Complete Works for Piano Duet and Two Pianos

~ Release by Debussy, Ravel; Michel Béroff, Jean‐Philippe Collard (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Petite suite: I. En bateau
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
Petite Suite, L. 65, CD 71a : I. En bateau (for piano 4-hands) (in 1982-04)
composer:
Claude Debussy (French composer) (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy3:20
2Petite suite: II. Cortège
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
Petite Suite, L. 65, CD 71a : II. Cortège (for piano 4-hands) (in 1982-04)
composer:
Claude Debussy (French composer) (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy3:01
3Petite suite: III. Menuet
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
Petite Suite, L. 65, CD 71a : III. Menuet (for piano 4-hands) (in 1982-04)
composer:
Claude Debussy (French composer) (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy2:46
4Petite suite: IV. Ballet
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
Petite Suite, L. 65, CD 71a : IV. Ballet (for piano 4-hands) (in 1982-04)
composer:
Claude Debussy (French composer) (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy2:53
5Marche écossaise sur un thème populaire
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
Marche écossaise sur un thème populaire, L. 77, CD 83a (for piano 4-hands) (in 1982-04)
composer:
Claude Debussy (French composer) (in 1890)
dedicated to:
J. Meredith Read
publisher:
Choudens (in 1891) and Eugène Fromont (in 1903)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 77) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 83a)
Claude Debussy6:22
6Six épigraphes antiques: I. Pour invoquer Pan
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
Six épigraphes antiques, L. 131: I. Pour invoquer Pan, dieu du vent d'été (for piano 4-hands) (in 1982-04)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
part of:
Six épigraphes antiques, L. 131 (for piano 4-hands)
Claude Debussy2:15
7Six épigraphes antiques: II. Pour un tombeaeu sans nom
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom (for piano 4-hands) (in 1982-04)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
part of:
Six épigraphes antiques, L. 131 (for piano 4-hands)
Claude Debussy3:23
8Six épigraphes antiques: III. Pour que la nuit soit propice
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
Six épigraphes antiques, L. 131: III. Pour que la nuit soit propice (for piano 4-hands) (in 1982-04)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
part of:
Six épigraphes antiques, L. 131 (for piano 4-hands)
Claude Debussy2:02
9Six épigraphes antiques: IV. Pour la danseuse aux crotales
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
Six épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales (for piano 4-hands) (in 1982-04)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
part of:
Six épigraphes antiques, L. 131 (for piano 4-hands)
Claude Debussy2:03
10Six épigraphes antiques: V. Pour l’Egyptienne
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
Six épigraphes antiques, L. 131: V. Pour l'Égyptienne (for piano 4-hands) (in 1982-04)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
part of:
Six épigraphes antiques, L. 131 (for piano 4-hands)
Claude Debussy2:46
11Six épigraphes antiques: VI. Pour remercier la pluie au matin
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
Six épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin (for piano 4-hands) (in 1982-04)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
part of:
Six épigraphes antiques, L. 131 (for piano 4-hands)
Claude Debussy1:56
12Lindaraja
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
Lindaraja, L. 97, CD 103 (for 2 pianos) (in 1982-04)
composer:
Claude Debussy (French composer) (in 1901-04)
premiered at:
[concert] (1926-10-28)
publisher:
Editions Jobert (in 1926-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 97) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 103)
Claude Debussy5:38
13En blanc et noir: I. Avec emportement
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
En blanc et noir: I. Avec emportement (in 1982-04)
composer:
Claude Debussy (French composer) (from 1915-06-04 until 1915-07-20)
dedicated to:
A. Kussewitsky
part of:
En blanc et noir, L. 134, CD 142
Claude Debussy4:09
14En blanc et noir: II. Lent - sombre
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
En blanc et noir: II. Lent, sombre (in 1982-04)
composer:
Claude Debussy (French composer) (from 1915-06-04 until 1915-07-20)
dedicated to:
Jacques Charlot
part of:
En blanc et noir, L. 134, CD 142
Claude Debussy6:23
15En blanc et noir: III. Scherzando
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
En blanc et noir: III. Scherzando (in 1982-04)
composer:
Claude Debussy (French composer) (from 1915-06-04 until 1915-07-20)
dedicated to:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
En blanc et noir, L. 134, CD 142
Claude Debussy3:46
16Prélude à l’après-midi d’un faune
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Prélude à l’après-midi d’un faune, L. 86, CD 87 (for two pianos, Debussy) (from 1994-03-28 until 1994-06-20)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
arranger:
Claude Debussy (French composer) (in 1895)
arrangement of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
Claude Debussy8:52
172 Nocturnes: I. Nuages
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Nocturnes, L. 91, CD 98: I. Nuages (arranged by Ravel for piano duo) (from 1994-03-28 until 1994-06-20)
composer:
Claude Debussy (French composer) (in 1899)
arranger:
Maurice Ravel (French composer) (in 1909)
arrangement of:
Nocturnes, L. 91, CD 98 : I. Nuages
Claude Debussy6:11
182 Nocturnes: II. Fêtes
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Nocturnes, L. 91, CD 98: II. Fêtes (arranged by Ravel for piano duo) (from 1994-03-28 until 1994-06-20)
composer:
Claude Debussy (French composer) (in 1899)
arranger:
Maurice Ravel (French composer) (in 1909)
arrangement of:
Nocturnes, L. 91, CD 98 : II. Fêtes
Claude Debussy5:32
19Sites auriculaires
piano:
Michel Béroff (French pianist) (in 1980-01) and Jean‐Philippe Collard (French classical pianist) (in 1980-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1980-01)
recording of:
Sites auriculaires pour 2 pianos: II. Entre cloches (Allègrement) (in 1980-01)
composer:
Maurice Ravel (French composer) (from 1895 until 1897)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 13)
part of:
Sites auriculaires pour 2 pianos
Maurice Ravel3:33
2▼CD
#TitleArtistRatingLength
1Ma mère l’oye: I. Pavane de la Belle au bois dormant
piano:
Michel Béroff (French pianist) (in 1980-01) and Jean‐Philippe Collard (French classical pianist) (in 1980-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1980-01)
recording of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains) (in 1980-01)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
part of:
Ma mère l’Oye (pour piano à quatre mains)
Maurice Ravel1:26
2Ma mère l’oye: II. Petit poucet
piano:
Michel Béroff (French pianist) (in 1980-01) and Jean‐Philippe Collard (French classical pianist) (in 1980-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1980-01)
recording of:
Ma mère l’Oye: II. Petit poucet (pour piano à quatre mains) (in 1980-01)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
part of:
Ma mère l’Oye (pour piano à quatre mains)
Maurice Ravel2:50
3Ma mère l’oye: III. Laideronnette, impératrice des pagodes
piano:
Michel Béroff (French pianist) (in 1980-01) and Jean‐Philippe Collard (French classical pianist) (in 1980-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1980-01)
recording of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains) (in 1980-01)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
part of:
Ma mère l’Oye (pour piano à quatre mains)
Maurice Ravel3:24
4Ma mère l’oye: IV. Les entretiens de la Belle et de la Bête
piano:
Michel Béroff (French pianist) (in 1980-01) and Jean‐Philippe Collard (French classical pianist) (in 1980-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1980-01)
recording of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour piano à quatre mains) (in 1980-01)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
part of:
Ma mère l’Oye (pour piano à quatre mains)
Maurice Ravel4:01
5Ma mère l’oye: V. Le jardin féérique
piano:
Michel Béroff (French pianist) (in 1980-01) and Jean‐Philippe Collard (French classical pianist) (in 1980-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1980-01)
recording of:
Ma mère l’Oye: V. Le Jardin féerique (pour piano à quatre mains) (in 1980-01)
composer:
Maurice Ravel (French composer)
part of:
Ma mère l’Oye (pour piano à quatre mains)
Maurice Ravel3:13
6Frontispiece
piano:
Michel Béroff (French pianist) (in 1980-01), Jean‐Philippe Collard (French classical pianist) (in 1980-01) and Katia Labèque (pianist) (in 1980-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1980-01)
recording of:
Frontispice, pour deux pianos, cinq mains (in 1980-01)
composer:
Maurice Ravel (French composer) (in 1918)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 70)
Maurice Ravel1:45
7La valse: Mouvement de valse viennoise
piano:
Michel Béroff (French pianist) (in 1980-01) and Jean‐Philippe Collard (French classical pianist) (in 1980-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1980-01)
recording of:
La Valse (for piano duo) (in 1980-01)
composer:
Maurice Ravel (French composer) (from 1919 until 1920)
arranger:
Maurice Ravel (French composer) (in 1920)
arrangement of:
La Valse (for orchestra)
Maurice Ravel11:15
8Rapsodie espagnole: I. Prélude à la nuit
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Rapsodie espagnole: I. Prélude à la nuit. Très modéré (for piano duo) (from 1994-03-28 until 1994-06-20)
composer:
Maurice Ravel (French composer)
part of:
Rapsodie espagnole (for piano duo)
Maurice Ravel4:25
9Rapsodie espagnole: II. Malagueña
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Rapsodie espagnole: II. Malagueña. Assez vif (for piano duo) (from 1994-03-28 until 1994-06-20)
composer:
Maurice Ravel (French composer)
part of:
Rapsodie espagnole (for piano duo)
Maurice Ravel2:06
10Rapsodie espagnole: III. Habanera
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (for piano duo) (from 1994-03-28 until 1994-06-20)
composer:
Maurice Ravel (French composer)
part of:
Rapsodie espagnole (for piano duo)
Maurice Ravel2:48
11Rapsodie espagnole: IV. Feria
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Rapsodie espagnole: IV. Feria. Assez animé (for piano duo) (from 1994-03-28 until 1994-06-20)
composer:
Maurice Ravel (French composer)
part of:
Rapsodie espagnole (for piano duo)
Maurice Ravel6:30
12Jeux d’enfants, op. 22: I. L’Escarpolette (rêverie)
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Jeux d’enfants, op. 22 : I. L’Escarpolette (from 1994-03-28 until 1994-06-20)
composer:
Georges Bizet (French composer) (in 1871)
part of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet2:02
13Jeux d’enfants, op. 22: II. La Toupie (impromptu)
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Jeux d’enfants, op. 22 : II. La Toupie (from 1994-03-28 until 1994-06-20)
composer:
Georges Bizet (French composer) (in 1871)
part of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet0:57
14Jeux d’enfants, op. 22: III. La Poupée (berceuse)
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Jeux d’enfants, op. 22 : III. La Poupée (from 1994-03-28 until 1994-06-20)
composer:
Georges Bizet (French composer) (in 1871)
part of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet1:48
15Jeux d’enfants, op. 22: IV. Les Chevaux de bois
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Jeux d’enfants, op. 22 : IV. Les Chevaux de bois (from 1994-03-28 until 1994-06-20)
composer:
Georges Bizet (French composer) (in 1871)
part of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet1:10
16Jeux d’enfants, op. 22: V. Le Volant (fantasie)
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Jeux d’enfants, op. 22 : V. Le Volant (from 1994-03-28 until 1994-06-20)
composer:
Georges Bizet (French composer) (in 1871)
part of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet1:15
17Jeux d’enfants, op. 22: VI. Trompette et tambour (marche)
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Jeux d’enfants, op. 22 : VI. Trompette et Tambour (from 1994-03-28 until 1994-06-20)
composer:
Georges Bizet (French composer) (in 1871)
part of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet2:17
18Jeux d’enfants, op. 22: VII. Les Bulles de savon (Rondino)
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Jeux d’enfants, op. 22 : VII. Les Bulles de savon (from 1994-03-28 until 1994-06-20)
composer:
Georges Bizet (French composer) (in 1871)
part of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet1:06
19Jeux d’enfants, op. 22: VIII. Les quatre coins (esquisse)
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Jeux d’enfants, op. 22 : VIII. Les Quatre Coins (from 1994-03-28 until 1994-06-20)
composer:
Georges Bizet (French composer) (in 1871)
part of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet2:14
20Jeux d’enfants, op. 22: IX. Colin-maillard (nocturne)
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Jeux d’enfants, op. 22 : IX. Colin‐maillard (from 1994-03-28 until 1994-06-20)
composer:
Georges Bizet (French composer) (in 1871)
part of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet1:39
21Jeux d’enfants, op. 22: X. Saute-mouton (caprice)
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Jeux d’enfants, op. 22 : X. Saute‐mouton (from 1994-03-28 until 1994-06-20)
composer:
Georges Bizet (French composer) (in 1871)
part of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet1:22
22Jeux d’enfants, op. 22: XI. Petit mari, petite femme! (duo)
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Jeux d’enfants, op. 22 : XI. Petit Mari, petite Femme (from 1994-03-28 until 1994-06-20)
composer:
Georges Bizet (French composer) (in 1871)
part of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet2:12
23Jeux d’enfants, op. 22: XII. Le Bal (gallop)
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
Jeux d’enfants, op. 22 : XII. Le Bal (from 1994-03-28 until 1994-06-20)
composer:
Georges Bizet (French composer) (in 1871)
part of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet1:46
24L’Apprenti sorcier
producer:
Étienne Collard
piano:
Michel Béroff (French pianist) (from 1994-03-28 until 1994-06-20) and Jean‐Philippe Collard (French classical pianist) (from 1994-03-28 until 1994-06-20)
balance engineer:
Daniel Michel (recording engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1994-03-28 until 1994-06-20)
recording of:
L’Apprenti sorcier (for two pianos) (from 1994-03-28 until 1994-06-20)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
arranger:
Paul Dukas (French composer)
arrangement of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
Paul Dukas11:02

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ASIN:DE: B0007RA7AY [info]