Complete Symphonies / Piano Concertos 1 & 2 / Fidelio

~ Release by Beethoven; Simon Rattle (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Symphony No. 1 in C, Op. 21: I. Adagio molto - Allegro con brio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven8:37
2Symphony No. 1 in C, Op. 21: II. Andante cantabile con moto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven7:07
3Symphony No. 1 in C, Op. 21: III. Menuetto & Trio: Allegro molto e vivace
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven4:04
4Symphony No. 1 in C, Op. 21: IV. Adagio - Allegro molto e vivace
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven5:43
5Symphony No. 3 in E flat, Op. 55 "Eroica": I. Allegro con brio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven16:21
6Symphony No. 3 in E flat, Op. 55 "Eroica": II. Marcia funebre: Adagio assai
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven15:14
7Symphony No. 3 in E flat, Op. 55 "Eroica": III. Scherzo & Trio: Allegro vivace
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven6:02
8Symphony No. 3 in E flat, Op. 55 "Eroica": IV. Allegro molto - Poco andante - Presto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven12:08
2▼CD
#TitleArtistRatingLength
1Symphony No. 2 in D, Op. 36: I. Adagio molto - Allegro con brio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio (Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio) (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven12:03
2Symphony No. 2 in D, Op. 36: II. Larghetto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 2 in D major, op. 36: II. Larghetto (Symphony No. 2 in D major, Op. 36: II. Larghetto) (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven10:20
3Symphony No. 2 in D, Op. 36: III. Scherzo & Trio: Allegro
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro (Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro) (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven3:32
4Symphony No. 2 in D, Op. 36: IV. Allegro molto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 2 in D major, op. 36: IV. Allegro molto (Symphony No. 2 in D major, Op. 36: IV. Allegro molto) (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven6:13
5Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:24
6Symphony No. 5 in C minor, Op. 67: II. Andante con moto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven9:07
7Symphony No. 5 in C minor, Op. 67: III. Allegro -
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven4:48
8Symphony No. 5 in C minor, Op. 67: IV. Allegro - Presto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven10:39
3▼CD
#TitleArtistRatingLength
1Symphony No. 4 in B flat, Op. 60: I. Adagio - Allegro vivace
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven11:47
2Symphony No. 4 in B flat, Op. 60: II. Adagio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 4 in B-flat major, op. 60: II. Adagio (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven9:53
3Symphony No. 4 in B flat, Op. 60: III. Menuetto: Allegro vivace; Trio: Un poco meno allegro
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven5:28
4Symphony No. 4 in B flat, Op. 60: IV. Allegro ma non troppo
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven6:44
5Symphony No. 6 in F, Op. 68 "Pastoral": I. Allegro ma non troppo (Awakening of happy feelings on arriving in the country)
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven12:36
6Symphony No. 6 in F, Op. 68 "Pastoral": II. Andante molto moso (By the brook)
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook") (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven12:21
7Symphony No. 6 in F, Op. 68 "Pastoral": III. Allegro - sempre più stretto - In tempo d'allegro - Tempo I - Presto (Merry gathering of the country folk)
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven5:24
8Symphony No. 6 in F, Op. 68 "Pastoral": IV. Allegro (Thunder and storm) -
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven4:00
9Symphony No. 6 in F, Op. 68 "Pastoral": V. Allegretto (Shepherds' song. Beneficient feelings with thanks to the Godhead after the storm)
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto) (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:21
4▼CD
#TitleArtistRatingLength
1Symphony No. 7 in A, Op. 92: I. Poco sostenuto - Vivace
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven14:10
2Symphony No. 7 in A, Op. 92: II. Allegretto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:25
3Symphony No. 7 in A, Op. 92: III. Presto - Assai meno presto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 7 in A major, op. 92: III. Presto (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:29
4Symphony No. 7 in A, Op. 92: IV. Allegro con brio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (in 2002)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:55
5Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven9:29
6Symphony No. 8 in F, Op. 93: II. Allegretto scherzando
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven3:59
7Symphony No. 8 in F, Op. 93: III. Tempo di menuetto
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 8 in F major, op. 93: III. Tempo di menuetto (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven4:46
8Symphony No. 8 in F, Op. 93: IV. Allegro vivace
engineer:
Andy Beer and Graham Kirkby (engineer)
producer:
Stephen Johns (producer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2002)
conductor:
Simon Rattle (conductor) (in 2002)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2002)
recording of:
Symphony no. 8 in F major, op. 93: IV. Allegro vivace (in 2002)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven7:42
5▼CD
#TitleArtistRatingLength
1Symphony No. 9 in D minor, Op. 125: I. Allegro non troppo, un poco maestoso
engineer:
Andy Beer and Graham Kirkby (engineer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2002-05-12 until 2002-05-15)
conductor:
Simon Rattle (conductor) (from 2002-05-12 until 2002-05-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2002-05-12 until 2002-05-15)
live recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso (from 2002-05-12 until 2002-05-15)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven16:56
2Symphony No. 9 in D minor, Op. 125: II. Molto vivace - Presto
engineer:
Andy Beer and Graham Kirkby (engineer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2002-05-12 until 2002-05-15)
conductor:
Simon Rattle (conductor) (from 2002-05-12 until 2002-05-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2002-05-12 until 2002-05-15)
live recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (from 2002-05-12 until 2002-05-15)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven11:59
3Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo
engineer:
Andy Beer and Graham Kirkby (engineer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2002-05-12 until 2002-05-15)
conductor:
Simon Rattle (conductor) (from 2002-05-12 until 2002-05-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2002-05-12 until 2002-05-15)
live recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo (from 2002-05-12 until 2002-05-15)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven17:03
4Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai -
engineer:
Andy Beer and Graham Kirkby (engineer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2002-05-12 until 2002-05-15)
conductor:
Simon Rattle (conductor) (from 2002-05-12 until 2002-05-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2002-05-12 until 2002-05-15)
live partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 2002-05-12 until 2002-05-15)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven6:19
5Symphony No. 9 in D minor, Op. 125: IV. Presto - Recitativo - Allegro assai - Allegro assai vivace (alla marcia) - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico e sempre ben marcato - Allegro ma non tanto - Presto - Maestoso - Prestissimo
engineer:
Andy Beer and Graham Kirkby (engineer)
editor:
Sally Drew (Decca engineer), Caroline Haigh, Jørn Pederson, Simon Kiln and Raphaël Mouterde
baritone vocals:
Thomas Hampson (baritone) (from 2002-05-12 until 2002-05-15)
choir vocals:
City of Birmingham Symphony Chorus (from 2002-05-12 until 2002-05-15)
contralto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (from 2002-05-12 until 2002-05-15)
soprano vocals:
Barbara Bonney (soprano) (from 2002-05-12 until 2002-05-15)
tenor vocals:
Kurt Streit (tenor) (from 2002-05-12 until 2002-05-15)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2002-05-12 until 2002-05-15)
conductor:
Simon Rattle (conductor) (from 2002-05-12 until 2002-05-15)
chorus master:
Simon Halsey (conductor) (from 2002-05-12 until 2002-05-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2002-05-12 until 2002-05-15)
live partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 2002-05-12 until 2002-05-15)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven17:40
6▼CD
#TitleArtistRatingLength
1Piano Concerto No. 1 in C, Op 15: I. Allegro con brio (cadenza by Beethoven)
piano:
Lars Vogt (pianist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
recording of:
Cadenza to Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio (Beethoven's original cadenza)
composer:
Ludwig van Beethoven (German composer)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven18:10
2Piano Concerto No. 1 in C, Op 15: II. Largo
producer:
David Groves (classical music producer at EMI)
piano:
Lars Vogt (pianist) (from 1995-10-03 until 1995-10-05)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-10-03 until 1995-10-05)
conductor:
Simon Rattle (conductor) (from 1995-10-03 until 1995-10-05)
balance engineer:
Michael Sheady (engineer) (from 1995-10-03 until 1995-10-05)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1995-10-03 until 1995-10-05)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo (from 1995-10-03 until 1995-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven10:45
3Piano Concerto No. 1 in C, Op 15: III. Rondo: Allegro (cadenza by Beethoven)
piano:
Lars Vogt (pianist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven8:31
4Piano Concerto No. 2 in B flat, Op 19: I. Allegro con brio (cadenza by Beethoven)
producer:
David Groves (classical music producer at EMI)
piano:
Lars Vogt (pianist) (from 1995-10-03 until 1995-10-05)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-10-03 until 1995-10-05)
conductor:
Simon Rattle (conductor) (from 1995-10-03 until 1995-10-05)
balance engineer:
Michael Sheady (engineer) (from 1995-10-03 until 1995-10-05)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1995-10-03 until 1995-10-05)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio (from 1995-10-03 until 1995-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven14:06
5Piano Concerto No. 2 in B flat, Op 19: II. Adagio
producer:
David Groves (classical music producer at EMI)
piano:
Lars Vogt (pianist) (from 1995-10-03 until 1995-10-05)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-10-03 until 1995-10-05)
conductor:
Simon Rattle (conductor) (from 1995-10-03 until 1995-10-05)
balance engineer:
Michael Sheady (engineer) (from 1995-10-03 until 1995-10-05)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1995-10-03 until 1995-10-05)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio (from 1995-10-03 until 1995-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven8:47
6Piano Concerto No. 2 in B flat, Op 19: III. Rondo: Allegro molto
producer:
David Groves (classical music producer at EMI)
piano:
Lars Vogt (pianist) (from 1995-10-03 until 1995-10-05)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-10-03 until 1995-10-05)
conductor:
Simon Rattle (conductor) (from 1995-10-03 until 1995-10-05)
balance engineer:
Michael Sheady (engineer) (from 1995-10-03 until 1995-10-05)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1995-10-03 until 1995-10-05)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro (from 1995-10-03 until 1995-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven5:55
7▼CD
#TitleArtistRatingLength
1Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
producer:
Stephen Johns (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2000-12-01 until 2000-12-03)
conductor:
Simon Rattle (conductor) (from 2000-12-01 until 2000-12-03)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2000-12-01 until 2000-12-03)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2000-12-01 until 2000-12-03)
live recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 2000-12-01 until 2000-12-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven47:21
2Symphony No. 5 in C minor, Op. 67: II. Andante con moto
producer:
Stephen Johns (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2000-12-01 until 2000-12-03)
conductor:
Simon Rattle (conductor) (from 2000-12-01 until 2000-12-03)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2000-12-01 until 2000-12-03)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2000-12-01 until 2000-12-03)
live recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (from 2000-12-01 until 2000-12-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven9:05
3Symphony No. 5 in C minor, Op. 67: III. Allegro -
producer:
Stephen Johns (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2000-12-01 until 2000-12-03)
conductor:
Simon Rattle (conductor) (from 2000-12-01 until 2000-12-03)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2000-12-01 until 2000-12-03)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2000-12-01 until 2000-12-03)
live recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (from 2000-12-01 until 2000-12-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven4:50
4Symphony No. 5 in C minor, Op. 67: IV. Allegro - Presto
producer:
Stephen Johns (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2000-12-01 until 2000-12-03)
conductor:
Simon Rattle (conductor) (from 2000-12-01 until 2000-12-03)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2000-12-01 until 2000-12-03)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2000-12-01 until 2000-12-03)
live recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (from 2000-12-01 until 2000-12-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven10:36
5Piano Concerto no. 1 in C, op. 15: I. Allegro con brio (cadenza by Glenn Gould, 1954)
producer:
David Groves (classical music producer at EMI)
piano:
Lars Vogt (pianist) (from 1995-10-03 until 1995-10-05)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-10-03 until 1995-10-05)
conductor:
Simon Rattle (conductor) (from 1995-10-03 until 1995-10-05)
balance engineer:
Michael Sheady (engineer) (from 1995-10-03 until 1995-10-05)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1995-10-03 until 1995-10-05)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio (from 1995-10-03 until 1995-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
recording of:
Cadenza to Beethoven: Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio (Glenn Gould)
composer:
Glenn Gould (pianist)
is based on:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
Ludwig van Beethoven14:59
6Piano Concerto no. 1 in C, op. 15: II. Largo
producer:
David Groves (classical music producer at EMI)
piano:
Lars Vogt (pianist) (from 1995-10-03 until 1995-10-05)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-10-03 until 1995-10-05)
conductor:
Simon Rattle (conductor) (from 1995-10-03 until 1995-10-05)
balance engineer:
Michael Sheady (engineer) (from 1995-10-03 until 1995-10-05)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1995-10-03 until 1995-10-05)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo (from 1995-10-03 until 1995-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven10:45
7Piano Concerto no. 1 in C, op. 15: III. Rondo: Allegro (cadenza by Glenn Gould, 1954)
producer:
David Groves (classical music producer at EMI)
piano:
Lars Vogt (pianist) (from 1995-10-03 until 1995-10-05)
orchestra:
City of Birmingham Symphony Orchestra (from 1995-10-03 until 1995-10-05)
conductor:
Simon Rattle (conductor) (from 1995-10-03 until 1995-10-05)
balance engineer:
Michael Sheady (engineer) (from 1995-10-03 until 1995-10-05)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1995-10-03 until 1995-10-05)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando (from 1995-10-03 until 1995-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven9:00
8▼CD
#TitleArtistRatingLength
1Fidelio, Op 72: Overture
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:49
2Fidelio, Op 72: No. 1 - Jetz, Schätzchen, jetz sind wir allein
producer:
Stephen Johns (producer)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:42
3Fidelio, Op 72: No. 1 - Armer Jaquino
producer:
Stephen Johns (producer)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:11
4Fidelio, Op 72: No. 2 - O wär ich schon mit dir vereint
producer:
Stephen Johns (producer)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:54
5Fidelio, Op 72: No. 2 - Marzelline, ist Fidelio noch nicht zurückgekommen?
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:34
6Fidelio, Op 72: No. 3 - Mir ist so wunderbar
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:35
7Fidelio, Op 72: No. 3 - Höre, Fidelio, ich gebe dir meine Tochter zur Frau
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (from 2003-04-25 until 2003-04-28)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:12
8Fidelio, Op 72: No. 4 - Hat man nicht auch Gold beineben
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:51
9Fidelio, Op 72: No. 4 - Ihr könnt das leicht sagen, Meister Rocco
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (from 2003-04-25 until 2003-04-28)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:57
10Fidelio, Op 72: No. 5 - Gut, Söhnchen, gut, hab immer Mut
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:48
11Fidelio, Op 72: No. 5 - Nur auf der Hut, dann geht es gut
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:14
12Fidelio, Op 72: No. 6 - March
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:47
13Fidelio, Op 72: No. 6 - Wo sind die Depeschen?
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (from 2003-04-25 until 2003-04-28)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:42
14Fidelio, Op 72: No. 7 - Ha! Welch ein Augenblick!
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:06
15Fidelio, Op 72: No. 7 - Hauptmann! Besteigen Sir mit einem Trompeter
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (from 2003-04-25 until 2003-04-28)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:18
16Fidelio, Op 72: No. 8 - Jetzt, Alter, jetzt hat es Eile!
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:19
17Fidelio, Op 72: No. 9 - Abscheulicher! Wo eilst du hin?
producer:
Stephen Johns (producer)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:02
18Fidelio, Op 72: No. 9 - Komm, Hoffnung, lass den letzten Stern
producer:
Stephen Johns (producer)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:25
19Fidelio, Op 72: No. 9 - Meister Rocco, Ihr verspracht so oft
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:17
20Fidelio, Op 72: No. 10 - O welche Lust!
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo bass vocals [Second Prisoner]:
Ion Tibrea (Bass, member of the Arnold Schoenberg Choir) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [First Prisoner]:
Thomas Ebenstein (Tenor, member of the Arnold Schoenberg Choir) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:45
21Fidelio, Op 72: No. 10 - Nun sprecht, wie ging's?
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:56
22Fidelio, Op 72: No. 10 - Ach! Water, eilt!
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:13
23Fidelio, Op 72: No. 10 - Leb wohl, du warmes Sonnenlicht
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:19
9▼CD
#TitleArtistRatingLength
1Fidelio, Op 72: No. 11 - Introduction / Gott! Welch! Dunkel hier!
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:12
2Fidelio, Op 72: No. 11 - In des Lebens Frühlingstagen
producer:
Stephen Johns (producer)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:37
3Fidelio, Op 72: No. 12 - Wie kalt ist es hier!
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:42
4Fidelio, Op 72: No. 12 - Nur hurtig fort, nur frisch gegraben
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:57
5Fidelio, Op 72: No. 12 - Er erwacht!
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:49
6Fidelio, Op 72: No. 13 - Euch werde Lohn in besser'n Weltern
producer:
Stephen Johns (producer)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:04
7Fidelio, Op 72: No. 13 - Alles ist bereit
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (from 2003-04-25 until 2003-04-28)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:20
8Fidelio, Op 72: No. 14 - Er sterbe! / Vater Rocco!
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:28
9Fidelio, Op 72: No. 14 - Es schlägt der Rache Stunde!
producer:
Stephen Johns (producer)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:09
10Fidelio, Op 72: No. 15 - O namenlose Freude!
producer:
Stephen Johns (producer)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:33
11Fidelio, Op 72: No. 16 - Heil sei dem Tag
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo baritone vocals [Don Pizarro]:
Alan Held (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven1:52
12Fidelio, Op 72: No. 16 - Des besten Königs Wink und Wille
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo bass vocals [Don Fernando]:
Thomas Quasthoff (bass-baritone) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven4:37
13Fidelio, Op 72: No. 16 - O Gott! Welch ein Augenblick!
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo bass vocals [Don Fernando]:
Thomas Quasthoff (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven2:58
14Fidelio, Op 72: No. 16 - Wer ein holdes Weib errungen
producer:
Stephen Johns (producer)
choir vocals:
Arnold Schoenberg Chor (from 2003-04-25 until 2003-04-28)
solo bass vocals [Don Fernando]:
Thomas Quasthoff (bass-baritone) (from 2003-04-25 until 2003-04-28)
solo bass vocals [Rocco]:
László Polgár (operatic bass) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Leonore]:
Angela Denoke (soprano) (from 2003-04-25 until 2003-04-28)
solo soprano vocals [Marzelline]:
Juliane Banse (soprano) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Florestan]:
Jon Villars (American operatic tenor) (from 2003-04-25 until 2003-04-28)
solo tenor vocals [Jaquino]:
Rainer Trost (from 2003-04-25 until 2003-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2003-04-25 until 2003-04-28)
conductor:
Simon Rattle (conductor) (from 2003-04-25 until 2003-04-28)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2003-04-25 until 2003-04-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2003-04-25 until 2003-04-28)
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 2003-04-25 until 2003-04-28)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven3:57