Ltd. (no slash; used 1988–1996) (nel 1984)
Phil Collins & Philip Bailey45:01
9Cruel Summer
produttore:
Steve Jolley e Tony Swain (songwriter, producer)
voce principale:
Sara Dallin (nel 1983-04), Siobhan Fahey (nel 1983-04) e Keren Woodward (nel 1983-04)
esecutore:
Bananarama (nel 1983-04)
diritti fonografici (℗) detenuti da:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (nel 1983) e London Records Ltd. (not release label) (nel 1984)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 44) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 414)
registrazione di:
Cruel Summer (nel 1983-04)
paroliere:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) e Keren Woodward
compositore:
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) e Keren Woodward
editore:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:30
10She Blinded Me With Science
programmazione degli strumenti:
Thomas Dolby
produttore:
Thomas Dolby e Tim Friese‐Greene
moog [Moog bass] ospite :
Matthew Seligman (nel 1982-08)
violino :
Simon House (nel 1982-08)
voce:
Thomas Dolby (nel 1982-08)
voce di accompagnamento:
Robert John “Mutt” Lange (Robert John Lange) (nel 1982-08) e Miriam Stockley (nel 1982-08)
voce parlata:
Magnus Pyke (nel 1982-08)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
Odyssey Studio (London) in London (Greater London), England, Regno Unito (nel 1982-08)
mixata presso:
Odyssey Studio (London) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 76)
registrazione di:
She Blinded Me With Science (nel 1982-08)
paroliere:
Thomas Dolby e Tim Kerr (songwriter working with Thomas Dolby)
compositore:
Thomas Dolby
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Participation Music Inc.
Thomas Dolby43:41
11No More Words
registrazione di:
No More Words
paroliere e compositore:
John Crawford (Berlin bassist)
Berlin3:52
12Major Tom (Coming Home)
tecnico di registrazione:
Lars Hidde (dal 1982 al 1983), Manfred Lohse (dal 1982 al 1983), Geoff Peacey (dal 1982 al 1983), Frank Reinke (Germany based engineer) (dal 1982 al 1983), Peter Schilling (German synthpop musician) (dal 1982 al 1983) e Peter Schmidt (recording engineer) (dal 1982 al 1983)
assistente produttore:
Frank Hieber (nel 1982)
produttore:
Armin Sabol (dal 1982 al 1983) e Peter Schilling (German synthpop musician) (dal 1982 al 1983)
tecnico di missaggio:
Holger J. Magnussen (nel 1982)
basso elettrico :
Günther Gebauer (nel 1982)
batteria :
Curt Cress (nel 1982)
chitarra elettrica :
Armin Sabol (nel 1982)
tastiera [keyboard solo] :
Gonzo Bishop (nel 1982)
voce principale:
Peter Schilling (German synthpop musician) (nel 1983)
arrangiatore:
Peter Schilling (German synthpop musician) (nel 1982)
registrata presso:
Peer Studio in Hamburg, Germania (dal 1982 al 1983)
versioni a cappella:
Space Oddity / Major Tom (Coming Home) di Tufts Beelzebubs (Tufts University all-male a cappella group)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 68)
registrazione di:
Major Tom (Coming Home) (dal 1982 al 1983)
paroliere e compositore:
Peter Schilling (German synthpop musician)
traduttore:
David Lodge
dedicata a:
Peer Musikverlag
versione tradotta di:
Major Tom (Völlig losgelöst)
Peter Schilling4.354:57
13True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:34
14Broken Wings
tecnico:
Paul DeVilliers
produttore:
Paul DeVilliers e Mr. Mister (American pop rock band)
batteria :
Pat Mastelotto
chitarra :
Steve Farris (US session guitarist, member of Mr. Mister)
chitarra basso e voce principale:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
tastiera :
Steve George (US keyboardist for Mr. Mister & Pages)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister4.24:43
3▼CD
#TitoloArtistaValutazioneDurata
1Walking on Sunshine
registrata a:
England, Regno Unito
assistente tecnico:
Jon Goldberger (engineer)
tecnico e tecnico di missaggio:
Scott Litt (producer and engineer)
produttore:
Pat Collier e Katrina and the Waves (British‐American rock band)
produttore aggiunto:
Scott Litt (producer and engineer)
batteria e percussione :
Alex Cooper (drummer, member of “Katrina and the Waves”)
chitarra [lead guitar] :
Kimberley Rew
chitarra [rhythm guitar] e voce principale:
Katrina Leskanich
chitarra basso :
Vince de la Cruz
organo ospite :
Nick Glennie‐Smith
ottoni [Rumour Brass Section] ospite :
Ray Beavis, Dick Hanson e John "Irish" Earl
voce di accompagnamento:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz e Kimberley Rew
arrangiatore ottoni :
Eamon Fitzpatrick
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1985)
registrata presso:
Alaska Studios in London (Greater London), England, Regno Unito e Greenhouse Studio (London) in London (Greater London), England, Regno Unito
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1984-12 al 1985-03)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 378)
registrazione di:
Walking on Sunshine
paroliere:
Kimberley Rew (nel 1983)
compositore:
Kimberley Rew
editore:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:58
2Miami Vice Theme
Jan Hammer2:28
3You Belong to the City
produttore:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
basso , chitarra elettrica , sintetizzatore e voce principale:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
batteria :
Michael Huey
sassofono :
Bill Bergman
strumenti:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1985)
registrazione di:
You Belong to the City
autore:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) e Jack Tempchin
editore:
Night River Publishing e Red Cloud Music
Glenn Frey55:51
4No One Is to Blame
tecnico di registrazione e tecnico di missaggio:
Hugh Padgham
produttore:
Phil Collins (of Genesis) e Hugh Padgham
basso :
Mo Foster
batteria :
Phil Collins (of Genesis)
chitarra :
Phil Palmer (guitarist)
voce:
Phil Collins (of Genesis) e Howard Jones (English singer, songwriter)
voce di accompagnamento:
Afrodiziak
registrata presso:
The Farm (of Genesis fame) in Surrey, England, Regno Unito
registrazione di:
No One Is to Blame
paroliere e compositore:
Howard Jones (English singer, songwriter)
editore:
Howard Jones Music Ltd.
Howard Jones54:11
5Holding Back the Years
assistente tecnico:
Chris Dickie
tecnico e tecnico di missaggio:
Femi Jiya
produttore:
Stewart Levine (record producer and saxophonist)
basso :
Tony Bowers (nel 1985)
batteria e percussione :
Chris Joyce (drummer for Simply Red) (nel 1985)
chitarra :
Sylvan (nel 1985)
tastiera e voce di accompagnamento:
Fritz McIntyre (nel 1985)
tromba :
Tim Kellett (nel 1985)
voce principale:
Mick Hucknall (lead singer of Simply Red) (nel 1985)
esecutore:
Simply Red (English soul and pop band) (nel 1985)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1985)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1985) e Soundpush Studio in Blaricum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (nel 1985)
mixata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1985)
video musicali:
Holding Back the Years di Simply Red (English soul and pop band)
registrazione di:
Holding Back the Years (nel 1985)
paroliere:
Mick Hucknall (lead singer of Simply Red)
compositore:
Mick Hucknall (lead singer of Simply Red) e Neil Moss
editore:
EMI April Music Inc., EMI Songs Ltd. e So What Ltd
Simply Red44:29
6Nightshift
cori [background vocal chorus]:
Gregory Alexander, Ambrose Price, Tracy Augcomfar, Debbie Garrett, Doris Garrett, Patricia Hamlin, Philip Ingram, William King (member of Commodores), Dennis Lambert, Ronald LaPread, J.D. Nicholas, Walter Orange, Darryl Phinnessee, Sheldon Reynolds e David Swanson (US soul/funk pianist/synthesizer)
esecutore:
J.D. Nicholas e Walter Orange
registrazione di:
Nightshift
autore:
Franne Golde, Dennis Lambert e Walter Orange
arrangiatore:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Zomba Enterprises, Inc.
Commodores4.355:04
7Oh Sheila
registrazione di:
Oh Sheila
autore:
Melvin Riley Jr., Gordon Strozier e Gerald Valentine
Ready for the World44:03
8Word Up
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1986) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1986)
video musicali:
Word Up! di Cameo (American soul-influenced funk group)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 70) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 81)
registrazione di:
Word Up!
autore:
Larry Blackmon e Tomi Jenkins
editore:
All Seeing Eye Music, Better Days Music e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:19
9Pump Up the Jam
tecnico:
Spencer Henderson (engineer)
produttore:
Jo “Thomas de Quincey” Bogaert (Belgian producer)
sintetizzatore aggiunto:
Patrick de Meyer (Belgian electronic music producer)
voce:
Ya Kid K (Belgian‐Congolese singer Manuela Kamosi)
diritti fonografici (℗) detenuti da:
ARS Productions Belgium (nel 1989) e ARS Productions (nel 1990)
registrata presso e mixata presso:
Swanyard Studios in Islington, London (Greater London), England, Regno Unito e The Haunted House (private home studio of Jo Bogaert) in Aalst, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgio
lavorazione tecnica effettuata presso:
Swanyard Studios in Islington, London (Greater London), England, Regno Unito
registrazione di:
Pump Up the Jam
paroliere:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
compositore:
Patrick de Meyer (Belgian electronic music producer) e Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
si basa su:
Technotronic
Technotronic4.155:21
10Something About You
tecnico e tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
assistente produttore:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Wally Badarou e Level 42
video musicali:
Something About You di Level 42
registrazione di:
Something About You
autore:
Wally Badarou, Boon Gould, Phil Gould, Mark King (bass guitarist and vocalist) e Mike Lindup
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Visual Arts Ltd., Music of Windswept, Peermusic III, Ltd. (BMI), Universal–Songs of PolyGram International, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Level 422.53:43
11Breakout
produttore:
Paul Staveley O’Duffy
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 72)
registrazione di:
Breakout (nel 1986)
autore:
Andy Connell (nel 1986), Corinne Drewery (nel 1986) e Martin Jackson (nel 1986)
editore:
10 Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishers, Sony Music Publishing (worldwide except Japan, ended 1995) e Virgin 10 Music Ltd.
Swing Out Sister3.83:47
12Walk Like an Egyptian
produttore:
David Kahne
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra :
Susanna Hoffs e Vicki Peterson
chitarra basso :
Michael Steele (American bassist, guitarist, songwriter, and singer)
voce principale:
Susanna Hoffs, Vicki Peterson e Michael Steele (American bassist, guitarist, songwriter, and singer)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 14)
registrazione di:
Walk Like an Egyptian
paroliere e compositore:
Liam Sternberg (fino al 1984-01)
editore:
Peer International Corporation (BMI)
parte di:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
Bangles4.23:23
13Heaven Is a Place on Earth
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
sintetizzatore [Fairlight] :
Rhett Lawrence
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987), Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987) e Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 400)
registrazione di:
Heaven Is a Place on Earth
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
sub-editore:
Fujipacific Music, Inc.
Belinda Carlisle4.154:04
14Don’t Know What You Got (Till It’s Gone)
assistente tecnico di registrazione:
Thom Cadley e Ryan Dorn
tecnico:
Andy Johns
produttore:
Eric Brittingham, Andy Johns e Tom Keifer
assistente tecnico di missaggio:
George Cowan (US engineer)
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
armonica (a bocca) , chitarra acustica , chitarra steel [national steel guitar] e voce principale:
Tom Keifer (dal 1987 al 1988)
basso elettrico , chitarra basso [12 string bass] e voce di accompagnamento:
Eric Brittingham (dal 1987 al 1988)
batteria :
Fred Coury (dal 1987 al 1988)
batteria aggiunto:
Denny Carmassi (dal 1987 al 1988) e Cozy Powell (dal 1987 al 1988)
chitarra elettrica :
Tom Keifer (dal 1987 al 1988) e Jeff LaBar (dal 1987 al 1988)
chitarra pedal steel aggiunto:
Jay Levine (dal 1987 al 1988)
organo Hammond [B3] ospite aggiunto, pianoforte ospite aggiunto e sintetizzatore ospite aggiunto:
Rick Criniti (dal 1987 al 1988)
percussione aggiunto:
Paulinho da Costa (Brazilian percussionist) (dal 1987 al 1988)
tastiera aggiunto:
Kurt Shore (dal 1987 al 1988) e John Webster (Canadian keyboardist) (dal 1987 al 1988)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1987 al 1988) e Kajem/Victory Studios (An American recording studio and production facility.) in Philadelphia, Pennsylvania, Stati Uniti (dal 1987 al 1988)
mixata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti
registrazione di:
Don’t Know What You Got (Till It’s Gone) (dal 1987 al 1988)
paroliere e compositore:
Tom Keifer
Cinderella55:53

Accreditamenti