The Very Best of Legends

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Instant Karma! (We All Shine on)
engineer:
Phil McDonald (engineer and producer)
producer:
Phil Spector
acoustic guitar:
George Harrison (The Beatles)
bass and electric piano:
Klaus Voormann
chimes and handclaps:
Mal Evans
drums (drum set):
Alan White (Yes drummer)
organ:
Billy Preston
piano:
George Harrison (The Beatles), John Lennon (The Beatles) and Alan White (Yes drummer)
background vocals:
Mal Evans, Allen Klein and Yoko Ono (Japanese‐American musician and artist)
lead vocals:
John Lennon (The Beatles)
publisher:
Chappell Music (UK) (in 1970)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1970-01-27)
music videos:
Instant Karma ("cue card" version) by John Lennon (The Beatles) and Instant Karma ("knitting" version) by John Lennon (The Beatles)
recording of:
Instant Karma! (We All Shine On)
lyricist and composer:
John Lennon (The Beatles)
publisher:
EMI Blackwood Music (Canada) Ltd. and Lenono Music
John Lennon & The Plastic Ono Band4.43:23
2Dancing Queen
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass:
Rutger Gunnarsson (from 1976-08-04 until 1976-08-05)
cello:
Hans‐Göran Eketorp (Swedish cellist) (on 1976-09-12) and Åke Olofsson (Swedish cellist) (on 1976-09-12)
clavinet and keyboard:
Benny Andersson (ABBA) (from 1976-08-04 until 1976-08-05)
drums (drum set):
Roger Palm (from 1976-08-04 until 1976-08-05, on 1976-12-03)
viola:
Åke Arvinder (Swedish violist) (on 1976-09-12), Lars Brolin (on 1976-09-12) and Håkan Roos (Swedish violist) (on 1976-09-12)
violin:
Martin Bylund (Swedish violinist) (on 1976-09-12), Anders Dahl (Swedish violinist) (on 1976-09-12), Lars Stegenberg (Swedish violinist) (on 1976-09-12), Gunnar Michols (Swedish violinist) (on 1976-09-12), Claes Nilsson (Swedish violinist) (on 1976-09-12), Bertil Orsin (Swedish violinist) (on 1976-09-12), Sixten Strömvall (Swedish violinist) (on 1976-09-12), Harry Teike (on 1976-09-12) and Krzysztof Zdrzalka (Swedish violinist) (on 1976-09-12)
lead vocals:
Agnetha Fältskog (in 1976-09) and Frida (Swedish singer and member of ABBA) (in 1976-09)
strings arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music AB (in 1976) and Polar Music International AB (in 1976)
recorded at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden (in 1976), Glen Studio in Stockholms län (Stockholm county), Sweden (from 1976-08-04 until 1976-08-05) and KMH Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1976-12-03)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (number: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (number: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 9), Q50 – December 2005 (number: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 171) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 286)
recording of:
Dancing Queen (in 1976)
writer:
Stig Anderson (Stikkan), Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (from 1976 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1976 to present) and Universal/Union Songs Musikförlag AB (from 1976 to present)
premiered at:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Sweden (on 1976-06-18)
part of:
Mamma Mia! (1999 musical)
ABBA43:50
3Ashes to Ashes
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
mixer:
Tony Visconti
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980-02) and Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Ashes to Ashes (from 1980-02 until 1980-04)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie4.43:37
4Little Lies
producer:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and Richard Dashut
drums (drum set) and percussion:
Mick Fleetwood
electric bass guitar:
John McVie
guitar and sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and Christine McVie
background vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
lead vocals:
Christine McVie
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
recording of:
Little Lies
lyricist and composer:
Christine McVie and Eddy Quintela
publisher:
BMG Songs, Inc. and Careers–BMG Music Publishing, Inc.
Fleetwood Mac4.23:37
5Live and Let Die
recording engineer:
Bill Price (UK producer/engineer) (from 1972-10-19 until 1972-10-20)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (from 1972-10-19 until 1972-10-20) and Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
mixer:
Bill Price (UK producer/engineer) (on 1972-10-21)
bass guitar:
Denny Laine (from 1972-10-19 until 1972-10-20)
bass guitar, electric guitar and percussion, piano and lead vocals:
Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
drums (drum set):
Denny Seiwell (US drummer) (from 1972-10-19 until 1972-10-20)
duck call and timpani:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20)
electric guitar:
Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (from 1972-10-19 until 1972-10-20)
percussion:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20) and Denny Seiwell (US drummer) (from 1972-10-19 until 1972-10-20)
background vocals:
Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
orchestrator:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1973)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-20)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-19)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-21)
recording of:
Live and Let Die (from 1972-10-19 until 1972-10-20)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
EMI Unart Catalog Inc., EMI United Partnership Ltd., Kobalt Songs Music Publishing (USA, ASCAP affiliated) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
part of:
The 46th Academy Award for Best Original Song (number: 2) and James Bond themes
Wings4.13:12
6Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:12
7If I Could Turn Back Time
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
additional engineer:
Guy Roche
assistant engineer:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Guy Roche and Diane Warren (US songwriter)
additional guitar:
Gene Black and Glenn Sciurba
bass guitar:
John Pierce (US session bassist)
drums (drum set) and tambourine:
Mark T. Williams
guitar:
Steve Lukather
keyboard:
Alan Pasqua and Guy Roche
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal (American singer-songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1989) and The David Geffen Company (legal rights relating to Geffen Records) (in 1989)
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
mixed at:
The Complex Studios in Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 386)
recording of:
If I Could Turn Back Time
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Realsongs (in 1989)
Cher3.754:01
8You Can’t Hurry Love
assistant engineer:
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
engineer:
Paul Gomersall and Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Robert Colby (live sound engineer & producer, notably for Phil Collins) and Phil Collins (of Genesis)
mixer:
Robert Colby (live sound engineer & producer, notably for Phil Collins) and Paul Gomersall
bass guitar [bass]:
John
drums (drum set) [drums], tambourine and lead vocals:
Phil Collins (of Genesis)
glockenspiel [glock], piano and vibraphone:
Peter (Scene) Robinson (English score composer)
guitar [guitars]:
Daryl
strings arranger:
Martyn (Norrie) Ford (conductor)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (from 1982 to present)
cover recording of:
You Can’t Hurry Love
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Phil Collins42:52
9Good Vibrations
recording engineer:
Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co‐founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:38
10You Keep Me Hangin’ On
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
lead vocals:
Diana Ross (from 1966-06-30 until 1966-08-01)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1966-06-30 until 1966-08-01)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 234) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 340)
recording of:
You Keep Me Hangin’ On (from 1966-06-30 until 1966-08-01)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Supremes52:42
11My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations4.52:43
12Abracadabra
phonographic copyright (℗) by:
Sailor Music (in 1982)
music videos:
Abracadabra by Steve Miller Band (American rock band)
recording of:
Abracadabra
lyricist and composer:
Steve Miller (leader of Steve Miller Band)
publisher:
Sailor Music
Steve Miller Band4.33:37
13Age of Reason
assistant engineer:
Doug Roberts (Australian producer, studio technician and engineer)
engineer:
Doug Brady (engineer)
producer:
Ross Fraser
bass:
Wayne Nelson
drums (drum set):
Angus Burchall
guitar:
Brett Garsed
keyboard and solo piano:
David Hirschfelder (Australian score composer)
vocals:
Lindsay Field and Venetta Fields
phonographic copyright (℗) by:
BMG Arista / Ariola Limited (not for release label use! manufacters and distributors operating in Australasia) (in 1988), BMG Australia Limited (not for release label use!) (in 1988) and Wheatley Records (label founded by Glenn Wheatley) (in 1988)
mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia
recording of:
Age of Reason
writer:
Todd Hunter (Todd Stuart Hunter of Dragon) and Johanna Pigott
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, J. Albert & Son Pty. Ltd. and SBK Songs (publisher)
John Farnham45:05
14Addicted to LoveRobert Palmer44:16
15I Feel the Earth MoveCarole King3.852:59
16Weather With You
producer:
Neil Finn and Mitchell Froom
mixer:
Bob Clearmountain
drums (drum set) and percussion:
Ricky Fataar
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1991)
music videos:
Weather With You by Crowded House (Australian rock group)
part of:
triple j’s Hottest 100 of Australian Songs (number: 69)
recording of:
Weather With You
writer:
Neil Finn and Tim Finn
publisher:
Mushroom Music Pty. Ltd., Rebel Larynx Music and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 16)
Crowded House3.83:42
17I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:18
18Sexual HealingMarvin Gaye4:49
19I’m Not in Love
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1975)
recording of:
I’m Not in Love
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
10cc5:53
20Bridge Over Troubled Water
recording engineer:
Ted Brosnan (on 1969-11-09)
engineer:
Roy Halee
producer:
Arthur Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter) (on 1969-11-09)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1969-11-09)
guitar:
Fred Carter, Jr. (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
keyboard:
Larry Knechtel (on 1969-11-09)
strings:
Ernie Freeman (on 1969-11-09) and Jimmie Haskell (on 1969-11-09)
vocals:
Art Garfunkel (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 1), The Co-Op: Top 10 British Funeral Songs (number: 9), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 58) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 66)
recording of:
Bridge Over Troubled Water (on 1969-11-09)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel4.054:52
2CD
#TitleArtistRatingLength
1I Got You
engineer and producer:
David Tickle
bass:
Nigel Griggs
drums (drum set):
Malcolm Green (UK/Australian drummer)
guitar:
Neil Finn
keyboard:
Tim Finn and Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
percussion:
Noel Crombie
vocals:
Neil Finn and Tim Finn
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1980) and Mushroom Records (in 2006)
recording of:
I Got You
lyricist and composer:
Neil Finn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Mushroom Music (Mushroom label’s publishing company)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 11)
Split Enz3.53:28
2Hot in the City
assistant engineer:
Steve Bates (engineer)
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
edit of:
Hot in the City (extended version) by Billy Idol (English rock singer‐songwriter)
music videos:
Hot in the City (uncensored version) by Billy Idol (English rock singer‐songwriter)
recording of:
Hot in the City
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Mushroom Music (Mushroom label’s publishing company) and Rare Blue Music Inc
Billy Idol4.53:31
3(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (on 1967-02-16)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (US jazz trumpeter) (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:45
4Love Really Hurts Without You
recording of:
Love Really Hurts Without You
lyricist and composer:
Ben Findon (songwriter and producer) and Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean43:00
5We Are Family
recording of:
We Are Family
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:30
6Lido Shuffle
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
Moog:
David Paich (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
Lido Shuffle (in 1975-09)
lyricist:
Boz Scaggs
composer:
David Paich and Boz Scaggs
publisher:
BMG Music Ltd., Boz Scaggs Music (publisher), Francis & Freedman Accountancy Corp., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK) and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3.653:39
7Real Men
recording of:
Real Men
lyricist and composer:
Joe Jackson (English musician)
publisher:
Albion Music, Pokazuka Limited and Universal/MCA Music (music publisher; do not use as release label!)
Joe Jackson4:04
8If You Leave Me Now
recording engineer:
Armin Steiner (from 1976-03 until 1976-04: strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
Chicago4.23:52
9Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues4.554:26
10Tangled Up in Blue
recording of:
Tangled Up in Blue
lyricist and composer:
Bob Dylan (in 1974)
publisher:
Ram’s Horn Music (from 1974 until 2002) and Special Rider Music (from 2002 to present)
Bob Dylan5:43
11If This Is It
recording of:
If This Is It
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Huey Lewis
publisher:
Hulex Music (publisher)
Huey Lewis & the News3:48
12More Than This
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Alan Spenner (in 1982)
drums (drum set):
Andy Newmark (in 1982)
guitar:
Neil Hubbard (in 1982) and Phil Manzanera (in 1982)
keyboard:
Bryan Ferry (in 1982)
percussion:
Jimmy Maelen (percussion) (in 1982)
saxophone:
Andy Mackay (of Roxy Music) (in 1982)
background vocals:
Fonzi Thornton (in 1982)
vocals:
Bryan Ferry (in 1982)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1982) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
More Than This (in 1982)
lyricist and composer:
Bryan Ferry
publisher:
BMG Platinum Songs US, E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music44:30
13Higher Love
recording of:
Higher Love
writer:
Will Jennings and Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America and Willin' David Music
Steve Winwood5:46
14Walk on the Wild Side
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
drums (drum set):
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
samples from:
Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Six Continents Music Publishing Inc.
Lou Reed4.254:11
15I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (American trumpeter) (on 1965-05-06)
lead vocals:
James Brown (The Godfather of Soul) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.552:48
16Daydream Believer
producer:
Chip Douglas
bass:
Chip Douglas (from 1967-06-14 until 1967-08-09)
bass trombone:
Richard Leith (trombonist) (from 1967-06-14 until 1967-08-09) and Phil Teele (from 1967-06-14 until 1967-08-09)
drums (drum set):
Eddie Hoh (from 1967-06-14 until 1967-08-09)
guitar:
Michael Nesmith (from 1967-06-14 until 1967-08-09)
percussion:
William E. Martin (from 1967-06-14 until 1967-08-09)
piano:
Peter Tork (from 1967-06-14 until 1967-08-09)
trombone:
Richard Noel (trombonist) (from 1967-06-14 until 1967-08-09)
trumpet:
Pete Candoli (from 1967-06-14 until 1967-08-09), Al Porcino (from 1967-06-14 until 1967-08-09) and Manuel Stevens (from 1967-06-14 until 1967-08-09)
violin:
Nathan Kaproff (from 1967-06-14 until 1967-08-09), George Kast (from 1967-06-14 until 1967-08-09), Alex Murray (violinist) (from 1967-06-14 until 1967-08-09) and Erno Neufeld (from 1967-06-14 until 1967-08-09)
background vocals:
Micky Dolenz (from 1967-06-14 until 1967-08-09)
lead vocals:
Davy Jones (The Monkees member) (from 1967-06-14 until 1967-08-09)
horn and strings arranger:
Shorty Rogers (trumpet)
music videos:
Daydream Believer by The Monkees
part of:
TV Cream: Real 100 Best Singles Ever (number: 39)
recording of:
Daydream Believer (from 1967-06-14 until 1967-08-09)
lyricist and composer:
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.652:55
17The Air That I Breathe
engineer:
Mike Jarratt (Recording, mixing and lacquer cutting engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies) (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
The Air That I Breathe
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:03
18American Pie
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
electric guitar:
David Spinozza (from 1971-05 until 1971-06)
piano:
Paul Griffin (American pianist, session musician) (from 1971-05 until 1971-06)
vocals:
Don McLean (from 1971-05 until 1971-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971, in 2000)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 131)
recording of:
American Pie (from 1971-05 until 1971-06)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.38:31
19Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:36
3CD
#TitleArtistRatingLength
1Invisible Touch
assistant engineer:
Paul Gomersall
engineer:
Hugh Padgham
producer:
Genesis (English rock band) and Hugh Padgham
bass and guitar:
Mike Rutherford (from 1985-10 until 1986-02)
bass synthesizer and keyboard:
Tony Banks (Genesis) (from 1985-10 until 1986-02)
drums (drum set), percussion and lead vocals:
Phil Collins (of Genesis) (from 1985-10 until 1986-02)
phonographic copyright (℗) by:
Charisma Records Ltd.
recorded at and mixed at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom (from 1985-10 until 1986-02)
recording of:
Invisible Touch (from 1985-10 until 1986-02)
lyricist:
Phil Collins (of Genesis)
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. and Philip Collins Ltd.
written at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom
Genesis3.43:27
2Rockin’ All Over the World
cover recording of:
Rockin’ All Over the World
lyricist and composer:
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company and Intersong Ltd. (publisher) (in 1977)
Status Quo3:31
3Heart of Glass
producer:
Mike Chapman (Australian producer and songwriter)
remixer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 1981, in 2002) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
remix of:
Heart of Glass by Blondie (US rock band)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
Blondie44:32
4Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:22
5Back on the Chain Gang
engineer:
Steve Churchyard
producer:
Chris Thomas (UK record producer / remixer)
bass guitar:
Tony Butler (English rock bassist with Big Country)
drums (drum set):
Martin Chambers (drummer for The Pretenders)
guitar:
Billy Bremner and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
background vocals:
Tony Butler (English rock bassist with Big Country), Martin Chambers (drummer for The Pretenders) and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
lead vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982) and WEA Records Ltd. (holding company based in the UK) (in 1982)
recorded at:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 486)
recording of:
Back on the Chain Gang
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
dedicated to:
James Honeyman‐Scott
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
The Pretenders4.53:49
6Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.83:01
7Private Dancer
producer:
Carter
solo guitar:
Jeff Beck (English rock guitarist)
lead vocals:
Tina Turner
remixer:
Humberto Gatica
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
lyricist and composer:
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) and Universal Music Publishing, Synch Division
Tina Turner3.54:00
8Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.34:07
9Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:39
10You’re So Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Carly Simon4.554:15
11Baby I’m a Want You
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Baby I’m‐a Want You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Screen Gems–EMI Music Ltd.
Bread42:28
12The House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.254:30
13Help Is on Its Way
assistant engineer:
John Hodge (engineer)
engineer:
Ross Cockle and Paul Grupp
producer:
John Boylan and Little River Band
bass:
George McArdle (in 1977-03)
drums (drum set):
Derek Pellicci (in 1977-03)
guitar:
Beeb Birtles (in 1977-03) and David Briggs (producer, guitarist of Little River Band) (in 1977-03)
piano:
Peter Sullivan (in 1977-03)
vocals:
Beeb Birtles (in 1977-03), Graham Goble (in 1977-03) and Glenn Shorrock (in 1977-03)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1972, in 1977, in 2002), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1976, in 1977), EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1977), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1977) and Capitol Records Ltd. (not for release label use; UK company) (in 1989)
produced for:
Tumbleweed Productions
recorded at:
Armstrong Audio/Video (later renamed AAV Studios) in Melbourne, Victoria, Australia and Armstrong Audio Video (later renamed AAV Studios) in Melbourne, Victoria, Australia (in 1977-03)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
recording of:
Help Is on Its Way (in 1977-03)
lyricist and composer:
Glenn Shorrock
publisher:
Australian Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) and Wheatley Music Pty Ltd.
Little River Band3.353:55
14The Tears of a ClownSmokey Robinson & The Miracles3:03
15If You Leave Me Can I Come Too?
engineer:
Bruce Brown (Australia producer & engineer; bass player) and Russel Dunlop (Australian drummer, singer, composer, producer, engineer)
recorded at:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia
recording of:
If You Leave Me Can I Come Too
lyricist and composer:
Martin Plaza (Australian musician)
Mental as Anything32:53
16Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
brass and strings arranger:
Paul Buckmaster
phonographic copyright (℗) by:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) and RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971-06)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:21
17Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:06
18Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.253:01
19Girls on the Avenue
phonographic copyright (℗) by:
Festival Records (Australian) (in 1974), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1975) and Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999)
recording of:
Girls on the Avenue (Richard Clapton song)
writer:
Richard Clapton
publisher:
Festival Music, Festival Music Pty, Ltd., Festival Music Publishing (APRA-affiliated), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Richard Clapton3:12
20Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 21) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work3.953:37
21Khe Sanh
engineer:
Alan Wright (engineer)
acoustic guitar:
Peter Walker (Australian producer & engineer)
bass:
Phil Small
drums (drum set):
Steve Prestwich
guitar:
Ian Moss
harmonica:
Dave Blight
organ and piano:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Cold Chisel Pty Ltd (in 1991, in 2001) and Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1991)
part of:
triple j’s Hottest 100 of Australian Songs (number: 8)
recording of:
Khe Sanh
lyricist and composer:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Rondor Music, Rondor Music (Australia) Pty Ltd and Universal Music Publishing Group, Pty. Ltd
Cold Chisel4:09