1548-1600: Renacimiento. La divina perfección

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Libro-disco de la colección "Historia de la música Deutsche Grammophon"

Annotation last modified on 2018-11-01 08:24 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Motete "Hodie Christus natus est"
orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Hodie Christus natus est
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina1:43
2Missa "Hodie Christus natus est": Kyrie
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": I. Kyrie Eleison
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina2:41
3Missa "Hodie Christus natus est": Gloria
vocals and orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": II. Gloria
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina3:57
4Missa "Hodie Christus natus est": Credo
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": III. Credo
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina6:05
5Missa "Hodie Christus natus est": Sanctus
choir vocals:
Gabrieli Consort & Players (UK early music ensemble)
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": IV. Sanctus & Benedictus
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina5:23
6Missa "Hodie Christus natus est": Agnus Dei
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa "Hodie Christus natus est": V. Agnus dei
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina3:02
7Salmo "Miserere mei, Deus": Miserere mei, Deus
vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Bruno Turner (musicologist, choral conductor)
recording of:
Miserere mei, Deus
lyricist:
[traditional] (special purpose artist)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Psalmi Davidis pœnitentiales: Psalmus quartus "Miserere mei, Deus, secundum magnam misericordiam tuam"
Orlande de Lassus5:33
8Salmo "Miserere mei, Deus": Ecce enim in iniquitatibus conceptus sum
vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Bruno Turner (musicologist, choral conductor)
recording of:
Ecce enim in iniquitatibus conceptus sum
lyricist:
[traditional] (special purpose artist)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Psalmi Davidis pœnitentiales: Psalmus quartus "Miserere mei, Deus, secundum magnam misericordiam tuam"
Orlande de Lassus3:26
9Salmo "Miserere mei, Deus": Auditui meo dabis gaudium et laetitiam
vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Bruno Turner (musicologist, choral conductor)
recording of:
Auditui meo dabis gaudium et laetitiam
lyricist:
[traditional] (special purpose artist)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Psalmi Davidis pœnitentiales: Psalmus quartus "Miserere mei, Deus, secundum magnam misericordiam tuam"
Orlande de Lassus7:51
10Salmo "Miserere mei, Deus": Libera me de sanguinibus
vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Bruno Turner (musicologist, choral conductor)
recording of:
Libera me de sanguinibus
lyricist:
[traditional] (special purpose artist)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Psalmi Davidis pœnitentiales: Psalmus quartus "Miserere mei, Deus, secundum magnam misericordiam tuam"
Orlande de Lassus6:29
11Salmo "Miserere mei, Deus": Gloria Patri
vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor:
Bruno Turner (musicologist, choral conductor)
recording of:
Gloria Patri
lyricist:
[traditional] (special purpose artist)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Psalmi Davidis pœnitentiales: Psalmus quartus "Miserere mei, Deus, secundum magnam misericordiam tuam"
Orlande de Lassus2:17
12Missa pro defunctis: Introitus: Requiem aeternam
recording engineer:
Stephan Flock (in 1994-10)
producer:
Lennart Dehn (in 1994-10)
conductor:
Paul McCreesh (conductor) (in 1994-10)
performer:
Gabrieli Consort & Players (UK early music ensemble) (in 1994-10)
balance engineer:
Andrew Wedman (producer and engineer) (in 1994-10)
recorded at:
Brinkburn Priory in Northumberland, England, United Kingdom (in 1994-10)
recording of:
Requiem Officium Defunctorem: Introitus: Requiem aeternam
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria6:15
13Missa pro defunctis: Kyrie
recording engineer:
Stephan Flock (in 1994-10)
producer:
Lennart Dehn (in 1994-10)
vocals:
Gabrieli Consort
conductor:
Paul McCreesh (conductor) (in 1994-10)
performer:
Gabrieli Consort & Players (UK early music ensemble) (in 1994-10)
balance engineer:
Andrew Wedman (producer and engineer) (in 1994-10)
recorded at:
Brinkburn Priory in Northumberland, England, United Kingdom (in 1994-10)
recording of:
Requiem Officium Defunctorem: Kyrie
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:56
14Missa pro defunctis: Offertorium: Domine Iesu Christe
recording engineer:
Stephan Flock (in 1994-10)
producer:
Lennart Dehn (in 1994-10)
conductor:
Paul McCreesh (conductor) (in 1994-10)
performer:
Gabrieli Consort & Players (UK early music ensemble) (in 1994-10)
balance engineer:
Andrew Wedman (producer and engineer) (in 1994-10)
recorded at:
Brinkburn Priory in Northumberland, England, United Kingdom (in 1994-10)
recording of:
Requiem Officium Defunctorem: Offerorium: Domine Iesu Christe
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria5:15
15Missa pro defunctis: Sanctus
recording engineer:
Stephan Flock (in 1994-10)
producer:
Lennart Dehn (in 1994-10)
vocals:
Gabrieli Consort
conductor:
Paul McCreesh (conductor) (in 1994-10)
performer:
Gabrieli Consort & Players (UK early music ensemble) (in 1994-10)
balance engineer:
Andrew Wedman (producer and engineer) (in 1994-10)
recorded at:
Brinkburn Priory in Northumberland, England, United Kingdom (in 1994-10)
recording of:
Requiem Officium Defunctorem: Sanctus
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Requiem Officium Defunctorem: Sanctus & Benedictus
Tomás Luis de Victoria1:54
16Missa pro defunctis: Benedictus
recording engineer:
Stephan Flock (in 1994-10)
producer:
Lennart Dehn (in 1994-10)
vocals:
Gabrieli Consort
conductor:
Paul McCreesh (conductor) (in 1994-10)
performer:
Gabrieli Consort & Players (UK early music ensemble) (in 1994-10)
balance engineer:
Andrew Wedman (producer and engineer) (in 1994-10)
recorded at:
Brinkburn Priory in Northumberland, England, United Kingdom (in 1994-10)
recording of:
Requiem Officium Defunctorem: Benedictus
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Requiem Officium Defunctorem: Sanctus & Benedictus
Tomás Luis de Victoria1:11
17Missa pro defunctis: Agnus Dei
recording engineer:
Stephan Flock (in 1994-10)
producer:
Lennart Dehn (in 1994-10)
vocals:
Gabrieli Consort
conductor:
Paul McCreesh (conductor) (in 1994-10)
performer:
Gabrieli Consort & Players (UK early music ensemble) (in 1994-10)
balance engineer:
Andrew Wedman (producer and engineer) (in 1994-10)
recorded at:
Brinkburn Priory in Northumberland, England, United Kingdom (in 1994-10)
recording of:
Requiem Officium Defunctorem: Agnus Dei
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria2:41