Williams on Williams: The Classic Spielberg Scores

~ Veröffentlichung von John Williams (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1E.T. The Extra Terrestrial: Flying
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer) (in 1982)
Teil von:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
3:40
2Jurassic Park: Theme
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
Theme From Jurassic Park (Jurassic Park) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer) (in 1993)
Teil von:
Jurassic Park (1993 film score)
5:33
3Schindler's List: Remembrances
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Geige / Violine:
Tamara Smirnova (von 1995-05-25 bis 1995-05-27)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
Remembrances (Schindler’s List) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
6:28
4Hook: Flight to Neverland
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
Flight to Neverland (Hook) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer)
Teil von:
Hook
4:44
51941: The Battle for Hollywood
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
The Battle for Hollywood (1941) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer)
5:02
6Hook: Smee's Plan
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
Smee’s Plan (Hook) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer)
Teil von:
Hook
3:36
7Jaws: The Barrel Chase
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
The Barrel Chase (Jaws) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer)
5:37
8Jurassic Park: My Friend the Brachiosarus
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
My Friend the Brachiosarus (Jurassic Park) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer) (in 1993)
Teil von:
Jurassic Park (1993 film score)
recording of:
An Ailing Monster
Komponist(in):
John Williams (American score composer)
Teil von:
Jurassic Park (1993 film score)
4:42
9Empire of the Sun: Jim's New Life
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
Jim's New Life (Empire of the Sun) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer)
Teil von:
Empire of the Sun (1987 film score)
3:45
10Close Encounters of the Third Kind: The Dialogue
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
The Dialogue (Close Encounters of the Third Kind) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer)
3:31
11Hook: The Lost Boy's Ballet
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
The Lost Boys’ Ballet (Hook) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer)
4:01
12Schindler's List: Theme
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Geige / Violine:
Tamara Smirnova (von 1995-05-25 bis 1995-05-27)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
Main Theme (Schindler’s List) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
3:57
13Raiders of the Lost Ark: The Basket Chase
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
The Basket Chase (Raiders of the Lost Ark) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer)
4:18
14Hook: The Face of Pan
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
The Face of Pan (Hook) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer)
4:25
15Hook: The Banquet
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
The Banquet (Hook) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer)
Teil von:
Hook
6:09