Symphonie fantastique / Le Carnaval romain / Les Nuits d'été

~ Release by Hector Berlioz (see all versions of this release, 2 available)

Tracklist

| |
1▼CD
#TitleRatingLength
1Symphonie fantastique, op. 14: I Rêveries - Passions
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-10-14 until 1975-02-21)
conductor:
Herbert von Karajan (conductor) (from 1974-10-14 until 1975-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-10-14 until 1975-02-21)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1975)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-10-14 until 1975-02-21)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (from 1974-10-14 until 1975-02-21)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
14:32
2Symphonie fantastique, op. 14: II Un bal
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-10-14 until 1975-02-21)
conductor:
Herbert von Karajan (conductor) (from 1974-10-14 until 1975-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-10-14 until 1975-02-21)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1975)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-10-14 until 1975-02-21)
recording of:
Symphonie fantastique, op. 14: II. Un bal (from 1974-10-14 until 1975-02-21)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
6:21
3Symphonie fantastique, op. 14: III Scène aux champs
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-10-14 until 1975-02-21)
conductor:
Herbert von Karajan (conductor) (from 1974-10-14 until 1975-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-10-14 until 1975-02-21)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1975)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-10-14 until 1975-02-21)
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs (from 1974-10-14 until 1975-02-21)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
16:48
4Symphonie fantastique, op. 14: IV Marche au supplice
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-10-14 until 1975-02-21)
conductor:
Herbert von Karajan (conductor) (from 1974-10-14 until 1975-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-10-14 until 1975-02-21)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1975)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-10-14 until 1975-02-21)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 1974-10-14 until 1975-02-21)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
4:41
5Symphonie fantastique, op. 14: V Songe d'une nuit du sabbat
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-10-14 until 1975-02-21)
conductor:
Herbert von Karajan (conductor) (from 1974-10-14 until 1975-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-10-14 until 1975-02-21)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1975)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-10-14 until 1975-02-21)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (from 1974-10-14 until 1975-02-21)
composer:
Hector Berlioz (French composer) (in 1830)
quotes music from:
Dies Irae (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
10:55
6Le Carnaval romain, op. 9
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1985)
conductor:
Lorin Maazel (conductor) (in 1985)
recording of:
Le Carnaval romain, ouverture pour orchestre, op. 9 (The Roman Carnival Overture for Orchestra, op. 9) (in 1985)
composer:
Hector Berlioz (French composer) (in 1843)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 95)
8:43
7La Damnation de Faust, op. 24: Marche hongroise
orchestra:
Boston Symphony Orchestra (in 1974)
conductor:
Seiji Ozawa (conductor and composer) (in 1974)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March) (in 1974)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
4:31
8La Damnation de Faust, op. 24: Menuet des feux follets
orchestra:
Boston Symphony Orchestra (in 1974)
conductor:
Seiji Ozawa (conductor and composer) (in 1974)
recording of:
La Damnation de Faust : Troisième Partie : Scène 12. Menuet des Feux follets … « Maintenant, chantons à cette belle … » (Méphistophélès) (in 1974)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Troisième Partie
5:27
9La Damnation de Faust, op. 24: Ballet des Sylphes
orchestra:
Boston Symphony Orchestra (in 1974)
conductor:
Seiji Ozawa (conductor and composer) (in 1974)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Ballet des sylphes (Orchestre) (in 1974)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
2:20
2▼CD
#TitleRatingLength
1Rêverie et caprice, op. 8
violin:
Arthur Grumiaux (Belgian violinist) (in 1971)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971)
conductor:
Edo de Waart (conductor) (in 1971)
recording of:
Rêverie et caprice, op. 8, H. 88 (in 1971)
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 88)
7:30
2Les Nuits d'été, op. 7: Villanelle. «Quand viendra la saison nouvelle»
engineer:
James Lock (James Locke, engineer)
producer:
Mike Bremmer (producer/engineer)
soprano vocals:
Régine Crespin (soprano) (on 1963-09-23)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1963-09-23)
conductor:
Ernest Ansermet (conductor) (on 1963-09-23)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1963-09-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 1. Villanelle (on 1963-09-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
2:21
3Les Nuits d'été, op. 7: Le Spectre de la rose. «Soulève ta paupière close»
engineer:
James Lock (James Locke, engineer)
producer:
Mike Bremmer (producer/engineer)
soprano vocals:
Régine Crespin (soprano) (on 1963-09-23)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1963-09-23)
conductor:
Ernest Ansermet (conductor) (on 1963-09-23)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1963-09-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 2. Le Spectre de la rose (on 1963-09-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
7:07
4Les Nuits d'été, op. 7: Sur les lagunes (Lamento). «Ma belle amie est morte»
engineer:
James Lock (James Locke, engineer)
producer:
Mike Bremmer (producer/engineer)
soprano vocals:
Régine Crespin (soprano) (on 1963-09-23)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1963-09-23)
conductor:
Ernest Ansermet (conductor) (on 1963-09-23)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1963-09-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 4. Absence (on 1963-09-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
5:26
5Les Nuits d'été, op. 7: Absence. «Reviens, reviens, ma bien-aimée»
engineer:
James Lock (James Locke, engineer)
producer:
Mike Bremmer (producer/engineer)
soprano vocals:
Régine Crespin (soprano) (on 1963-09-23)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1963-09-23)
conductor:
Ernest Ansermet (conductor) (on 1963-09-23)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1963-09-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 3. Sur les lagunes (on 1963-09-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
6:09
6Les Nuits d'été, op. 7: Au cimetière (Clair de lune). «Connaissez-vouz la blanche tombe»
engineer:
James Lock (James Locke, engineer)
producer:
Mike Bremmer (producer/engineer)
soprano vocals:
Régine Crespin (soprano) (on 1963-09-23)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1963-09-23)
conductor:
Ernest Ansermet (conductor) (on 1963-09-23)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1963-09-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 5. Au cimetière (on 1963-09-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
5:44
7Les Nuits d'été, op. 7: L'Ile inconnue. «Dites, la jeune belle»
engineer:
James Lock (James Locke, engineer)
producer:
Mike Bremmer (producer/engineer)
soprano vocals:
Régine Crespin (soprano) (on 1963-09-23)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1963-09-23)
conductor:
Ernest Ansermet (conductor) (on 1963-09-23)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1963-09-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 6. L’Île inconnue (on 1963-09-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
3:47
8La Damnation de Faust, op. 24: «La vieil hiver a fait place au printemps» (Faust)
soprano vocals:
Edith Mathis (soprano) (in 1974)
tenor vocals:
Stuart Burrows (tenor) (in 1974)
orchestra:
Boston Symphony Orchestra (in 1974)
conductor:
Seiji Ozawa (conductor and composer) (in 1974)
recording of:
La Damnation de Faust : Première Partie : Scène 1. Les plaines de Hongrie « Le vieil hiver a fait place au printemps » (Faust) (in 1974)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
5:39
9La Damnation de Faust, op. 24: «Autrefois un roi de Thulé» (Marguerite)
soprano vocals:
Edith Mathis (soprano) (in 1974)
tenor vocals:
Stuart Burrows (tenor) (in 1974)
orchestra:
Boston Symphony Orchestra (in 1974)
conductor:
Seiji Ozawa (conductor and composer) (in 1974)
recording of:
La Damnation de Faust : Troisième Partie : Scène 11. Le Roi de Thulé (Chanson gothique) « Autrefois un roi de Thulé » (Marguerite) (in 1974)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
4:31
10La Damnation de Faust, op. 24: «D'amour l'ardente flamme» (Marguerite)
soprano vocals:
Edith Mathis (soprano) (in 1974)
tenor vocals:
Stuart Burrows (tenor) (in 1974)
orchestra:
Boston Symphony Orchestra (in 1974)
conductor:
Seiji Ozawa (conductor and composer) (in 1974)
recording of:
La Damnation de Faust : Quatrième Partie, scène 15. « D'amour l'ardente flamme » … « Au son des trompettes » (Marguerite, Chœur) (in 1974)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
part of:
La Damnation de Faust, op. 24: Quatrième Partie
8:44
11La Damnation de Faust, op. 24: «Nature immense, impénétrable et fière»
soprano vocals:
Edith Mathis (soprano) (in 1974)
tenor vocals:
Stuart Burrows (tenor) (in 1974)
orchestra:
Boston Symphony Orchestra (in 1974)
conductor:
Seiji Ozawa (conductor and composer) (in 1974)
recording of:
La Damnation de Faust : Quatrième Partie, scène 16. Invocation à la Nature « Nature immense, impénetrable et fière » (Faust) (in 1974)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
4:11
12Requiem, op. 5: IX Sanctus
recording engineer:
Volker Martin (engineer) and Rainer Hoepfner (engineer)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
editor:
Reinhard Lagemann
choir vocals:
Ernst‐Senff‐Chor (in 1989-05)
solo tenor vocals and tenor vocals:
Luciano Pavarotti (tenor) (in 1989-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1989-05)
conductor:
James Levine (US conductor and pianist) (in 1989-05)
balance engineer:
Wolfgang Mitlehner
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1989-05)
recording of:
Requiem, op. 5: IX. Sanctus (in 1989-05)
lyricist and composer:
Hector Berlioz (French composer)
part of:
Requiem, op. 5 « Grande Messe des Morts »
10:21