1000 klassiekers: De absolute top, Vol. 5

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Perfect Day
producer:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
lead vocals:
Lou Reed (in 1972-08)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Music (in 1972) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 334)
recording of:
Perfect Day (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. and Screen Gems–EMI Music Ltd.
Lou Reed4.33:45
2Vous permettez, monsieur ?
vocals:
Adamo (Belgian singer Salvatore Adamo)
recording of:
Vous permettez, monsieur ? (in 1964)
lyricist and composer:
Adamo (Belgian singer Salvatore Adamo)
recording of:
Vous permettez Monsieur (italian lyrics)
lyricist and composer:
Adamo (Belgian singer Salvatore Adamo)
translator:
Nisa (Italian lyricist Nicola Salerno)
translated version of:
Vous permettez, monsieur ?
Adamo3:01
3Morning Has Broken
producer:
Paul Samwell-Smith
bass and congas:
Larry Steele (British bassist, percussionist, guitarist & vocalist) (in 1971-03)
bouzouki:
Angelos Hatzipavli (in 1971-03) and Ανδρέας Τουμαζής (Andreas Toumazis) (in 1971-03)
drums (drum set):
Harvey Burns (in 1971-03) and Gerry Conway (in 1971-03)
guitar:
Alun Davies (in 1971-03) and Cat Stevens (now known as Yusuf Islam) (in 1971-03)
keyboard and lead vocals:
Cat Stevens (now known as Yusuf Islam) (in 1971-03)
piano:
Rick Wakeman (in 1971-03)
strings:
Del Newman (British conductor, orchestrator, arranger) (in 1971-03)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970) and Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1971)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-03)
recording of:
Morning Has Broken (in 1971-03)
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
publisher:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
is based on:
Bunessan (Scottish hymn tune)
cover recording of:
Morning Has Broken
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
publisher:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
is based on:
Bunessan (Scottish hymn tune)
recording of:
Morning Has Broken (Cat Stevens arrangement)
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
arranger:
Cat Stevens (now known as Yusuf Islam)
arrangement of:
Morning Has Broken
Cat Stevens4.253:19
4Driving Home for Christmas
engineer:
Neil Amor and Justin Shirley‐Smith
additional producer:
Scottie R. (of Non-Stop Music)
producer:
Jon Kelly (engineer at Air London Studios), Kiadan K.Q. Quinn and Chris Rea
remixer:
Scottie R. (of Non-Stop Music)
arranger:
Kiadan K.Q. Quinn and Chris Rea
phonographic copyright (℗) by:
Magnet Records Ltd. (from 1999 to present, in 1999, in 2002)
part of:
Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 96)
recording of:
Driving Home for Christmas
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4.254:01
5You See the Trouble With MeBarry White4.53:30
6You’ll Never Walk Alone
performer:
Gerry and the Pacemakers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
You’ll Never Walk Alone (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:39
7The Best Is Yet to Come
Novastar3:49
8Margrietje
recording of:
Margrietje
writer:
Mirjam Gispen, Harry van Hoof and Tom Bos (Former Dutch Songwriter/Politician)
Louis Neefs4:01
9A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:02
10Se bastasse una canzoneEros Ramazzotti5:25
11Paroles paroles
guest spoken vocals:
Alain Delon (in 1972-10)
lead vocals:
Dalida (Egyptian-Italian singer and actress) (in 1972-10)
vocals:
Dalida (Egyptian-Italian singer and actress) and Alain Delon
conductor:
Guy Motta (in 1972-10)
recording of:
Paroles, paroles (in 1972-10)
lyricist:
Leo Chiosso (Italian lyricist) and Giancarlo Del Re (journalist, writer, humorist, screenwriter, lyricist)
composer:
Gianni Ferrio
translator:
Michaële (French song writer from Egypt)
publisher:
Edizioni Curci S.r.l.
sub-publisher:
Curci France Edition
translated version of:
Parole parole
Dalida & Alain Delon34:06
12Born to Be Alive
recording of:
Born to Be Alive
lyricist and composer:
Patrick Hernandez
Patrick Hernandez3:22
13I Heard It Through the Grapevine
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 307)
cover recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
cover recording of:
I Heard It Through the Grapevine (on 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:13
14Nothing Really Ends
recording of:
Nothing Really Ends
lyricist:
Tom Barman (Belgian musician)
composer:
Tom Barman (Belgian musician) and Peter Vermeersch (Belgian composer, clarinet player and producer)
dEUS5:29
15Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:26
16Koud in mijn hart
performer:
Frank Boeijen (Dutch singer, founder of Frank Boeijen Groep)
recording of:
Koud in mijn hart
lyricist and composer:
Frank Boeijen (Dutch singer, founder of Frank Boeijen Groep)
Frank Boeijen53:46
17Everlasting LoveLove Affair43:03
18Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:25
19With a Little Help From My Friends
phonographic copyright (℗) by:
Cube Records (in 1968)
cover recording of:
With a Little Help From My Friends
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP) (from 1967 to present)
Joe Cocker55:13
20Heading for a Fall
engineer:
Jean Trenchant (Belgian audio engineer)
assistant producer:
Philippe Allaert (Belgian jazz/fusion drummer, producer)
producer:
Dani Klein (Belgian singer (Vaya Con Dios))
mixer:
Marc François
bass and double bass [Contra Bass]:
Jean Mutsari
drums (drum set) and percussion:
Philippe Allaert (Belgian jazz/fusion drummer, producer)
guitar [guitars]:
Carmelo Prestigiacomo
Hammond organ:
André Brasseur (Belgian hammond organist)
horn:
Frank Deruiter (Belgian saxophonist), Carlo Mertens (Belgian trombonist) and Patrick Mortier (Belgian trumpeter, label manager)
background vocals:
Béatriz Ramirez (Belgian (backing-) vocalist), Verona Davis, Sonja Henderson (vocals, background vocals), Jenifer Kaje (vocals, background vocals), Dani Klein (Belgian singer (Vaya Con Dios)), Maria Lekranty (vocals, background vocals) and Freddy Starks
lead vocals:
Dani Klein (Belgian singer (Vaya Con Dios))
arranger:
David Collins
phonographic copyright (℗) by:
BMG Ariola Belgium nv/sa (do not use this as an imprint!) (in 1992) and BMG Ariola Belgium (in 1996)
produced for:
Human Mix
recorded at:
BSB Studios in Brussels (Brussels-Capital Region), Belgium and Jet Studios in Brussels (Brussels-Capital Region), Belgium
mixed at:
Jet Studios in Brussels (Brussels-Capital Region), Belgium
recording of:
Heading for a Fall
lyricist:
Dani Klein (Belgian singer (Vaya Con Dios))
composer:
David Collins and Dani Klein (Belgian singer (Vaya Con Dios))
publisher:
BMG-Ariola Belgium nv/sa (do not use this as an imprint!) and Songline B.V. (publisher; do NOT use as release label)
Vaya Con Dios3:38
2CD
#TitleArtistRatingLength
1My Love Is Your Love
recording engineer and mixer:
Rickie St. Hilaire
assistant engineer:
Ray Cervenka and Jason Groucott
producer:
Wyclef Jean (Haitian rapper, musician and actor) and Jerry "Wonder" Duplessis
additional vocals:
Robby Pardlo and Ryan Toby
background vocals and lead vocals:
Whitney Houston
choir vocals:
"Family Friends Community Choir"
produced for:
Refugee Camp Entertainment
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
My Love Is Your Love
writer:
Jerry Duplessis and Wyclef Jean (Haitian rapper, musician and actor)
publisher:
EMI-Blackwood Music Inc., Huss Zwingli Publishing Inc., Sony/ATV Tunes LLC (ASCAP) and TeBass Music
Whitney Houston3.54:23
2Lost in Music
recording of:
Lost in Music
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:43
3Joyride
programming:
Anders Herrlin (in 1990-07) and Clarence Öfwerman (in 1990-07)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (in 1990-07)
electric guitar and guitar:
Jonas Isacsson (in 1990-07)
keyboard:
Clarence Öfwerman (in 1990-07)
whistle:
Per Gessle (Swedish singer and guitarist) (in 1990-07)
vocals:
Marie Fredriksson (in 1990-07) and Per Gessle (Swedish singer and guitarist) (in 1990-07)
remixer:
Brian Malouf
phonographic copyright (℗) by:
Roxette Recordings and EMI Svenska AB (not for release label use!) (in 1991)
recorded at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 1990-07)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
Joyride (in 1990-07)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.354:00
4Daar gaat ze
recording of:
Daar gaat ze
lyricist and composer:
Jan Savenberg (Belgian songwriter)
Clouseau3:50
5Parce que c’est toiAxelle Red4:08
6Boogie Wonderland
producer:
Al McKay and Maurice White (Earth, Wind & Fire)
vocals:
The Emotions (Chicago soul, disco and R&B female vocal group) (in 1979)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
samples from:
I Am by Earth, Wind & Fire (in 1979)
recording of:
Boogie Wonderland (in 1979)
lyricist:
Allee Willis
composer:
Jon Lind
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) and Rondor Music (London) Ltd.
Earth, Wind & Fire4.24:51
7Cha cha cha
engineer:
Mike Butcher (recording engineer and guitarist)
producer:
Jean Blaute (Belgian producer & multi-instrumentalist)
drums (drum set):
Stoy Stoffelen (Belgian drummer Werner Stoffelen)
electric bass guitar:
Mich Verbelen (Belgian bass player)
keyboard:
Jean Blaute (Belgian producer & multi-instrumentalist)
percussion:
Nico Gomez (Belgian-Dutch orchestra leader) and Vinagre (Puerto Rican-Belgian 1960/70s percussionist)
piano:
Jean Evans (Belgian jazz pianist, schlager songwriter)
trumpet:
Marcel Debruyn (Belgian trumpeter)
vocals:
Nico Gomez (Belgian-Dutch orchestra leader) and Raymond van het Groenewoud (Belgian musician & songwriter)
recorded at:
Studio Kathy (in 1981)
recording of:
Chachacha (in 1981)
lyricist and composer:
Raymond van het Groenewoud (Belgian musician & songwriter)
Raymond van het Groenewoud2:54
8Venus
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 33)
recording of:
Venus (Shocking Blue (I’m Your Venus)) (in 1969)
lyricist and composer:
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) and The International Music Network
is based on:
The Banjo Song
Shocking Blue4.153:02
9Sacramento
recording of:
Sacramento (Middle of the Road song)
additional lyricist:
Viggo Happel
lyricist:
Giovambattista Sposato and Lally Stott
writer:
Giosy Capuano, Mario Capuano, Rubirosa and Lally Stott
composer:
Giosy Capuano and Mario Capuano
Middle of the Road2:55
10Layla
recording of:
Layla
writer:
Walter Grootaers (Belgian singer & media personality), Luc Imants (Belgian musician) and Jan Van Eyken (Belgian guitar player)
publisher:
Hoola Hoop (Belgian artist agency from Lier) and Universal Songs (publisher)
De Kreuners4:57
11Dance the Night Away
producer:
Don Cook (US country producer/songwriter) and Raul Malo (The Mavericks lead singer, country music)
phonographic copyright (℗) by:
MCA Records Nashville (a division of MCA Records Inc.) (in 1997)
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1999)
recording of:
Dance the Night Away
lyricist and composer:
Raul Malo (The Mavericks lead singer, country music)
publisher:
EMI Blackwood Music Inc. and Rumbalo Music
The Mavericks3.44:23
12Get Down on It
recording of:
Get Down on It
writer:
Ronald Bell, Kool & the Gang and James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
publisher:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Kool & the Gang4:44
13Reach Out I’ll Be There
recording of:
Reach Out, I’ll Be There
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Four Tops3:00
14Flashdance… What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.653:59
15Shout to the Top
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1984)
recording of:
Shout to the Top
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4.353:24
16Capri c’est fini
vocals:
Hervé Vilard (in 1965)
conductor:
Jacques Denjean (in 1965)
recording of:
Capri c’est fini (in 1965)
lyricist and composer:
Hervé Vilard
Hervé Vilard3:37
17The Love I Lost
recording of:
The Love I Lost
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3:45
18Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, Volume I)
The Dave Brubeck Quartet4.355:27
19Walk On By
recorded in:
New York, New York, United States (from 1964-10-05 until 1964-10-07)
producer:
Clyde Otis (American songwriter and record producer)
conductor:
Belford C. Hendricks (from 1964-10-05 until 1964-10-07)
arranger:
Belford C. Hendricks
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1964) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965, in 1992)
cover recording of:
Walk On By (from 1964-10-05 until 1964-10-07)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin2:52
20Great Balls of Fire
recording of:
Great Balls of Fire
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis1:50
3CD
#TitleArtistRatingLength
1Het kan niet zijn
recording of:
Het kan niet zijn
lyricist:
Nelly Byl (Belgian lyricist)
composer:
Will Tura (Belgian singer)
Will Tura3:19
2Diana
recording of:
Diana
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (ended), Epa Publishing and Warner Chappell Music (publisher as Warner/Chappell Music)
Paul Anka2:20
3Take This Waltz
recording engineer:
Kevin Beauchamp (engineer; producer), Jean-Jacques Peruchon and Leanne Ungar
producer:
Roscoe Beck, Leonard Cohen (Canadian singer‐songwriter and poet) and Jean-Michel Reusser
mixer:
Leanne Ungar and Frank Wolf (engineer at Skyline Recording)
violin:
Raffi Hakopian
background vocals:
Mayel Assouly, Evelyne Hebey, Elisabeth Valletti and Jennifer Warnes
lead vocals:
Leonard Cohen (Canadian singer‐songwriter and poet)
performer:
Jean-Philippe Rykiel
arranger:
Jean-Philippe Rykiel
recording of:
Take This Waltz (in 1987)
lyricist:
Federico García Lorca (Spanish poet, playwright and composer)
composer and translator:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
EMI Blackwood Music Inc. and Sony/ATV Songs LLC
is based on:
Pequeño vals vienés (Original poem)
translated version of:
Pequeño vals vienés
Leonard Cohen45:56
4Shake Your Body (Down to the Ground)
recorded in:
Los Angeles, California, United States (in 1978-08)
drums (drum set):
Ed Green (US violinist/percussionist) (in 1978-08)
guitar:
Tito Jackson (in 1978-08)
keyboard and synthesizer:
Mike Boddicker (in 1978-08) and Greg Phillinganes (in 1978-08)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1978-08)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1978-08), Marlon Jackson (in 1978-08), Randy Jackson (brother of Michael and Janet) (in 1978-08) and Tito Jackson (in 1978-08)
lead vocals:
Michael Jackson (“King of Pop”) (in 1978-08)
recording of:
Shake Your Body (Down to the Ground) (in 1978-08)
lyricist and composer:
Michael Jackson (“King of Pop”) and Randy Jackson (brother of Michael and Janet)
publisher:
Mijac Music, Peacock Music Publishing Company, Ranjack Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons4.253:47
5Never Can Say Goodbye
cover recording of:
Never Can Say Goodbye
lyricist and composer:
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. and Portable Music Co., Inc.
Gloria Gaynor3:01
6Drunken Sailor
Ferre Grignard2:37
7Santa Maria
producer:
Thomas Meisel and Heino Petrik
conductor:
Jürgen Ehlers (German bassist and songwriter)
arranger:
Jürgen Ehlers (German bassist and songwriter)
phonographic copyright (℗) by:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1980)
recording of:
Santa Maria (German version)
lyricist:
Cesare De Natale, Susan Duncan‐Smith and Leonie Gane
composer:
Guido De Angelis (singer, composer, arranger and musician) and Maurizio De Angelis
arranger:
Rolf Knöfel
translator:
Norbert Hammerschmidt and Roland Kaiser
publisher:
Edition Roma and Cyclus (in 1980)
translated version of:
Santa Maria
Roland Kaiser4:07
8D.I.S.C.O.
recording of:
D.I.S.C.O. (catch-all)
composer:
Jean Kluger (Belgian producer, publisher, songwriter) and Daniel Vangarde
recording of:
D.I.S.C.O. (French version)
writer:
Jean Kluger (Belgian producer, publisher, songwriter) and Daniel Vangarde
publisher:
Bleu Blanc Rouge (in 1979) and Editions Zagora (in 1979)
Ottawan3:35
9Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.353:27
10Disco Inferno
recording of:
Disco Inferno
writer:
Leroy Green (disco/soul songwriter) and Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. and Six Strings Music
The Trammps3:29
11Singin’ in the Rain
recording of:
Singin’ in the Rain
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
Gene Kelly2:57
12The Last Farewell
recording of:
The Last Farewell (1971 song)
lyricist:
Ron Webster (silversmith)
composer:
Roger Whittaker
Roger Whittaker3:41
13Opération coup de poing
2 Belgen3:53
14Instant Replay
recording of:
Instant Replay
lyricist and composer:
Dan Hartman
publisher:
EMI Blackwood Music Inc.
Dan Hartman4.53:26
15Give Me the Night
recording of:
Give Me the Night
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson5:02
16Out of Touch
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recording of:
Out of Touch
lyricist and composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. and Warner/Chappell North America
Hall & Oates4:04
17I’m So Excited
producer:
Richard Perry (producer)
bass guitar:
Nathan East
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
George Doering and Lee Ritenour
keyboard [keyboards] and synthesizer:
Michael Boddicker and Greg Phillinganes
piano:
William D. “Smitty” Smith (organist/keyboardist)
background vocals:
June Pointer and Ruth Pointer
lead vocals:
Anita Pointer
phonographic copyright (℗) by:
BMG Music (in 1982)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 258)
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Pointer Sisters4.83:51
18Only the Strong Survive
recording of:
Only the Strong Survive
writer:
Jerry Butler (soul singer), Leon Huff (Philly soul producer, of Gamble & Huff) and Kenny Gamble (songwriter for Philadelphia International)
publisher:
Blue Crest Music, Double Diamond Music, Downstairs Music, Ensign Music Corp., Parabut, Sony/ATV Melody and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Billy Paul5:37
19Young Girl
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
lyricist and composer:
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:15
20It’s My Life
programming and producer:
Tim Friese‐Greene
acoustic guitar:
Mark Hollis
drum machine and synthesizer:
Tim Friese‐Greene
drums (drum set):
Tim Friese‐Greene and Lee Harris (singer-songwriter & musician)
fretless bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
guitar:
Robbie McIntosh (English guitarist for The Pretenders)
keyboard:
Ian Curnow
percussion:
Morris Pert
piano:
Tim Friese‐Greene and Phil Ramocon (soul/R&B/reggae songwriter)
background vocals:
Mark Hollis and Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:53
4CD
#TitleArtistRatingLength
1Black or White
recording of:
Black or White
additional lyricist:
Bill Bottrell
lyricist and composer:
Michael Jackson (“King of Pop”)
part of:
MJ: The Musical
Michael Jackson4:16
2I’m Alive
additional drum machine programming:
Richie Jones
additional keyboard programming:
Eric Kupper
programming and producer:
Kristian Lundin
assistant engineer:
Chris Brooke (lead vocals)
engineer:
John Amatiello (task: pro tools engineer) and Humberto Gatica (lead vocals)
additional producer:
Richie Jones and Ric Wake
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
additional guitar:
Chieli Minucci
guitar:
Esbjörn Öhrwall
keyboard:
Kristian Lundin
strings:
Stockholm Session Strings
background vocals:
Andreas Carlsson (pop songwriter) and Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini)
conductor:
Henrik Janson and Ulf Janson
strings arranger:
Henrik Janson and Ulf Janson
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (strings), Studios Piccolo in Bellerive (Belleriver), Montréal (Montreal, city), Québec (Quebec), Canada (lead vocals) and The Location Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
Barking Doctor Studios in Mount Kisco, New York, United States
recording of:
I’m Alive
lyricist and composer:
Andreas Carlsson (pop songwriter) and Kristian Lundin
publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) (ended), Bourne Co. (not for release label use, this is a music publisher), CMK Songs Inc., Round Hill Songs, Kristian Lundin Publishing AB (in 2002), Warner/Chappell Music Scandinavia AB (in 2002) and WB Music Corp. (1929–2019) (in 2002)
sub-publisher:
Bourne France Éditions Musicale, Warner Chappell Music France, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Céline Dion43:30
3Sometimes
background vocals:
Mae McKenna (vocalist)
music videos:
Sometimes by Hooverphonic (Belgian Pop & Trip-Hop band)
recording of:
Sometimes
lyricist:
Alex Callier (member of Hooverphonic)
composer:
Alex Callier (member of Hooverphonic), John Franz and Noel Scott Engel
publisher:
EMI Music Publishing (do not use as a release label!), Hoover Music and Intersong Music Ltd.
Hooverphonic3:59
4Last Night a D.J. Saved My Life
recording of:
Last Night a D.J. Saved My Life
lyricist and composer:
Mike Cleveland (80's dance)
publisher:
Windswept Pacific Music Ltd.
Indeep44:33
5The Way to Your Heart
recording of:
The Way to Your Heart
writer:
Jan Leyers (Belgian singer & songwriter) and Paul Michiels (Belgian singer & songwriter, cfr Soulsister)
publisher:
EMI Music Publishing Belgium and Siren Music (Belgian publisher)
Soulsister3:48
6It’s Raining Men
mixer:
Randy Tominaga
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 36)
recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:32
7Whenever, Wherever
recording engineer:
Gustavo Celis, Alfred Figueroa, Javier Garza and Terry Manning (US recording engineer)
programming:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
additional engineer:
Freddy Piñero, Jr.
assistant engineer:
Oswald Bowe, Chris Carroll (US engineer, Mantra Recording Studio), Alex Dixon, Jorge Gonzalez (engineer), Roger Gonzalez, Tony Mardini, Nicholas Marshall, Ken Theis and Christine Tramontano
co-producer:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
producer:
Shakira (Colombian singer-songwriter)
mixer:
Javier Garza
charango, quena and rondador:
Gustavo Patiño
drums (drum set):
Brendan Buckley
electric bass guitar:
Paul Bushnell (session bassist, producer and music director)
guitar:
Tim Pierce (US session guitarist) and Brian Ray
guitar and mandolin:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
percussion:
Miriam Eli, Emilio Estefan, Jr. and Archie Peña
background vocals:
Rita Quintero
background vocals and lead vocals:
Shakira (Colombian singer-songwriter)
arranger:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) and Shakira (Colombian singer-songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 2001)
co-produced for:
Crescent Moon, Inc.
recorded at:
Compass Point Studios in Nassau, Bahamas, Crescent Moon Studios in Miami, Florida, United States and The Hit Factory Criteria in Miami, Florida, United States
mixed at:
Crescent Moon Studios in Miami, Florida, United States
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 28)
recording of:
Whenever, Wherever
lyricist:
Gloria Estefan and Shakira (Colombian singer-songwriter)
composer:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) and Shakira (Colombian singer-songwriter)
publisher:
Aniwi Music, LLC, F.I.P.P. International and Sony/ATV Latin Music Publishing
translated version of:
Suerte
Shakira3.83:18
8Do Ya Wanna Funk
Patrick Cowley3:59
9Laat me nu toch niet alleen
recording of:
Laat me nu toch niet alleen
lyricist:
Johan Verminnen (Belgian singer)
composer:
Dan Lacksman (Belgian musician & producer) and Johan Verminnen (Belgian singer)
publisher:
Kalzoo Music and Uitgeverij Jean Kluger (publisher)
Johan Verminnen4:11
10On My Radio
recording of:
On My Radio
lyricist and composer:
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter4.23:08
11Suzanne
recording of:
Suzanne (original Dutch version)
writer:
Bogman and F. Lancee (Dutch singer & songwriter)
VOF de Kunst4:47
12Beats of Love
phonographic copyright (℗) by:
EMI Music Belgium (in 1983, in 2004) and Antler Records (in 1984)
recording of:
Beats of Love
lyricist and composer:
Patrick Schools (Singer of Nacht Und Nebel)
publisher:
BE’s Songs (publisher)
Nacht und Nebel3:18
13One Day I’ll Fly AwayRandy Crawford5:03
14All Out of Love
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Robie Porter
assistant mixer:
Linda Corbin
mixer:
Jim Hilton
bass guitar:
Criston Barker
drums (drum set):
Ralph Cooper (drummer)
guitar [lead guitar]:
David Moyse
guitar [rhythm guitar]:
Graham Russell (Air Supply)
keyboard:
Frank Esler‐Smith and Sam McNally
background vocals:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse and Graham Russell (Air Supply)
lead vocals:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply and Robie Porter
orchestrator:
Frank Esler‐Smith and Robie Porter
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980), Arista Records, LLC (holding company - file NO releases here!) (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recorded at:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia and Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia
mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States
part of:
The Downloader’s Music Source Book (number: 290)
recording of:
All Out of Love
writer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Graham Russell (Air Supply)
publisher:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:00
15How ’bout Us
assistant engineer:
Michael Ferraro (engineer) and Tom Miller (engineer)
engineer:
Stu Walder
associate producer:
James Mack (Composer, arranger, conductor)
producer:
Leo Graham (producer / composer / lyricist)
bass guitar [bass]:
Michael Reed (US bassist for Champaign) and Paul Richmond (producer - songwriter - bassist)
drums (drum set):
Morris Jennings, Jr.
electronic drum set [syndrums]:
Tommy Radtke
guitar [guitars]:
Michael Day and Howard Reeder
keyboard [keyboards]:
Michael Day and Dana Walden
percussion:
Rocky Maffit
solo alto saxophone:
Ken Soderbloom
synthesizer [synthesizers]:
Dana Walden
lead vocals:
Pauli Carman
vocals:
Michael Day, Rena Jones (vocalist for Champaign), Rocky Maffit and Howard Reeder
brass [horns] arranger and strings arranger:
James Mack (Composer, arranger, conductor)
arranger:
Champaign, Leo Graham (producer / composer / lyricist) and James Mack (Composer, arranger, conductor)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
produced for:
B‐Line Productions
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States
cover recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign34:34
16Que sera mi vida (If You Should Go)
recording of:
Que será mi vida
lyricist:
Nelly Byl (Belgian lyricist) and Daniel Vangarde
composer:
Jean Kluger (Belgian producer, publisher, songwriter) and Daniel Vangarde
publisher:
Bleu Blanc Rouge and Zagora (French label and publisher)
Gibson Brothers3:55
17Peggy Sue
recording of:
Peggy Sue
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH, Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
Buddy Holly2:31
18I Thought It Was You
recording of:
I Thought It Was You
writer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter), Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Melvin Ragin
publisher:
Hancock Music Co., Notting Hill Music (UK) Ltd., Sony/ATV Music Publishing Ltd. and Wah Watson Music
Herbie Hancock3:51
19Blue Velvet
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:50
20Running in the Family
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
recording of:
Running in the Family
writer:
Wally Badarou, Phil Gould and Mark King (bass guitarist and vocalist)
Level 4233:57
5CD
#TitleArtistRatingLength
1Are You Lonesome Tonight
cover recording of:
Are You Lonesome Tonight?
lyricist:
Roy Turk
composer:
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music and Redwood Music Ltd. (Carlin)
Elvis Presley2:50
2Goodbye Sam, Hello SamanthaCliff Richard2:49
3My Baby Just Cares for MeNina Simone3.853:40
4Faithful to the Night
Admiral Freebee3:08
5Don’t Get Me Wrong
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 2000)
recording of:
Don’t Get Me Wrong
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hynde House of Hits Music
The Pretenders3:49
6The Tears of a ClownSmokey Robinson & The Miracles3:00
7Poppa Joe
recording of:
Poppa Joe
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
The Sweet3:06
8Keep On Running
recording of:
Keep On Running
lyricist and composer:
Jackie Edwards
publisher:
Island Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Spencer Davis Group2:43
9As Tears Go By
recording of:
As Tears Go By
writer:
Mick Jagger, Andrew Loog Oldham and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Westminster Music Ltd.
Marianne Faithfull2:37
10The Great Pretender
recorded in:
Chicago, Illinois, United States (in 1955-09)
lead vocals:
Tony Williams (lead singer for The Platters)
phonographic copyright (℗) by:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 352)
recording of:
The Great Pretender (in 1955-09)
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters52:38
11Bring on the Dancing Horses
recording of:
Bring On the Dancing Horses
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
publisher:
Warner Bros. Music (publisher; do NOT use as release label) and Zoo Music (US label)
Echo & the Bunnymen3:56
12Comment ça va
recording of:
Comment ça va ? (english-french version)
lyricist and composer:
Eddy de Heer
The Shorts3:28
13Kiss Me
engineer:
Russ Long (engineer) and Robert Vosgien
producer:
Steve Taylor (US CCM singer–songwriter/record producer)
mixer:
Ben Grosse (American producer and engineer)
bass:
Justin Cary (Bass Player) and J.J. Plasencio
drums (drum set):
Dale Baker (Drummer; The Maudlin Fee)
guest accordion:
John Mark Painter
guest organ:
Phil Madeira
guitar:
Sean Kelly (Sixpence guitarist)
vocals:
Leigh Nash (vocalist of Sixpence None the Richer)
phonographic copyright (℗) by:
Squint Entertainment (in 1999)
recording of:
Kiss Me
lyricist and composer:
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs and Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer3.63:18
14Et maintenant
vocals:
Gilbert Bécaud (in 1961)
conductor:
Raymond Bernard (in 1961)
recording of:
Et maintenant (in 1961)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
Gilbert Bécaud3:51
15Ik wil je nooit meer kwijt
recording of:
Ik wil je (nooit meer kwijt)
writer:
Bob Dylan
translator:
Bart Peeters (Belgian singer, songwriter, TV host)
translated version of:
I Want You
Bart Peeters3:00
16Radar Love
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Sony/ATV Music Publishing
Golden Earring5:05
17Theme From Shaft
edit of:
Theme From ‘Shaft’ by Isaac Hayes
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes4.53:18
18Daddy Cool
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett (in 1976), Frank Farian (in 1976) and Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographic copyright (℗) by:
Far Music Productions GmbH (in 1976) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
part of:
Cachitos Nochevieja 2022 (number: 153)
recording of:
Daddy Cool (in 1976)
lyricist:
George Reyam
composer:
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH and Intro (German publisher) (in 1976)
Boney M.43:29
19See You Later Alligator
recording of:
See You Later, Alligator
lyricist and composer:
Robert Guidry (in 1955-10)
Bill Haley & His Comets2:46
20Le Freak
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak (in 1978)
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:33

Credits

Release group

part of:1000 klassiekers: De absolute top (Series of compilation albums by Belgian radio station Radio 2) (order: 5)