Something Cool

~ Release by June Christy (see all versions of this release, 5 available)

Tracklist

1▼10" Vinyl
#TitleRatingLength
A1Something Cool
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1953-08-14)
baritone saxophone:
Chuck Gentry (on 1953-08-14)
bass trombone:
George Roberts (american bass trombone) (on 1953-08-14)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-08-14)
trombone:
Milt Bernhart (on 1953-08-14), Herbie Harper (on 1953-08-14) and Tommy Pederson (on 1953-08-14)
trumpet:
Maynard Ferguson (on 1953-08-14), Conrad Gozzo (on 1953-08-14) and Shorty Rogers (trumpet) (on 1953-08-14)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1953-08-14)
vocals:
June Christy (on 1953-08-14)
conductor:
Pete Rugolo (on 1953-08-14)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-14)
recording of:
Something Cool (on 1953-08-14)
lyricist and composer:
Billy Barnes (composer and lyricist)
44:20
A2It Could Happen to You
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-18, on 1960-04-27)
baritone saxophone:
Johnny Rotella (woodwind) (on 1954-01-18)
bass:
Joe Mondragon (on 1954-01-18, on 1960-04-27)
bass trombone:
George Roberts (american bass trombone) (on 1960-04-27)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-01-18) and Larry Bunker (on 1960-04-27)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-18)
French horn:
John Graas (on 1954-01-18) and Vincent DeRosa (on 1960-04-27)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-18) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1960-04-27)
piano:
Russ Freeman (pianist) (on 1954-01-18) and Joe Castro (on 1960-04-27)
reeds:
Buddy Collette (on 1960-04-27) and Chuck Gentry (on 1960-04-27)
trombone:
Milt Bernhart (on 1954-01-18, on 1960-04-27), Harry Betts (on 1954-01-18), Tommy Pederson (on 1954-01-18) and Frank Rosolino (on 1960-04-27)
trumpet:
Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18, on 1960-04-27), Shorty Rogers (trumpet) (on 1954-01-18), Frank Beach (trombone, trumpet) (on 1960-04-27) and Conte Candoli (on 1960-04-27)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-18) and Phil Stephens (bass and tuba player) (on 1960-04-27)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-18, on 1960-04-27), Harry Klee (on 1954-01-18) and Paul Horn (on 1960-04-27)
vocals:
June Christy (on 1954-01-18, on 1960-04-27)
conductor:
Pete Rugolo (on 1954-01-18, on 1960-04-27)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18) and Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-04-27)
recording of:
It Could Happen to You (on 1954-01-18)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
41:57
A3Lonely House
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (on 1954-01-18)
bass:
Joe Mondragon (on 1954-01-18)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-01-18)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-18)
French horn:
John Graas (on 1954-01-18)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-18)
piano:
Russ Freeman (pianist) (on 1954-01-18)
trombone:
Milt Bernhart (on 1954-01-18), Harry Betts (on 1954-01-18) and Tommy Pederson (on 1954-01-18)
trumpet:
Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18) and Shorty Rogers (trumpet) (on 1954-01-18)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-18)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-18) and Harry Klee (on 1954-01-18)
vocals:
June Christy (on 1954-01-18)
conductor:
Pete Rugolo (on 1954-01-18)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18)
recording of:
Lonely House (from “Street Scene”) (on 1954-01-18)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
is based on:
Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan)
43:58
B1Midnight Sun
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1953-12-27)
baritone saxophone:
Chuck Gentry (on 1953-12-27)
bass:
Joe Mondragon (on 1953-12-27)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-12-27)
trombone:
Tommy Pederson (on 1953-12-27)
trumpet:
Frank Beach (trombone, trumpet) (on 1953-12-27) and Conrad Gozzo (on 1953-12-27)
vocals:
June Christy (on 1953-12-27)
conductor:
Pete Rugolo (on 1953-12-27)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-12-27)
recording of:
Midnight Sun (on 1953-12-27)
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
33:15
B2I'll Take Romance
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-19)
baritone saxophone:
Chuck Gentry (on 1954-01-19)
bass:
Joe Mondragon (on 1954-01-19)
bass trombone:
George Roberts (american bass trombone) (on 1954-01-19)
drums (drum set):
Larry Bunker (on 1954-01-19) and Shelly Manne (US jazz drummer) (on 1954-01-19)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-19)
French horn:
Vincent DeRosa (on 1954-01-19) and John Graas (on 1954-01-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-01-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-19)
piano:
Joe Castro (on 1954-01-19) and Russ Freeman (pianist) (on 1954-01-19)
reeds:
Buddy Collette (on 1954-01-19) and Chuck Gentry (on 1954-01-19)
trombone:
Milt Bernhart (on 1954-01-19), Harry Betts (on 1954-01-19), Frank Rosolino (on 1954-01-19) and Tommy Pederson (on 1954-01-19)
trumpet:
Frank Beach (trombone, trumpet) (on 1954-01-19), Conte Candoli (on 1954-01-19), Maynard Ferguson (on 1954-01-19), Conrad Gozzo (on 1954-01-19) and Shorty Rogers (trumpet) (on 1954-01-19)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-19) and Phil Stephens (bass and tuba player) (on 1954-01-19)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-19), Paul Horn (on 1954-01-19) and Harry Klee (on 1954-01-19)
vocals:
June Christy (on 1954-01-19)
conductor:
Pete Rugolo (on 1954-01-19)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-01-19) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-19)
recording of:
I’ll Take Romance (on 1954-01-19)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Ben Oakland
22:20
B3A Stranger Called the Blues
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-19)
baritone saxophone:
Chuck Gentry (on 1954-01-19)
bass:
Joe Mondragon (on 1954-01-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-01-19)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-19)
French horn:
John Graas (on 1954-01-19)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-19)
piano:
Russ Freeman (pianist) (on 1954-01-19)
trombone:
Milt Bernhart (on 1954-01-19), Harry Betts (on 1954-01-19) and Tommy Pederson (on 1954-01-19)
trumpet:
Maynard Ferguson (on 1954-01-19), Conrad Gozzo (on 1954-01-19) and Shorty Rogers (trumpet) (on 1954-01-19)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-19)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-19) and Harry Klee (on 1954-01-19)
vocals:
June Christy (on 1954-01-19)
conductor:
Pete Rugolo (on 1954-01-19)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-19)
recording of:
A Stranger Called the Blues (on 1954-01-19)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
43:58
B4I Should Care
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (on 1954-01-18)
bass:
Joe Mondragon (on 1954-01-18)
bass trombone:
George Roberts (american bass trombone) (on 1954-01-18)
drums (drum set):
Larry Bunker (on 1954-01-18) and Shelly Manne (US jazz drummer) (on 1954-01-18)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-18)
French horn:
Vincent DeRosa (on 1954-01-18) and John Graas (on 1954-01-18)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-01-18) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-18)
piano:
Joe Castro (on 1954-01-18) and Russ Freeman (pianist) (on 1954-01-18)
reeds:
Chuck Gentry (on 1954-01-18)
trombone:
Milt Bernhart (on 1954-01-18), Harry Betts (on 1954-01-18), Frank Rosolino (on 1954-01-18) and Tommy Pederson (on 1954-01-18)
trumpet:
Frank Beach (trombone, trumpet) (on 1954-01-18), Conte Candoli (on 1954-01-18), Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18) and Shorty Rogers (trumpet) (on 1954-01-18)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-18) and Phil Stephens (bass and tuba player) (on 1954-01-18)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-18), Paul Horn (on 1954-01-18) and Harry Klee (on 1954-01-18)
vocals:
June Christy (on 1954-01-18)
conductor:
Pete Rugolo (on 1954-01-18)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-18)
recording of:
I Should Care (on 1954-01-18)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
42:11