The Fun of the Fair, Vol. 1

~ Veröffentlichung von [mechanical instruments] (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Cabaret
Orgel [Gavioli Troubadour]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
instrumental recording of:
Cabaret (title song from the Kander & Ebb musical)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Carlin Music Corp.
Teil von:
Cabaret (musical)
Kander & Ebb2:42
2Me and My Shadow
Orgel [Gavioli Troubadour]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
instrumental recording of:
Me and My Shadow
Texter:
Billy Rose (lyricist and Broadway producer)
zusätzliche(r) Verfasser(in):
Al Jolson
Komponist(in):
Dave Dreyer
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Larry Spier Inc.
Rose, Jolson, Dreyer3:04
3Ciribiribin
Orgel [Gavioli Troubadour]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
instrumental recording of:
Ciribiribin (They’re So in Love) (Harry James theme song)
Texter:
Harry James (US big band leader, trumpeter & actor) und Jack Lawrence (US songwriter)
Komponist(in):
Alberto Pestalozza
basiert auf:
Ciribiribin (original Italian version)
Teil von:
Hit the Deck (1955 movie)
Pestalozza, James, Lawrence2:30
4The Stripper
Orgel [Hooghuys Showmans Organ]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
recording of:
The Stripper
Komponist(in):
David Rose (songwriter, pianist and orchestra leader)
publisher:
Bregman, Vocco & Conn Ltd. und David Rose Publishing Co.
Rose1:42
5Can-Can
Orgel [Hooghuys Showmans Organ]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
arranger:
Gus Kahn
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
recording of:
Orphée aux enfers : Can-can (Ouverture / Acte II. Galop infernal) (arrangement for barrel organ)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
arranger:
Gus Kahn
Version von:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in der Unterwelt: Höllengalopp, widely known as “Can-can”)
Offenbach, arr. Kahn2:04
6My Blue Heaven
Orgel [Hooghuys Showmans Organ]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
instrumental recording of:
My Blue Heaven
Texter:
George A. Whiting (popular songwriter) (in 1924)
Komponist(in):
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
komponiert bei:
New York Friars Club in New York, New York, Vereinigte Staaten (in 1924)
Whiting, Donaldson2:01
7Viva Espana
Orgel [Decap Jazz ‘Atomic’ Organ]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
instrumental recording of:
Eviva España (1971 song)
Texter:
Leo Rozenstraten (Actor, playwright, songwriter)
Komponist(in):
Leo Caerts (Leo Caerts Sr; Belgian songwriter, producer)
publisher:
Basart Belgium Editions
Caerts, Rozenstraten2:02
8Twelfth Street Rag
Orgel [Decap Jazz ‘Atomic’ Organ]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
recording of:
12th Street Rag
publisher:
Euday L. Bowman (am 1914-01-30)
Texter:
James S. Sumner
Komponist(in):
Euday L. Bowman
Arrangement von:
Twelfth Street Rag
Bowman, Razaf3:03
9I Do Like to Be Beside the Seaside
Orgel [Gavioli Trumpet Organ]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
instrumental recording of:
I Do Like to Be Beside the Seaside
Texter und Komponist(in):
John A. Glover-Kind
Glover-Kind2:13
10Darktown Strutters Ball
Orgel [Gavioli Trumpet Organ]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
instrumental recording of:
Darktown Strutters’ Ball
Texter und Komponist(in):
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. und Leo Feist, Inc.
Teil von:
For Me and My Gal (1942 movie)
Brooks2:21
11King Cotton
Orgel [Gavioli Trumpet Organ]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
recording of:
King Cotton
Komponist(in):
John Philip Sousa (conductor and composer) (in 1895)
Sousa1:14
12Al Jolson Medley: Waiting for the Robert E. Lee / Carolina in the Morning / Pretty Baby / Toot Toot Tootsie Goo’bye / I’m Sitting on Top of the World / I’m Looking Over a Four Leaf Clover / Chinatown My Chinatown / Baby Face / California Here I Come / Avalon
Orgel [Mortier]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
medley including a instrumental recording of:
Avalon
Verfasser(in):
B. G. DeSylva, Al Jolson und Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Jerome H. Remick & Co. (am 1920-09-04)
medley including a instrumental recording of:
Baby Face
Texter:
Benny Davis (US vaudeville performer and songwriter) (in 1926)
Komponist(in):
Harry Akst (in 1926)
publisher:
B & G Akst Publishing Co. und Benny Davis Music
medley including a instrumental recording of:
California Here I Come
Texter:
Buddy DeSylva und Al Jolson
Komponist(in):
Joseph Meyer (US songwriter)
publisher:
M. Witmark & Sons (am 1924-01-07)
medley including a instrumental recording of:
Carolina in the Morning
Texter:
Gus Kahn (in 1922)
Komponist(in):
Walter Donaldson (in 1922)
medley including a instrumental recording of:
Chinatown, My Chinatown
Texter:
William Jerome (in 1910)
Komponist(in):
Jean Schwartz (in 1910)
publisher:
Beuscher und Sim (Related to Éditions Sim)
medley including a instrumental recording of:
I’m Looking Over a Four Leaf Clover
Verfasser(in):
Mort Dixon (in 1927)
Komponist(in):
Harry M. Woods (American 1920/30s songwriter) (in 1927)
medley including a instrumental recording of:
I’m Sitting on Top of the World (First line: “Don’t want any millions, I’m getting my share…”)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Ray Henderson
publisher:
EMI Music Publishing (do not use as a release label!) und Leo Feist, Inc.
medley including a instrumental recording of:
Pretty Baby
Texter:
Gus Kahn (in 1916)
Komponist(in):
Egbert Van Alstyne (in 1916) und Tony Jackson (New Orleans ragtime pianist) (in 1916)
Teil von:
Broadway Rhythm (film)
medley including a instrumental recording of:
Toot, Toot, Tootsie (Goo’ Bye)
Verfasser(in):
Ernie Erdman (Songwriter/composer and pianist), Gus Kahn und Dan Russo (1920s–30s violinist, songwriter, and big band leader)
publisher:
Salabert
medley including a instrumental recording of:
Waitin’ for the Robert E. Lee
Texter:
L. Wolfe Gilbert
Komponist(in):
Lewis F. Muir
Muir, Gilbert / Donaldson / Van Alstyne, Jackson / Erdman, Fiorito, King / Henderson / Woods / Schwartz / Davis, Akst / Meyer, De Sylva, Jolson / Jolson, Rose, De Sylva6:53
13Little Boogie
Orgel [Mortier]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
C. Dupree, W. Dupree1:53
14Skoklaan
Orgel [Mortier]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
instrumental recording of:
Skokiaan
Texter:
Tom Glazer
Komponist(in):
August Msarurgwa
publisher:
Shapiro, Bernstein & Co., Inc.
Msarurgwa, Glazer1:18
15Annen Polka op. 117
Orgel [Wellershaus 70 Key-Less]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
recording of:
Annen‐Polka, op. 117
Premiere in:
Wien, Österreich (am 1852-07-24)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1852)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 117)
Strauss4:28
16A Day Trip to Bangor
Orgel [Bursens 68 Key Organ]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
recording of:
Day Trip to Bangor
Texter und Komponist(in):
Debbie Cook ("Daytrip to Bangor")
Cook1:39
17Roses From the South
Orgel [Bursens 68 Key Organ]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
recording of:
Rosen aus dem Süden, op. 388 (Roses from the South)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 388)
Strauss3:36
18Eleanor Waltz
Orgel [Verbeeck & Son 72 Key Organ]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
recording of:
Eleanor Waltz
Komponist(in):
John Alastair Walker (composer)
Walker2:15
19Dinah / Alexanders Rag Time Band
Orgel [Decap Robot 105 Key Organ]:
[mechanical instruments] (music boxes, mechanical harmoniums, clocks, etc)
aufgenommen bei:
Turner’s Musical Merry‐Go‐Round in Northampton, Northamptonshire, England, Vereinigtes Königreich
medley including a instrumental recording of:
Alexander’s Ragtime Band
Texter und Komponist(in):
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
medley including a instrumental recording of:
Dinah
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
Akst, Lewis, Young / Berlin2:12

Nennungen

Veröffentlichung

hergestellt in:the U.K.
hergestellt von:PDO (Philips DuPont Optical, Blackburn, UK)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Sovereign Music (in 1992)