The Complete Anita O'Day Verve/Clef Sessions

~ Release by Anita O’Day (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Lover Come Back to Me
vocals:
Anita O’Day (on 1952-01-22)
recording of:
Lover, Come Back to Me (from "The New Moon") (on 1952-01-22)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:28
2Lullaby of the Leaves
vocals:
Anita O’Day (on 1952-01-22)
recording of:
Lullaby of the Leaves (on 1952-01-22)
lyricist:
Joe Young (US lyricist)
composer:
Bernice Petkere
3:09
3Rock and Roll Blues
3:18
4Love for Sale
producer:
Norman Granz
baritone saxophone:
Cecil Payne (on 1952-01-22)
bass:
Al McKibbon (double bassist) (on 1952-01-22)
drums (drum set):
Don Lamond (on 1952-01-22)
piano:
Ralph Burns (on 1952-01-22)
tenor saxophone:
Budd Johnson (on 1952-01-22)
trombone:
Bill Harris (jazz trombonist) (on 1952-01-22)
trumpet:
Roy Eldridge (on 1952-01-22)
vocals:
Anita O’Day (on 1952-01-22)
arranger:
Ralph Burns
recording of:
Love for Sale (on 1952-01-22)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
3:37
5No Soap, No Hope Blues
double bass:
Johnny Frigo (US jazz musician) (in 1952-07)
guitar:
Earl Backus (in 1952-07)
piano:
Roy Kral (in 1952-07)
vocals:
Anita O’Day (in 1952-07)
recording of:
No Soap, No Hope Blues (in 1952-07)
writer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
2:34
6Speak Low
recording of:
Speak Low (One Touch of Venus) (in 1952-07)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
2:36
7The Lady Is a Tramp
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
2:41
8Strawberry Moon
recording of:
Strawberry Moon (in 1952-07)
writer:
Bob Hilliard and Sammy Mysels (songwriter)
3:08
9Pagan Love Song
vocals:
Anita O’Day (in 1952-12)
recording of:
Pagan Love Song (in 1952-12)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
2:40
10Ain't This a Wonderful Day
vocals:
Anita O’Day (in 1952-12)
2:42
11Somebody's Cryin'
vocals:
Anita O’Day (in 1952-12)
3:02
12Vaya con Dios
vocals:
Anita O’Day (in 1952-12)
recording of:
Vaya con Dios (original) (in 1952-12)
writer:
Inez James, Buddy Pepper and Larry Russell (Film composer)
publisher:
Ardmore Music Corp., Chappell Music Ltd. and Manuskript (not for release label use! this is only for copyrights and publishing relationships)
3:40
13The Gypsy in My Soul
recording of:
The Gypsy in My Soul
lyricist:
Moe Jaffe (songwriter / bandleader)
composer:
Clay Boland
publisher:
Essex Music, Inc. and Words & Music, Inc. (US work publisher)
2:34
14Just One of Those Things
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:42
15The Man I Love
recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
4:15
16Frankie and Johnny
recording of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
publisher:
Hughie Cannon (in 1904) and Carl Sandburg (in 1927)
lyricist, writer and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 254)
is based on:
You’re My Baby
3:38
17Anita's Blues
3:27
18I Cover the Waterfront
recording of:
I Cover the Waterfront
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
3:47
19I Didn't Know What Time It Was
recording of:
I Didn’t Know What Time It Was (Pal Joey)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:44
20Let's Fall in Love
recording of:
Let’s Fall in Love
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
2:27
21You're Getting to Be a Habit With Me
recording of:
You’re Getting to Be a Habit With Me
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
2:46
22From This Moment On
producer:
Norman Granz
bass:
Leroy Vinnegar (on 1955-08-11)
drums (drum set):
Larry Bunker (on 1955-08-11)
guitar:
Tal Farlow (jazz guitarist) (on 1955-08-11)
piano:
Jimmy Rowles (on 1955-08-11)
vocals:
Anita O’Day (on 1955-08-11)
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (on 1955-08-11)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
3:14
23You Don't Know What Love Is
2:58
24There Will Never Be Another You / Just Friends
3:13
2▼CD
#TitleRatingLength
1Beautiful Love
recording of:
Beautiful Love (Jazz Standard)
lyricist:
Haven Gillespie
composer:
Egbert Van Alstyne, Wayne King and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Movie Tone Music and Sam Fox Publishing Co. (London) Ltd.
2:39
2As Long as I Live
recording of:
As Long as I Live
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
3:40
3Who Cares?
recording of:
Who Cares? (Of Thee I Sing)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
3:16
4Fine and Dandy
recording of:
Fine and Dandy
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:28
5I Fall in Love Too Easily
recording of:
I Fall in Love Too Easily
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:55
6I Can't Get Started
recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:55
7A Nightingale Sang in Berkeley Square
recording of:
A Nightingale Sang in Berkeley Square
lyricist:
Eric Maschwitz (Holt Marvell)
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
4:02
8Time After Time
cover recording of:
Time After Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
recording of:
Time After Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
4:08
9You're the Top
recording of:
You’re the Top
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
2:26
10No Moon at All
recording of:
No Moon at All
lyricist:
Redd Evans
composer:
David Mann (American songwriter)
publisher:
Mann David Music Company, Music Sales Corporation (American copyright holder in both popular and classical music) and Rytvoc, Inc. (ASCAP)
2:29
11Honeysuckle Rose
recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
3:15
12I'll See You in My Dreams
recording of:
I’ll See You in My Dreams
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company and Leo Feist, Inc. (on 1924-12-19)
2:51
13Boogie Blues
double bass:
George Duvivier (on 1961-10-16)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1961-10-16)
guitar:
Barry Galbraith (on 1961-10-16)
piano:
Hank Jones (piano) (on 1961-10-16)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1961-10-16)
trombone:
Bob Brookmeyer (on 1961-10-16) and Willie Dennis (on 1961-10-16)
trumpet:
Bernie Glow (on 1961-10-16), Herb Pomeroy (on 1961-10-16) and Doc Severinsen (on 1961-10-16)
vocals:
Anita O’Day (on 1961-10-16)
conductor:
Gary McFarland (on 1961-10-16)
recording of:
Boogie Blues (on 1961-10-16)
writer:
Ray Biondi and Gene Krupa
3:53
14Opus 1
3:34
15That's What You Think
4:00
16Let Me Off Uptown
3:23
17Drummin' Man
3:15
18Slow Down
3:35
19Memories of You
2:54
3▼CD
#TitleRatingLength
1I'm With You
2:07
2The Rock and Roll Waltz
2:47
3The Getaway and the Chase
recording of:
The Getaway and the Chase
writer:
Bif Jones and Charles Meyer (songwriter // aka. Chuck Meyer)
2:28
4Your Picture's Hanging Crooked on the Wall
2:31
5We Laughed at Love
3:12
6I'm Not Lonely
3:06
7Don't Be That Way
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Don’t Be That Way
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
2:34
8Let's Face the Music and Dance (alternate take)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
3:18
9Let's Face the Music and Dance
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
3:18
10I Used to Be Color Blind
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
I Used to Be Color Blind (from "Carefree")
lyricist and composer:
Irving Berlin (in 1938)
3:10
11Pick Yourself Up
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Pick Yourself Up (from “Swing Time”)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
3:06
12There's a Lull in My Life
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (american bass trombone) (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
There’s a Lull in My Life (on 1956-12-19)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Robbins Music Corp.
3:18
13Man With a Horn
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (american bass trombone) (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
Man With a Horn (on 1956-12-19)
lyricist:
Eddie DeLange
composer:
Jack Jenney (American jazz trombonist) and Bonnie Lake
3:56
14Ivy
2:48
15Stars Fell on Alabama
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (american bass trombone) (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
2:52
16Stars Fell on Alabama (alternate take)
recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
2:50
17Let's Begin
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Let’s Begin (from "Roberta")
lyricist:
Dorothy Fields (American librettist and lyricist) and Otto Harbach (in 1933)
composer:
Jerome Kern (in 1933)
part of:
Roberta
2:21
18Sweet Georgia Brown
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Sweet Georgia Brown (on 1956-12-20)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
4:14
19I Never Had a Chance
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
I Never Had a Chance
lyricist and composer:
Irving Berlin
4:24
20Stompin' at the Savoy
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Stompin’ at the Savoy (on 1956-12-20)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:20
21I Won't Dance
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1956-12-20)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:25
4▼CD
#TitleRatingLength
1Medley: 'S Wonderful / They Can't Take That Away From Me
2:58
2Love Me or Leave Me
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
2:34
3Old Devil Moon
recorded in:
Los Angeles, California, United States (on 1960-08-03)
producer:
Norman Granz
alto saxophone:
Joe Maini (on 1960-08-03)
double bass:
Joe Mondragon (on 1960-08-03)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1960-08-03)
piano:
Lou Levy (on 1960-08-03)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1960-08-03)
trombone:
Frank Rosolino (on 1960-08-03)
trumpet:
Lee Katzman (on 1960-08-03) and Al Porcino (on 1960-08-03)
vocals:
Anita O’Day (on 1960-08-03)
recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1960-08-03)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
2:54
4Tenderly
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:22
5We'll Be Together Again
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
We’ll Be Together Again
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:39
6Stella by Starlight
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Stella by Starlight
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
42:06
7Them There Eyes
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
2:39
8Takin' a Chance on Love
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Taking a Chance on Love
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
2:24
9I've Got the World on a String
recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:01
10You Turned the Tables on Me
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
You Turned the Tables on Me
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
3:43
11Bewitched, Bothered and Bewildered
recorded in:
Los Angeles, California, United States (in 1956-05)
producer:
Norman Granz
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
3:57
12But Not for Me
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
But Not for Me (on 1958-04-27)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:10
13Medley: I Have a Reason for Living / My Love for You
4:55
14The Varsity Drag
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
Varsity Drag (Good News) (on 1958-04-27)
lyricist:
Lew Brown and Ray Henderson
composer:
Buddy DeSylva
part of:
Good News (1947 film)
1:48
15It Never Entered My Mind
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
It Never Entered My Mind (on 1958-04-27)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:08
16Tea for Two
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:49
17Everytime I'm With You
2:10
18Have You Met Miss Jones?
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1958-04-27)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
2:09
19The Wildest Girl in Town
2:40
20Star Eyes
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
Star Eyes (on 1958-04-27)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
3:03
21Loneliness Is a Well
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
3:10
22The Song Is You
double bass:
L.B. Wood (on 1958-04-27)
drums (drum set):
John Poole (drums) (on 1958-04-27)
piano:
Joe Masters (on 1958-04-27)
vocals:
Anita O’Day (on 1958-04-27)
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1958-04-27)
live recording of:
The Song Is You (on 1958-04-27)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
3:20
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6▶CD
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9▶CD

Credits

Release

ASIN:US: B00106BU8Y [info]

Release group

Wikidata:Q124253058 [info]