Classical Moods

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Lohengrin (Prelude To Act 3) recording of: Lohengrin, WWV 75: Akt III. Vorspiel composer: Richard Wagner (composer) (from 1846 until 1848) part of: Lohengrin, WWV 75: Akt III	Richard Wagner		3:12
2	Pizzicato Polka orchestra: Royal Philharmonic Orchestra recording of: Pizzicato-Polka composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1869) and Josef Strauss (Austrian composer) (in 1869)	Johann Strauss II		2:45
3	Prelude (Carmen) orchestra: New York Metropolitan Opera Orchestra (Metropolitan Opera Orchestra) (on 1972-10-13) conductor: Leonard Bernstein (American conductor, composer, pianist) (on 1972-10-13) recorded at: Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1972-10-13) recording of: Carmen : Prélude (on 1972-10-13) composer: Georges Bizet (French composer) librettist: Ludovic Halévy (French librettist) and Henri Meilhac part of: Carmen (Italian lyrics) part of: Carmen (German translation, Julius Hopp) part of: Carmen (english lyrics, David Parry) part of: Carmen, WD 31 (opera by Georges Bizet)	Georges Bizet		2:46
4	Eine kleine Nachtmusik (1st Movement Allegro) orchestra: St. Petersburg Chamber Orchestra "Muse" conductor: Viacheslav Suvorov recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		4:11
5	Eine kleine Nachtmusik (4th Movement Rondo Allegro) orchestra: Orchestre Symphonique de Radio-Tele-Luxembourg (The Luxembourg Philharmonic Orchestra, Luxembourg Philharmonic Orchestra) and Vienna State Orchestra (Vienna State Opera Orchestra) conductor: Alfredo Scholz and Louis de Froment (conductor) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		2:53
6	Prelude Opus 28 (No 7) piano: Ida Černecká (pianist) recording of: Prélude no. 7 in A major, op. 28: Andantino composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1836) part of: 24 Préludes pour le piano, op. 28	Fryderyk Chopin		0:57
7	Radetzky March orchestra: Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1962-11) conductor: Willi Boskovsky (violinist and conductor) (in 1962-11) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962) recorded at: Sofiensaal in Landstraße, Wien (Vienna), Austria recording of: Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (in 1962-11) composer: Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848) dedicated to: Joseph Radetzky von Radetz premiered at: Wasserglacis in Wien (Vienna), Austria (on 1848-08-31) part of: Works of Johann Strauss Sr. by opus number (number: op. 228)	Johann Strauss I		2:59
8	Waltz No 11 piano: Peter Schmalfuss (pianist) recording of: Waltz no. 11 in G‐flat major, op. 70 no. 1 composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1832) part of: Waltzes, op. 70	Fryderyk Chopin		2:22
9	Symphony No 24 (Allegro)	Wolfgang Amadeus Mozart		2:23
10	Aragonise (Carmen) orchestra: Orchestra La Scala (fake Alfred Scholz alias, not the Orchestra alla Scala di Milano) conductor: Alfredo Scholz recording of: Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) composer: Georges Bizet (French composer) is based on: Carmen : Acte III. Entr’acte (intermission between Acts III & IV) part of: Carmen Suite no. 1	Georges Bizet		2:12
11	Prelude Opus 28 (No 3) piano: Roberto Cominati (pianist) recording of: Prélude no. 3 in G major, op. 28: Vivace composer: Fryderyk Chopin (Frédéric Chopin, composer) part of: 24 Préludes pour le piano, op. 28	Fryderyk Chopin		1:01
12	Horn Concerto No 4 (Rondo) engineer: Kenneth Wilkinson (engineer) producer: Michael Bremner (producer/engineer) (in 1961-04) and Ray Minshull (record producer) (in 1961-04) French horn: Barry Tuckwell (hornist / conductor) (in 1961-04) orchestra: London Symphony Orchestra (in 1961-04) conductor: Peter Maag (conductor) (in 1961-04) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1961-04) recording of: Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (in 1961-04) composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) part of: Concerto for Horn no. 4 in E-flat major, K. 495	Wolfgang Amadeus Mozart		4:00
13	Perpetium Mobile orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1973-12-11 until 1973-12-14) conductor: Willi Boskovsky (violinist and conductor) (from 1973-12-11 until 1973-12-14) recorded at: Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1973-12-11 until 1973-12-14) recording of: Perpetuum mobile, op. 257 (from 1973-12-11 until 1973-12-14) composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1861) part of: Works of Johann Strauss Jr. by opus number (number: op. 257)	Johann Strauss II		2:58
14	Waltz No 7 recording of: Waltz no. 7 in C‐sharp minor, op. 64 no. 2 composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847) part of: Waltzes, op. 64	Fryderyk Chopin		3:27
15	Brandenburg Concerto (No 3) (Allegro) violin: J. Brezina (violinist) orchestra: Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Musici di San Marco (an Alfred Scholz pseudonym), Oregon Bach Festival Chamber Orchestra, Oregon Bach Festival Orchestra, Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym) conductor: Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Rudolf Pribil (pseudonym for Alfred Scholz) and Helmuth Rilling (conductor) recording of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)	Johann Sebastian Bach		3:23
16	Anitra's Dance (Peer Gynt) recording of: Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 4. akt: Anitras dans part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		3:23
17	In the Hall of the Mountain King (Peer Gynt) recording of: Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 2. akt: I Dovregubbens hall part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		2:34
18	Waltz (No 6) recording of: Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847) part of: Waltzes, op. 64	Fryderyk Chopin		1:51
19	Waltz (From Coppélia) partial recording of: Coppélia composer: Léo Delibes (French composer) (in 1870) premiered at: Salle Le Peletier (1821-1873) in Paris, Île-de-France, France (on 1870-05-25)	Léo Delibes		2:35
20	Mazurka (From Coppélia)	Léo Delibes		2:37
21	March (From The Nutcracker)	Пётр Ильич Чайковский		2:47
22	Russian Dance (From The Nutcracker) orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques	Пётр Ильич Чайковский		1:15
23	Mazurka Opus 68 (No 3) piano: Ida Černecká (pianist) recording of: Mazurka no. 48 in F major, op. 68 no. 3 composer: Fryderyk Chopin (Frédéric Chopin, composer) part of: Chopin National Edition: WN Catalogue (number: WN 25) part of: Mazurkas, op. 68	Fryderyk Chopin		1:19
24	Dance of the Mirlitons (From the Nutcracker) orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)	Пётр Ильич Чайковский		2:39
25	Cavalleria Rusticana recording of: Cavalleria rusticana: Intermezzo composer: Pietro Mascagni (composer & conductor) (in 1888) publisher: Ascherberg Hopwood & Crew part of: Cavalleria rusticana part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni		3:26
26	The Lark Quartet (Finale) recording of: String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”: IV. Finale. Vivace composer: Joseph Haydn (composer) part of: String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”	Joseph Haydn		2:20
27	Thunder and Lightning Polka violin: André Rieu orchestra: Orchester der Wiener Volksoper, Strauss-Orchester Wien and The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) conductor: Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Frank Meyer (conductor, pseudonym for Alfred Scholz) and Alfred Scholz phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984) recording of: Unter Donner und Blitz, op. 324 (Thunder and Lightning, op. 324) composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 324)	Johann Strauss II		3:19
28	The 1812 Overture (Finale) orchestra: Chicago Symphony Orchestra conductor: Fritz Reiner (conductor) partial recording of: The Year 1812, Festival Overture in E-flat major, op. 49 premiered in: Moscow, Russia (on 1882-08-20) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11) part of: The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49) is based on: Боже, Царя храни! (God Save the Tsar!) quotes music from: Troparion of the Holy Cross quotes music from: La Marseillaise (national anthem of France) quotes music from: Боже, Царя храни! (God Save the Tsar!)	Пётр Ильич Чайковский		3:27

Classical Moods

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