Mass in B minor

~ Release by Johann Sebastian Bach; Philippe Herreweghe, Collegium Vocale Gent (see all versions of this release, 3 available)

Tracklist

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1▼Digital Media
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1Mass in B minor, BWV 232: Kyrie: No. 1. Kyrie eleison
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach9:28
2Mass in B minor, BWV 232: Kyrie: No. 2. Christe eleison
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
soprano vocals:
Véronique Gens (soprano) (in 1996-07) and Johannette Zomer (soprano) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:38
3Mass in B minor, BWV 232: Kyrie: No. 3. Kyrie eleison
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:33
4Mass in B minor, BWV 232: Gloria: No. 4. Gloria in excelsis Deo
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:43
5Mass in B minor, BWV 232: Gloria: No. 5. Et in terra pax
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:48
6Mass in B minor, BWV 232: Gloria: No. 6. Laudamus te
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-07)
assistant engineer:
Frédéric Briant (in 1996-07)
choir vocals:
Collegium Vocale Gent (in 1996-07)
soprano vocals:
Véronique Gens (soprano) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
Sint-Gilliskerk in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:28
7Mass in B minor, BWV 232: Gloria: No. 7. Gratias agimus tibi
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:43
8Mass in B minor, BWV 232: Gloria: No. 8. Domine Deus
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
soprano vocals:
Johannette Zomer (soprano) (in 1996-07)
tenor vocals:
Christoph Prégardien (tenor) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:43
9Mass in B minor, BWV 232: Gloria: No. 9. Qui tollis peccata mundi
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:07
10Mass in B minor, BWV 232: Gloria: No. 10. Qui sedes ad dexteram Patris
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
alto vocals:
Andreas Scholl (countertenor) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:44
11Mass in B minor, BWV 232: Gloria: No. 11. Quoniam tu solus Sanctus
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
bass vocals:
Hanno Müller‐Brachmann (bass-baritone) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:31
12Mass in B minor, BWV 232: Gloria: No. 12. Cum Sancto Spiritu
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:05
2▼Digital Media
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1Mass in B minor, BWV 232: Symbolum Nicenum: No. 13. Credo in unum Deum
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:56
2Mass in B minor, BWV 232: Symbolum Nicenum: No. 14. Patrem omnipotentem
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:53
3Mass in B minor, BWV 232: Symbolum Nicenum: No. 15. Et in unum Dominum
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
alto vocals:
Andreas Scholl (countertenor) (in 1996-07)
soprano vocals:
Johannette Zomer (soprano) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:45
4Mass in B minor, BWV 232: Symbolum Nicenum: No. 16. Et incarnatus est
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale (in 1996-07)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) and Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:14
5Mass in B minor, BWV 232: Symbolum Nicenum: No. 17. Crucifixus
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale (in 1996-07)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) and Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:04
6Mass in B minor, BWV 232: Symbolum Nicenum: No. 18. Et resurrexit
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale (in 1996-07)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) and Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:05
7Mass in B minor, BWV 232: Symbolum Nicenum: No. 19. Et in Spiritum Sanctum Dominum
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:50
8Mass in B minor, BWV 232: Symbolum Nicenum: No. 20. Confiteor
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:55
9Mass in B minor, BWV 232: Symbolum Nicenum: No. 21. Et expecto
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:18
10Mass in B minor, BWV 232: Symbolum Nicenum: No. 22. Sanctus
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:19
11Mass in B minor, BWV 232: Symbolum Nicenum: No. 23. Osanna
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:39
12Mass in B minor, BWV 232: Symbolum Nicenum: No. 24. Benedictus
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
tenor vocals:
Christoph Prégardien (tenor) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:06
13Mass in B minor, BWV 232, Symbolum Nicenum: No. 25. Osanna in excelsis
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:41
14Mass in B minor, BWV 232: Symbolum Nicenum: No. 26. Agnus Dei
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
alto vocals:
Andreas Scholl (countertenor) (in 1996-07)
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:37
15Mass in B minor, BWV 232: Symbolum Nicenum: No. 27. Dona nobis pacem
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:52

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part of:Music Genre Tree (Canonical album list from musicgenretree.org – one representative release per genre.)