Five Classic Albums Plus Third Set

~ Veröffentlichung von Anita O’Day (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelBewertungLänge
1Just One of Those Things
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
Just One of Those Things (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
2:11
2You'd Be So Nice to Come Home To
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
You’d Be So Nice to Come Home To (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
1:53
3Easy to Love
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
Easy to Love (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
2:05
4I Get a Kick Out of You
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
I Get a Kick Out of You (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
2:25
5All of You
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
All of You (Silk Stockings musical) (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
1:44
6Love for Sale
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
Love for Sale (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
2:46
7Get Out of Town
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
Get Out of Town (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
Teil von:
Leave It to Me!
2:33
8I've Got You Under My Skin
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
I’ve Got You Under My Skin (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
1:50
9Night and Day
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
2:04
10It's De-Lovely
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
It’s De‐Lovely (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
2:07
11I Love You
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
I Love You (Mexican Hayride musical) (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:00
12What Is This Thing Called Love
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
2:34
13But Not for Me
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
But Not for Me (am 1958-04-27)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
2:51
14Medley: I Have a Reason for Living/My Love for You
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
5:06
15The Varsity Drag
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
Varsity Drag (Good News) (am 1958-04-27)
Texter:
Lew Brown und Ray Henderson
Komponist(in):
Buddy DeSylva
Teil von:
Good News (1947 film)
1:53
16It Never Entered My Mind
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
It Never Entered My Mind (am 1958-04-27)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:09
17Tea for Two
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
Tea for Two (No, No, Nanette) (am 1958-04-27)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
3:52
18Everytime I'm With You
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
2:08
19Have You Met Miss Jones?
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1958-04-27)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
2:12
20The Wildest Gal in Town
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
2:39
21Star Eyes
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
Star Eyes (am 1958-04-27)
Komponist(in):
Gene de Paul und Don Raye
publisher:
EMI Feist Catalog Inc. und Red Cape Songs
Teil von:
I Dood It (1943)
2:53
22Loneliness Is a Well
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
3:15
23The Song Is You
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
The Song Is You (am 1958-04-27)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
3:29
24Key Largo
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1947)
alto saxophone:
Benny Carter (in 1947)
Klavier:
Ralph Burns (in 1947)
Posaune:
Ray Sims (in 1947)
Trompete:
Ray Linn (in 1947)
vocals:
Anita O’Day (in 1947)
Teil von:
Signature (by matrix number) (Nummer: SRC 660)
recording of:
Key Largo (in 1947)
Texter:
Leah Worth
Komponist(in):
Benny Carter und Karl Suessdorf
2:54
25Hi Ho Trailus Boot Whip
vocals:
Anita O’Day (in 1947-09)
2:32
26I Ain't Gettin' Any Younger
vocals:
Anita O’Day (in 1947)
3:04
27Malaguena
vocals:
Anita O’Day (in 1947)
recording of:
Malaguena (English lyrics) (in 1947)
Texter und Komponist(in):
Ernesto Lecuona
Übersetzer:
Marian Banks
übersetzte Version von:
Malagueña from Andalucia Suite (original Spanish vocal version)
2:59
28How High the Moon
vocals:
Anita O’Day (in 1947)
recording of:
How High the Moon (in 1947)
Texter:
Nancy Hamilton (in 1940)
Komponist(in):
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:57
29Sometimes I'm Happy
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1947-02)
accordion:
Bob Gudina (in 1947-02)
alto saxophone:
Alvy West (in 1947-02)
Bass:
Art Shapiro (in 1947-02)
Gitarre:
Tony Rizzi (in 1947-02)
Schlagzeug:
Milt Holland (in 1947-02)
Trompete:
Larry Neal (in 1947-02)
vocals:
Anita O’Day (in 1947-02)
Interpret(in):
Alvy West and The Little Band (in 1947-02)
Teil von:
Signature (by matrix number) (Nummer: SRC 376)
recording of:
Sometimes I’m Happy (in 1947-02)
Texter:
Vincent Youmans
Komponist(in):
Irving Caesar
publisher:
Harms, Inc.
Teil von:
Hit the Deck (1927 musical)
Teil von:
Hit the Deck (1955 movie)
2:44
30Ace in the Hole
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1947-02)
accordion:
Bob Gudina (in 1947-02)
alto saxophone:
Alvy West (in 1947-02)
Bass:
Art Shapiro (in 1947-02)
Gitarre:
Tony Rizzi (in 1947-02)
Schlagzeug:
Milt Holland (in 1947-02)
Trompete:
Larry Neal (in 1947-02)
vocals:
Anita O’Day (in 1947-02)
Interpret(in):
Alvy West and The Little Band (in 1947-02)
Teil von:
Signature (by matrix number) (Nummer: SRC 377)
recording of:
Ace in the Hole (Let’s Face It! musical) (in 1947-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
2:56
2▼CD
Nr.TitelBewertungLänge
1Trav'lin Light
recording of:
Trav’lin’ Light
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Jimmy Mundy (in 1942) und Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) und WB Music Corp. (1929–2019)
3:37
2The Moon Looks Down and Laughs
4:00
3Don't Explain
recording of:
Don’t Explain
Verfasser(in):
Arthur Herzog, Jr. und Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) und Universal Music Publishing (use ONLY if no country‐specific information is available)
3:13
4Remember
recording of:
Remember
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
2:40
5Some Other Spring
2:28
6What a Little Moonlight Can Do
recording of:
What a Little Moonlight Can Do
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) und Warner Brothers Music Inc.
2:31
7Miss Brown to You
4:04
8God Bless the Child
cover recording of:
God Bless the Child
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:10
9If the Moon Turns Green
baritone saxophone:
Chuck Gentry (am 1961-01-18)
Gitarre:
Al Viola (am 1961-01-18)
Klavier:
Russ Freeman (pianist) (am 1961-01-18)
Kontrabass:
Buddy Clark (US jazz bassist) (am 1961-01-18)
Posaune:
Lew McCreary (am 1961-01-18), Dick Nash (am 1961-01-18) und Frank Rosolino (am 1961-01-18)
Saxophon:
Joe Maini (am 1961-01-18)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1961-01-18)
Trompete:
Al Porcino (am 1961-01-18), Jack Sheldon (am 1961-01-18), Ray Triscari (am 1961-01-18) und Stu Williamson (am 1961-01-18)
Vibraphon:
Larry Bunker (am 1961-01-18)
vocals:
Anita O’Day (am 1961-01-18)
conductor:
Johnny Mandel (American composer and arranger) (am 1961-01-18)
recording of:
If the Moon Turns Green (am 1961-01-18)
Texter:
Paul Coates (songwriter; “If the Moon Turns Green”) (am 1934-11-27)
Komponist(in):
Bernie Hanighen (am 1934-11-27)
publisher:
Bourne Co. (not for release label use, this is a music publisher) (am 1934-11-27)
2:57
10I Hear Music
recording of:
I Hear Music (Dancing on a Dime)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
2:17
11Lover Come Back to Me
recording of:
Lover, Come Back to Me (from "The New Moon")
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
2:53
12Crazy He Calls Me
recording of:
Crazy He Calls Me
Texter:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Komponist(in):
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:27
13Boogie Blues
Gitarre:
Barry Galbraith (am 1961-10-16)
Klavier:
Hank Jones (piano) (am 1961-10-16)
Kontrabass:
George Duvivier (am 1961-10-16)
Posaune:
Bob Brookmeyer (am 1961-10-16) und Willie Dennis (am 1961-10-16)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1961-10-16)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1961-10-16)
Trompete:
Bernie Glow (am 1961-10-16), Herb Pomeroy (am 1961-10-16) und Doc Severinsen (am 1961-10-16)
vocals:
Anita O’Day (am 1961-10-16)
conductor:
Gary McFarland (am 1961-10-16)
recording of:
Boogie Blues (am 1961-10-16)
Verfasser(in):
Ray Biondi und Gene Krupa
3:49
14You Came a Long Way From St. Louis
Gitarre:
Barry Galbraith (am 1961-10-16)
Klavier:
Hank Jones (piano) (am 1961-10-16)
Kontrabass:
George Duvivier (am 1961-10-16)
Posaune:
Bob Brookmeyer (am 1961-10-16) und Willie Dennis (am 1961-10-16)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1961-10-16)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1961-10-16)
Trompete:
Bernie Glow (am 1961-10-16), Herb Pomeroy (am 1961-10-16) und Doc Severinsen (am 1961-10-16)
vocals:
Anita O’Day (am 1961-10-16)
conductor:
Gary McFarland (am 1961-10-16)
recording of:
You Came a Long Way From St. Louis (am 1961-10-16)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Komponist(in):
John Benson Brooks
publisher:
Jewel Music Inc.
4:16
15I Want to Sing a Song
Gitarre:
Barry Galbraith (am 1961-10-16)
Klavier:
Hank Jones (piano) (am 1961-10-16)
Kontrabass:
George Duvivier (am 1961-10-16)
Posaune:
Bob Brookmeyer (am 1961-10-16) und Willie Dennis (am 1961-10-16)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1961-10-16)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1961-10-16)
Trompete:
Bernie Glow (am 1961-10-16), Herb Pomeroy (am 1961-10-16) und Doc Severinsen (am 1961-10-16)
vocals:
Anita O’Day (am 1961-10-16)
conductor:
Gary McFarland (am 1961-10-16)
recording of:
I Want to Sing a Song (am 1961-10-16)
Verfasser(in):
Margo Guryan und Gary McFarland
2:47
16A Woman Alone With the Blues
Gitarre:
Barry Galbraith (am 1961-10-16)
Klavier:
Hank Jones (piano) (am 1961-10-16)
Kontrabass:
George Duvivier (am 1961-10-16)
Posaune:
Bob Brookmeyer (am 1961-10-16) und Willie Dennis (am 1961-10-16)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1961-10-16)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1961-10-16)
Trompete:
Bernie Glow (am 1961-10-16), Herb Pomeroy (am 1961-10-16) und Doc Severinsen (am 1961-10-16)
vocals:
Anita O’Day (am 1961-10-16)
conductor:
Gary McFarland (am 1961-10-16)
recording of:
A Woman Alone With the Blues (am 1961-10-16)
Texter und Komponist(in):
Willard Robison
3:22
17The Ballad of All the Sad Young Men
Gitarre:
Barry Galbraith (am 1961-10-16)
Klavier:
Hank Jones (piano) (am 1961-10-16)
Kontrabass:
George Duvivier (am 1961-10-16)
Posaune:
Bob Brookmeyer (am 1961-10-16) und Willie Dennis (am 1961-10-16)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1961-10-16)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1961-10-16)
Trompete:
Bernie Glow (am 1961-10-16), Herb Pomeroy (am 1961-10-16) und Doc Severinsen (am 1961-10-16)
vocals:
Anita O’Day (am 1961-10-16)
conductor:
Gary McFarland (am 1961-10-16)
recording of:
Ballad of the Sad Young Men (am 1961-10-16)
Texter:
Fran Landesman
Komponist(in):
Tommy Wolf (US pianist/composer)
4:27
18Do Nothin' Till You Hear From Me
Gitarre:
Barry Galbraith (am 1961-10-16)
Klavier:
Hank Jones (piano) (am 1961-10-16)
Kontrabass:
George Duvivier (am 1961-10-16)
Posaune:
Bob Brookmeyer (am 1961-10-16) und Willie Dennis (am 1961-10-16)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1961-10-16)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1961-10-16)
Trompete:
Bernie Glow (am 1961-10-16), Herb Pomeroy (am 1961-10-16) und Doc Severinsen (am 1961-10-16)
vocals:
Anita O’Day (am 1961-10-16)
conductor:
Gary McFarland (am 1961-10-16)
recording of:
Do Nothin’ Till You Hear From Me (am 1961-10-16)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
4:11
19One More Mile
Gitarre:
Barry Galbraith (am 1961-10-16)
Klavier:
Hank Jones (piano) (am 1961-10-16)
Kontrabass:
George Duvivier (am 1961-10-16)
Posaune:
Bob Brookmeyer (am 1961-10-16) und Willie Dennis (am 1961-10-16)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1961-10-16)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1961-10-16)
Trompete:
Bernie Glow (am 1961-10-16), Herb Pomeroy (am 1961-10-16) und Doc Severinsen (am 1961-10-16)
vocals:
Anita O’Day (am 1961-10-16)
conductor:
Gary McFarland (am 1961-10-16)
2:42
20Night Bird
Gitarre:
Barry Galbraith (am 1961-10-16)
Klavier:
Hank Jones (piano) (am 1961-10-16)
Kontrabass:
George Duvivier (am 1961-10-16)
Posaune:
Bob Brookmeyer (am 1961-10-16) und Willie Dennis (am 1961-10-16)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1961-10-16)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1961-10-16)
Trompete:
Bernie Glow (am 1961-10-16), Herb Pomeroy (am 1961-10-16) und Doc Severinsen (am 1961-10-16)
vocals:
Anita O’Day (am 1961-10-16)
conductor:
Gary McFarland (am 1961-10-16)
4:00
21Up State
Gitarre:
Barry Galbraith (am 1961-10-16)
Klavier:
Hank Jones (piano) (am 1961-10-16)
Kontrabass:
George Duvivier (am 1961-10-16)
Posaune:
Bob Brookmeyer (am 1961-10-16) und Willie Dennis (am 1961-10-16)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1961-10-16)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1961-10-16)
Trompete:
Bernie Glow (am 1961-10-16), Herb Pomeroy (am 1961-10-16) und Doc Severinsen (am 1961-10-16)
vocals:
Anita O’Day (am 1961-10-16)
conductor:
Gary McFarland (am 1961-10-16)
2:34
22Senor Blues
Gitarre:
Barry Galbraith (am 1961-10-16)
Klavier:
Hank Jones (piano) (am 1961-10-16)
Kontrabass:
George Duvivier (am 1961-10-16)
Posaune:
Bob Brookmeyer (am 1961-10-16) und Willie Dennis (am 1961-10-16)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1961-10-16)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1961-10-16)
Trompete:
Bernie Glow (am 1961-10-16), Herb Pomeroy (am 1961-10-16) und Doc Severinsen (am 1961-10-16)
vocals:
Anita O’Day (am 1961-10-16)
conductor:
Gary McFarland (am 1961-10-16)
recording of:
Señor Blues (am 1961-10-16)
Verfasser(in):
Horace Silver
2:48
23What Is This Thing Called Love
vocals:
Anita O’Day (in 1947-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1947-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
2:44
24Them There Eyes
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-01-18)
alto saxophone:
Heinie Beau (am 1945-01-18) und Manny Gershman (am 1945-01-18)
baritone saxophone:
Harry Suchman (bass) (am 1945-01-18)
Bass:
Phil Stevens (country bass player) (am 1945-01-18)
Gitarre:
Dave Barbour (am 1945-01-18)
Klavier:
Milt Raskin (Milton Raskin) (am 1945-01-18)
Kontrabass:
Phil Stephens (bass and tuba player) (am 1945-01-18)
Posaune:
Jimmy Skyles (am 1945-01-18) und Jimmy Skyles (am 1945-01-18)
Schlagzeug:
Zutty Singleton (am 1945-01-18)
Tenorsaxophon:
Herbie Haymer (am 1945-01-18)
Trompete:
Charlie Griffith (trumpet) (am 1945-01-18)
vocals:
Anita O’Day (am 1945-01-18)
conductor:
Lowell Martin (jazz trombonist) (am 1945-01-18)
arranger:
Lowell Martin (jazz trombonist)
Teil von:
Capitol Records (by matrix number) (Nummer: 550-3)
cover recording of:
Them There Eyes (am 1945-01-18)
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
recording of:
Them There Eyes (am 1945-01-18)
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
2:43
25Memories of You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-01-18)
alto saxophone:
Heinie Beau (am 1945-01-18) und Manny Gershman (am 1945-01-18)
baritone saxophone:
Harry Suchman (bass) (am 1945-01-18)
Bass:
Phil Stevens (country bass player) (am 1945-01-18)
Gitarre:
Dave Barbour (am 1945-01-18)
Klavier:
Milt Raskin (Milton Raskin) (am 1945-01-18)
Posaune:
Jimmy Skyles (am 1945-01-18)
Schlagzeug:
Zutty Singleton (am 1945-01-18)
Tenorsaxophon:
Herbie Haymer (am 1945-01-18)
Trompete:
Charlie Griffith (trumpet) (am 1945-01-18)
vocals:
Anita O’Day (am 1945-01-18)
conductor:
Lowell Martin (jazz trombonist) (am 1945-01-18)
arranger:
Lowell Martin (jazz trombonist)
Teil von:
Capitol Records (by matrix number) (Nummer: 551-4)
3:00

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