100 Hits: The Best Disco Album

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Boogie Wonderland
producer:
Al McKay and Maurice White (Earth, Wind & Fire)
vocals:
The Emotions (Chicago soul, disco and R&B female vocal group) (in 1979)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
samples from:
I Am by Earth, Wind & Fire (in 1979)
recording of:
Boogie Wonderland (in 1979)
lyricist:
Allee Willis
composer:
Jon Lind
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) and Rondor Music (London) Ltd.
Earth, Wind & Fire4.24:46
2Ain’t No Stoppin’ Us Now
edit of:
Ain’t No Stoppin’ Us Now (LP version) by McFadden & Whitehead
recording of:
Ain’t No Stoppin’ Us Now
writer:
Jerry Cohen, Gene McFadden and John Whitehead
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead43:35
3Boogie Nights
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
GTO Records (in 1976) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976)
edit of:
Boogie Nights by Heatwave (70s/80s R&B/funk band)
recording of:
Boogie Nights (in 1976)
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.653:37
4Instant Replay
recording of:
Instant Replay
lyricist and composer:
Dan Hartman
publisher:
EMI Blackwood Music Inc.
Dan Hartman4.53:27
5Turn the Beat Around
recording of:
Turn the Beat Around
writer:
Gerald Jackson (American pianist and singer with group Touch of Class) and Pete Jackson (US disco producer)
Vicki Sue Robinson54:07
6Rock the Boat
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation4.43:08
7Love Train
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Love Train (in 1972)
lyricist and composer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.153:00
8The Love I Lost
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
edit of:
The Love I Lost by Harold Melvin & The Blue Notes
recording of:
The Love I Lost
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3.653:33
9Let’s Go Round AgainAverage White Band3:23
10Daddy Cool
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett (in 1976), Frank Farian (in 1976) and Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographic copyright (℗) by:
Far Music Productions GmbH (in 1976) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
part of:
Cachitos Nochevieja 2022 (number: 153)
recording of:
Daddy Cool (in 1976)
lyricist:
George Reyam
composer:
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH and Intro (German publisher) (in 1976)
Boney M.43:28
11Yes Sir, I Can Boogie
producer:
Rolf Soja
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1977) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music and Peermusic (UK) Ltd.
Baccara4.754:32
12Strut Your Funky Stuff
recording of:
Strut Your Funky Stuff
writer:
James Bolden (French singer and songwriter), Jack Robinson (disco songwriter, producer, composer) and Vivienne Savoie Robinson
publisher:
NDE Music (pub.), Peermusic III, Ltd. (BMI), Pepino Jacques and Robin Song Music (affiliated to SACEM)
Frantique4.53:38
13Givin’ Up Givin’ In
producer:
Giorgio Moroder
vocals:
Sheila Ferguson, Valerie Holiday and Helen Scott
phonographic copyright (℗) by:
Ariola America, Inc. (in 1978)
edit of:
Giving Up, Giving In by The Three Degrees
recording of:
Givin’ Up Givin’ In
lyricist:
Pete Bellotte (English lyricist and producer)
writer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
composer:
Giorgio Moroder
publisher:
April Music and Heath Levy Music
The Three Degrees33:54
14Native New Yorker
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 404)
recording of:
Native New Yorker
writer:
Sandy Linzer and Denny Randell
publisher:
Featherbed Music, Linz Music (US work publisher), Three Wise Boys Music LLC, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Odyssey2.53:28
15Got to Be Real
recording of:
Got to Be Real
writer:
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) and David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. and On Board Music (publisher)
Cheryl Lynn3:46
16I’m in the Mood for Dancing
recording of:
I’m in the Mood for Dancing
writer:
Ben Findon (songwriter and producer), Mike Myers (UK producer/songwriter) and Bob Puzey
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Songs of Windswept Pacific
The Nolans4.53:19
17I Love to Love
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Biddu (composer, songwriter, producer and musician)
arranger:
Biddu (composer, songwriter, producer and musician)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) and Arista Records Ltd. (not for release label use!) (in 1986)
cover recording of:
I Love to Love
lyricist:
Philo Jack Robinson (disco songwriter, producer, composer)
composer:
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) and Rolf Baierle Music
Tina Charles4.653:04
18You Make Me Feel Like Dancing
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2006)
recording of:
You Make Me Feel Like Dancing
lyricist:
Leo Sayer
composer:
Vini Poncia
publisher:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music and Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer3.752:51
19Get Dancin’
recording of:
Get Dancin’
writer:
Bob Crewe and Kenny Nolan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Songs Ltd., Kenny Nolan Publishing Co., Sony/ATV Music Publishing (UK) Ltd. and Warner/Chappell Artemis Music
Disco Tex & the Sex‐O‐Lettes4:27
20Armed and Extremely Dangerous
part of:
Songs banned by the BBC (number: Gilf War ban)
recording of:
Armed and Extremely Dangerous
writer:
Allan Felder and Norman Harris (American Philly Soul guitarist, producer, and songwriter)
publisher:
Warner Chappell North America
First Choice4.352:47
2CD
#TitleArtistRatingLength
1YMCA
executive producer:
Henri Belolo
producer:
Jacques Morali
edit of:
Y.M.C.A. (album version) by Village People
recording of:
Y.M.C.A.
lyricist:
Victor Edward Willis (member of the Village People)
composer:
Jacques Morali
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") and Zomba Music Publishing Ltd.
Village People4.153:43
2Don’t Leave Me This Way
producer:
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:31
3It’s Raining Men
mixer:
Randy Tominaga
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 36)
recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:31
4Jump (for My Love)
engineer:
Gary Skardina
associate producer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) and Gary Skardina
producer:
Richard Perry (producer)
mixer:
Michael Brooks (mixer) and James C. Tract
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982)
recording of:
Jump (for My Love)
writer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron and Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Songs LLC
The Pointer Sisters43:59
5I Was Made for Dancin’
producer:
Michael Lloyd (US guitarist/singer producer)
arranger:
John D’Andrea
phonographic copyright (℗) by:
All American Music Group (in 1978) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
produced for:
Mike Curb Productions Inc.
recording of:
I Was Made for Dancin’
lyricist and composer:
Michael Lloyd (US guitarist/singer producer)
publisher:
BMG Songs, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Michael's Music (publisher) (in 1978) and Scot Music (publisher) (in 1978)
Leif Garrett3:17
6More, More, More
producer:
Gregg Diamond
mixer:
Tom Moulton
arranger:
Gregg Diamond
phonographic copyright (℗) by:
Buddah Records, Inc. (in 1976)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
More, More, More
lyricist and composer:
Gregg Diamond
publisher:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (in 1976) and Gee Diamond Music (in 1976)
The Andrea True Connection4.753:10
7I Love America
recording of:
I Love America
lyricist:
Jacques Morali
composer:
Patrick Juvet
arranger:
Victor Willis (Victor Edward Willis, member of the Village People)
Patrick Juvet3:50
8Supernature
recording of:
Supernature
lyricist:
Alain Wisniak (French film music composer and singer)
composer:
Marc Cerrone
Cerrone4:02
9I Can’t Stand the Rain
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1981)
cover recording of:
I Can’t Stand the Rain
writer:
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) and Ann Peebles
publisher:
Irving Music, Inc. and JEC Publishing (in 1977)
Eruption3:06
10Automatic Lover
recording of:
Automatic Lover
lyricist:
Patty Unwin
composer:
Gary Unwin
Dee D. Jackson4:10
11I Lost My Heart to a Starship
recording of:
I Lost My Heart to a Starship Trooper
writer:
Jeffrey Calvert and Geraint Hughes (production music composer)
publisher:
Coconut Airways Productions
Sarah Brightman4:19
12I’m on Fire
recording of:
I’m on Fire
lyricist and composer:
T. Eyers
publisher:
Hensley Music (publisher), Intersong Music, MCS Music Ltd., Pocket Full of Tunes, Inc. and Intersong Musikverlag (publisher) (in 1989)
5000 Volts2:39
13Romeo
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recording of:
Romeo (Donna Summer song)
writer:
Pete Bellotte (English lyricist and producer) and Sylvester Levay
publisher:
First Night Music and Intersong Music Ltd.
Donna Summer3:18
14Cherchez la femme
recording of:
Cherchez la femme
writer:
Stony Browder Jr. and August Darnell (singer, songwriter)
Dr. Buzzard’s Original Savannah Band5:46
15Gone, Gone, GoneJohnny Mathis3:33
16Baby, Don’t Change Your Mind
cover recording of:
Baby Don’t Change Your Mind
lyricist and composer:
Van McCoy
Gladys Knight & the Pips3.653:11
17ShameEvelyn “Champagne” King52:58
18You Bet Your Love
recording of:
You Bet Your Love
Herbie Hancock3:58
19That Lady Pt.1The Isley Brothers3:15
20Ms. Grace
recording of:
Ms. Grace
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Tymes43:23
3CD
#TitleArtistRatingLength
1Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 411) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
LaBelle3.33:55
2Play That Funky Music
recording of:
Play That Funky Music
lyricist and composer:
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. and Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry53:04
3Hot Shot
recording of:
Hot Shot
writer and arranger:
Kurt Borusiewicz and Andrew S. Kahn
publisher:
Scully Music Company
Karen Young4:22
4Disco Nights (Rock Freak)GQ3:54
5Dance to the Music
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 223)
recording of:
Dance to the Music
lyricist, writer and composer:
Sylvester Stewart
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
included in:
Dance for Me
Sly & the Family Stone4.153:00
6What a Fool Believes
additional recording engineer:
Lew Hahn
recording engineer:
Jeremy Smith (producer/engineer)
synthesizer programming:
Todd Cochran
assistant engineer:
Michael O’Reilly (engineer) and Stewart Whitemore
producer:
Arif Mardin
mixer:
Lew Hahn, Arif Mardin and Gene Paul
bass guitar [bass]:
Louis Johnson (bass, member of Brothers Johnson)
drums (drum set):
Jeff Porcaro
electric piano and synthesizer:
David Foster (Canadian music producer, arranger and composer)
guitar:
Steve Lukather and David Williams (session guitarist and songwriter)
solo alto saxophone:
David Sanborn
additional background vocals:
Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
background vocals and lead vocals:
Aretha Franklin
arranger:
Arif Mardin
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980)
additionally recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recorded at:
Sound Lab Studios in Hollywood, Los Angeles, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
additionally edited at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
cover recording of:
What a Fool Believes
writer:
Ken Loggins and Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) and Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Aretha Franklin5:13
7Keep on Dancin’
recording of:
Keep on Dancin’
composer:
Eric Matthew (songwriter, engineer, producer, record label owner, = Joe Tucci) and Gary R. Turnier
Gary’s Gang23:30
8Get Down
recording of:
Get Down
writer:
James Allen Thompson, Jr. (songwriter)
Gene Chandler3:31
9Red Light Spells Danger
recording of:
Red Light Spells Danger
writer:
Ben Findon (songwriter and producer) and Leslie Sebastian Charles
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean33:31
10I’m Doin’ Fine Now
recording of:
I’m Doin’ Fine Now
writer:
Thom Bell (keyboards, songwriter, producer) and Sherman Marshall
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
New York City2:51
11You’re More Than a Number in My Little Red Book
producer:
Roger Greenaway
baritone vocals:
Billy Lewis
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters)
vocals:
Clyde Brown (US soul singer) and Butch Mann
conductor:
Gerry Butler (Production music composer)
arranger:
Gerry Butler (Production music composer)
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1975)
recording of:
You’re More Than a Number in My Little Red Book
composer:
Roger Greenaway and Tony Macaulay
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and PolyGram Music Publishing Ltd.
The Drifters3:16
12The Groove Line
assistant engineer:
Mike Hedges (UK producer/recording engineer) and Andy Jackson (UK recording engineer/prog musician)
engineer and mixer:
James Guthrie
producer:
Barry Blue (singer, producer, and songwriter)
assistant mixer:
Andy Jackson (UK recording engineer/prog musician)
conductor:
John Cameron (British composer, arranger and conductor)
orchestrator:
John Cameron (British composer, arranger and conductor)
concertmaster:
Pat Halling
phonographic copyright (℗) by:
GTO Records Ltd. (holding company - file no releases here!) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recording of:
The Groove Line
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.654:14
13You Little Trustmaker
recording of:
You Little Trustmaker
lyricist and composer:
Christopher Mark Jackson (funk/soul songwriter, active in the ’60s and ’70s)
The Tymes2:50
14Jack & Jill
recording of:
Jack & Jill
lyricist and composer:
Ray Parker Jr.
publisher:
EMI Music Publishing (do not use as a release label!) and Raydiola Music
Raydio4:35
15You’ll Never Find Another Love
recording of:
You’ll Never Find Another Love Like Mine
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls4:27
16T.S.O.P (The Sound of Philadelphia)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson, Valerie Holiday, Fayette Pinkney and The Three Degrees
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recording of:
TSOP (The Sound of Philadelphia) (in 1973)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mighty Three Music, Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB13:45
17Summer of ’42
recording of:
The Summer Knows (Summer of ’42; instrumental version)
composer:
Michel Legrand
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Olive Music LLC and Warner/Chappell North America
The Biddu Orchestra3:45
18The Groove
recording of:
The Groove
composer:
Rodney Franklin
Rodney Franklin3:14
19Funkin’ for Jamaica
recording of:
Funkin’ for Jamaica (N.Y.)
lyricist:
Toni Smith
composer:
Tom Browne (US jazz trumpeter)
publisher:
Roaring Fork Music, Sony/ATV Melody, Thomas Browne Publishing, Inc. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Tom Browne3:19
20Pick Up the Pieces
producer:
Arif Mardin
horn arranger:
Roger Ball
arranger:
AWB
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974, in 1975)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Pick Up the Pieces
writer:
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. and Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band4.053:58
4CD
#TitleArtistRatingLength
1Relight My Fire
recording of:
Relight My Fire (in 1979)
lyricist and composer:
Dan Hartman
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Dan Hartman4.653:44
2Give It Up
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
writer:
Deborah Carter (writer, backing vocalist) and Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and Harrick Music, Inc. (BMI)
KC & the Sunshine Band4.34:11
3Love Is in Control (Finger on the Trigger)
producer:
Quincy Jones
phonographic copyright (℗) by:
Driven by the Music, LLC (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
produced for:
Quincy Jones Productions
recording of:
Love Is in Control (Finger on the Trigger)
writer:
Quincy Jones, Merria Ross and Rod Temperton
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Warner Chappell Music Ltd. (no slash; used 1988–1996), Almo Music Corp. (USA, affiliated with ASCAP) (from 1982 to present), Grager Music (publisher) (from 1982 to present), Rashida Music (from 1982 to present), Rodsongs (publisher) (from 1982 to present) and Yellowbrick Road Music (from 1982 to present)
Donna Summer3:43
4Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:17
5Love Come Down
recording of:
Love Come Down
lyricist and composer:
Kashif (Michael Jones, B.T. Express)
publisher:
MCA Music Ltd.
Evelyn “Champagne” King3:38
6Going Back to My Roots
recording of:
Going Back to My Roots
lyricist and composer:
Lamont Dozier
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., Maurice Starr Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Odyssey3:26
7Automatic
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (in 1983)
drum machine programming:
Brock Walsh (singer, producer, songwriter) (in 1983)
associate producer:
Glen Ballard and Brock Walsh (singer, producer, songwriter)
producer:
Richard Perry (producer)
bass:
Eddie N. Watkins Jr. (in 1983)
guitar:
Mark Goldenberg (in 1983) and Dennis Herring (in 1983)
Minimoog and synthesizer:
John Van Tongeren (in 1983)
synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983), Howie Rice (in 1983) and Brock Walsh (singer, producer, songwriter) (in 1983)
lead vocals:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
recording of:
Automatic (in 1983)
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters44:48
8Rockit
Moog [mini-moog] programming:
Michael Beinhorn
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Material (group and producer team led by Bill Laswell)
mixer:
Dave Jerden
bass:
Bill Laswell (US bass guitarist and record producer)
Batá drum [Bata]:
Daniel Ponce
drum machine [Dr Click Rhythm Controller], keyboard [E-mu 4060 Digital Keyboard], Moog [Mini-Moog], synthesizer [Fairlight CMI], synthesizer [Rhodes Chroma] and voice synthesizer [Sennheiser Vocoder]:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
electronic drum set [Synare] and other instruments [DMX]:
Michael Beinhorn
turntable:
Grand Mixer DST (US hip hop/electro DJ Derek Howells/Showard)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
samples:
Change the Beat (French Rap) by Beside
recording of:
Rockit
writer:
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Bill Laswell (US bass guitarist and record producer)
publisher:
Ensign Music Corporation
Herbie Hancock2.653:40
9Was That All It Was
recording of:
Was That All It Was
writer:
Jerry Butler (soul singer), Linda Conlon and John L. Usry, Jr.
publisher:
Jahmilla Music Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jean Carne3:44
10Night Over Egypt
recording of:
Nights Over Egypt
writer:
Cynthia Biggs and Dexter Wansel
publisher:
Cynthia Demari Biggs El and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Jones Girls3:44
11Lovely Day
producer:
Clarence McDonald and Bill Withers
bass guitar:
Jerry Knight (in 1977)
drums (drum set) and shakers:
Russell Kunkel (session drummer) (in 1977)
guitar:
Ray Parker (in 1977)
keyboard:
Clarence McDonald (in 1977)
percussion:
Ralph MacDonald (in 1977)
lead vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
recording of:
Lovely Day (in 1977)
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.64:12
12Ride a Wild Horse
recording of:
Ride a Wild Horse
writer:
Kenny Nolan
Dee Clark2:43
13High Wire
recording of:
Highwire
writer:
Kenny Nolan
Linda Carr3:50
14Dance Little Lady Dance
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1976)
recording of:
Dance Little Lady Dance
writer:
Biddu (composer, songwriter, producer and musician), Ron Roker and Gerry Shury
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Music Ltd., Rondor Music Ltd. (publisher), Subiddu Music (publisher) and Warner/Chappell Music Ltd. (1996–2019)
Tina Charles3:08
15What a Diff’rence a Day MakesEsther Phillips3:11
16Shake It Up Tonight
recording of:
Shake It Up Tonight
writer:
Brenda Sutton (singer-songwriter in filk culture) and Michael B. Sutton
Cheryl Lynn5:43
17Disco Lady
recording of:
Disco Lady
writer:
Don Davis (American record producer), Harvey Scales and Albert Vance
Johnnie Taylor4:26
18I Wanna Dance Wit’ Choo (Doo Dat Dance)Disco Tex & the Sex‐O‐Lettes5:04
19The Soul City Walk
recording of:
The Soul City Walk
writer:
Victor Carstarphen (keyboardist, composer and producer), Gene McFadden and John Whitehead
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Archie Bell & the Drells3:09
20Swing Your Daddy
producer:
Kenny Nolan
arranger:
Gene Page
phonographic copyright (℗) by:
Roxbury (70s US soul, subsiduary of Chelsea Records) (in 1975)
cover recording of:
Swing Your Daddy
writer:
Kenny Nolan
Jim Gilstrap32:52
5CD
#TitleArtistRatingLength
1Best of My Love
producer:
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 334)
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:39
2September
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 16) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 65)
recording of:
September
writer:
Al McKay, Maurice White (Earth, Wind & Fire) and Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.553:36
3It’s a Disco Night (Rock Don’t Stop)The Isley Brothers4:12
4I Love Music
edit of:
I Love Music by The O’Jays
recording of:
I Love Music
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays53:35
5This Is It
remixer:
Tom Moulton
recording of:
This Is It
lyricist and composer:
Van McCoy
Melba Moore4.353:30
6Come Back and Finish What You Started
cover recording of:
Come Back and Finish What You Started
writer:
Joe Cobb (Joe “Youngblood” Cobb; songwriter, producer, composer, writer) and Van McCoy
publisher:
Interior Music Corp., Van McCoy Music Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Gladys Knight & the Pips3:24
7One Way Ticket
recording of:
One Way Ticket
writer:
Eruption (British disco/R&B band)
cover recording of:
One Way Ticket (to the Blues)
writer:
Hank Hunter and Jack Keller
publisher:
Colgems-EMI Music Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Eruption33:36
8Sunny
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett, Frank Farian and Liz Mitchell
cover recording of:
Sunny
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
recording of:
Sunny
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Boney M.43:59
9Doctor Kiss Kiss
recording of:
Doctor Kiss-Kiss
lyricist and composer:
Tony Eyers
5000 Volts3:08
10Adventures of the Love CrusaderSarah Brightman4:02
11Sorry, I’m a Lady
recording of:
Sorry, I’m a Lady (in 1977)
lyricist:
Frank Dostal and Rolf Soja
composer:
Rolf Soja
Baccara33:38
12What’s Your Name, What’s Your Number
recording of:
What’s Your Name, What’s Your Number
writer:
Roger Cook (US‐based British singer, songwriter and producer) and Bobby Wood (American pianist, keyboard player and songwriter)
The Andrea True Connection3:18
13The Runner
vocals:
Sheila Ferguson, Valerie Holiday and Helen Scott
edit of:
The Runner (Ferguson, Holiday, Scott, album version) by The Three Degrees
recording of:
The Runner
lyricist:
Sheila Ferguson
composer:
Giorgio Moroder
The Three Degrees4:20
14Wanted
recording of:
Wanted
lyricist and composer:
Ben Findon (songwriter and producer), Michael Myers (UK producer/songwriter) and Bob Puzey
publisher:
Black Sheep Music Ltd. (publisher) (in 1979) and Heath Levy Music Co. Ltd. (in 1979)
The Dooleys43:37
15Substitute
recording of:
Substitute
lyricist and composer:
Willie Wilson
publisher:
Discoton (German club label)
Clout3:25
16Smarty Pants
recording of:
Smarty Pants
writer:
Ron Baker (record producer, bassist, arranger and songwriter), Allan Felder, Norman Harris (American Philly Soul guitarist, producer, and songwriter) and Mitchell Torok
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
First Choice2:38
17Thunder in My Heart
engineer:
Howard Steele (US producer, sound engineer)
producer:
Richard Perry (producer)
bass guitar:
Abraham Laboriel
congas:
Lenny Castro
drums (drum set):
Jeff Porcaro
guitar:
Lee Ritenour and Fred Tackett
piano:
Tom Snow (US keyboardist/songwriter)
tambourine:
Bobbye Hall
vocals:
Leo Sayer
conductor:
Gene Page
strings arranger:
Gene Page
recording of:
Thunder in My Heart
lyricist:
Leo Sayer
composer:
Tom Snow (US keyboardist/songwriter)
Leo Sayer53:35
18There Goes My First Love
recording of:
There Goes My First Love
writer:
Roger Greenaway and Barry Mason (English songwriter)
The Drifters3:03
19Hold Back the Night
recording of:
Hold Back the Night
writer:
Ron Baker (record producer, bassist, arranger and songwriter), Allan Felder and Norman Harris (American Philly Soul guitarist, producer, and songwriter)
publisher:
Carlin Music Corporation, Golden Fleece Music, Mured Music Co. and Reservoir 416
version of:
Scrub Board
The Trammps3:46
20Don’t Leave Me This Way
recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3:53

Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 225) (order: 146)