Fear of a Black Planet

~ Veröffentlichung von Public Enemy (alle Versionen dieser Veröffentlichung ansehen, 16 vorhanden)

Titelliste

1▼Kassette
Nr.TitelBewertungLänge
A1Contract on the World Love Jam (instrumental)
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Contract on the World Love Jam
Komponist(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.75?:??
A2Brothers Gonna Work It Out
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Brothers Gonna Work It Out
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
3.2?:??
A3911 Is a Joke
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
911 Is a Joke
Verfasser(in):
Eric Sadler, Keith Shocklee und William Jonathan Drayton
3.8?:??
A4Incident at 66.6 FM (instrumental)
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Incident at 66.6 FM
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
1.75?:??
A5Welcome to the Terrordome
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recording of:
Welcome to the Terrordome
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
4?:??
A6Meet the G That Killed Me
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Meet the G That Killed Me
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
1.75?:??
A7Pollywanacraka
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Pollywanacraka
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
1.35?:??
A8Anti-Nigger Machine
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Anti‐Nigger Machine
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
1.35?:??
A9Burn Hollywood Burn
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Burn Hollywood Burn
Verfasser(in):
Antonio Hardy, Carlton Douglas Ridenhour, O’Shea Jackson, Eric Sadler und Keith Shocklee
3.25?:??
A10Power to the People
recording of:
Power to the People
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
?:??
B1Who Stole the Soul?
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Who Stole the Soul?
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.5?:??
B2Fear of a Black Planet
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Fear of a Black Planet
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.6?:??
B3Revolutionary Generation
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Revolutionary Generation
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.5?:??
B4Can't Do Nuttin' for Ya Man
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Can't Do Nuttin' for Ya Man
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.25?:??
B5Reggie Jax
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Reggie Jax
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2?:??
B6Leave This Off Your F*kin Charts (instrumental)
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Leave This Off Your Fu*kin Charts
Verfasser(in):
Norman Lee Rogers
2.5?:??
B7B Side Wins Again
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
B Side Wins Again
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.8?:??
B8War at 33 1/3
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
War at 33⅓
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.5?:??
B9Final Count of the Collision Between Us and the Damned (instrumental)
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Final Count of the Collision Between Us and the Damned
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
1.75?:??
B10Fight the Power
Produzent(in):
The Bomb Squad (production team), Carl Ridenhour, Eric Sadler und Hank Shocklee
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
Samples:
Funky Drummer von James Brown (The Godfather of Soul)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 2), CBC Music: 10 Songs That Have Changed the World, Grammy Award: Best Rap Performance nominees (Nummer: 1990), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 68) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 322)
recording of:
Fight the Power
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
publisher:
Island Music Ltd.
3.7?:??

Nennungen

Veröffentlichungsgruppe

gewidmet:Oliver X. Beasley
Brother Huey P. Newton
Yusef Hawkins
Keith (Cowboy) Wiggins (US hip hop MC Keith Wiggins, in The Furious Five)
ausgekoppelte Singles/EPs:911 Is a Joke
Brothers Gonna Work It Out
Can’t Do Nuttin’ for Ya Man
Fight the Power
Welcome to the Terrordome
enthalten in:3 Original CDs: Yo! Bum Rush the Show / It Takes a Nation of Millions to Hold Us Back / Fear of a Black Planet
Teil von:My Life in Music: Wyclef Jean (SPIN magazine, 2003-12) (Nummer: G) (Reihenfolge: 7)
My Life in Music: Tom Morello (SPIN magazine, 2003-10) (Nummer: K) (Reihenfolge: 11)
Treble: The 150 Best Albums of the 1990s (Nummer: 15) (Reihenfolge: 15)
David Keenan: The Best Albums Ever (Nummer: 24) (Reihenfolge: 24)
Pitchfork: The 150 Best Albums of the 1990s (2022-09-28) (Nummer: 27) (Reihenfolge: 27)
The Guardian 100 Best Albums Ever (Nummer: 50) (Reihenfolge: 50)
Uncut: The 500 Greatest Albums of the 1990s (Nummer: 56) (Reihenfolge: 56)
Pitchfork: The 100 Best Rap Albums of All Time (Nummer: 57) (Reihenfolge: 57)
Rolling Stone: 500 Greatest Albums of All Time: 2020 edition (Nummer: 176) (Reihenfolge: 176)
Rolling Stone: 500 Greatest Albums of All Time: 2023 edition (Nummer: 176) (Reihenfolge: 176)
Rolling Stone: 500 Greatest Albums of All Time: 2003 edition (Nummer: 300) (Reihenfolge: 300)
Rolling Stone: 500 Greatest Albums of All Time: 2012 edition (Nummer: 302) (Reihenfolge: 302)
Music Canada Certified Gold Albums (Nummer: 1990-07-27) (Reihenfolge: 475)
1001 Albums You Must Hear Before You Die (2005 edition) (Nummer: 679) (Reihenfolge: 680)
Discogs:https://www.discogs.com/master/30255 [Info]
Liedtextseite:https://genius.com/albums/Public-enemy/Fear-of-a-black-planet [Info]
andere Datenbanken:https://rateyourmusic.com/release/album/public_enemy/fear_of_a_black_planet/ [Info]
Allmusic:https://www.allmusic.com/album/mw0000206260 [Info]
Wikidata:Q996926 [Info]