Dark Was the Night

~ Veröffentlichung von Blind Willie Johnson (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I Know His Blood Can Make Me Whole
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
recording of:
I Know His Blood Can Make Me Whole (am 1927-12-03)
Verfasser(in):
Blind Willie Johnson
53:05
2Jesus Make Up My Dying Bed
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
recording of:
Jesus Make Up My Dying Bed (am 1927-12-03)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
Version von:
Jesus Goin' A-Make Up My Dying Bed
3:14
3It's Nobody's Fault but Mine
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
It’s Nobody’s Fault but Mine (Blind Willie Johnson song) (am 1927-12-03)
Texter, Komponist(in) und arranger:
Blind Willie Johnson
vorher zugeschrieben zu:
[traditional] (special purpose artist)
53:11
4Mother's Children Have a Hard Time
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
recording of:
Mother's Children Have a Hard Time (am 1927-12-03)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:24
5Dark Was the Night
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre und sonstiger Gesang [humming and moaning]:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
Herausgeber:
Harmony (20s/30s US)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1999)
recording of:
Dark Was the Night, Cold Was the Ground (am 1927-12-03)
Verfasser(in):
[traditional] (special purpose artist)
Komponist(in) und arranger:
Blind Willie Johnson
3.753:22
6If I Had My Way I'd Tear the Building Down
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
recording of:
If I Had My Way I’d Tear the Building Down (am 1927-12-03)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:11
7Bye and Bye I'm Goin' to See the King
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-10)
Gitarre:
Blind Willie Johnson (am 1929-12-10)
vocals:
Blind Willie Johnson (am 1929-12-10)
recording of:
Bye and Bye We’re Going to See the King (am 1929-12-10)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
2:54
8The Soul of a Man
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1930-04-20)
Gitarre:
Blind Willie Johnson (am 1930-04-20)
vocals:
Willie B. Harris (am 1930-04-20) und Blind Willie Johnson (am 1930-04-20)
recording of:
The Soul of a Man (am 1930-04-20)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:16
9Lord I Just Can't Keep From Crying
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1928-12-05)
Gitarre:
Blind Willie Johnson (am 1928-12-05)
vocals:
Willie B. Harris (am 1928-12-05) und Blind Willie Johnson (am 1928-12-05)
recording of:
Lord I Just Can’t Keep From Crying (am 1928-12-05)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:03
10Keep Your Lamp Trimmed and Burning
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1928-12-05)
Gitarre:
Blind Willie Johnson (am 1928-12-05)
vocals:
Willie B. Harris (am 1928-12-05) und Blind Willie Johnson (am 1928-12-05)
recording of:
Keep Your Lamp Trimmed and Burning (am 1928-12-05)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
basiert auf:
Keep Your Lamp Trimmed and Burning
3:05
11Let Your Light Shine on Me
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-10)
Gitarre:
Blind Willie Johnson (am 1929-12-10)
vocals:
Blind Willie Johnson (am 1929-12-10)
recording of:
Let Your Light Shine on Me (am 1929-12-10)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:11
12John the Revelator
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1930-04-20)
Gitarre:
Blind Willie Johnson (am 1930-04-20)
vocals:
Willie B. Harris (am 1930-04-20), Angeline Johnson (am 1930-04-20) und Blind Willie Johnson (am 1930-04-20)
recording of:
John the Revelator (am 1930-04-20)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 6701)
43:19
13Praise God I'm Satisfied
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-11)
Gitarre:
Blind Willie Johnson (am 1929-12-11)
vocals:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1929-12-11) und Blind Willie Johnson (am 1929-12-11)
recording of:
Praise God I'm Satisfied (am 1929-12-11)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:12
14God Moves on the Water
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-11)
Gitarre:
Blind Willie Johnson (am 1929-12-11)
vocals:
Blind Willie Johnson (am 1929-12-11)
recording of:
God Moves on the Water (am 1929-12-11)
Texter und Komponist(in):
Blind Willie Johnson
3:01
15Trouble Will Soon Be Over
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1930-04-20)
Gitarre:
Blind Willie Johnson (am 1930-04-20)
vocals:
Willie B. Harris (am 1930-04-20) und Blind Willie Johnson (am 1930-04-20)
recording of:
Trouble Will Soon Be Over (am 1930-04-20)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:08
16Church, I'm Fully Saved Today
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1930-04-20)
Gitarre:
Blind Willie Johnson (am 1930-04-20)
vocals:
Willie B. Harris (am 1930-04-20) und Blind Willie Johnson (am 1930-04-20)
recording of:
Church, I'm Fully Saved To-Day (am 1930-04-20)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:08
17Go With Me to That Land
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1930-04-20)
Gitarre:
Blind Willie Johnson (am 1930-04-20)
vocals:
Willie B. Harris (am 1930-04-20) und Blind Willie Johnson (am 1930-04-20)
recording of:
Go to Me With That Land (am 1930-04-20)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:05
18When the War Was On
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-11)
Gitarre:
Blind Willie Johnson (am 1929-12-11)
vocals:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1929-12-11), Angeline Johnson (am 1929-12-11) und Blind Willie Johnson (am 1929-12-11)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
When the War Was On (am 1929-12-11)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:03
19Take Your Burden to the Lord and Leave It There
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-11)
Gitarre:
Blind Willie Johnson (am 1929-12-11)
vocals:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1929-12-11) und Blind Willie Johnson (am 1929-12-11)
recording of:
Take Your Burden to the Lord and Leave It There (am 1929-12-11)
arranger:
Blind Willie Johnson
Arrangement von:
Leave It There
2:57
20I'm Gonna Run to the City of Refuge
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1928-12-05)
Gitarre:
Blind Willie Johnson (am 1928-12-05)
vocals:
Willie B. Harris (am 1928-12-05) und Blind Willie Johnson (am 1928-12-05)
recording of:
I’m Gonna Run to the City of Refuge (am 1928-12-05)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:24
21You'll Need Somebody on Your Bond
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-11)
Gitarre:
Blind Willie Johnson (am 1929-12-11)
vocals:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1929-12-11) und Blind Willie Johnson (am 1929-12-11)
recording of:
You'll Need Somebody on Your Bond (am 1929-12-11)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:06
22Take Your Stand
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-11)
Gitarre:
Blind Willie Johnson (am 1929-12-11)
vocals:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1929-12-11) und Blind Willie Johnson (am 1929-12-11)
recording of:
Take Your Stand (am 1929-12-11)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:00

Nennungen

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0000039252 [Info]