Mosaic Select 2

~ Release by Carmell Jones (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1I'm Gonna Go Fishin'
recording engineer:
Richard Bock (record producer) (on 1961-06-30)
engineer and producer:
Richard Bock (record producer) (in 1961-06)
double bass:
Gary Peacock (American jazz bassist) (in 1961-06)
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1961-06-30)
drums (drum set):
Leon Pettis (in 1961-06, on 1961-06-30)
piano:
Frank Strazzeri (in 1961-06, on 1961-06-30)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (in 1961-06, on 1961-06-30)
trumpet:
Carmell Jones (in 1961-06, on 1961-06-30)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1961-06-30)
instrumental recording of:
I’m Gonna Go Fishin’ (on 1961-06-30)
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Peggy Lee (jazz vocalist)
medley of:
Jag ska ut och fiska
instrumental recording of:
I’m Gonna Go Fishin’ (in 1961-06)
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Peggy Lee (jazz vocalist)
medley of:
Jag ska ut och fiska
Carmell Jones also featuring Harold Land11:14
2Come Rain or Come Shine
recording engineer:
Richard Bock (record producer) (on 1961-06-30)
engineer and producer:
Richard Bock (record producer) (in 1961-06)
double bass:
Gary Peacock (American jazz bassist) (in 1961-06)
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1961-06-30)
drums (drum set):
Leon Pettis (in 1961-06, on 1961-06-30)
piano:
Frank Strazzeri (in 1961-06, on 1961-06-30)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (in 1961-06, on 1961-06-30)
trumpet:
Carmell Jones (in 1961-06, on 1961-06-30)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1961-06-30)
instrumental recording of:
Come Rain or Come Shine (on 1961-06-30)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
instrumental recording of:
Come Rain or Come Shine (in 1961-06)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Carmell Jones also featuring Harold Land4:32
3Night Tide
recording engineer:
Richard Bock (record producer) (on 1961-06-30)
engineer and producer:
Richard Bock (record producer) (in 1961-06)
double bass:
Gary Peacock (American jazz bassist) (in 1961-06)
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1961-06-14)
drums (drum set):
Leon Pettis (in 1961-06, on 1961-06-14)
piano:
Frank Strazzeri (in 1961-06, on 1961-06-14)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (in 1961-06, on 1961-06-14)
trumpet:
Carmell Jones (in 1961-06, on 1961-06-14)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1961-06-14)
recording of:
Night Tide (on 1961-06-14)
composer:
Jimmy Bond
recording of:
Night Tide (in 1961-06)
composer:
Jimmy Bond
Carmell Jones also featuring Harold Land4:05
4Sad March
recording engineer:
Richard Bock (record producer) (on 1961-06-30)
engineer and producer:
Richard Bock (record producer) (in 1961-06)
double bass:
Gary Peacock (American jazz bassist) (in 1961-06)
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1961-06-14)
drums (drum set):
Leon Pettis (in 1961-06, on 1961-06-14)
piano:
Frank Strazzeri (in 1961-06, on 1961-06-14)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (in 1961-06, on 1961-06-14)
trumpet:
Carmell Jones (in 1961-06, on 1961-06-14)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1961-06-14)
recording of:
Sad March (on 1961-06-14)
composer:
Carmell Jones
Carmell Jones also featuring Harold Land5:48
5Stellisa
recording engineer:
Richard Bock (record producer) (on 1961-06-30)
engineer and producer:
Richard Bock (record producer) (in 1961-06)
double bass:
Gary Peacock (American jazz bassist) (in 1961-06)
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1961-06-14)
drums (drum set):
Leon Pettis (in 1961-06, on 1961-06-14)
piano:
Frank Strazzeri (in 1961-06, on 1961-06-14)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (in 1961-06, on 1961-06-14)
trumpet:
Carmell Jones (in 1961-06, on 1961-06-14)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1961-06-14)
recording of:
Stellisa (on 1961-06-14)
composer:
Carmell Jones
Carmell Jones also featuring Harold Land9:13
6Full Moon and Empty Arms
recording engineer:
Richard Bock (record producer) (on 1961-06-13)
engineer and producer:
Richard Bock (record producer) (in 1961-06)
double bass:
Gary Peacock (American jazz bassist) (in 1961-06)
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1961-06-13)
drums (drum set):
Leon Pettis (in 1961-06, on 1961-06-13)
piano:
Frank Strazzeri (in 1961-06, on 1961-06-13)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (in 1961-06, on 1961-06-13)
trumpet:
Carmell Jones (in 1961-06, on 1961-06-13)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1961-06-13)
instrumental recording of:
Full Moon and Empty Arms (on 1961-06-13)
writer:
Buddy Kaye and Ted Mossman
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer)
publisher:
Barton Music Corp., Fanfare Music Company and Sony/ATV Tunes LLC (ASCAP)
is based on:
Piano Concerto no. 2 in C minor, op. 18
instrumental recording of:
Full Moon and Empty Arms (in 1961-06)
writer:
Buddy Kaye and Ted Mossman
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer)
publisher:
Barton Music Corp., Fanfare Music Company and Sony/ATV Tunes LLC (ASCAP)
is based on:
Piano Concerto no. 2 in C minor, op. 18
Carmell Jones also featuring Harold Land6:42
7That's Good
recording engineer:
Richard Bock (record producer) (on 1962-04-25)
producer:
Richard Bock (record producer)
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1962-04-25)
drums (drum set):
Donald Dean (US jazz drummer) (on 1962-04-25)
piano:
Frank Strazzeri (on 1962-04-25)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1962-04-25)
trumpet:
Carmell Jones (on 1962-04-25)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-04-25)
recording of:
That's Good (on 1962-04-25)
composer:
Carmell Jones
Carmell Jones6:08
8Suearl
recording engineer:
Richard Bock (record producer) (on 1962-04-25)
producer:
Richard Bock (record producer)
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1962-04-25)
drums (drum set):
Donald Dean (US jazz drummer) (on 1962-04-25)
piano:
Frank Strazzeri (on 1962-04-25)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1962-04-25)
trumpet:
Carmell Jones (on 1962-04-25)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-04-25)
recording of:
Suearl (on 1962-04-25)
composer:
Harold Land (US jazz tenor saxophonist)
Carmell Jones7:09
9Hip Trolley
recording engineer:
Richard Bock (record producer) (on 1962-04-25)
producer:
Richard Bock (record producer)
double bass and double bass [bass]:
Gary Peacock (American jazz bassist) (on 1962-04-25)
drums (drum set):
Donald Dean (US jazz drummer) (on 1962-04-25)
piano:
Frank Strazzeri (on 1962-04-25)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1962-04-25)
trumpet:
Carmell Jones (on 1962-04-25)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-04-25)
recording of:
Hip Trolley (on 1962-04-25)
composer:
Carmell Jones
Carmell Jones5:26
10Beautiful Love
recording engineer:
Richard Bock (record producer) (on 1962-04-25)
producer:
Richard Bock (record producer)
double bass and double bass [bass]:
Gary Peacock (American jazz bassist) (on 1962-04-25)
drums (drum set):
Donald Dean (US jazz drummer) (on 1962-04-25)
piano:
Frank Strazzeri (on 1962-04-25)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1962-04-25)
trumpet:
Carmell Jones (on 1962-04-25)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-04-25)
instrumental recording of:
Beautiful Love (Jazz Standard) (on 1962-04-25)
lyricist:
Haven Gillespie
composer:
Egbert Van Alstyne, Wayne King and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Movie Tone Music and Sam Fox Publishing Co. (London) Ltd.
Carmell Jones5:45
2▼CD
#TitleRatingLength
1Business Meetin'
recording engineer:
Richard Bock (record producer) (on 1962-05-23)
producer:
Richard Bock (record producer)
alto saxophone:
Joe Splink (on 1962-05-23) and Bud Shank (on 1962-05-23)
baritone saxophone:
Don Rafel (reeds) (on 1962-05-23)
double bass and double bass [bass]:
Leroy Vinnegar (on 1962-05-23)
drums (drum set):
Ron Jefferson (on 1962-05-23)
piano:
Frank Strazzeri (on 1962-05-23)
tenor saxophone:
Wilbur Brown (on 1962-05-23) and Harold Land (US jazz tenor saxophonist) (on 1962-05-23)
trumpet:
Carmell Jones (on 1962-05-23)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-05-23)
recording of:
Business Meetin' (on 1962-05-23)
composer:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
4:52
2Stella by Starlight
recording engineer:
Richard Bock (record producer) (on 1962-05-23)
producer:
Richard Bock (record producer)
alto saxophone:
Joe Splink (on 1962-05-23) and Bud Shank (on 1962-05-23)
baritone saxophone:
Don Rafel (reeds) (on 1962-05-23)
double bass and double bass [bass]:
Leroy Vinnegar (on 1962-05-23)
drums (drum set):
Ron Jefferson (on 1962-05-23)
piano:
Frank Strazzeri (on 1962-05-23)
tenor saxophone:
Wilbur Brown (on 1962-05-23) and Harold Land (US jazz tenor saxophonist) (on 1962-05-23)
trumpet:
Carmell Jones (on 1962-05-23)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-05-23)
instrumental recording of:
Stella by Starlight (on 1962-05-23)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:35
3Toddler
recording engineer:
Richard Bock (record producer) (on 1962-05-23)
producer:
Richard Bock (record producer)
alto saxophone:
Joe Splink (on 1962-05-23) and Bud Shank (on 1962-05-23)
baritone saxophone:
Don Rafel (reeds) (on 1962-05-23)
double bass and double bass [bass]:
Leroy Vinnegar (on 1962-05-23)
drums (drum set):
Ron Jefferson (on 1962-05-23)
piano:
Frank Strazzeri (on 1962-05-23)
tenor saxophone:
Wilbur Brown (on 1962-05-23) and Harold Land (US jazz tenor saxophonist) (on 1962-05-23)
trumpet:
Carmell Jones (on 1962-05-23)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-05-23)
recording of:
Toddler (on 1962-05-23)
composer:
Clare Fischer
3:55
4Cherokee
recording engineer:
Richard Bock (record producer) (on 1962-05-23)
producer:
Richard Bock (record producer)
alto saxophone:
Joe Splink (on 1962-05-23) and Bud Shank (on 1962-05-23)
baritone saxophone:
Don Raffell (reeds) (on 1962-05-23)
bass, double bass and double bass [bass]:
Leroy Vinnegar (on 1962-05-23)
drums (drum set):
Ron Jefferson (on 1962-05-23)
piano:
Frank Strazzeri (on 1962-05-23)
saxophone:
Wilbur Brown (on 1962-05-23), Don Rafel (reeds) (on 1962-05-23), Joe Splink (on 1962-05-23), Harold Land (US jazz tenor saxophonist) (on 1962-05-23) and Bud Shank (on 1962-05-23)
tenor saxophone:
Wilbur Brown (on 1962-05-23) and Harold Land (US jazz tenor saxophonist) (on 1962-05-23)
trumpet:
Carmell Jones (on 1962-05-23)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-05-23)
instrumental recording of:
Cherokee (on 1962-05-23)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
3:58
5Brass Bag
recording engineer:
Richard Bock (record producer) (on 1962-03-26)
producer:
Richard Bock (record producer)
bass trombone:
Kenny Schroyer (on 1962-03-26)
double bass [bass]:
Leroy Vinnegar (on 1962-03-26)
drums (drum set):
Ron Jefferson (on 1962-03-26)
piano:
Frank Strazzeri (on 1962-03-26)
trombone:
Bob Edmondson (on 1962-03-26), Wayne Henderson (US soul jazz and hard bop trombonist and producer) (on 1962-03-26), Lawrence "Tricky" Lofton (on 1962-03-26) and Frank Strong (on 1962-03-26)
trumpet:
Carmell Jones (on 1962-03-26)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-03-26)
recording of:
Brass Bag (on 1962-03-26)
composer:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
3:51
6Angel Eyes
recording engineer:
Richard Bock (record producer) (on 1962-03-26)
producer:
Richard Bock (record producer)
bass trombone:
Kenny Schroyer (on 1962-03-26)
double bass [bass]:
Leroy Vinnegar (on 1962-03-26)
drums (drum set):
Ron Jefferson (on 1962-03-26)
piano:
Frank Strazzeri (on 1962-03-26)
trombone:
Bob Edmondson (on 1962-03-26), Wayne Henderson (US soul jazz and hard bop trombonist and producer) (on 1962-03-26), Lawrence "Tricky" Lofton (on 1962-03-26) and Frank Strong (on 1962-03-26)
trumpet:
Carmell Jones (on 1962-03-26)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-03-26)
instrumental recording of:
Angel Eyes (1946 jazz standard) (on 1962-03-26)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:13
7Celery Stalks at Midnight
recording engineer:
Richard Bock (record producer) (on 1962-03-26)
producer:
Richard Bock (record producer)
bass trombone:
Kenny Schroyer (on 1962-03-26)
double bass [bass]:
Leroy Vinnegar (on 1962-03-26)
drums (drum set):
Ron Jefferson (on 1962-03-26)
piano:
Frank Strazzeri (on 1962-03-26)
trombone:
Bob Edmondson (on 1962-03-26), Wayne Henderson (US soul jazz and hard bop trombonist and producer) (on 1962-03-26), Lawrence "Tricky" Lofton (on 1962-03-26) and Frank Strong (on 1962-03-26)
trumpet:
Carmell Jones (on 1962-03-26)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-03-26)
recording of:
Celery Stalks at Midnight (on 1962-03-26)
composer:
Will Bradley (US boogie woogie trombonist & bandleader) and George Harris
5:23
8Mood Indigo
recording engineer:
Richard Bock (record producer) (on 1962-03-26)
producer:
Richard Bock (record producer)
bass trombone:
Kenny Schroyer (on 1962-03-26)
double bass [bass]:
Leroy Vinnegar (on 1962-03-26)
drums (drum set):
Ron Jefferson (on 1962-03-26)
piano:
Frank Strazzeri (on 1962-03-26)
trombone:
Bob Edmondson (on 1962-03-26), Wayne Henderson (US soul jazz and hard bop trombonist and producer) (on 1962-03-26), Lawrence "Tricky" Lofton (on 1962-03-26) and Frank Strong (on 1962-03-26)
trumpet:
Carmell Jones (on 1962-03-26)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-03-26)
instrumental recording of:
Mood Indigo (1930 jazz composition and song) (on 1962-03-26)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
5:23
9Moten Swing
recording engineer:
Richard Bock (record producer) (on 1962-03-26)
producer:
Richard Bock (record producer)
bass trombone:
Kenny Schroyer (on 1962-03-26)
double bass [bass]:
Leroy Vinnegar (on 1962-03-26)
drums (drum set):
Ron Jefferson (on 1962-03-26)
piano:
Frank Strazzeri (on 1962-03-26)
trombone:
Bob Edmondson (on 1962-03-26), Wayne Henderson (US soul jazz and hard bop trombonist and producer) (on 1962-03-26), Lawrence "Tricky" Lofton (on 1962-03-26) and Frank Strong (on 1962-03-26)
trumpet:
Carmell Jones (on 1962-03-26)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-03-26)
recording of:
Moten Swing (on 1962-03-26)
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
5:29
10Canadian Sunset
recording engineer:
Richard Bock (record producer) (on 1962-04-03)
producer:
Richard Bock (record producer)
double bass [bass]:
Leroy Vinnegar (on 1962-04-03)
drums (drum set):
Ron Jefferson (on 1962-04-03)
piano:
Frank Strazzeri (on 1962-04-03)
trombone:
Lou Blackburn (on 1962-04-03) and Lawrence "Tricky" Lofton (on 1962-04-03)
trumpet:
Carmell Jones (on 1962-04-03)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-04-03)
instrumental recording of:
Canadian Sunset (on 1962-04-03)
lyricist:
Norman Gimbel
writer:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
composer:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
publisher:
Chappell-Morris Ltd. and Meridian Music
5:41
11Ow!
recording engineer:
Richard Bock (record producer) (on 1962-04-03)
producer:
Richard Bock (record producer)
double bass [bass]:
Leroy Vinnegar (on 1962-04-03)
drums (drum set):
Ron Jefferson (on 1962-04-03)
piano:
Frank Strazzeri (on 1962-04-03)
trombone:
Lou Blackburn (on 1962-04-03) and Lawrence "Tricky" Lofton (on 1962-04-03)
trumpet:
Carmell Jones (on 1962-04-03)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-04-03)
recording of:
Ow! (on 1962-04-03)
composer:
Dizzy Gillespie
6:53
12Bluer Than That
recording engineer:
Richard Bock (record producer) (on 1962-04-03)
producer:
Richard Bock (record producer)
double bass [bass]:
Leroy Vinnegar (on 1962-04-03)
drums (drum set):
Ron Jefferson (on 1962-04-03)
piano:
Frank Strazzeri (on 1962-04-03)
trombone:
Lou Blackburn (on 1962-04-03) and Lawrence "Tricky" Lofton (on 1962-04-03)
trumpet:
Carmell Jones (on 1962-04-03)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1962-04-03)
3:22
3▼CD
#TitleRatingLength
1New Orleans
recording engineer:
Richard Bock (record producer) (in 1963-01)
producer:
Richard Bock (record producer)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1963-01)
drums (drum set):
Nick Martinis (in 1963-01)
piano:
Frank Strazzeri (in 1963-01)
tenor saxophone:
Hadley Caliman (in 1963-01)
trumpet:
Carmell Jones (in 1963-01)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (in 1963-01)
instrumental recording of:
New Orleans (in 1963-01)
composer:
Hoagy Carmichael
5:46
2Lope In
recording engineer:
Richard Bock (record producer) (in 1963-01)
producer:
Richard Bock (record producer)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1963-01)
drums (drum set):
Nick Martinis (in 1963-01)
piano:
Frank Strazzeri (in 1963-01)
tenor saxophone:
Hadley Caliman (in 1963-01)
trumpet:
Carmell Jones (in 1963-01)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (in 1963-01)
recording of:
Lope In (in 1963-01)
composer:
Frank Strazzeri
6:24
3Yvette
recording engineer:
Richard Bock (record producer) (in 1963-01)
producer:
Richard Bock (record producer)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1963-01)
drums (drum set):
Nick Martinis (in 1963-01)
piano:
Frank Strazzeri (in 1963-01)
tenor saxophone:
Hadley Caliman (in 1963-01)
trumpet:
Carmell Jones (in 1963-01)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (in 1963-01)
recording of:
Yvette (in 1963-01)
composer:
George Stoll
4:23
4Huskey
recording engineer:
Richard Bock (record producer) (in 1963-01)
producer:
Richard Bock (record producer)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1963-01)
drums (drum set):
Nick Martinis (in 1963-01)
piano:
Frank Strazzeri (in 1963-01)
tenor saxophone:
Hadley Caliman (in 1963-01)
trumpet:
Carmell Jones (in 1963-01)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (in 1963-01)
recording of:
Huskey (in 1963-01)
composer:
Frank Strazzeri
5:49
5Injun Jo
recording engineer:
Richard Bock (record producer) (in 1963-01)
producer:
Richard Bock (record producer)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1963-01)
drums (drum set):
Nick Martinis (in 1963-01)
piano:
Frank Strazzeri (in 1963-01)
tenor saxophone:
Hadley Caliman (in 1963-01)
trumpet:
Carmell Jones (in 1963-01)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (in 1963-01)
recording of:
Injun Jo (in 1963-01)
composer:
Frank Strazzeri
4:29
6Effusion
recording engineer:
Richard Bock (record producer) (in 1963-01)
producer:
Richard Bock (record producer)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1963-01)
drums (drum set):
Nick Martinis (in 1963-01)
piano:
Frank Strazzeri (in 1963-01)
tenor saxophone:
Hadley Caliman (in 1963-01)
trumpet:
Carmell Jones (in 1963-01)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (in 1963-01)
recording of:
Effusion (in 1963-01)
composer:
Frank Strazzeri
4:52
7Antler Rock
recording engineer:
Richard Bock (record producer) (in 1963-01)
producer:
Richard Bock (record producer)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1963-01)
drums (drum set):
Nick Martinis (in 1963-01)
piano:
Frank Strazzeri (in 1963-01)
tenor saxophone:
Hadley Caliman (in 1963-01)
trumpet:
Carmell Jones (in 1963-01)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (in 1963-01)
recording of:
Antler Rock (in 1963-01)
composer:
Frank Strazzeri
2:59
8Take This Hammer
recording engineer:
Bones Howe (on 1963-07-17)
double bass [bass]:
Jimmy Bond (on 1963-07-17)
drums (drum set):
Mel Lee (American jazz drummer) (on 1963-07-17)
piano:
John Houston (jazz pianist) (on 1963-07-17)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1963-07-17)
trumpet:
Carmell Jones (on 1963-07-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1963-07-17)
instrumental recording of:
Take This Hammer (on 1963-07-17)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 4299)
6:47
9Hava Na Gila
recording engineer:
Bones Howe (on 1963-07-17)
double bass [bass]:
Jimmy Bond (on 1963-07-17)
drums (drum set):
Mel Lee (American jazz drummer) (on 1963-07-17)
piano:
John Houston (jazz pianist) (on 1963-07-17)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1963-07-17)
trumpet:
Carmell Jones (on 1963-07-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1963-07-17)
instrumental recording of:
Hava nagilah (on 1963-07-17)
composer:
[traditional] (special purpose artist)
translator:
Kaarina (pseudonym)
5:16
10Tom Dooley
recording engineer:
Bones Howe (on 1963-07-17)
double bass [bass]:
Jimmy Bond (on 1963-07-17)
drums (drum set):
Mel Lee (American jazz drummer) (on 1963-07-17)
piano:
John Houston (jazz pianist) (on 1963-07-17)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1963-07-17)
trumpet:
Carmell Jones (on 1963-07-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1963-07-17)
instrumental recording of:
Tom Dooley (on 1963-07-17)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 4192)
6:59
11Scarlet Ribbons
recording engineer:
Bones Howe (on 1963-07-17)
double bass [bass]:
Jimmy Bond (on 1963-07-17)
drums (drum set):
Mel Lee (American jazz drummer) (on 1963-07-17)
piano:
John Houston (jazz pianist) (on 1963-07-17)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1963-07-17)
trumpet:
Carmell Jones (on 1963-07-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1963-07-17)
instrumental recording of:
Scarlet Ribbons (for Her Hair) (on 1963-07-17)
lyricist:
Jack O. Segal (US songwriter) (in 1949)
composer:
Evelyn Danzig (in 1949)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Helton Music and Mills Music Limited
4:08
12Foggy, Foggy Dew
recording engineer:
Bones Howe (on 1963-07-17)
double bass [bass]:
Jimmy Bond (on 1963-07-17)
drums (drum set):
Mel Lee (American jazz drummer) (on 1963-07-17)
piano:
John Houston (jazz pianist) (on 1963-07-17)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1963-07-17)
trumpet:
Carmell Jones (on 1963-07-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1963-07-17)
instrumental recording of:
The Foggy Dew (English song) (on 1963-07-17)
lyricist and composer:
[traditional] (special purpose artist)
writer:
Trad. ([traditional], special purpose artist)
part of:
Roud Folk Song Index (number: 558)
4:22
13Kisses Sweeter Than Wine
recording engineer:
Bones Howe (on 1963-07-03)
double bass [bass]:
Jimmy Bond (on 1963-07-03)
drums (drum set):
Mel Lee (American jazz drummer) (on 1963-07-03)
piano:
John Houston (jazz pianist) (on 1963-07-03)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1963-07-03)
trumpet:
Carmell Jones (on 1963-07-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1963-07-03)
instrumental recording of:
Kisses Sweeter Than Wine (on 1963-07-03)
lyricist:
Paul Campbell (songwriting pseudonym used by The Weavers)
composer:
Joel Newman
3:56
14On Top of Old Smokey
recording engineer:
Bones Howe (on 1963-07-17)
double bass [bass]:
Jimmy Bond (on 1963-07-17)
drums (drum set):
Mel Lee (American jazz drummer) (on 1963-07-17)
piano:
John Houston (jazz pianist) (on 1963-07-17)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1963-07-17)
trumpet:
Carmell Jones (on 1963-07-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1963-07-17)
instrumental recording of:
On Top of Old Smoky (on 1963-07-17)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Union Songs AB (publisher)
3:00
15Blue Tail Fly
recording engineer:
Bones Howe (on 1963-07-17)
double bass [bass]:
Jimmy Bond (on 1963-07-17)
drums (drum set):
Mel Lee (American jazz drummer) (on 1963-07-17)
piano:
John Houston (jazz pianist) (on 1963-07-17)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1963-07-17)
trumpet:
Carmell Jones (on 1963-07-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1963-07-17)
instrumental recording of:
Blue Tail Fly (“Jimmy Crack Corn”) (on 1963-07-17)
writer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 1274)
3:50

Credits

Release group

includes:Brass Bag by Tricky Lofton & Carmell Jones
Business Meetin'
The Remarkable Carmell Jones by Carmell Jones also featuring Harold Land (US jazz tenor saxophonist)
part of:Mosaic Select (number: 2) (order: 2)