Ave Maria: Religious Arias and Choruses

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Ave Maria
organ:
Michael G. Gormley (organist)
tenor vocals:
José Carreras (Spanish tenor)
vocals:
Wiener Sängerknaben (The Vienna Boys Choir)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Uwe Christian Harrer (chorus master/conductor)
arranger:
Job Maarse
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Johann Sebastian Bach, Charles Gounod2:48
2Ave verum corpus KV 618
choir vocals:
Regensburger Domchor (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
vocals:
Regensburger Domchor (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:31
3Sancta mater istud agas (Stabat Mater)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
orchestra and performer:
Solisti dell'Orchestra "Scarlatti" Napoli
conductor:
Ettore Gracis (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi5:15
4Ingemisco tamquam reus ( Requiem)
tenor vocals:
Jussi Björling (tenor) (from 1960-05 until 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1960-05 until 1960-06)
conductor:
Fritz Reiner (conductor) (from 1960-05 until 1960-06)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore) (from 1960-05 until 1960-06)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi4:16
5Laudate dominum (Vesperae solennes)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1960-06-03 until 1960-06-04)
solo violin:
Helmut Heller (violinist) (from 1960-06-03 until 1960-06-04)
choir vocals:
RIAS-Kammerchor (German chamber choir) (from 1960-06-03 until 1960-06-04)
soprano vocals:
Maria Stader (soprano) (from 1960-06-03 until 1960-06-04)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1960-06-03 until 1960-06-04)
conductor:
Ferenc Fricsay (conductor) (from 1960-06-03 until 1960-06-04)
chorus master:
Günther Arndt (choral conductor) (from 1960-06-03 until 1960-06-04)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-06-03 until 1960-06-04)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1960-06-03 until 1960-06-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:14
6Ave Maria
producer:
Wolfgang Lohse
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1966-06)
vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
conductor:
Eugen Jochum (conductor) (in 1966-06)
chorus master:
Eugen Jochum (conductor) and Wolfgang Schubert (conductor) (in 1966-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1966-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-06)
recording of:
Ave Maria, WAB 6 (for choir a cappella) (in 1966-06)
composer:
Anton Bruckner (Austrian composer) (in 1861)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 6)
Anton Bruckner4:06
7Pie Jesus (Requiem)
producer:
Wolfgang Stengel
soprano vocals:
Cheryl Studer (soprano) (from 1991-03-25 until 1991-03-30)
orchestra:
London Symphony Orchestra (from 1991-03-25 until 1991-03-30)
conductor:
Ion Marin (conductor) (from 1991-03-25 until 1991-03-30)
balance engineer:
Jochen Gottschall (from 1991-03-25 until 1991-03-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-03-25 until 1991-03-30)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1991-03-25 until 1991-03-30)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:27
8Lacrimosa (Requiem)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon) and Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
organ:
Hans Haselböck (organist) (in 1971-04)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1971-04)
conductor:
Karl Böhm (Austrian conductor) (in 1971-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1971-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1971-04)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1971-04)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart54:15
9Cuius animan (Stabat Mater)
tenor vocals:
Francisco Araiza (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Semyon Bychkov (conductor)
recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore)
composer:
Gioachino Rossini (composer) (from 1832 until 1839)
part of:
Stabat Mater
Gioachino Rossini7:04
10Ave Maria (Quattro pezzi sacri)
recording engineer:
Thijs Hoekstra and Jan Wesselink
engineer:
Thijs Hoekstra
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1992-12)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
John Eliot Gardiner (in 1992-12)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1995)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Ave Maria (Quattro pezzi sacri (for choir)) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer) (in 1889)
part of:
Quattro pezzi sacri (Four Sacred Pieces)
Giuseppe Verdi5:57
11Erbarme dich, mein Gott (Matthäus-Passion)
recording engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr. Gerd Ploebsch (engineer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1979-06 until 1979-08)
cello:
Fritz Kiskalt (cellist) (from 1979-06 until 1979-08)
double bass:
Herbert Duft (double bass player) (from 1979-06 until 1979-08)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1979-06 until 1979-08)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1979-06 until 1979-08)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1979-06 until 1979-08)
oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1979-06 until 1979-08)
oboe da caccia [oboe da caccia II]:
Andreas Schwinn (oboist) (from 1979-06 until 1979-08)
organ:
Friedemann Winkelhofer (organist) (from 1979-06 until 1979-08) and Elmar Schloter (organist) (from 1979-06 until 1979-08)
transverse flute [transverse flute I]:
Aurèle Nicolet (flutist) (from 1979-06 until 1979-08)
transverse flute [transverse flute II]:
Wolfgang Haag (flautist) (from 1979-06 until 1979-08)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (from 1979-06 until 1979-08)
violin:
Gerhart Hetzel (violinist) (from 1979-06 until 1979-08)
alto vocals:
Janet Baker (mezzo‐soprano and alto) (from 1979-06 until 1979-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1979-06 until 1979-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1979-06 until 1979-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1980)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1979-06 until 1979-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1979-06 until 1979-08)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:33
12Ave Maria, Op. 12
organ:
Gerhard Dickel
choir vocals:
NDR Vokalensemble
vocals:
NDR Vokalensemble
conductor and chorus master:
Günter Jena
recorded at:
Studio 10 of the NDR Hamburg in Hamburg, Germany (from 1981-09 until 1981-10, in 1982-06, in 1982-10)
recording of:
Ave Maria, op. 12
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 12)
Johannes Brahms4:05
13Panis Angelicus
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-04)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Panis Angelicus (catch-all for arrangements) (in 1971-04)
composer:
César Franck (Belgian‐born French composer)
arrangement of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
César Franck3:49
14Ave Maria
choir vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
soprano vocals:
Rita Streich (soprano)
conductor:
Kurt Gaebel (conductor)
recording of:
Canon for 4 Voices in 1 in F major, K. 554: Andante. "Ave Maria"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 554) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 554)
Wolfgang Amadeus Mozart3:55
15Jesus bleibet meine Freude (Cantata BWV 147)
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) and Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:35
16Ave Maria
producer:
Wolfgang Stengel
soprano vocals:
Cheryl Studer (soprano) (on 1992-07-26)
orchestra:
London Symphony Orchestra (on 1992-07-26)
conductor:
Ion Marin (conductor) (on 1992-07-26)
arranger:
Ion Marin (conductor)
balance engineer:
Jochen Gottschall (on 1992-07-26)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1992-07-26)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements) (in 1992)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert5:39

Credits

Release

part of:Eloquence (Deutsche Grammophon/Decca/Philips Classics, et al.; classical series established in 1999) (order: 36)